El Cuento Como Recurso Didáctico En La Enseñanza Del Francés Lengua Extranjera,
2018
Andrews University
El Cuento Como Recurso Didáctico En La Enseñanza Del Francés Lengua Extranjera, Sonia R. Badenas
Faculty Publications
Este artículo ofrece una reflexión pragmática sobre el uso del cuento como material didáctico en el aula de francés
lengua como extranjera (FLE). Tras revisar brevemente las diferentes ventajas de trabajar con cuentos y géneros afines en la enseñanza de lenguas, se analiza la utilidad de este género como material pedagógico para la práctica de la expresión escrita. Sobre esta base proponemos un acercamiento práctico a la integración del cuento en la enseñanza del francés en niveles universitarios dentro de un contexto comunicativo y a la luz del Marco Común Europeo de Referencia para las Lenguas (MCERL).
French Language In The Americas: Quebec, Acadia, And Louisiana,
2018
University of Minnesota, Morris
French Language In The Americas: Quebec, Acadia, And Louisiana, Katelyn Gross
Scholarly Horizons: University of Minnesota, Morris Undergraduate Journal
Due to historical and geographical factors, the French language developed very differently in different regions around the world. In this paper, I compare and contrast the characteristics between varieties of French found in France, Quebec, Acadia, and Louisiana.
Complete Issue,
2018
Edith Cowan University
Complete Issue
Landscapes: the Journal of the International Centre for Landscape and Language
The complete issue 1 of volume 8, Landscapes Journal.
Transatlantic Détournement? An Institutional Perspective On François Bon’S Reception Of Kenneth Goldsmith’S Uncreative Writing,
2018
KU Leuven (Literary Theory and Cultural Studies)
Transatlantic Détournement? An Institutional Perspective On François Bon’S Reception Of Kenneth Goldsmith’S Uncreative Writing, Gert-Jan Meyntjens
Journal of Creative Writing Studies
This article investigates the ambivalent reception of Kenneth Goldsmith’s Uncreative Writing by the French author and writing workshop facilitator François Bon. Although admiring Goldsmith’s radical poetics, Bon hesitates when it comes to integrating digitally-driven uncreative writing methods in his own workshop. In one entry on his personal website, Bon proposes a détournement of Goldsmith’s experimental practices in the form of a return to the novel. To account for this ambivalence on the part of Bon, this article takes the contexts of American creative writing and the French atelier d’écriture into account. It argues that the novelty of Goldsmith’s project can …
Transposition Objective Du Fait Divers Dans Histoire De La Violence D’Edouard Louis,
2018
Cleveland State University
Transposition Objective Du Fait Divers Dans Histoire De La Violence D’Edouard Louis, Annie Jouan-Westlund
World Languages, Literatures, and Cultures Faculty Publications
Un soir de Noel, rentrant du reveillon, l’ecrivain Edouard Louis est aborde par Riahd B (alias Reda), jeune Kabyle sans papiers. Cette banale rencontre amoureuse tourne au drame lorsqu’a la fin de la nuit, accuse d’avoir vole le portable de Louis, le jeune Kabyle cogne, viole, essaie d’etrangler l’ecrivain et le menace d’un revolver. L’originalite d’Histoire de la violence, dont le titre generique est emprunte au film de David Cronenberg et au livre de Michel Foucault, est de vouloir transpos...
Perspectives Plurielles Sur La Danse Du Lion Et Du Dragon: La Chinafrique,
2018
Université McMaster
Perspectives Plurielles Sur La Danse Du Lion Et Du Dragon: La Chinafrique, Suzanne Crosta
Présence Francophone: Revue internationale de langue et de littérature
When it comes to China and Africa, one thinks spontaneously of immensity versus mosaic, but one can also be fascinated by the rooting in the past. To create La legende des siècles, a French epic, Victor Hugo allowed himself to be carried by "history listened through the gates of legend", according to his own words. Imagine what would be the writing of The legend of the millennia for China and Africa, impressive asteroids launched in the sky of time? Thousand eyes scrutinize with their camera the interactions between the people of the great country and those of the African …
La Fermeture Des Salles De Cinéma En Afrique De L'Ouest Et Ses Impacts Sur L'Internet Et La Télévision,
2018
Université du Québec à Montréal (UQAM)
La Fermeture Des Salles De Cinéma En Afrique De L'Ouest Et Ses Impacts Sur L'Internet Et La Télévision, Mouhamadou Cissé
Présence Francophone: Revue internationale de langue et de littérature
This article analyzes the importance of the film industry in West Africa by posing the problem of the closure of cinemas in recent decades in three countries: Senegal, Mali and Burkina Faso. The disappearance of movie theatres jeopardizes reception and drives the use of the Internet and television as broadcasting outlets for movies. This issue occupies little space in film criticism that privileges, according to Claude Forest, the "creative and cultural aspects" and therefore the aesthetics of African film.
La Question Du Cinéma Populaire En Afrique Du Nord,
2018
College of the Holy Cross
La Question Du Cinéma Populaire En Afrique Du Nord, Michel Serceau
Présence Francophone: Revue internationale de langue et de littérature
The different North African cinemas, which appeared after the independences and were the work of film directors trained in Europe, were, as a principle, an art-house cinema at odds with the classical cinema type. Presented at festivals very often, they were not really embraced by the national audiences, who were mainly consumers of popular productions, either western or Egyptian. But the production of genre films (especially comedies) which were very rare until the 1990s is increasing today, at least in Morocco. Their arrival at the top of the Moroccan box-office where they compete with the American blockbusters prove that the …
Abstracts (N° 90),
2018
College of the Holy Cross
Abstracts (N° 90)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Esthétique Écologique Et Hybridité Dans Les Génériques De Début Des Feuilletons Télévisés Camerounais,
2018
Université de Dschang (Cameroun)
Esthétique Écologique Et Hybridité Dans Les Génériques De Début Des Feuilletons Télévisés Camerounais, -- Ngetcham, Leslie Goufo Zemmo
Présence Francophone: Revue internationale de langue et de littérature
The first television pictures appeared in Cameroon thirty years ago, proposing series for public consumption. These imported products later on suffered a singular competition from local artists, whose works were mostly broadcast on private channels, besides what was proposed by the single public media of Cameroon Television (CW). In this article, we intend to carry an ecocritical analysis on the aesthetic aspects of ten credit titles; we also bring out the formal process of producing movies; this is how we can identify hybridity through costumes, languages and scenery because they go beyond the local environment which they reveal to present …
Parties Annexes (N° 90),
2018
College of the Holy Cross
Parties Annexes (N° 90)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Amjambo Africa! (June 2018),
2018
University of Southern Maine
Amjambo Africa! (June 2018), Kathreen Harrison
Amjambo Africa!
Welcome to Amjambo Africa! Welcome to Amjambo Africa! We are Maine’s free newspaper for and about New Mainers from Sub-Saharan Africa.
Amjambo Africa! is here to help New Mainers thrive and to help Maine welcome and benefit from our new neighbors.
Amjambo Africa! will serve as a conduit of information for newcomers as they navigate life in Maine.
Amjambo Africa! will include background articles about Africa so those from Maine can understand why newcomers have arrived here.
Amjambo Africa! will profile successful New Mainers from Sub-Saharan Africa in order to give hope to those newly arrived as well as make …
Front Matter And Table Of Contents (N° 90),
2018
College of the Holy Cross
Front Matter And Table Of Contents (N° 90)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Présentation,
2018
Université Concordia
Présentation, Françoise Naudillon
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Présence Francophone, Numéro 90,
2018
College of the Holy Cross
Présence Francophone, Numéro 90
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Cinéma Ambulant Et Éducation: Télé Yaka Et Cinomade,
2018
Indiana University
Cinéma Ambulant Et Éducation: Télé Yaka Et Cinomade, Vincent Bouchard
Présence Francophone: Revue internationale de langue et de littérature
Cinomade is an association that tries to sensitize the populations about the HIV pandemic in Burkina Faso. Télé Vaka, literally the "Neighborhood Television" in more language, was an itinerant local television around Koudougou in Burkina Faso. By comparing the reception of screenings organized in rural areas by Télé Vaka and Cinomade, this article describes a popular form of consumption of audio-visual images in West Africa. By causing the debate inside the communities using a heterogeneous device connecting endogenous (the chief's words, those of the elders, etc.) and exogenous (video projection and public testimony), ways of communication, this experiment modifies our …
Les Modes De Réception Des Films Populaires Africains Au Brésil: Entre Usage Socioculturel Et « Plaisir Du Texte »,
2018
Faculdade de Comunicação da Universidade Federal da Bahia (Facom-UFBA)
Les Modes De Réception Des Films Populaires Africains Au Brésil: Entre Usage Socioculturel Et « Plaisir Du Texte », Mahomed Bamba
Présence Francophone: Revue internationale de langue et de littérature
In this article, I discuss the uses and the reception of African films (popular films and films d'auteur) in Brazil, especially in some Mostras. I examine, among other issues, the role of these mini-festivals in the establishment of what we can call a popular African cinema experience in a community. These contexts of reception produce in the audience a level of expectation, but also some constraints that impact the films' reading and interpretation.
Du Folklore Au Cinéma: La Transformation D'Un Classique De La Littérature Orale,
2018
Université Sainte-Anne (Nouvelle-Ecosse)
Du Folklore Au Cinéma: La Transformation D'Un Classique De La Littérature Orale, Désiré Nyela
Présence Francophone: Revue internationale de langue et de littérature
Michel Ocelot's film Kirikou et la sorcière became a great success as soon as it hit the screens in 1998. It even inspired a sequel, Kirikou et les betes sauvages, whose release in 2005 earned the figure of the small African boy a permanent place in a wider Francophone imaginary. Originating in a traditional tale, Kirikou et la sorcière is an adaptation and, as such, the result of a transformation. Indeed, it is the result of a two-fold transformation involving a transition from the oral to the written, on one hand, and from the written to the visual, on …
La Francophonie: De L'Utopie Postcoloniale Au Champ Politique,
2018
Goethe-Universität Frankfurt/M.
La Francophonie: De L'Utopie Postcoloniale Au Champ Politique, Jürgen Erfurt
Présence Francophone: Revue internationale de langue et de littérature
Recently, discussions started in France to adapt language and cultural politics in a way that francophonie and francophilie could be used as economic resources for the country's sustainable development and as instruments of globalization. At the same time, there are plans to replace the most important political actor of the francophonie, the Organisation internationale de la Francophonie, with a different institution. In such a context, this paper will examine how the phenomenon of the francophonie developed over the last seven decades and what role language and culture played in the construction of geopolitical transnational spaces and influences.
Index (N° 90),
2018
College of the Holy Cross
Index (N° 90)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
