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Placemarks : Environments And Aesthetics, Department Of Visual Studies, Lingnan University

Conference Exhibition

Preface

Visual Studies at Lingnan University answers the growing interest in Arts & Humanities research with relevance to society by emphasizing environmenal aesthetics, Chinese art, Art and Well-being, and "research expression." The exhibition "placemarks" is an example of research expression, for each of the works on display is a response to a clear question: "What Environment Do We Want?" This question defines the focus of the conference to which the exhibition, and the exchanges that it facilitates, contribute by means other than traditional forms of scholarly talk.

In organizing the conference titled "What Environment Do We Want? Environmental Aesthetics and …

Vendini Ad For The Providence College Department Of Theatre, Dance & Film 2011-2012 Season, Vendini Marketing

Promotional Materials

Providence College Department of Theatre, Dance & Film

2011-2012 Season advertisement

Fair And Lovely: Standards Of Beauty, Globalization, And The Modern Indian Woman, Rebecca Gelles

Independent Study Project (ISP) Collection

With the expansion of globalization in the modern era, ideas from individual cultures are more easily able to spread to other parts of the world. One set of cultural standards that may be spreading to India is that of beauty, where a media with an increasingly Western style shares television space with advertisements from corporations that are often foreign in origin. This study seeks to examine exactly what influence this globalized media has on its viewers, and, in particular, on their perspectives on beauty. In addition, since the ability to conform to cultural standards affects how people view themselves, this …

A Model Of Human Scale Tested On Rural Landscape Scenes, Richard K. Sutton

Great Plains Research: A Journal of Natural and Social Sciences (through 2013)

Landscapes such as the Great Plains have been described as lacking human scale. This study developed a quantitative model of human scale and compared it with viewers' perceptions of visual structure. Visual structure was selected from the physical features of Otoe County, NE, forming boundaries, found as ground textures, vegetative screens, and topographic breaks and was depicted in photographs of landscape scenes. The model used and tested nine classes of scale based on grain and extent of the photos rated by viewers against those from the model. Viewers identified boundaries representing grain and extent that were synthesized into a viewer-perceived …

The Gray Lady's Guide To Avant-Garde Cinema, Brian L. Frye

Law Faculty Scholarly Articles

Who is the most important avant-garde filmmaker? It depends who you ask. Different people value different things at different times. Fortunately, citation analysis can provide an objective answer. This article uses a citation study of The New York Times to measure the relative importance of avant-garde filmmakers. It concludes that, according to The New York Times, the most important avant-garde filmmaker is Andy Warhol.

Putting A Face On The Facts, Mark Volkers

Faculty Work Comprehensive List

Dordt College film professor and students work on a documentary on people living in poverty. It's called "The Fourth World".

Communication And Media Studies Newsletter Volume 3, Fall, Communications & Media Studies

Communication and Media Studies Newsletter

No abstract provided.

Adapting "Watchmen" After 9/11, Bob Rehak

Film & Media Studies Faculty Works

No abstract provided.

Helping To Feed And Educate, Kelly A. Cox

Faculty Curated Undergraduate Works

No abstract provided.

Constructing Emotion In A Woman’S Genre: Affective Economies And The Bachelor, Kelly A. Cox

Faculty Curated Undergraduate Works

No abstract provided.

Pathos, Fall 2011, Portland State University. Student Publications Board

Pathos

Editor: Joel Eisenhower

Issue 16

Red-White-Blue And Hong Kong Installation Art, Nga Ying Liu

Lingnan Theses

The purpose of this study is to analyse the interaction between art and contested notions of Hong Kong identity by examining recent installations that employ the red, white and blue-striped plastic fabric, locally known in Hong Kong as red-white-blue (紅白藍). The red-white-blue fabric has, in recent years, become a signifier of the collective identity of Hong Kong people and of the ‘Hong Kong spirit’, with specific reference to the traits of the working class in the 1960s. The repeated articulations of this material in artworks show that there are certain qualities in this material with which local people identify. This …

Appropriateness In Design, Wing Man, Karen Ma

Lingnan Theses

When the term ‘design object’ is used to refer to artifacts, we presuppose that they can serve mundane functions and provide aesthetic pleasure. In many cases, the visual form of a design object is a result of achieving aesthetic function and practical function. What is the relation between these two functions? In the design process, designers also strike a balance between aesthetic pursuit, utilitarian purpose and other factors, such as environmental protection. What is the balance of these aims (aesthetic aim and the non-aesthetic aims)? My research on this topic suggests that it may be useful to conceive it in …

Tele-Visioning Terror, Caroline Zekri

Re-visioning Terrorism

This paper is devoted to the relationship between terrorism and media, with a special focus on the theoretical notions of “icon”, “mass” and “distance”. It aims to show how the phenomenon of modern terrorism calls into question the essence of modern democracies and their systems of information, based on the distance between vision and event.

Symbolic Violence As Subtle Virulence: The Philosophy Of Terrorism, Jonathan Beever

Re-visioning Terrorism

Jean Baudrillard’s semiotic analysis of violence leads us to understand the form of violence as three-fold: aggressive, historical, and semiotically virulent. Violence of the third form is the violence endemic to terrorism. If violence has been typically understood as of the first two types, terrorism should be understood as the virulence of simulacra. The conflation of these types of violence explains the failure of militaristic responses to terrorism. This paper will explore Baudrillard’s conception of symbolic violence as the virulence of signs and help us come to terms with the semiotic foundation of terrorism.

Cinema, Systematic Terror, And The Aesthetics Of Passivity, Khatereh Sheibani

Re-visioning Terrorism

My presentation explores the aesthetics of passivity in in Chronicle of a Disappearance (1996) by the Palestinian director Elia Suleiman and Taste of Cherry (1997) by Iranian film-maker Abbas Kiarostami. Both films employ non-actors, unconnected scenes, and disjointed narrative and discontinuous editing. They both employ similar cinematic and narrative techniques as by-products of wide-spread terror executed on social, political, and cultural levels. My presentation investigates the political and social restrictions in the late 1990s in Iran and the West Bank to show that similar forces under the reign of terror resulted in the aesthetics of passivity, muteness, and uncertainty in …

Marco Bellocchio's Buongiorno Notte And The Language Of Terrorists, Cosetta Gaudenzi

Re-visioning Terrorism

This essay investigates Marco Bellocchio’s Buongiorno, notte (2003), a movie which exploits language and soundtrack to fictionalize and revisit the historical 1978 kidnapping and murder of the Christian Democrat President Aldo Moro by the 1970s Italian left terrorist group Brigate Rosse. As I demonstrate, Bellocchio relies greatly on the language and soundtrack of Buongiorno, notte to convey his negative response to the BR’s kidnapping and murder of Moro, as well as to come to terms with his own political and cinematic past.

Arabs In Post- 9/11 Hollywood Films: A Move Towards A More Realistic Depiction?, Ouidyane Elouardaoui

Re-visioning Terrorism

This essay looks at the way a number of post-9/11 Hollywood films attempts to offer an image more reflective of the real Arabs. Contrary to a wide range of Hollywood films that have perpetuated a racially prejudiced image of Arabs, I argue that post-9/11 films, such as Babel (2006), represent Arabs as simple human beings with commonplace problems and identifiable worries. In my paper, I address these questions: how did the events of 9/11 help to change Hollywood’s portrayal of Arabs in contemporary Hollywood cinema? How do these contemporary films attempt to break free from the classical stereotypes about Arabs? …

Documenting Horror: The Use Of Sound In Non-Fiction 9/11 Films, Jesse Schlotterbeck

Faculty Publications

No abstract provided.

Terrorism As Communication In Gregor Schnitzler’S Was Tun Wenn’S Brennt (2001) And Leander Scholz’S Rosenfest (2001), Sandra Dillon

Re-visioning Terrorism

This essay explores the connection of terrorism to communication, specifically to illocutionary and perlocutionary acts in Gregor Schnitzler’s Was tun wenn’s brennt and Leander Scholz’s novel Rosenfest. One cannot deny that violence plays an important role in German narratives about terrorism; however, the main focus of the works analyzed here is communication, which the narrative structure, the role of the spectator or reader and the main characters within the novel illustrate.