History of Art, Architecture, and Archaeology Commons^™

Bunzi, Non-Profit Contemporary Art Center For Archive And Craftmanship In Abidjan, Ivory Coast., Kinda Ghandour

MA Projects

Growing up in Abidjan, Ivory Coast, I discovered my passion for arts through my fine art teacher. Every two months, she would arrange visits to the Cecile Fakhoury gallery or the Donwhahi foundation. As I walked through these spaces, my imagination and mind expanded. These contemporary art platforms opened doors to me, giving me the opportunity to work in the arts. Cecile Fakhoury has proved that west African art offers great promise and growth since 2013. According to artsy, Aboudia was one of the top 20 selling artists in 2022. The 1-54 art fair, which has existed for 10 years, …

The Spirit Of Female Modernity, Yuan Yuan

MA Projects

"The Spirit of Female Modernity" rejoices in the empowering synergy of women and art modernist aesthetics. It focuses mainly on the work of female artists, designers, musicians, and fashion brands that break several epochs and media. The goal is to motivate by illustrating how women in diverse artistic and design fields embraced and, in some cases, reinterpreted the language of modernist art to reflect their period's concept of modernity. This carefully curated exhibition highlights the new and thought-through role that women artists embarked on in helping to shape the history of art through the modernism lens of feminist practice. It …

Review: Textile In Architecture: From The Middle Ages To Modernism, Sylvia W. Houghteling

History of Art Faculty Research and Scholarship

No abstract provided.

Is Landscape Queer?, Kate Thomas

Literatures in English Faculty Research and Scholarship

No abstract provided.

The Course Of Empire: An Analysis, Devyn Woodard

Emerging Writers

This essay delves into the themes of and motivations for Thomas Cole’s series of paintings, The Course of Empire. Through an analysis of the different rhetorical appeals and fallacies employed by Cole in the series of paintings, the deeper meaning behind the works comes to light. This analysis serves as a bridge between the environment the paintings were created in almost two hundred years ago, and the contemporary global landscape, which is still in need of its lessons, even so many years later.

The Art Of Re-Presenting : Power And Agency For Black Women Amid Trauma, Oppression And Everyday Life, Diane Carol Vermette

Wayne State University Theses

In this thesis, the work and lives of seven Black American women artists who created artwork in the twentieth century are explored to discover how they have used their work to represent Black women in America. Using four critical concepts: Double Consciousness, First, Second, and Third Wave Feminism, Black Feminist Thought, and Intersectionality, several critical questions are answered in order to discover the historical and social context in which they worked and how this affected their ability to reflect the lives, struggles, hopes, and identities of themselves and other Black women. Using the word re-presenting as a signifier of how …

Rhythms That {Bind}: Emerging Through Dissonance, Tessa Hailu

Dance (MFA) Theses

This thesis aims to interrogate systematic approaches to organization(s) and our innate desire for control to achieve a balanced “rhythmic” flow of life to ultimately preserve a sense of security. This investigation challenges the comforts of habits, routine, and order to push up against the binding effects of these predictable cycles that remain structured for reassurance. This research also considers what happens when one doesn’t have the choice to bind themselves TO safety but are otherwise bound BY rhythms of which they have no control. Taking into account our anatomical existence, the ecological systems in which we operate, and life’s …

An Examination Of The Visual And Textual Influences On The Anthology Of American Folk Music, Ben Collier

History Theses

The Anthology of American Folk Music is a collection of eight-four selections of southern vernacular recordings made for commercial record labels in the 1920s and 1930s and assembled into a unified collage by Harry Smith. Smith was an experimental filmmaker, painter, and self-taught anthropologist with a deep interest in renaissance hermeticism and mysticism who worked with Moe Asch in 1952 to release the six-record set and accompanying handbook on Folkways Records. The release was heralded by musicians and critics as an essential piece of influence on the folk music revival. Despite this, the Anthology sold poorly and quickly faced legal …

The Unseen River And Infrastructural Silences: The Santa Ana River And The Ontology Of Floods, Cooper Lennon Crane

Pomona Senior Theses

This article discusses the history of land development and infrastructure along the Santa Ana River in Southern California. The river plays a significant role in the landscape of many of Southern California’s cities and urban geographies but has been relatively underdiscussed in literature. This article approaches the river using a combination of historic ethnography and sociocultural theory to unpack the meanings of the infrastructure of the river and its relation to Southern Californians. From these meanings, the article places the river in context with environmental politics, urban development, and water management issues in California today. The article argues that the …

[Review Of The Book Reading Underwater Wreckage: An Encrusting Ocean, By K. Quigley], Ingo Heidbrink

History Faculty Publications

[Introduction] Anyone with expectations that a book titled Reading Underwater Wreckage is a methodological handbook for maritime archaeologists or anyone with interest in analyzing artifacts sunken into the deep of the oceans as material for historical research will be deeply disappointed by Killian Quigley's new book. But for readers who are interested in new approaches to look at submerged artifacts or wrecks, who are willing to give up the disciplinary confines of academia, who are interested in nonhuman actors' involvement in artistic processes, or in other words, who are willing to look below the surface through a different lens, Quigley's …

Fra Angelico In San Marco: A Comparison Of Fra Angelico’S Frescoes And Altarpieces During His Time In San Marco, Isaac Copeland

Tenor of Our Times

Fra Angelico stood at the crossroads of two major art movements in the early 15th century, the old International Gothic style, and the new Renaissance style. During his stay at San Marco between 1436, when the monastery moved to Florence, and 1445, when Fra Angelico was summoned to Rome, his work reflected elements of both the International Gothic style and the Renaissance style. However, in his works at San Marco, his panel paintings were more conservative, painted with more Gothic conventions than his frescos, which exhibited elements of the rising Renaissance.

Les Stations De Vacances Des Années 1960-70 : Comment Leur Architecture Moderniste Incarne-T-Elle La France Des Trente Glorieuses ?, Lily V. Fournier , '24

Senior Theses, Projects, and Awards

No abstract provided.

Integrating Art And Ai: Evaluating The Educational Impact Of Ai Tools In Digital Art History Learning, James Hutson

Faculty Scholarship

This study delves into the burgeoning intersection of Artificial Intelligence (AI) and art history education, an area that has been relatively unexplored. The research focuses on how AI art generators impact learning outcomes in art history for both undergraduate and graduate students enrolled in Ancient Art courses, covering eras from ancient Mesopotamia to the fall of Rome. Utilizing a mixed-methods approach, the study analyzes AI-generated artworks, reflective essays, and survey responses to assess how these generative tools influence students’ comprehension, engagement, and creative interpretation of historical artworks. The study reveals that the use of AI tools in art history not …

How Photography Became Contemporary Art: Inside An Artistic Revolution From Pop To The Digital Age, James R. Swensen

Faculty Publications

One of the most important, yet neglected, periods in photography's young history took place in the United States during the 1960s. For years, photographers who explored the medium's creative aspects, such as Alfred Stieglitz and Edward Weston, struggled for recognition and success. That changed decades later when, at long last, the American public accepted photography as an art form. The "photo boom" gained momentum in the 197OS with the rise of successful MFA programs, an increase in financial support, and recognition from museums and commercial galleries (neither of which had paid much attention to the medium in the past) (p. …

Jerusalem, Mishmar Ha-Gvul St. A-9831, Rachel Waysman

Favissa: Past Archaeological Excavation Reports

In June 2024, a salvage excavation (Permit No. A-9831; map ref. 221120-36/634103-17; Fig. 1) was conducted in a residential building on a private plot at 5 Mishmar Ha-Gvul St. in the Ramat Eshkol neighborhood of Jerusalem, as part of a Tama 38 urban renewal project. The excavation, undertaken on behalf of the Israel Antiquities Authority and funded by Meshi Y. K. Construction and Development Ltd., was directed by N. Rom, with the assistance of N. Nehama (administration), S. Baley and A. Patchuro (supervision), S. Halevi and V. Vasman (photogrammetry and modeling), O. Zakaim (drafting), Y. Shalev and Z. Kanias (Jerusalem …

Jurgen Comics Contest Newspaper And Artwork - Fall 2023, Julia Martinez

Jurgen Banned Art Comics Contest

Digital edition of the Jurgen Comics Contest broadsheet newspaper celebrating the Fall 2023 Contest winners. The newspaper design and supplemental artwork were created by contest student editor Julia Martinez. Supplemental promotional materials include a poster for an online information session.

The Fall 2023 Jurgen Comics Contest invited VCU students to explore a specific historical incident of censorship or suppression of visual art, books, music, film or performance.

You Got That From Where?: Unpacking Art Imperialism In Western Museums Through The Seated Scribe And The Bust Of Nefertiti, Emmy Shouse

Honors Program Theses

This thesis examines how major Western museums perpetuate colonial narratives in their displays of cultural property through analyses of the displays of two ancient Egyptian antiquities–the Seated Scribe and the Bust of Nefertiti. Despite stated goals of decolonization, institutions like the Louvre and Neues Museum prioritize object presentations glorifying Western imperial excavations and acquisitions over providing historical and cultural context about the objects' Egyptian origins. Sparked by site visits to Egyptian museums and subsequent visits to Berlin’s Neues Museum and the Louvre in Paris, this thesis contrasts disappointing imperialist displays of Egyptian antiquities in European institutions to each object’s full …

Climate, Disease, And Upheaval In The Turkic World In The 14th-15th Centuries, Uli Schamiloglu

Khazar Journal of Humanities and Social Sciences

This paper examines the role of climate and disease as a major factor resulting in disruption and upheaval in the Turkic world in the 14th-15th centuries. The first issue the paper addresses is the beginning of the climatic downturn in circa 1280, which will ultimately culminate in the Little Ice Age of the late 15th-18th centuries. The paper cites recent work on the role of climate in the History/ Archaeology of Iran. While the author has explored this issue in detail for the History/ Archaeology of the Golden Horde, the impact of climate change on Iran in the 14th15th centuries …

Ūzūn Ḥasan And Timurid Legitimacy, John E. Woods

Khazar Journal of Humanities and Social Sciences

No abstract provided.

Umm Al-Jimāl Site Management Plan, Dr. Elizabeth Osinga, Mrs. Jenna De Vries Morton

University Faculty Publications and Creative Works

Umm Al-Jimāl is an archaeologist’s dream. Jagged black basalt ruins rise above the skyline. Over 170 buildings in various states of repair grouped into neighborhoods. A tower encircled by inscriptions, an entry gate, several architecturally classic churches. Inscriptions with names and dates beginning in the Nabataean period and continuing through the Early Islamic—there are even modern names carved into some of the lintels, representing the last local community who lived in the ruins in the 21st century. The site presents the tangible remains of the many generations who lived through centuries of differing imperial rule, religious change, and socio-economic shifts. …