History of Art, Architecture, and Archaeology Commons^™

Translating Antiquity Onto Souvenirs: The Collectively Shaped Reception Of The Doves Of Pliny On Micromosaics, Lauren K. Disalvo

Art Inquiries

No abstract provided.

Heavenward Gaze, Earthly Ambitions: The Political Commentary Of The Vercelli Map's Ostrich, Helen Davies

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Proxy Over Pilgrimage: Queen Eleanor Of Castile And The Celebration Of Crusade Upon Her Funerary Monument(S), Gordon M. Reynolds

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

A Forgotten Dominican Monastery In The Eastern Mediterranean. The Ruined Site ‘In Contrata De Morfi’ In Famagusta, Cyprus, Thomas Kaffenberger

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Medieval Representations Of St Margaret Of Antioch And St Nicholas Of Myra In English Parish Churches: Sacramental Associations And The Construction Of A Christian Communal Identity, Frances Cook

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Between Heaven And Hell: Salvific Murals To Transform A Pre-Romanesque Parish Church Into A Noble Funerary Pantheon In 14th- Century Navarre, Eneko Tuduri

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Walking With Helena: An Examination Of A Gendered Model For Women And Medieval Pilgrimage In Northern Spain, Katharine Scherff

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

The Liber Scintillarum: Excerpting And Recomposing Textual And Artistic Traditions In The Early Middle Ages, Loretta Vandi

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Language Contest In The Linguistic Landscape Of Sabasaba International Trade Exhibitions In Dar Es Salaam, Tanzania, Emmanuel Ilonga

Journal of Humanities and Social Sciences

This inquiry stems from the scarcity of research on linguistic landscape particularly on the intersection between physical landscape, business fairs, and languages in Dar es Salaam. Essentially, it discusses the complexities of linguistic signs at the Dar es Salaam International Trade Fair (DITF) in Tanzania. The central purposes are grounded in the roles of information and symbolism, power dynamics, group identities, language policies, and rationale for the use of specific languages at the fair. Photographic method was employed in the generation of data. The analysis of data was framed in line with informational and symbolic frameworks, and structuration principles. The …

Fighter, Player, Hunter: Queer Women And Female Agents On Secular Gothic Ivories, Emma Le Pouésard

Medieval Feminist Forum: A Journal of Gender and Sexuality

This essay shines a light on the previously ignored queer representations of women on Gothic secular ivories, taking as its case studies three popular iconographical themes: the Castle of Love, the game of chess, and the courtly hunt. Refusing to yield to compulsory heterosexuality when looking at the indeterminately gendered bodies that populate these objects reveals both the ivories’ inherent queerness and their potential to interrogate their own normativity. Like the romance literature that inspired the images on these objects, they represent and enforce idealized gender norms with remarkable reluctance. In particular, the author highlights overlooked depictions of female homosocial …

Playing To Grow. Roundtable Interview On Games, Education, And Character, Owen Gottlieb, Matthew Farber, Paul Darvasi

Articles

In this roundtable interview moderated by Paul Darvasi, lecturer at the University of Toronto and co-founder of Gold Bug Interactive, Owen Gottlieb and Matthew Farber discuss research and practice at the intersection of religion, character education, and games in schools. Gottlieb is an associate professor at the Rochester Institute of Technology, founder and lead faculty at the Initiative in Religion, Culture, and Policy at the MAGIC center, and founder and director of the Interaction, Media, and Learning Lab at RIT, where he specializes in interactive media, learning, religion, and culture. Farber is an associate professor of educational technology and coordinator …

From Margins To Museums: Tracing The Evolution Of Representation For Contemporary African Artists In The United States, Victoria Mouraux Durand-Ruel

Master's Theses

This thesis examines the impact of the Black Lives Matter movement on the art community in the United States and the evolution of representation for Contemporary African artists. By analyzing the careers and artistic contributions of Omar Ba, Toyin Ojih Odutola, and Njideka Akunyili Crosby, the study explores the concept of artistic agency according to which African artists have more control over the production and distribution of their works.

The research begins with a comprehensive literature review, investigating the historical contexts that have shaped the art landscape, including the impact of colonization, decolonization, and globalization. The study reveals how these …

Archiving A Generation: Filipino Artists And Cultural Workers In Queens, Kimberly Izar

Capstones

While census data shows roughly 86,000 Filipinos live in New York City, data on Filipino artists has been sparse. Art is an expression of one’s being and more often than not, broader social resistance — but it’s also work that has left artists criminalized, ostracized, and even killed.

Over the last year, journalist Kimberly Izar collaborated with Filipino artists and cultural workers across Queens. Queens boasts the largest population of Filipinos compared to any other borough, but this enclave has gradually declined in numbers due to waves of gentrification and migration. Through in-depth coverage and a mix of engagement tools …

Living In Untranslatability--Performance Art In China And Usa, Ziyun Ma

Masters Theses

This thesis embodies discontinuities in performance art and its non-equivalent Chinese term “行 为艺术” between language and cultural context into a migrating journey. A comparative analysis on the disciplinary history of performance art studies in the US and China laid a foundation in exploring the dynamics of marginality in two contexts. Extracting from the narrative mechanism and body view of Chinese performance art, I demonstrate how the philosophy of living (生) inspired many artistic creation, which also echoes my research journey. And from our mutual living experience, I pose the concept of constructive untranslatability that applies positionality and situated knowledge …

Les Expositions Turnus, Une Page D’Histoire Transnationale Des Beaux-Arts En Suisse À La Fin Du Xixe Siècle. Et Comment Découvrir Les Humanités Numériques, Béatrice Joyeux-Prunel

Artl@s Bulletin

Cet article présente le travail de la classe d’introduction aux humanités numériques de l’Université de Genève sur les expositions Turnus en Suisse à partir des années 1840. Près de 50 catalogues ont été retranscrits, décrits et structurés à l’aide de scripts Python, puis géolocalisés. Les données ont été ajoutées à BasArt, le répertoire mondial de catalogues d’expositions d’Artl@s (https://artlas.huma-num.fr/map). Elles permettent de mieux comprendre les premières années de ces expositions et leurs dynamiques locales, fédérales et internationales. Le Turnus fut une plaque tournante pour les artistes suisses, voire un tremplin vers le marché européen de l’art.

Une Europe Par Les Arts ? Les Périodiques Illustrés Au-Delà Du Musée Imaginaire, Béatrice Joyeux-Prunel, Marie Barras, Nicola Carboni

Artl@s Bulletin

Existe-t- il un musée imaginaire européen ? Cet article aborde la question par le biais des illustrations de presse des années 1880-1960. Dans les périodiques illustrés de cette époque, les images d’art traversèrent mieux les frontières que les images non artistiques, en particulier en Europe. Mais plutôt que de conclure à un musée imaginaire européen, une étude multiscalaire plus fine incite à se pencher sur les facteurs sociaux, esthétiques, économiques et techniques de la circulation imprimée des images artistiques.

L’Étoffe De L’Europe, Adeline Rispal

Artl@s Bulletin

Le tissage est le fil conducteur des interventions artistiques qui ont marqué la présidence française dans les bâtiments du Conseil de l’Union européenne à Bruxelles de janvier à juin 2022. Il exprime le travail, la patience, l’agilité et la fragilité face à la monumentalité des bâtiments, et le collectif dans sa force de proposition et d’action et dans sa capacité de résilience. Nous avons créé un textile complexe, joyeux et pétillant, dont la chaîne est composée des couleurs des 27 drapeaux des États de l’Union et la trame l’est des drapeaux des présidences successives, une sorte de data-tissage que nous …

Mediatization Of The Early Automobile: A Visual Analysis Of The Illustrated Press In The Late 19th And Early 20th Century, Nicola Carboni

Artl@s Bulletin

The paper presents a digital analysis of automobile imagery in the early 20th-century press, examining the mediatization of the anti-car movement and the role images played in conveying and furthering the activist discourse. To investigate the phenomenon, the author compiled and analyzed over 5,000 images from in 185 journals published in 45 cities between 1891 and 1950. The analysis revealed a preponderance of positive representations of the automobile in the press, whilst evidence of negative sentiment towards the automobile, such as protests and accidents, was conspicuously absent, with the exception of satirical publications.

War And Peace. The Film Iconeme Of The Urban Square As Image Of Europe In Transition (1944-1948), Paolo Villa

Artl@s Bulletin

A central feature of European urban landscapes, the square represents the public space par excellence. At the end of WW2 and in the immediate postwar time, the role of cinema in representing and reimagining urban squares was crucial. Through film images, they became the stage and the mirror of a Europe in transition. This contribution, examining Italian, French, German, and Czechoslovak cases, posits the square as an essential iconeme in postwar nonfiction cinema and visual culture, acting as a fil rouge to visually retrace the path of Europe from war to peace, and into new forms of political tension.

Europe As A Celebrated Community Of Culture. The Council Of Europe’S Art Exhibitions In The 1950s, Lefteris Spyrou

Artl@s Bulletin

Born as part of a Europe-building process in the aftermath of WWII, the Council of Europe emerged, during the 1950s, as the leading intergovernmental organisation for cultural cooperation in Europe. This paper examines the Art Exhibitions held under its auspices in different western-European cities between 1954 and 1961. Presenting in chronological order the major artistic movements in Europe from the Renaissance to 1914, the exhibitions were quite successful in terms of public attendance, and became the most important institutional initiative in visualising the idea of European unity based on a shared cultural heritage.