French and Francophone Language and Literature Commons^™

“Mieux Vaut Goujat Debout Qu’Empereur Enterré !” : An Examination Of The Arts Incohérents Movement And Its Place In French Artistic Canon, Ashley Holt

Tête à Tête: Journal of Francophone Studies

No abstract provided.

Elgin's "Native Tongue": A "Me Too" Universe?, Amir Barati

Tête à Tête: Journal of Francophone Studies

Suzette Haden Elgin’s novel Native Tongue (1984) provides a fascinating critique of the ideologies inscribed into patriarchal language and evokes an extremely valuable linguistic and political awareness. This article will examine the liability of the ways the novel revolts against the patriarchal society via the introduction of a gynocentric linguistic intervention. I claim, Elgin’s novel showcases an invaluable instance of how it is possible for women to revolt against the pillars of patriarchy through manipulations at the gestalt and schematic level of language and most specifically, the bodily metaphoric quality of the English. This proposed transformation of the schematic and …

Witnessing And The Gaze In Barbusse’S Hell, Rebecca Stobaugh

Tête à Tête: Journal of Francophone Studies

Stripped down to its most basic plot summary, the premise of Henri Barbusse’s 1908 novel Hell, or L’enfer, sounds like the plot of a cheap porno: a man discovers a peep hole in his hotel room and proceeds to spy on the private lives of the people next door. Indeed, the novel obsesses over the erotic; yet, this obsession is often just as unsensual as it is pleasurable, as descriptions of sex become increasingly disillusioning, and the characters, unsatisfied. Moreover, the narrator does not spy on others for a strictly sexual thrill, but because he believes seeing people …

The Sensible Body Of The Female Reader, Anoosheh Ghaderi

Tête à Tête: Journal of Francophone Studies

No abstract provided.

The Affective Construction Of Plurality Of Nationalism And Citizenship, Aparajita Dutta

Tête à Tête: Journal of Francophone Studies

No abstract provided.

Imagined Locality Of A Girlhood Home: A Performative Reading Of Maxine Hong Kingston’S “White Tigers”, Jing Tan

Tête à Tête: Journal of Francophone Studies

Both the locality and the language of Sze Yup are of immense significance to Kingston, as well as to her narrator-protagonist: it is the locus of her mother’s storytelling, the land whence her mother absorbed the incredible power of “talking-story” that has been inherited by Kingston and has permeated her text, the soil whose spirit has been transplanted to her birthplace in America and whose mystery has never ceased to inspire her imagination. Likewise, the Sze Yup dialect is the language that both the writer and her narrator first learned to speak (Jaggi): she “entered school speaking no English” (Talbot …

Transgressing Boundaries Of Identity, Geography And Time In Transmutadxos And La Mucama De Omicunlé, Lucinda Smith

Tête à Tête: Journal of Francophone Studies

The literary works of Rita Indiana (1977) and Yolanda Arroyo Pizarro (1970) are recognised for exposing and challenging hegemonic ideas of identity, sexuality and power. The transgression of boundaries appears time and again in the fiction of both writers, whether these be boundaries of sexual or gender identity, desire, geography, time or even life and death. Using Rita Indiana’s novel La mucama de Omicunlé (2015) and Arroyo’s collection of short stories Transmutadxs (2016), the authors’ representations of such transgressions are the focus of this essay.

Further to addressing similar themes in their texts, both Rita Indiana and Arroyo Pizarro were …

Disability As An Existential Challenge: Reading The Body In Sarah Ismail’S Poetry, Amrit Mishra

Tête à Tête: Journal of Francophone Studies

No abstract provided.

“Bovarique” Bodies From 19th Century France To 20st Century London, Andisheh Ghaderi, Anoosheh Ghaderi

Tête à Tête: Journal of Francophone Studies

Women’s bodies have always been charged by social associations that aim to control, shape, and discipline women. The frustrations and the ennui caused by sociocultural and political constraints push women to a state of existential crisis and eventually a erasure through biological death. Such vicious cycles had been depicted in the literary works to which Gustave Flaubert’s Madame Bovary (1856) serves as a prominent example. Flaubert’s protagonist, Emma Bovary represents the pathway of a young, provincial, woman to a tragic adulthood filled with banality, emptiness, and despair. Objects, ranging from journals to clothes, are omnipresent in Emma’s life and shape …

Writing Desire On The Lesbian Body: Baudelaire’S Fantasies And Vivien’S Realities, Emily Wieder

Tête à Tête: Journal of Francophone Studies

In The Flowers of Evil [Les Fleurs du Mal (1857)], French poet Charles Baudelaire paints three female bodies: the mistress, the prostitute, and the lesbian. The latter appears in three of one-hundred poems but so captivated Baudelaire that he almost titled the collection The Lesbians. Censors nevertheless condemned the anthology and suppressed two of the lesbian poems. The remaining lesbian poem compares the “damned women” to “thoughtful cattle.” A rare representation of lesbian bodies, this metaphor problematically depicts them as savage.

Yet this “Other” exemplifies the baudelairean poetic ideal. By crafting Beauty, the Poet immortalizes his corpus. As the …

“A Levinasian Reading Of Grendel By John Gardner, The Retold Narration Of Beowulf Myth”, Negar Basiri

Tête à Tête: Journal of Francophone Studies

No abstract provided.

Pharos The Egyptian And The Gothic Other As Excess, Shruti Jain, Kaushik Tekur Venkata

Tête à Tête: Journal of Francophone Studies

Guy Boothby’s Pharos the Egyptian, published in 1889, employs the category of the Gothic to discuss various anxieties plaguing the late Victorian society. It deals with issues such as the Gothic Other’s ‘magical’ capabilities, revenge, disease, and the colonial extraction of wealth, among others. The novel overwhelms the binary between the rational European self and the Gothic colonial other by presenting the Egyptian Pharos not as an opposite but as an excess of the European self. Pharos is as rational as he is Gothic and in this excess of being both, he destabilizes the hierarchy and binary at once. …

Entry Nr. 001 Illescas, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 008 Jeannot, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 232 José Francisco, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 228 Rosa Maria De Conceiçáo, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 318 Gregorio Lucumí, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Julien Green (1900–1998): Exploring The Intersection Of Religion And Literature, Eamon Maher

Articles

No abstract provided.

Présentation, Ambroise Kom

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Perpétue Ou L’Actualité De L’Éco-Féminisme En Afrique En Afrique Hispanophone Et Lusophone, Marthe Oyane Metogho

Présence Francophone: Revue internationale de langue et de littérature

This article uses ecofeminism to study the status of women in French, Spanish and Portuguese speaking African countries. Taking Mongo Beti’s character, Perpetua, as an archetype, it demonstrates that women are subjected to a twofold domination that associates them with nature. Since the ideology of capitalism and progress that underlies African modernity views nature as dead matters to be conquered and exploited, it also rationalizes the oppression of women. Indeed, the reification of nature results in the social representation of women’s body as the repressible Other, a production tool and as exploitable resources.