Film and Media Studies Commons^™

The Sabatoge Of Joseph Conrad's "The Secret Agent" : Hitchcock Reads Conrad, Robert Benton Preslar

Legacy Theses & Dissertations (2009 - 2024)

This paper traces the ways in which Joseph Conrad's novel The Secret Agent and Alfred Hitchcock's 1936 film Sabotage each comment on their respective mediums. Taking the object which is left behind in the wake of Stevie's death as its starting point, the triangular piece of cloth, this thesis examines the ways in which the figure of the delta alerts the reader to a commentary on language and text that echoes throughout the novel. As that triangular piece of cloth becomes a film tin bearing the title "Bartholomew the Strangler," this paper then traces the resonances that film and the …

"Only A Girl Like This Can Know What's Happened To You" : Traumatic Subjects In Contemporary American Narratives, Allison Virginia Craig

Legacy Theses & Dissertations (2009 - 2024)

This project is primarily concerned with the difficulty of representing traumatic experience and the problem of seeing violence and exploitation as natural and inevitable functions of social life. It argues that texts attempting to expose exploitive hierarchies and structural injustices often risk having their stories subsumed and commodified by the profuseness and proliferation of countervailing messages about individual choice and personal freedom. This struggle is highlighted through historicizing five contemporary American narratives--Margaret Atwood's Bodily Harm, the films Boys Don't Cry and Monster, Toni Morrison's Beloved, and Linda Hogan's Solar Storms--with and against critical concerns and popular texts. Furthermore, by employing …

Sacrificio, Violencia Y Nación En Lituma En Los Andes De Mario Vargas Llosa, Cesar Valverde

Scholarship

No abstract provided.

How One Writes, Makes, Markets A Movie And How An Audience Reads The Movie: Two Biographical Films Of Hitler As A Case Study, Nick Chi-Shu J. Yeh

CGU Theses & Dissertations

According to John Lukacs, German people's views on Hitler and Nazism once got examined right after the fall the Third Reich in the 1950s but this subject has lost its appeal since then. How do Germans nowadays, specifically those young ones raised in the "New Germany" after the fall of the Berlin Wall, think of Hitler and their country's Nazi legacy? This dissertation is to explore how six young Germans growing up in the new "unified Germany" interpret two films' representations of Hitler and Nazism.

Accelerated Culture: Exploring Time And Space In Cinema, Television And New Media In The Digital Age, Thomas J. Connelly

CGU Theses & Dissertations

This dissertation seeks to understand the impact of speed on the interrelation and the overlapping of the production and consumption of cinematic and televisual texts. It explores the immediacy of digital media and new economic processes, and how they are informing structures of perception, as well as lending themselves to new and different ways of seeing the moving image in the digital age. These visual expressions are evident in the changing perception of the long take; the increasing use of video gaming aesthetics and database narratives; new and variant forms of narrative and visual styles in television; and the speed …

A Narrative In One Scene, Aliyah C. Anglin

Theses and Dissertations

Filmmakers are visual storytellers, thus it is important to understand basic film theory as well as the elements of a narrative, such as voice, look, and feel. It is just as important for filmmakers to understand how film theory and the elements of a narrative work together to effectively convey stories to the people viewing the film. In this thesis, I researched basic film theory and analyzed three personally influential movies and directors including Charlie Chaplin’s Modern Times (1936), Juan Antonio Bayona’s The Impossible (2012), and Akira Kurosawa’s The Seven Samurai (1954). I chose one technique from each of the …

"We Should Have Brought The Tank": Hypermediated Interactivity In Red Vs. Blue, Marc A. Ouellette

English Faculty Publications

Machinima, the practice of adapting recorded video game play into short films, highlights an often unacknowledged but significant shift in the consumption of video games and represents a key and underexplored intersection between the two leading theoretical camps. Considering the landmark series Red vs. Blue through the lens of Bolter and Grusin's propositions about "new" media's relationships with other forms offers an entry point for theorizing not only machinima but also the intersections between the ludology and narratology positions in games studies.

Editor's Introduction: Playing For Keeps: Games And Cultural Resistance [Special Issue], Marc A. Ouellette, Jason Thompson

English Faculty Publications

This edition is as much about Game Studies as it about the games being studied. At its heart there are really two impulses behind the collection of critical thought we have been fortunate enough to gather for this issue of Reconstruction. First, there is the sense that games can’t do anything. Second, there is the sense that games don’t do anything. Their origin (and the underlying biases) makes these sentiments particularly intriguing. In the simplest terms, these premises delineate competing camps, as well. Roger Ebert notoriously asserts that video games will never be art (Ebert). Similarly, and yet quite differently, …

The Sword And The Screen: The Japanese Period Film 1915-1960, Aaron Gerow, Rea Amit, Ryan Cook, Samuel Good, Samuel Malissa, Stephen Poland, Grace Ting, Takuya Tsunoda, David Dresser, Fumiaki Itakura

Film Series Commentaries

“The Sword And The Screen: The Japanese Period Film 1915-1960” was a groundbreaking collaboration between the Council on East Asian Studies at Yale University and the National Film Center of the National Museum of Modern Art, Tokyo, marking the first time Japan’s national film archive had co-sponsored an event with a foreign university. The film series presented rare Japanese samurai films from the collection of the National Film Center, highlighting the abundant variety of Japan's most famous film genre. There are social critiques, melodramas, comedies, ghost films and even musicals, directed by some of the masters of Japanese cinema who, …

Documentary Production & Documentary Problems, Shara K. Lange

ETSU Faculty Works

Excerpt: Making documentary films forces students to engage in the complexities of the genre.

Apaches And Comanches On Screen, Kenneth Estes Hall

ETSU Faculty Works

Excerpt: A generally accurate appraisal of Western films might claim that Indians as hostiles are grouped into one undifferentiated mass. Popular hostile groups include the Sioux (without much differentiation between tribes or bands, the Apaches, and the Comanches).

Teaching Queer Cinema With Independent Media, Patricia White

Film & Media Studies Faculty Works

In lieu of an abstract, this is the article's introductory paragraph:

One of the most exciting dimensions of teaching film (and popular culture) is learning what students already know and then generating an informed and critical epistemology from the familiar. Teaching LGBT (lesbian, gay, bisexual, and transgender) representation in film and media presents rich opportunities to build on student familiarity — with such mainstream breakthroughs as Ang Lee’s Brokeback Mountain (2006) and Queer Eye for the Straight Guy (2003-07) — and to formalize the knowledge and challenge the assumptions that students have about LGBT history, lives, and struggles for representation. …

Design And Production Aspects Of An Electroluminescent Segment Display, Veronica Kopp, Chris Nixon

Graphic Communication

The purpose of this study was to get a better understanding of the different ways printed circuits could be constructed and then implemented into creative, visual designs for printed electroluminescent displays. A variety of circuit design variables, such as area and length, were tested that will help create solutions for printed electronics.

This study tested different variables of circuit design, such as length of silver traces and the size of the image area, to help optimize ways to build a printed circuit. Then, findings were implemented into a segmented graphic display in order to analyze innovative ways to utilize multiple …

Rhetorics Of Empire: The Falangist Discourse Of War (1939-1943), M. Elena Aldea Agudo

Theses and Dissertations--Hispanic Studies

During the Spanish Civil War (1936-1939) a mix of right-wing ideologies existed among the Francoist forces. In sharp contrast with the Republican forces, the Francoist insurgents were successful in banding together despite their ideological differences. However, in the postwar era, this relative unity gave way to a struggle among the different ideological positions, each striving to impose its agenda for the new State. The party Falange Española Tradicionalista y de las Juntas de Ofensiva Nacional Sindicalista (FET y de las JONS) assumed power, but was not entirely successful in advancing its totalitarian project, which it had inherited from the prewar …

Historical Realism And Imperialist Nostalgia In Terrence Malick’S The New World, Monika Siebert

English Faculty Publications

The promotional materials for Terrence Malick’s The New World (2005) devote considerable time to detailing the extraordinary effort of the production crew to recreate Werowocomoco, the capital of the Powhatan’s paramount chiefdom, and Fort James, the first surviving English settlement in Virginia, in the period from 1607 to 1617. The hour-long documentary on “The Making of The New World” accompanying the DVD release of the film, for example, chronicles the shared work of a research team of historians, archeologists, linguists, anthropologists, and members of Virginia tribes to represent as faithfully as possible Powhatan and English agriculture, architecture, language, and …

“All Girls Are Barbies”: A Feminist Critique Of Nicki Minaj’S Barbie Persona, Camellia Sarmadi

Communication Studies

No abstract provided.

Can You Believe She Did That?!:Breaking The Codes Of "Good" Mothering In 1970s Horror Films, Jessica Michelle Collard

USF Tampa Graduate Theses and Dissertations

The threats found in horror films change with time, each decade consisting of threats that were most frightening for the time period. Horror film scholars, such as Andrew Tudor, determined that in 1970s horror films the threat has migrated from external forces into the home and the family. Invading aliens and monsters were thrown replaced by psychosis and evil children. This notion of making the familiar unfamiliar and threatening is paralleled in concerns addressed during the second-wave of feminism; women were making the normative and familiar idea of mother unfamiliar as they migrated from the private and into the public …

Pathos, Winter 2012, Portland State University. Student Publications Board

Pathos

Editor: Joel Eisenhower

Issue 17

Opera And The Modern Culture Of Film: The Genesis Of Cinemopera, Its Intertextuality And Expansion Of Operatic Source Material, Yuell "Chuck" E. Chandler Iv

Theses and Dissertations--Music

The boundaries of opera, as in all art forms, are constantly being re-evaluated. This analysis examines one of the most recent developments in opera-the use of film as source material, and connections to the film world- through analyzing three operas: Austrian composer, Olga Neuwirth’s opera, Lost Highway, Chinese-American composer, Tan Dun’s opera, The First Emperor, and acclaimed American film composer, Rachel Portman’s opera, The Little Prince. Each of these works exemplifies the modern relationship of opera and film in different ways. To classify these newly film-influenced works, the term cinemopera is used in describing operas connected to …

Una Entrevista Con Mar González, Mayo, 2012, Patricia Hart

School of Languages and Cultures Working Papers

En 2012 en Madrid, Mar González habló de sus comienzos en el mundo del sonido cinematográfico, como meritoria con Antonio Bloch, su labor en la publicidad, y del equilibrio entre familia y trabajo que ha establecido con su marido, Aitor Berengeur, conocido especialista en el sonido cinematográfico. Comenta la profesionalidad con el sonido de algunos actores consagrados como Charo López y Pepe Sancho, y de sus experiencias en el rodaje de Carne trémula, con Pedro Almodóvar.

English Translation:

In 2012, Mar González spoke about her beginnings in the world of film sound as an intern with Antonio Bloch, about …