Film and Media Studies Commons^™

Television In Ireland Before Irish Television: Nationalist Rhetoric And International Programming, Edward Brennan

Conference Papers

Typical of an international tendency, the history of television in Ireland has been framed by national boundaries. This paper argues that viewing the history of television solely through institutional sources and a nation state-bound perspective obscures transnational influences and homogenises diverse audience experiences. Moreover, such histories may serve to reproduce a limited range of types of nationalist rhetoric. The research presented here explores the history of television in Ireland through life story interviews. This reveals views of the nation, its global context and processes of social change quite different to those discussed in orthodox histories. Arguably, this shift in historical …

Moving Mountain = 移山, Kwun Lun,Tony Ng, Lap Wing Yip

Artists-in-Residence Programme : Exhibition Catalogues

吳觀麟．葉立榮 聯展

序

去年仲夏，我和旅居柏林的藝術家朋友葉立榮，合作參予了一個在外蒙古舉行，由德國藝術策展人籌辦，名為「首屆地景藝術雙年展：蒙古360°」的地景作品展，我們的作品題材及內容，均和人類、環境、現代生活生態、大自然等息息相關，由個人經歷、自身文化、處境出發，對現世人類週遭的環境破壞和失衡，與及大自然規律反應的種種後果，所作出的反思和討論。

今秋，我很榮幸被香港嶺南大學視覺研究系邀請作駐校藝術家，為此我特地邀請葉立榮再一次合作，製作相討了好一陣子的「移山」裝置藝術展覽。

我和葉立榮是中學同學，可說有着共同的起步點：少年時已酷愛中國藝術哲學，學習中國水墨畫，和對當代藝術充滿好奇。我倆都是同一代的人，香港土生土長，居住環境狹窄，生活在都市齷齪擠逼的小空間內，想像及考慮着中國畫和中國藝術哲學中的審美、自然、空間，與及外面不一樣的世界。我倆分享着共同年代中，個人及集體的回憶，我們的文化背景扎根點似乎是相當一致的。後來葉立榮到芝加哥藝術學院修讀，再移居德國，我則一直留在香港。經過長時間的分隔和各自的經歷、成長，然後意外地重逢。從此之後，在不斷的對話和討論中，互相重新發現各自對藝術、人生、大自然，種種我們不約而同重視的課題的考慮、看法、着眼點，和藝術表達上的異同，繼而發展出合作的可行性。

是次「移山」裝置藝術展覽，是我們相討蘊釀了好些時候的結果。對我倆來說，它有着象徵意義：我們覺得，人的現實不易改變，例如香港肆意填海，帶來對生活環境不可恢復的破壞、全球人類社會的各種災難及困局等；藝術則給予我們在另一層面上一個改變的機會。我們的作品所表達的，面貌和手法可能各異，但在其精神上所，可算是殊途同歸的。

Re‐Energize Your Career From The Inside Out, Debbie Danowski

Communication, Media & The Arts Faculty Publications

After surgery, the author went on an all- out campaign to re-energize her career and discover the passion for writing that had once ruled her life. Here are some of the things she tried which she hopes can help you if you’re stuck. Remember, these tips are not about publishing more. They are about writing more and discovering the passion that brought you into this business in the first place.

Placemarks : Environments And Aesthetics, Department Of Visual Studies, Lingnan University

Conference Exhibition

Preface

Visual Studies at Lingnan University answers the growing interest in Arts & Humanities research with relevance to society by emphasizing environmenal aesthetics, Chinese art, Art and Well-being, and "research expression." The exhibition "placemarks" is an example of research expression, for each of the works on display is a response to a clear question: "What Environment Do We Want?" This question defines the focus of the conference to which the exhibition, and the exchanges that it facilitates, contribute by means other than traditional forms of scholarly talk.

In organizing the conference titled "What Environment Do We Want? Environmental Aesthetics and …

Vendini Ad For The Providence College Department Of Theatre, Dance & Film 2011-2012 Season, Vendini Marketing

Promotional Materials

Providence College Department of Theatre, Dance & Film

2011-2012 Season advertisement

Fair And Lovely: Standards Of Beauty, Globalization, And The Modern Indian Woman, Rebecca Gelles

Independent Study Project (ISP) Collection

With the expansion of globalization in the modern era, ideas from individual cultures are more easily able to spread to other parts of the world. One set of cultural standards that may be spreading to India is that of beauty, where a media with an increasingly Western style shares television space with advertisements from corporations that are often foreign in origin. This study seeks to examine exactly what influence this globalized media has on its viewers, and, in particular, on their perspectives on beauty. In addition, since the ability to conform to cultural standards affects how people view themselves, this …

Pathos, Fall 2011, Portland State University. Student Publications Board

Pathos

Editor: Joel Eisenhower

Issue 16

The Gray Lady's Guide To Avant-Garde Cinema, Brian L. Frye

Law Faculty Scholarly Articles

Who is the most important avant-garde filmmaker? It depends who you ask. Different people value different things at different times. Fortunately, citation analysis can provide an objective answer. This article uses a citation study of The New York Times to measure the relative importance of avant-garde filmmakers. It concludes that, according to The New York Times, the most important avant-garde filmmaker is Andy Warhol.

Putting A Face On The Facts, Mark Volkers

Faculty Work Comprehensive List

Dordt College film professor and students work on a documentary on people living in poverty. It's called "The Fourth World".

Communication And Media Studies Newsletter Volume 3, Fall, Communications & Media Studies

Communication and Media Studies Newsletter

No abstract provided.

Adapting "Watchmen" After 9/11, Bob Rehak

Film & Media Studies Faculty Works

No abstract provided.

A Model Of Human Scale Tested On Rural Landscape Scenes, Richard K. Sutton

Great Plains Research: A Journal of Natural and Social Sciences (through 2013)

Landscapes such as the Great Plains have been described as lacking human scale. This study developed a quantitative model of human scale and compared it with viewers' perceptions of visual structure. Visual structure was selected from the physical features of Otoe County, NE, forming boundaries, found as ground textures, vegetative screens, and topographic breaks and was depicted in photographs of landscape scenes. The model used and tested nine classes of scale based on grain and extent of the photos rated by viewers against those from the model. Viewers identified boundaries representing grain and extent that were synthesized into a viewer-perceived …

Helping To Feed And Educate, Kelly A. Cox

Faculty Curated Undergraduate Works

No abstract provided.

Constructing Emotion In A Woman’S Genre: Affective Economies And The Bachelor, Kelly A. Cox

Faculty Curated Undergraduate Works

No abstract provided.

Red-White-Blue And Hong Kong Installation Art, Nga Ying Liu

Lingnan Theses

The purpose of this study is to analyse the interaction between art and contested notions of Hong Kong identity by examining recent installations that employ the red, white and blue-striped plastic fabric, locally known in Hong Kong as red-white-blue (紅白藍). The red-white-blue fabric has, in recent years, become a signifier of the collective identity of Hong Kong people and of the ‘Hong Kong spirit’, with specific reference to the traits of the working class in the 1960s. The repeated articulations of this material in artworks show that there are certain qualities in this material with which local people identify. This …

Appropriateness In Design, Wing Man, Karen Ma

Lingnan Theses

When the term ‘design object’ is used to refer to artifacts, we presuppose that they can serve mundane functions and provide aesthetic pleasure. In many cases, the visual form of a design object is a result of achieving aesthetic function and practical function. What is the relation between these two functions? In the design process, designers also strike a balance between aesthetic pursuit, utilitarian purpose and other factors, such as environmental protection. What is the balance of these aims (aesthetic aim and the non-aesthetic aims)? My research on this topic suggests that it may be useful to conceive it in …

Tele-Visioning Terror, Caroline Zekri

Re-visioning Terrorism

This paper is devoted to the relationship between terrorism and media, with a special focus on the theoretical notions of “icon”, “mass” and “distance”. It aims to show how the phenomenon of modern terrorism calls into question the essence of modern democracies and their systems of information, based on the distance between vision and event.

Symbolic Violence As Subtle Virulence: The Philosophy Of Terrorism, Jonathan Beever

Re-visioning Terrorism

Jean Baudrillard’s semiotic analysis of violence leads us to understand the form of violence as three-fold: aggressive, historical, and semiotically virulent. Violence of the third form is the violence endemic to terrorism. If violence has been typically understood as of the first two types, terrorism should be understood as the virulence of simulacra. The conflation of these types of violence explains the failure of militaristic responses to terrorism. This paper will explore Baudrillard’s conception of symbolic violence as the virulence of signs and help us come to terms with the semiotic foundation of terrorism.

Cinema, Systematic Terror, And The Aesthetics Of Passivity, Khatereh Sheibani

Re-visioning Terrorism

My presentation explores the aesthetics of passivity in in Chronicle of a Disappearance (1996) by the Palestinian director Elia Suleiman and Taste of Cherry (1997) by Iranian film-maker Abbas Kiarostami. Both films employ non-actors, unconnected scenes, and disjointed narrative and discontinuous editing. They both employ similar cinematic and narrative techniques as by-products of wide-spread terror executed on social, political, and cultural levels. My presentation investigates the political and social restrictions in the late 1990s in Iran and the West Bank to show that similar forces under the reign of terror resulted in the aesthetics of passivity, muteness, and uncertainty in …

Marco Bellocchio's Buongiorno Notte And The Language Of Terrorists, Cosetta Gaudenzi

Re-visioning Terrorism

This essay investigates Marco Bellocchio’s Buongiorno, notte (2003), a movie which exploits language and soundtrack to fictionalize and revisit the historical 1978 kidnapping and murder of the Christian Democrat President Aldo Moro by the 1970s Italian left terrorist group Brigate Rosse. As I demonstrate, Bellocchio relies greatly on the language and soundtrack of Buongiorno, notte to convey his negative response to the BR’s kidnapping and murder of Moro, as well as to come to terms with his own political and cinematic past.