American Art and Architecture Commons^™

“The Entire Art Movement Has Become An Enormous Business Venture” Financing The American Art Museum, Lucy Owen

MA Theses

This thesis examines the intricate relationship between financial operations and the public function of American art museums. The distinctive American nonprofit model relies heavily on private funds for its survival and success. The thesis traces the historical development of this model, and then analyzes the contemporary state of American art museums, with a specific focus on two prominent institutions: MoMA PS1 and the Yale University Art Gallery. The analysis highlights the significant influence of board members' financial contributions and their business expertise on museum operations. Moreover, the thesis argues that the museum world has undergone rapid financialization in the twenty-first …

Modern Mother: Abby Aldrich Rockefeller And The Visionary Women Who Founded The Museum Of Modern Art, Sophie Dowling

MA Theses

This thesis analyzes the role that women played in founding The Museum of Modern Art (MoMA) in 1929 during an era in which the prevailing attitude toward modern art in America was one of bewilderment and derision. MoMA was founded by three women: Lillie Plummer Bliss, Abby Aldrich Rockefeller and Mary Quinn Sullivan. At a time when their male counterparts were more focused on collecting Renaissance and Old Master paintings, French decorative arts, Chinese porcelain and medieval tapestries, these women chose to collect modern art. Avant-garde art, which was shown en masse to the American public in 1913 at the …

How Social Media Is Reshaping The Art Market: Catalyzing The Rise Of The Art Agency Model In The United States, Leo Braudy

MA Theses

The art world is undergoing a fundamental transformation, marked by a shift from the traditional gallery-centric model to a talent agency model akin to those in the entertainment and music industries. This evolution is driven by the increasing influence of social media platforms, which empower artists to directly engage with audiences, bypassing the traditional gatekeepers of galleries and auction houses. Drawing on insights from industry reports, social media analytics, and case studies, this thesis explores how social media has catalyzed this shift and examines its implications for artists, collectors, and the broader art market. It argues that the rise of …

Blackness And Nineteenth-Century Art In The Atlantic World, Rachel Hooper

Curatorial Publications

No abstract provided.

The Cut Worm Forgives The Plow, August Neuscheler

Theses and Dissertations

The explorations in this thesis writing are centered on William Blake’s proverb “The cut worm forgives the plow.” It has been reinterpreted as an allegory of history and energy. A theory of their relation is proposed based on forgiveness, a theory that accepts the palimpsest of orders as evidence for the abundance of the present moment. The writing focuses on questions of proportionality, scale, archaeological screening methods, planar cutting, and a critique of entropy as grounds for this theory. Some of its subjects include the Statue of Liberty, Kate Raworth’s donut economic model, sashimi, triangulation, Joseph Beuys’ “7,000 Eichen,” semiconductors, …

Crafting Cultural Power: Artistic Interventions As Tools For Political Organizing Among Los Angeles Street Vendors, Corina M. Silverstein

Scripps Senior Theses

This thesis focuses on the intersections of collaborative and artistic interventions (such as collective songwriting and poetry) within the ongoing fight to legalize and decriminalize street vending in Los Angeles. Through the close partnership with Community Power Collective (CPC), this thesis analyzes the use of narrative in artistic collaborations and oral traditions throughout the political mobilization of street vendors in Los Angeles. Through an interdisciplinary approach, this investigation explores the use of early influences of street theater, to collective songwriting workshops, as well as artistic collaborations with local artists. Ultimately, suggesting CPC’s use of artistic practices and collaborations are essential …

Essential Caretaking For Artists With Disabilities: Exploring The Overlooked Histories Of Hazel Knapp And Grandma Moses, Bryan P. Martin

Dissertations and Theses

This thesis explores the intersection of disability studies and art history, addressing the underrepresentation of disability in scholarship, especially concerning medical sociology and caretaking. Focusing on two early-twentieth-century self-taught American artists, Hazel Knapp (1908–95), who fell into obscurity, and Anna Mary Robertson Moses (1860–1961), best known as Grandma Moses, this is a comparative analysis of how disability influenced their artistic practices and shaped their divergent career outcomes. Knapp was born with Charcot-Marie-Tooth disease, a neurodegenerative disorder, and fell into obscurity due to a lack of support for her condition, but experienced a promising start to her career that included patronage …

Defining ‘Un-Americanism’ In Culture And Art: The Dies Committee’S Investigation Of The Federal Theatre Project, Matthew G. Summers

Dissertations and Theses

This thesis explores the House Un-American Activities Committee’s (HUAC) expansive definition of ‘Un-Americanism’ through the body’s 1938 investigation of the Federal Theatre Project (FTP). The committee, then known as the Dies Committee after its chairman Martin Dies (D-TX), publicly presented the hearings as an attempt to root out communism in a deeply compromised government program. And indeed the FTP, an ambitious New Deal Program to provide work for unemployed professionals in the theatre, had an undoubtedly leftist bent. However, the hearings were consistently focused on the project's progressive stances on issues of race and gender, and effectively exposed the underlying …

Art As Witness: Carrying Christian Iconographies In The Works Of Henry Ossawa Tanner During The Gilded Age To Contemporary Autobiographical Testimonial Art, Ziona King

Pomona Senior Theses

Culminated in a solo exhibition of three works titled the prodigal daughter and The Great High Priest, Baptism, and The Lord of Hosts, this research explores the implications of the Christian methodologies and iconographies in the works of Henry Ossawa Tanner to influence testimonial artwork containing personal Christian iconographies of water baptism, spiritual encounter in everyday life, the lion of Judah, bowls, and more interpretive motifs.

Preserving The Stolen: Cultural Appropriation And The Case Of Seattle's Totem Pole, Olga S. Koutroulis

Scripps Senior Theses

This thesis investigates the cultural appropriation and conservation of the Chief-of-All-Women totem pole, originally stolen by Seattle businessmen from the Tlingit village of Tongass in 1899 and later reinstalled in Pioneer Square as a symbol of the city. By framing the totem pole as a site of both physical and cultural displacement, I trace its journey from sacred object to public monument, and ultimately to federally funded replica. Drawing on conservation theory, oral history, archival research, and an interview with Haida artist Sondra Segundo, I argue that the pole’s removal, replication, and continued display reflect broader patterns of settler colonialism …

Codifying Domesticity: The Story Of The Recommended Minimum Requirements For Small Dwelling Construction Of 1923, The Housing Policy Of The Hoover Secretariat, And The Impact On American Residential Architecture, Noah Morris

Graduate School of Architecture & Urban Design Theses & Dissertations

During the nineteenth and twentieth centuries, fire disasters and health-safety issues led to the widespread adoption of building codes. While the National Board of Fire Underwriters published the National Building Code in 1905, the code did not maintain regulatory consistency across the nation. This lack of consistency across the nation and socio-economic factors contributed to a nation-wide housing shortage of a million units by 1919. During World War I, the government addressed the housing crisis through the United States Housing Corporation and Emergency Fleet Corporation, building public housing based on the ideals of the Garden City Movement.[1] Following the …

Origins Of Art: Demystifying The Scheuring Icon Collection, Mikayla Klemp

The Journal of Purdue Undergraduate Research

No abstract provided.

In The Case Of Prince Ling Ching: Visualizing The Boxer Rebellion Through Puck Magazine, Mimi Yu

Honors Program: Senior Projects (Public)

Through the framework of orientalism, this paper examines the historicism behind satirical illustrations created by artists and editors in Puck Magazine which depict the Boxer Rebellion, spanning from 1899 to 1902. In doing so, I aim to explore the nuances in which mass-produced visual satire seeks to justify Western hegemony. Widely published and distributed in the United States, Puck was a satirical magazine from the late 19th and early 20th century, and one of the first satirical magazines to contain colored lithographic covers. Puck further contributed to discourse over the “Yellow Peril” by employing caricature art and passages of punchlines …

The Cumulate Project: Creating Art That Builds Pathways Between Poetry And Accessibility In Public Spaces., Jenny Haddon

Posters, Proceedings, and Presentations: CTR Library

The University of Nebraska at Kearney( UNK) is completing an extensive renovation to the Calvin T. Ryan Library. Nebraska’s 1% for Art Law requires that 1% of all state-funded projects be set aside for a public art commission. The Nebraska Arts Council spearheaded UNK’s search and out of over 100 submissions the successful applicant was Leslie Iwai, an accomplished artist with a history of creating thought-provoking pieces in public spaces, galleries and museums. Together with Nebraska’s State Poet Matt Mason, serving as cumulate’s Poetry Curator, she designed and created an interdisciplinary art project aimed at sparking curiosity and interaction …

Uncommon Elegance: Black Women And The Abolitionist Print Market In The U.S. Civil War Era, Rachel Hooper

Curatorial Publications

No abstract provided.

The Reveal: A Technical Study And Conservation Treatment Of An Overpaint Portrait, Camille Ferrer

Art Conservation Master's Projects

A severely damaged 19th-century oil painting depicting a portrait of a woman was treated at Patricia H. and E. Garman Art Conservation Department. A typed letter provided by the owner mentioned that it has been previously restored yet returned with unsatisfactory results. After further examination, the painting appeared to have been previously treated multiple times by different people. There was overpaint distinctly present on the face and later discovered to be present overall. The full state of condition of the painting was initially unknown due to the sum of the surface being overpainted. However, there were evidence of paint loss …

Lost In The (Re)Process: Challenging Constructions Of Downtown Louisville Through The Urban Renewal Commission Photograph Collection., Cassidy Meurer

Electronic Theses and Dissertations

This thesis chronicles the historical significance of the Urban Renewal Commission photograph collection, traces the history of racial capitalism in Louisville through research at Metro Louisville Archives & Records Center, and argues for alternative ways of organizing, digitizing, and presenting these archival materials in the University of Louisville’s Archives & Special Collections. I describe my methodology for breaking the photographic materials from their original order, going against typical archival processing methodologies, with the aim that the collection will more accurately represent the city’s strategic displacement of Black Louisvillians and civic prioritization of capital efficiency over community. This work emphasizes the …

Shifting Forms: Queer Placemaking Amidst Neoliberalism In New York City Through Art, Colin J. Donnelly

Geography Undergraduate Senior Theses

This project explicates how queer people produce space for themselves through art in New York City amidst the prevalent neoliberal frameworks that have existed since the 1980s. Drawing on semi-structured interviews with queer artists and nonprofit workers, participant observation in art spaces, and close reading of art compiled through archival work, I explore sites of presentation (places in which art is displayed) and modes of presentation (how specific artists decide to present their art). I analyze museums and nonprofit spaces, and engage with queer artists that create what I consider to be site-specific art. I zoom in on spatial art …

America, Dreaming., Sarah Meftah

Masters Theses

There is a version

of America

that exists

only in dreams,

a kind of folklore,

shrouded in images,

technicolor interiors,

wrapped in plastic,

ghosts of recent past

to haunt and guide;

a constant reminder.

Wishful thinking

a constructed imaginary,

one I can hold in my hand.

Popular culture and spectacle, America and the domestic ideal, capitalism and the collective unconscious of a national identity. As an artist, I am interested in the myriad images that manifest for a viewer when they think of the spectacle of American pop culture, its domestic archetypes, and the material worship it revolves around. My …

Frontier: Land, Architecture, And Abstraction, Jacob Boatman

Masters Theses

The abstraction of land is a colonial process by which physical land is transformed into a conceptual or symbolic entity. This transformation occurs through various economic, architectural, and cultural practices that imbue land with abstract values, meanings, and functions beyond its physicality. This includes the division of land into parcels for economic transactions, the design and construction of built environments that shape human interactions with the land, and the cultural narratives and representations that ascribe significance to particular landscapes. Through abstraction, colonial powers devalue indigenous perspectives and relationships to the land, reducing them to mere obstacles in the path of …