Film and Media Studies Commons^™

Civil Rights, Labor, And Sexual Politics On Screen In Nothing But A Man (1964), Judith E. Smith

American Studies Faculty Publication Series

The independently made 1964 film Nothing But a Man is one of a handful of films whose production coincided with the civil rights insurgency and benefited from input from activists. Commonly listed in 1970s surveys of black film, the film lacks sustained critical attention in film studies or in-depth historical analysis given its significance as a landmark text of the 1960s. Documentary-like, but not a documentary, it offers a complex representation of black life, but it was scripted, directed, and filmed by two white men, Michael Roemer and Robert Young.

This essay argues that the film’s unusual attention to labor …

Invitation To The Voyage: The Flight Sequence In Contemporary 3d Cinema, Sara Ross

Communication, Media & The Arts Faculty Publications

The soaring movement of the flight scene is a signature effect of the current 3D cycle, with a number of recent films centering on birds or dragon-like creatures. Simulated flight has long been used to display the latest in cinematic spectacle. Analysis of the use of flight in Wings (1927), Avatar (2009) and How to Train Your Dragon (2010) demonstrates how film producers have employed tried and true schemata to make the attractional power of flight serve a narrative master.

Germaine Tailleferre's Film Score To Les Grandes Personnes, Jenna E. Moghadam

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

French female composer, Germaine Tailleferre (1892-1983) is well-known for her small chamber music compositions, but less known for her film score compositions, and her elusive film scores have not been a topic of discussion in music scholarship at the time of this writing. The aim of this thesis is to analyze one of thirty-eight films for which Tailleferre composed a score, Les Grandes Personnes (1961), and the information will be presented in three chapters. Chapter 1 provides information on Tailleferre’s life and compositional career, her inclusion in and the aesthetic endeavors of Les Six, and a background on French …

Embracing The Threshold, Nicola Barsaleau

Artists-in-Residence Programme : Exhibition Catalogues

Our Lingnan residency, now in its fourth month, is a comprehensive exploration of creativity in day-to-day living. Creativity satisfies a portion of vital human needs: the need for autonomy, adventure, celebration, community, play, and spiritual harmony. Contemplating our artistic self is healthy. In some cases, artistic activity can be immensely healing, leading towards wholeness, balance, and integration. This project was enacted at both a communal and personal level for many of the participants, including myself.

Our own individual life force flows through us in intriguingly personal ways. We all have unique gifts to offer and uncover that no other person …

Busting A Gut: Portrayals Of Obesity In Popular Culture, Carly Babel

Annual Undergraduate Conference on Health and Society

Obesity is America’s number one leading health epidemic, affecting more than 93 million Americans today (OAC). From 1985 to 2010, obesity has gone from affecting an average of 10% of individuals in just about every state to today affecting 33.8% of people within each state. Children and adults alike all over the U.S. are being diagnosed with obesity and encouraged to change their lifestyles. Doctors are prescribing patients to lose weight, exercise, eat healthy, and in extreme cases, go under the knife, but none of these recommendations are making a dent in lowering the rate of obesity. Rather, the number …

Shaping Identity: Male And Female Interactions In Cinema, Jonette Lauren Lagamba

USF Tampa Graduate Theses and Dissertations

ABSTRACT

Since the inception of cinema, women have been portrayed with the typical identities of emotionally and physically weak characters; this portrayal led to their subsequent dependence on men. Men were usually the protagonists and/or the heroes, following their archetypal journey. Thus, women's position in early cinema was to exemplify what men were not, placing the former in the diminutive position of the Other. One may conclude that men were often defined by what women lacked, and the women were defined by their relationships with these heroic men. As time progressed in the history of cinema, women's images retained part …

A Virtual Home Away From Home, Ian Kilroy

Articles

Emigration and media: “Staying in touch with home while living abroad has never been simpler, but does it make the emigration experience any easier? Emigrants and immigrants discuss the challenges of keeping up with home while living abroad.”

When Bad Things Happen To Good Mothers: Rethinking Motherhood Through The Single Mother Image In American Films From The 1930s To The 1970s, Tanna Alice Mancini

USF Tampa Graduate Theses and Dissertations

ABSTRACT

The single-mother figure shows up in myriad American film genres, and my thesis explores three of these genres, maternal melodrama, film noir, and horror. I argue there is a melodramatic mode that carries over from maternal melodrama to film noir and horror. This mode emphasizes emotional excess. In maternal melodrama, the emotional excess is pity. For film noir, the emotion is anxiety, and in horror, it is repulsion. Even though each genre has its own emotional excess, maternal melodrama still speaks to these other genres through its maternal sacrifice, non-heteronormative families and misreading of proper gender performances. For this …

Out Of Our Depth: Hyper-Extensionality And The Return Of Three-Dimensional Media, Justin Alan Brecese

USF Tampa Graduate Theses and Dissertations

This work theorizes the contemporary attraction to three-dimensional media. In doing so, it reframes ongoing debates surrounding digital three-dimensional media in order to critique the neoliberal social relations such media engender. I argue that the contemporary interest in dimensionality, especially regarding digital media, is symptomatic of a broad cultural shift, wherein millions of lives are now essentially being lived through two-dimensional, "flat" media, which have consequently generated a lack of spatial relationships and a craving or desire for "depth." This "desire for depth" has arisen in contemporary society because people are being "spread too thin" through a combination of the …

The Docks Of New York, William Blick

Publications and Research

Josef Von Sternberg was a master film craftsman. Known for its use of shadow and closeup, The Docks of New York, demonstrates the work of a filmmaker at the peak of his powers.

This article was written for Senses of Cinema magazine to accompany the screenings at the Cinemateque in Melbourne, Australia.

La Noche De Los Mayas: A Misunderstood Film And Its Music, Abderrahman Anzaldua

The Hilltop Review

The intention of this study is to explore and evaluate the film La Noche de los Mayas. I will research the making of the movie and what surrounded production in 1939. In addition to this, I will seek a perspective of the music of Revueltas and its relation with the film. With this research I intend to acknowledge the importance that this film had in its time, and expectantly decipher the enigma that impedes its popularity today compared to other films of the 'Golden Age' of cinema in Mexico.

M16 Globular Cluster, By Anabella Gaposchk, 1911 (Baking Soda), Mariana Tres

SPECS journal of art and culture

No abstract provided.

Booth Penny, Pete Froslie

SPECS journal of art and culture

No abstract provided.

Rumor Becomes A Line (Mothers’ Day) After The Poem “!” By Anne Simpson, Eliza Fernbach

SPECS journal of art and culture

No abstract provided.

Space And The Geographical Imagination On The Dublin Docklands’, Moira Sweeney

Conference Papers

In my practice–based doctoral study Dublin Dockers, Visualising a Changing Community, I am foregrounding the application of ethnographic documentary methods and investigation in examining the world of a docker and stevedore community on Dublin's docks. Through excavating and recuperating narratives which are absent from mainstream media hegemony, the study is unraveling the transformations experienced by a stevedoring constituency as a consequence of globalisation, urban regeneration and the current recession. This paper engages with arguments for the revitalisation of our imaginations on space in the context of an audio visual and textual study of the urban and maritime Dublin dockland space.

Forgetting Act Up, Alexandra Juhasz

Publications and Research

No abstract provided.

Circulating Emotion: Race, Gender, And Genre In Crash, E. Deidre Pribram Ph.D.

Communications: Faculty Publications

Crash (Paul Haggis, 2005) follows a range of diverse but intersecting characters who, in their entirety, are meant to represent a social landscape: modern American urban existence. Through an ensemble cast and a multi-story structure, the film depicts a circuitous society in which one part affects other parts that, in turn, affect all parts.

The film is structured by means of three entangled, sometimes complementary, sometimes competing, cultural discourses. The first discourse is race. In a deeply troubling way, race is most overtly what the film is “about.” In the world of the film, virtually every character is at some …

"...Of Shadow And Substance, Of Things And Ideas": Finding Inspiration In The Twilight Zone, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

"Tonight's story on The Twilight Zone is somewhat unique, and calls for a different kind of introduction. This, as you may recognize, is a map of the United States..."

Of all of the consummate storytellers of the 20th century, no other holds a candle to Rod Serling. In a half-hour, Serling and his corps of writers, directors and actors could weave a small tale into an epic. Serling could strike at the heart of the human soul. He could incisively cut to the core of social and political quandaries, injecting deep meaning through simple stories and fantastic everyday occurrences. [ …

Time In Television Narrative: Exploring Temporality In 21st Century Programming, Melissa R. Ames

Faculty Research & Creative Activity

This collection analyzes twenty-first-century American television programs that rely upon temporal and narrative experimentation. These shows play with time, slowing it down to unfold the narrative through time retardation and compression. They disrupt the chronological flow of time itself, using flashbacks and insisting that viewers be able to situate themselves in both the present and the past narrative threads. Although temporal play has existed on the small screen prior to the new millennium, never before has narrative time been so freely adapted in mainstream television. The essayists offer explanations for not only the frequency of time play in contemporary programming, …

The Asian Renovation Of Biracial Buddy Action: Negotiating Globalization In The Millennial Hollywood Cop Action Film, Philippa Gates

English and Film Studies Faculty Publications

No abstract provided.