French and Francophone Literature Commons^™

An Innocent Victim?: The Portrayal Of Anne Boleyn In French Drama, Art, And Literature Of The 1830s, Molly Driscoll

Honors Theses and Capstones

The 1830s in France saw a revival of artistic interest in and representations of Anne Boleyn, the second wife of King Henry VIII of England. This thesis traces Anne's influence on artistic, dramatic, and literary works of the 1830s and focuses on how these portrayals differed from one another as well as contemporary and modern opinions of Anne.

The »Other« Medieval French Alexander: Arthurian Orientalism, Cross-Cultural Contact, And Transcultural Assimilation In Chrétien De Troyes’S Cligés, Levilson C. Reis

Modern Languages & Cultures Faculty Scholarship

En tenant compte du climat xénophobe des croisades cet article recense la réception de Cligés, roman de Chrétien de Troyes dont la plus grande partie de l’action se passe en Grèce, et explore les stratégies dont l’auteur se serait servi pour en déjouer un mauvais accueil. On examine d’abord les idées que les Francs se faisaient des Grecs par le biais de la réception contemporaine de l’Énéide et du Roman d’Alexandre. On examine par la suite comment Cligés cadre avec ces perspectives. Cet article pose en principe que, par le truchement du père de Cligés, prince grec …

Melancholy Vaporised: Self-Narration And Counter-Diagnosis In Rousseau’S Work, Rudy Le Menthéour

French and Francophone Studies Faculty Research and Scholarship

No abstract provided.

Good News From France, Arthur B. Evans

Global Language Studies Faculty publications

No abstract provided.

Sexualized Collaborations And The Politics Of Ghost-Writing In Franco-Arab Literature: From Paul Bowles To Tout Le Monde Aime Mohamed, Mehammed Mack

French Studies: Faculty Publications

In the last few decades, the landscape of Franco-Arab fiction has seen a great many authorship scandals, in which French non-Arab authors have impersonated Arabs and found publishing success. In this essay, I revisit these scandals while focusing on a recent “autobiographical” novel that raised suspicions of ghostwriting: 2011’s Tout le monde aime Mohamed (Everyone Loves Mohamed ) by Malik Kuzman. An impressionistic collage of homo-erotic encounters, its fleeting structure recalls that of Barthes’ Incidents, a series of social vignettes culled from the author’s time in Morocco. I explore the simultaneity of Barthes’ Death of the Author argument and the …

Une Gourmandise: Mots, Mets, Et Ecriture Féminine, Véronique Olivier

World Languages and Cultures Faculty Articles and Research

I propose to look at the short gastronomic novel by Muriel Barbery, published in 2000, and the art of speech. Under his apparent logocentric language, male or misogynist, Une Gourmandise unveiled a feminine handwriting that can be understood in the light of the work of Helene Cixous. This article explores the subject of food and its relationship to the writing, following the trail of one of the most eminent Parisian food critics, on the eve of his death.

Je propose de regarder le court roman gastronomique de Muriel Barbery, paru en 2000, et l'art du discours. Sous son apparent langage …

Another Excellent Verne Translation, Arthur B. Evans

Global Language Studies Faculty publications

No abstract provided.

Piège Ou Mésaventure, Ordres Des Connaissances Et Des Croyances En Rivalité : Échos Dans Deux Œuvres De V. Y. Mudimbe, Kasongo Mulenda Kapanga

Languages, Literatures, and Cultures Faculty Publications

Cependant, même l'action résultant de la Convention de 1906 entre le Saint Siège-signée par de Cuvelier et Monseigneur Vico-et ce qui était l'État Indépendant du Congo, jugée mieux Iotie à certains égards, elle souffrait des mêmes carences que les enseignements dispensés par d'autres organisations confessionnelles. En l'absence d'une politique cohérente suivie, ce mariage noué entre deux partenaires de circonstances, la religion et l'enseignement des connaissances, menait vers des avatars, et pourquoi pas vers des crises identitaires qui sourderont plus tard avec force. Ma communication traite de cette disparité d'abstraction et de la crise identitaire d'une collusion mal assortie dont la …

Les Écrivains Vietnamiens Francophones Aux Frontières Incertaines, Pham Van Quang

Présence Francophone: Revue internationale de langue et de littérature

The Vietnamese Francophone literature began to take shape so early in the late nineteenth century. It develops later in the periods that followed. However, we wonder if this literature is currently in autonomous fi eld. Using the sociology of literature as a point of departure, we would like to dedicate this study to take into account the world of Vietnamese writers, in particular examining how they enter the literary field. Also, before highlighting the concepts of geographic and literary boundaries directly related to Vietnamese writers, we focus our attention on the educational and professional category they occupy. These elements affect …

La Poétique Romanesque De Joris-Karl Huysmans (Book Review), Juliana Starr

Foreign Languages Faculty Publications

No abstract provided.

Reviving The Surrealist Revolt: A Retracing Of Surrealism’S History And A Reimagining Of Its Future In Translation, Kyle Young

Mahurin Honors College Capstone Experience/Thesis Projects

Although Surrealist writing has literary merit, Surrealist texts were written as revolutionary tracts meant to undermine the social order. Yet the politically radical aspects of the movement are no longer taken very seriously. At least one contributing factor to the current impotence of Surrealism is the approach taken in the translation of Surrealist texts. Many translators have presented Surrealist texts as they would traditionally present any literary document. However, Walter Benjamin’s writings on translation, in particular his essay “The Task of the Translator,” provide a novel conception of translation, one which can produce linguistically radical texts. I will argue that …

Giraudoux At The Gates, Samantha Walker

Undergraduate Research Conference

An in-depth look at the original production of Jean Giraudoux's play Tiger at the Gates, how it had become such a famous performance, and how some of the intents of the playwright were not easily translated from French to English.

L’Écriture Migrante Comme Pratique Signifiante: L’Exemple De L’Hétérolinguisme Et De L’Écriture Fragmentaire Chez Abla Farhoud Et Ying Chen, Simona Pruteanu

Languages and Literatures Faculty Publications

Cet article récupère le concept d’écriture en tant que pratique signifi ante (Kristeva) en parlant de deux romans migrants québécois, L’Ingratitude de Ying Chen et Le Bonheur a la queue glissante d’Abla Farhoud, afi n de montrer comment les indices d’hétérolinguisme dans ces deux textes, en conjonction avec une poétique du fragment, créent une esthétique propre à l’expression de l’identité migrante, ou ce que nous appelons une signifi ance migrante. Nous espérons confi rmer que refuser l’ancrage dans une appartenance culturelle ou langagière unique joue un rôle capital dans l’esthétique de l’écriture migrante, car la fragilité identitaire créée par la …

Is The Plague An Existential Novel?, Ethan Jacobs '12

2012 Spring Semester

Existentialism refers to a broad range of philosophical beliefs and related cultural phenomena. While its origins can be traced to the latter half of the 19th century, existentialism as a unified movement only gained serious traction, especially among literary circles, by the close of World Wars I and II, as writers contemplated the sheer man-made destruction and loss of life of these two wars. Though often confused with nihilism and absurdism, existentialism is a distinct philosophical movement that presents man as fundamentally unknowable through science, logic, or morality. Albert Camus, a French Algerian “Pied-Noir” settler, epitomized the sudden turn toward …

The Spinning Plague, Sean Yamakawa '13

2012 Spring Semester

In her piece, “The Centripetal Structure of Camus’s La Peste,” Jennifer Waelti-Walters explains her idea that the narrative and plot of The Plague form a circular movement. There is a centripetal force that pulls all predominant characters and images to the center. Waelti-Walters determines that Rieux, the protagonist doctor, is this central figure. Though an apt analysis, her argument has a single flaw: her placement of Cottard within this circle does not accurately reflect his place in the novel. Though Waelti-Walters acknowledges Cottard as Rieux’s counterpart, she places Cottard next to other characters such as Tarrou, Rambert, and …

Review Of "La Blessure La Vraie" By F. Bégaudeau, Véronique Olivier

World Languages and Cultures Faculty Articles and Research

A review of François Bégaudeau's La blessure la vraie, published by Verticales in 2011. In French.

Translation Into English: Poems By Marie-Léontine Tsibinda, Catherine Macgillivray

UNIversitas: Journal of Research, Scholarship, and Creative Activity

Marie Léontine Tsibinda was born in French Congo in the village of Girard. She later attended school in the capital of Brazzaville, where she went on to university and ultimately received a Master’s degree in English in 1983. In response to the burning down of her house in the context of Congo's civil war in 1997, Tsibinda fled her homeland in 1999; she then spent time in Niger and Benin, eventually settling in Canada in 2001, where she continues to reside.

Re-Viewing Verne's Invisible Man, Arthur B. Evans

Global Language Studies Faculty publications

No abstract provided.

Rachilde, Marguerite Eymery Vallette (1860-1953), Ria Banerjee

Publications and Research

This is a biographical overview of the life and principle works of the French author Rachilde, a.k.a. Marguerite Eymery Vallette (1860-1953), one of the few women writers working in the masculinist field of fin-de-siecle or decadent fiction.

Simone De Beauvoir: Cuisine, Nourriture, Existentialisme, Véronique Olivier

World Languages and Cultures Faculty Articles and Research

"En 1949, quand Simone de Beauvoir publie Le Deuxieme Sexe, elle y raconte l'histoire des femmes - son histoire des femmes. Avec regret, la jeune intellectuelle observe a quel point le monde appartient aux hommes, combien la societe a lentement contribue a modeler la femme comme un objet, comme 'l'inessentiel', 'l'autre' (DS 1: 17). Contre une societe dominee par les hommes, Beauvoir croit pourtant que les choses peuvent evoluer, puisque, loin d'etre naturels, notre identite, notre moi, resultent davantage du temps, de l'histoire, et de conditions variables. II n'est done pas surprenant que l'un des espaces explores et condamnes …