American Art and Architecture Commons^™

From It-Girls To Obscurity: What Happened To The Stettheimer Sisters?, Catherine Pierce Higgins

MA Theses

This dissertation explores the lives and impact of the three Stettheimer sisters, Florine, Carrie and Ettie, cultural innovators, and major influencers of a distinctive, feministic strand of American modernism in New York between 1914 and 1950. The Stettheimer sisters did not use their privilege to assimilate into society but to create an alternate artistic universe, resisting the male hierarchies of the dominant avant-garde. By controlling a salon, an intellectual and creative social center where artists, writers, and intellectuals such as Marcel Duchamp, Georgia O’Keeffe and Carl Van Vechten held court, they were able to create an environment in which femininity, …

The Confidence-Man Goes To The Moving Panorama: Herman Melville’S Confidence Narrator And United States Imperialism, Bradley J. Lee

Graduate Theses/Dissertations

This thesis argues that Herman Melville fashioned his novel The Confidence-Man; His Masquerade (1857) after the moving panorama, a popular entertainment technology contemporary with the novel. More specifically, the thesis argues that the novel recalls Banvard’s Mississippi Panorama (1846). Using Jay Leyda’s The Melville Log and John Hanners’ record of Banvard’s performances, I establish beyond reasonable doubt the possibility that Melville saw this painting, or, at the very least, was aware of it, its content, and its social position. Tracing the novel’s engagement with this panorama reveals what seems at first to be its imperialist, Manifest Destinarian undertones. The novel’s …

John Frederick Kensett & Lotus-Eating, Elizabeth Montfort

Dartmouth College Master’s Theses

This thesis examines Lotus-Eating: A Summer Book (1860) by George William Curtis, with illustrations by John Frederick Kensett. Situating the work within the broader culture of the nineteenth-century travel literature, it analyzes the text’s intermedial construction across memoir, poetry, and visual imagery. By considering each of these modes both independently and in relation to one another, the thesis argues that Curtis and Kensett collaboratively produce a hierarchical framework for viewing and experiencing nature.

Drawing on intermedial and ecocritical methodologies, this project demonstrates how the book does not simply depict landscape but actively instructs its audience in how to see it. …

Tailoring Black Style And Its Powerful Pieces: From West Africa To The U.S. West Coast And Everything In-Between, Gabriel Capellan

Occasional Essays

Introduction:

On September 19, 2025, I went to the Metropolitan Museum of Art Museum (MET) with some of the Bronx African American History Project team. The people in attendance were Graduate Assistant, Anthony Rosado, and Undergraduate Assistants, Serena Velasquez and Emma Garr, wonderful people, I tell you. After the tour, we ended up at the American art exhibit and had podcast conversations about history for what felt like both hours and very brief minutes... We went to the MET to see a particular piece that was in the Superfine: Tailoring Black Style exhibit curated by Barnard professor, Monica L. Miller …

“Do Women Have To Be Naked To Get Into The Met. Museum?”: An Exploration Of Contemporary Feminist And Women’S Exhibitions And Collectives, Demi R. Dauterive

LSU Master's Theses

This thesis examines the creation and evolution of feminist art exhibitions and collectives in the United States from the early 1970s through the 2020s. These exhibitions and the work they contain are analyzed alongside each wave of feminism that ran parallel to their existence. Beginning with the 1970s and Second Wave Feminism, Chapter One explores Judy Chicago and Miriam Schapiro’s Womanhouse in addition to Lucy Lippard’s Twenty Six Contemporary Women Artists and the work of other smaller collectives. Chapter Two explores the DIY initiatives and subversive ideologies of Third Wave Feminism through artist groups such as the Guerrilla Girls and …

On Petrochemical Fantasies: The Art And Energy Of American Comics, Mike Classon Frangos

Criticism

Petrochecmical Fantasies: The Art and Energy of American Comics by Daniel Worden. The Ohio State University Press: Columbus, 2024. Pp. 171. $34.95 cloth.

Challenging The Gaze: A Feminist Interpretation Of The S.M.S. Mail Art Collection, Karissa A. Krievins

All Graduate Reports and Creative Projects, Fall 2023 to Present

In the late 1960s, many people called for radical, immediate change to America’s political, societal, and cultural structures. The artistic practices of the time reflected the social and political realities of the moment and played a crucial role in advocating for change. The title of the 1968 S.M.S. (Shit Must Stop) subscription art portfolios was a bold and urgent call for action, challenging artists and audiences alike to confront the pressing injustices of the era and inspire a collective awakening to the necessity of transformative change across the United States. Despite a fifty-six-year gap, today we are …

Cartography, Botany, And Violence In The Codex Rodriguez-MondragóN, Maria Davison

Theses and Dissertations

This thesis examines how Sandy Rodriguez deploys the visual language of the Florentine Codex and other sixteenth-century Mesoamerican sources to examine the persisting effects of colonialism on people and land in Mexico-U.S. borderlands in Codex Rodriguez-Mondragón (2017-present), her ongoing series of maps, botanical illustrations, and landscape paintings.

Ghost Highway: De-Touring Albuquerque's Route 66, Madison A. Garay

Art & Art History ETDs

Route 66 was a U.S. Numbered Highway stretching from Chicago, IL to Santa Monica, CA, rising to fame through music and popular culture. In Albuquerque, New Mexico, Route 66 has a troublesome twin life as Central Avenue, a highly politicized space where bodies are contested. In this thesis, the function of public arts and architecture of Albuquerque’s main street thoroughfare, Central Avenue, will be analyzed as visual devices of U.S. Highway 66, or known in popular culture as “Route 66.” I employ a critical Derridean framework through Mark Fisher’s theorization of hauntology and Gerald Vizenor (White Earth Ojibwe)’s theory of …

Frieze Symmetry Patterns Of Pennsylvania German Fraktur, Lorelei Koss

LASER Journal

Fraktur is an American folk art developed by German-speaking communities in Pennsylvania, New Jersey, Ohio, Virginia, Maryland, and North Carolina during the 18th and 19th centuries. This art form features ornate calligraphy combined with illustrations of flowers, birds, angels, and geometric border designs. It was often used for birth and baptismal certificates, religious texts, educational materials, and public notices. Fraktur commonly incorporates frieze pattern designs. Artistic designs based on frieze patterns appear across a wide range of cultures, and research has shown that cultural groups tend to favor certain types of frieze patterns. This paper investigates which types of frieze …

Midwestern Landscapes, Immigrant Hands: Swedish Artists And The Regionalist Movement, Grace Finney

Celebration of Learning

The Regionalist movement in American art attempted to define an authentic national identity through depictions of the American landscape, rural life, and working-class values and communities. From the mid-19th to early 20th century, over a million Swedes immigrated to the United States, many of whom settled in the Midwest, a region frequently depicted by Regionalist artists. Swedish immigrant artists captured the beauty of the same landscapes, portrayed similar rural values, and even created public art, all of which are defining elements of the Regionalist movement. Their artistic expressions align with the themes of Regionalism, yet they remain absent from the …

Creating Possibilities: The Ethelind Pope Brown Collection: An Overview Of Who May Have Illustrated America's Oldest Naturalist Paintings, Maksym Dedenko

University Honors Theses

This thesis investigates the Ethelind Pope Brown Collection at the University of South Carolina, a rare assembly of hand-illustrated naturalist artworks depicting an assortment of flora and fauna from the eighteenth century. Despite its artistic and educational value, the creator of the collection remains unidentified. Through close textual and visual analysis, archival research, and comparative stylistic study, this project explores several potential authorship theories while providing background to the necessity of evolving science that facilitated its creation.

Considering The Ethics Of Conserving American Art: White Nationalism And The Evolving Meanings Of Nineteenth-Century Genre And Landscape Painting, Evan M. Crocker

LSU Master's Theses

This thesis analyzes the stylistic and conceptual qualities of American genre and landscape painting from the antebellum period and how these qualities acted in service to establishing white nationalism before the Civil War. The intricate and calculated system of typing in genre painting presented carefully crafted idealizations of quintessential Americans, defined by their whiteness and maleness. Landscape painters of the early- to mid-nineteenth century endowed their compositions with a sense of wondrous opportunity which justified and upheld westward expansion under Manifest Destiny. At the intersection of genre and landscape practices sits plantation paintings—specifically house portraits—in which the plantation serves as …

The Seeming Beginning: The Drawings Of Dorothy Hood, 1942-1986, Natalia Lopez

Art History Theses and Dissertations

The notable career of American artist Dorothy Hood (1918-2000) spanned nearly six decades which she witnessed, and contributed to, the transformative shifts in art history from the 1940s through the late 1990s. Today, Hood is known as a cult figure in her native Houston, celebrated for her large-scale abstract paintings that are said to evoke the expansive Texas skies. While these paintings create a large portion of Hood’s oeuvre, they represent only a fraction of her prolific artworks. Equally significant are her meticulously detailed and surreal drawings, which form a substantial, often overlooked portion of her legacy.

Hood’s drawings embody …

Visibly Invisible: Reclaiming Atlanta Black Architecture Through Black Expression, Sean M. Spencer

Bachelor of Architecture Theses - 5th Year

Architecture has long grappled with questions of self, community, and cultural identity. While the number of Black architects is growing, architecture that genuinely reflects Black identity remains rare. This lack of representation has contributed to a sense of invisibility for Black communities within the built environment—whether by design or neglect. There is an urgent need to define and celebrate Blackness and Black space in ways that reflect the cultural richness of Black communities. As George Will points out, broad labels like African American or African often obscure the unique cultural experiences within Black communities. Historically, the lack of economic and …

The Intersection Of Spirituality, Commerce, And Art In The Work Of William Keith, Joan Gallagher

Theses

This thesis examines the nineteenth-century Tonalist artist William Keith, focusing on how he successfully integrated commerce, art, and spirituality to achieve financial success, artistic innovation, and spiritual depth. While scholars often emphasize the symbolism and religiosity in his work, they tend to overlook his financial accomplishments. This study explores Keith's background, religious influences, and artistic development within the cultural, economic, and social context of nineteenth-century America. As a Tonalist, Keith produced popular works for the art market; as a Swedenborgian, his art reflected the spiritual principles of that faith. Unlike his East Coast counterparts, Keith’s California-based landscapes captured the dramatic …

Cuentos De Barro, Daniel Anthony Vasquez

Theses and Dissertations

Cuentos de Barros addresses the complexities of creating art and processing indigenous heritage and personal history as a Salvadoran immigrant within a neo-colonial society. Centering ritual, care, and healing, the artist imbues sculptures with tenderness using abstract forms and the tactile manipulation of unfired clay and graphite.

The Imposition Of A Narrative Line: The Bildungsroman As Form In Contemporary Art, Brianne Chapelle

Theses and Dissertations

This thesis examines the work of contemporary American artists and writers Moyra Davey, Chris Kraus, Frances Stark, and Martine Syms within the context of feminist art history, theory, and practice in the post-1970s artworld. While often read as autobiographical or self-referential, their work across media uses personal narrative as a means of engaging broader theoretical and institutional concerns. Through the literary form of the bildungsroman, these artists employ narrative, fiction, and memoir—often through new and time-based media, but also through interdisciplinary modes rooted in writing—to reflect on their ongoing education as artists within an increasingly globalized Euro-American artworld. By …

Quantifying The Transformation Of The Built Environment As A Result Of Cooper River Bridge Construction In Charleston, South Carolina, Catherine Claire Jackson

All Theses

The demolition of historically undervalued vernacular architecture for the construction of transportation projects has created a large-scale, cumulative loss of architectural heritage nationwide. This thesis quantifies the architectural loss caused by the construction of the series of Cooper River bridges in peninsular Charleston and Mount Pleasant. This study assesses the transformation of the built environment as a result of each bridge’s construction by determining the quantity of architectural loss, identifying forms and materials of architectural loss, and differentiating the effects of bridge construction on the more rural Mount Pleasant side compared to the urban peninsular Charleston side. Also assessed in …

The Horror Of Memory In The Southern Gothic, Caelainn Robertson

Undergraduate Research Symposium

Scenes of expansive cotton fields and rotting Manor houses lined by moss covered oaks where strange fruit once hung induce an acute sense of horror from an audience familiar with these relics. The genre of “Southern Gothic” spans literature, film and music and is built on themes of cultural repression in the Southern United States. This tradition explores fears rooted in lingering memories of human enslavement and patriarchal domination. In a culture marked by racial violence and class oppression, evil is, often, identifiable by markers of wealth and white skin. Historical memories only exacerbate suffering. Many contemporary works use the …