American Encounters: Art, History, And Cultural Identity,
Washington University in St. Louis
American Encounters: Art, History, And Cultural Identity, Angela Miller, Janet Berlo, Bryan Wolf, Jennifer Roberts
Books and Monographs
American Encounters provides a narrative of the history of American art that focuses on historical encounters among diverse cultures, upon broad structural transformations such as the rise of the middle classes and the emergence of consumer and mass culture, and on the fluid conversations between "high" art and vernacular expressions. The text emphasizes the intersections among cultures and populations, as well as the exchanges, borrowings, and appropriations that have enriched and vitalized our collective cultural heritage.
These Are My People: An Ethnography Of Quiltcon,
University of Nebraska - Lincoln
These Are My People: An Ethnography Of Quiltcon, Kristin Barrus
Textiles, Merchandising and Fashion Design: Dissertations, Theses, & Student Research
This thesis presents the first ethnography of QuiltCon, the annual fan and artist convention for quiltmakers who identify with and participate in a social phenomenon called the Modern Quilt Movement (MQM) within the 21st century quilt world. QuiltCon (QC) is one product of this movement. This study considers the following questions: What kinds of people attend QC, and what types of experiences and encounters do they expect at the convention? What needs are met at QC for this subset of quiltmakers who attend and for the greater community of Modern quiltmakers? What role does QC play in cementing the identity …
How Social Media Is Reshaping The Art Market: Catalyzing The Rise Of The Art Agency Model In The United States,
Sotheby's Institute of Art
How Social Media Is Reshaping The Art Market: Catalyzing The Rise Of The Art Agency Model In The United States
MA Theses
The art world is undergoing a fundamental transformation, marked by a shift from the traditional gallery-centric model to a talent agency model akin to those in the entertainment and music industries. This evolution is driven by the increasing influence of social media platforms, which empower artists to directly engage with audiences, bypassing the traditional gatekeepers of galleries and auction houses. Drawing on insights from industry reports, social media analytics, and case studies, this thesis explores how social media has catalyzed this shift and examines its implications for artists, collectors, and the broader art market. It argues that the rise of …
Ray Johnson: Collage As Networked "Correspondance",
City University of New York (CUNY)
Ray Johnson: Collage As Networked "Correspondance", Gillian Pistell
Dissertations, Theses, and Capstone Projects
Scholars unfailingly comment on the complex community of artists, poets, and musicians that form the foundation of Ray Johnson’s visual language, yet do not examine the implications of these relationships on Johnson’s art. “Ray Johnson: Collage as Networked ‘Correspondance’” looks at Johnson’s mail art and collages through the lens of Social Network Theory, a sociological concept used to analyze social groups, to investigate possible meanings recorded within Johnson’s elaborate imagery and show how his relationships manifested in his work. I argue that Johnson used his mail art to gather people and information to create a network, which he then manipulated …
"La Llorona": Evolución, Ideología Y Uso En El Mundo Hispano,
Louisiana State University
"La Llorona": Evolución, Ideología Y Uso En El Mundo Hispano, Raquel Sáenz-Llano
LSU Master's Theses
This thesis studies the evolution, ideology and use of the myth of La Llorona through time in the Hispanic World. Considering this myth as one of the most known traditional narratives of the American continent, I begin by providing visual, ethnohistorical and ethnographical insights of weeping in Mesoamerica and South America and the specific mention of a weeping woman in some Spanish chronicles to say how western values were stablished in “the new continent” through this legend. I suggest that during the postcolonialism the legend did not tell anymore about a mother that cries and search a place for their …
Pennsylvania Folklife Vol. 44, No. 3,
Ursinus College
Pennsylvania Folklife Vol. 44, No. 3
Pennsylvania Folklife Magazine
• Conservation and Mediation in the Folk and Traditional Arts of Pennsylvania
• Isaac and Thomas Stahl, the Revival Potters of Powder Valley
• The Folk Art of Decorated Eggs
• Jim Popso and His Coal Country Folk Art
• Leaving the Old World for the New: Rules Governing Emigration from Landau in the Palatinate
Bangor Historic Resources Inventory, 1975,
University of Southern Maine
Bangor Historic Resources Inventory, 1975
Maine Collection
Bangor Historic Resources Inventory, 1975
Compiled and written by: Earle G. Shettleworth, Jr., Architectural Historian, Maine Historic Preservation Commission.
Partial funding of this document was made available under the provisions of the National Historic Preservation Act of 1966 as administered by the National Register of Historic Places, National Park Service, Department of the Interior.
Contents: Union Street Area / Ohio Street Area / West Broadway Area / Kenduskeag Avenue Area / Broadway Area / State Street Area / Individual Structures / Index of Architects
Constructing Helen Frankenthaler: Redefining A 'Woman' Artist Since 1960,
University of Nebraska - Lincoln
Constructing Helen Frankenthaler: Redefining A 'Woman' Artist Since 1960, Alexandra Alberda
Theses, Dissertations, and Student Creative Activity, Department of Art and Art History
This thesis addresses how academics, curators, and art writers in the popular press reviewed Helen Frankenthaler during her major retrospectives of 1960 (The Jewish Museum), 1969 (The Whitney Museum of American Art), and 1989 (The Museum of Modern Art). Included is an examination of how she has been written about after her death in 2012, with analysis of the changes in the language used to critique the artist and her work as influenced by the advent of feminist theory, social history, and gender theory. I examine recent exhibitions on Frankenthaler at the Gagosian Gallery, New York City, and the Albright-Knox …
Export / Import: The Promotion Of Contemporary Italian Art In The United States, 1935-1969,
City University of New York (CUNY)
Export / Import: The Promotion Of Contemporary Italian Art In The United States, 1935-1969, Raffaele Bedarida
All Dissertations, Theses, and Capstone Projects (2014-Present)
Export / Import examines the exportation of contemporary Italian art to the United States from 1935 to 1969 and how it refashioned Italian national identity in the process. I do not concentrate on the Italian art scene per se, or on the American reception of Italian shows. Through a transnational perspective, instead, I examine the role of art exhibitions, publications, and critical discourse aimed at American audiences. Inaugurated by the Fascist regime as a form of political propaganda, this form of cultural outreach to the United States continued after WWII as Italian museums, dealers, and critics aimed to vaunt the …
I. M. Pei, William Zeckendorf, And The Architecture Of Urban Renewal,
City University of New York (CUNY)
I. M. Pei, William Zeckendorf, And The Architecture Of Urban Renewal, Marci Clark
All Graduate Works by Year: Dissertations, Theses, and Capstone Projects
This dissertation reevaluates the practice of design and real estate in the United States through an insufficiently understood case study of the architect-developer team of I. M. Pei and William Zeckendorf and their twelve-year partnership in urban renewal. William Zeckendorf (1905-1976) was the most ambitious real estate developer in the United States in the 1950s, with an outsize personality and larger-than-life plans. Unlike most developers of the era, Zeckendorf believed that quality design and visionary planning were critical to remaking city cores through urban renewal. To accomplish this, he hired I. M. Pei (b. 1917), a talented, young designer out …
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