English Language and Literature Commons^™

You Don’T Even Need The Ghosts: A Writer’S Look At The Turn Of The Screw, Andrea M. Schenkel

Dissertations, Theses, and Capstone Projects

The novella Turn of the Screw by Henry James was first published in 1898 as a serialized novel in Collier's Magazine. The short novel is characterized by its concise language. James chooses words carefully and consciously. The linguistic compression forces the reader to deal intensively with the main protagonists of the novel: the Governess, the children, Miles and Flora, and Mrs. Grose. Nothing is as it seems. James aims to challenge the reader by forcing them to constantly question what they read.

Countless essays have been written about the text since the novel was published. The figures, especially those …

A Difference Of One's Own: Race, Sex, Modernism, Ryan L. Tracy

Dissertations, Theses, and Capstone Projects

“A Difference of One’s Own” demonstrates that deconstructive conceptions of race lie at the heart of the modernist canon’s experimental representations of selfhood. Drawing on recent and canonical scholarship in Modernist Studies, Black Studies, Deconstruction, Queer Theory, Critical Theory, and Feminist Studies, I look at moments in modernist-era literature where the need to represent racial blackness, whether as a descriptor that defines one’s self-identity or the identity of another person, fails to draw a coherent line of difference between people, communities, selves, and importantly, the literatures that are thought to adhere to hard and fast racial distinctions. “Part I: …

Untenable Spaces And Inconceivable Futures In The 21st Century Anglophone Indian Novel, Shoumik Bhattacharya

Dissertations, Theses, and Capstone Projects

As the world sours on the history-ending narratives of forever “growth” and unending “development” and recognizes the climate catastrophe, what stories of the future are left? The question of postcolonial space and its representation is a central concern of this dissertation. Thinking beyond the reasons for, and the histories of, the trashing of postcolonial space, examined by thinkers such as Rob Nixon and Jennifer Wenzel, allows for a consideration of the possibilities of life and thriving in unexpected and supposedly untenable contexts. I will therefore focus on what might be considered deterritorialised spaces: that is, spaces outside the structural ambits …

Ambivalent Scales: Methods For Reading Scenes Of Sexual Violation, Natalie Ruby

Dissertations, Theses, and Capstone Projects

The importance of unveiling rape in the #MeToo era has unintentionally obscured encounters that lack the clarity of “yes” or “no.” However, desire can be ambiguous even in unambiguous cases of assault. Feminist activists and scholars have started to address ambiguity by arguing for a new epistemology of rape, what Linda Alcoff calls “grey rape.” In this thesis, I interrogate the “grey” embedded in ordinary sexual encounters by looking at ambivalence as an example of everyday desire evident across the seduction plot and the novel tradition. Rather than seeking to make consent more inclusive to oppressed groups, I read between …

“I Passed First-Year Writing—What Now?” Adapting Strategies From First-Year Writing To Writing In The Disciplines, Amy T. Cicchino

Publications

This chapter foreshadows challenges you can experience as you adapt your writing beyond your first-year writing course to become a writer in your discipline.1 The essay contains a student scenario, defines key rhetorical concepts within discipline-specific writing situations, and gives you strategies for adapting these rhetorical concepts to new writing situations. After reading this chapter, you will better understand how the concepts introduced in first-year writing connect to the writing you will encounter in your upper-level, disciplinary courses and identify strategies that will help you intentionally adapt writing knowledge to new discipline-specific contexts.

The Poetry Of Abstraction: Mental Objects, Private And Public, In Post-Reformation England, Esei Mace Murakishi

Arts & Sciences Graduate Student Theses and Dissertations

In the sixteenth and seventeenth centuries, certain English poets concerned themselves with the creation and manipulation of abstractions—objects that stand in the mind only. This dissertation examines: the “idea” that, on Philip Sidney’s account, a poem is; binary patterns realized in weak and strong syllables, meter and rhythm, as conceived and employed by Sidney and Edmund Spenser; and dramatis personae, the quasi-human beings whose status is among William Shakespeare’s subjects in The Winter’s Tale. I allege that the Word of God—as it had been described by the Protestant reformers and, preeminently, by William Tyndale—was prototypical of the poets’ abstractions. Tyndale …

Translating The Hobbit (2023) By Mark T. Hooker, Arden R. Smith

Journal of Tolkien Research

Book review, by Arden R. Smith, of Translating The Hobbit (2023) by Mark T. Hooker

“What Could She Do Next?”: Margaret’S Power And Control Through Failed Emotional Labor In Elizabeth Gaskell’S North And South, Cianna Alano

Criterion: A Journal of Literary Criticism

Critics of Elizabeth Gaskell’s North and South identify Margaret as an emotional laborer, but they emphasize how this is a detriment to Margaret rather than how she uses it to her advantage. Margaret’s role as an emotional laborer is, indeed, often unwanted and inconvenient, but she reappropriates this work to gain control of undesirable situations. Most notably, Margaret repeats this pattern when telling her mother of their imminent move to Milton, when dealing with the Higgins and Boucher families after familial deaths, and when attempting to stop rioters from hurting Mr. Thornton. Instead of just trying to complete the unwanted …

Cover And Front Matter

Criterion: A Journal of Literary Criticism

No abstract provided.

Full Issue

Criterion: A Journal of Literary Criticism

No abstract provided.

“Perfect In Her Eyes:” Domestic Retrenchment And Panoptical Resistance In Jane Austen’S Mansfield Park, Holden O. D'Evegnee

Criterion: A Journal of Literary Criticism

Mansfield Park features one of Jane Austen's most unique heroines, Fanny Price. Though Fanny is painfully shy—almost to the point of becoming the audience to her own story—she manages, by the end of the novel, to gain everything she wanted while the rest of her adopted family falls apart into disgrace or reform. Some critics see this as proof of Fanny’s monstrosity while others read Fanny’s ascent as a reward for her principled nature. Using recent postcolonial readings of Mansfield Park with Michel Foucault’s theory of panoptical surveillance, my goal is to show how Fanny Price subverts the colonial authority …

A Feminist Icon Or A Homicidal Coward: Medea’S Revenge On Patriarchy, Beyza Ertugrul

Criterion: A Journal of Literary Criticism

Medea, the alleged epitome of sophistication, does not deserve her title of the flawless feminist icon as she is praised to be. For context, Euripides’ Medea, first performed in 431 BC, portrays a young sorceress whose abusive husband abandons her for another woman and who takes revenge by murdering her own children to spite him. Throughout the tragedy, Medea speaks out on gender inequality, and by definition, such uncommon and advanced statements can be described by the modern term of feminism as the “belief in and advocacy of the political, economic, and social equality of the sexes” (Merriam-Webster). Especially …

Shakespeare’S Prince Of Denmark: Political Pandering In Hamlet, Moriah Theriault

Criterion: A Journal of Literary Criticism

Shakespeare's Hamlet contains frequent cultural ties and insights into Danish tradition that depict intentional effort to represent Danish culture. These accuracies can be seen in the description of the castle in Elsinore, the deep-seated conflicts between Christian forgiveness and revenge, and the traditional cannon salutes featured in Hamlet. Shakespeare created these connections to Danish culture for a political maneuver to win the favor of King James and his wife, the Royal Queen Anne of Denmark.

First Year Composition Syllabus, Krystal M. Orwig

Open Educational Resources

English syllabus for college level first-year writing students.

Havens And Covens: Pregnancy, Witchcraft, And Female Power In Cotton Mather’S “Retired Elizabeth”, Brittney A. Hatchett

Criterion: A Journal of Literary Criticism

Over the decades, scholars have been holding two adjacent conversations about witchcraft and gender in Cotton Mather’s works that surprisingly have not been put in dialogue. On the one hand, they have examined Mather’s witchcraft ideology and motivations for involving himself in the Salem witch trials. On the other hand, scholars have discussed how Mather seeks to exert control over women spiritually and physically. However, no one has yet explored how these conversations might converge. I suggest that we can see how Mather intertwines discourses of witchcraft and gender in the section titled “Retired Elizabeth” in The Angel of Bethesda. …

The Rise Of The Machine: The Annihilation Of Human Connection In "The Rainbow", Elizabeth Miller

Criterion: A Journal of Literary Criticism

This essay analyzes the growth of industrialization in England at the turn of the century by examining D. H. Lawrence’s 1915 novel, The Rainbow. More specifically, this essay will focus on the role of machine culture and how the growing presence of industry acted as a catalyst for societal destruction. I argue that Lawrence defines machine culture as the worship of the machine, roboticism, the erasure of memory, and misogyny. These social constructs are exposed through the male characters in the novel to express Lawrence’s attitude toward the destructiveness of industrialization. He uses these characteristics to represent the type of …

Claude Mckay's Protest Sonnets, Lily Jensen

Criterion: A Journal of Literary Criticism

The sonnet tradition is rich with change. It is a genre forged in strict conventions: fourteen lines, iambic pentameter, a volta (or even multiple turns), and themes of praise and unrequited love. Because of these rules, sonneteers from Petrarch to Shakespeare, Donne to Rosetti, and Hopkins to Hughes have used this form and bent it to their own personal uses. The sonnet has an intense social, cultural, and political history. This paper analyzes how Claude Mckay both used the conventions of the sonnet tradition and broke from the sonnet tradition in the poems “If We Must Die” and “The Lynching” …

Recognizing Freedom: Zitkala-Ša's Fight For Native Citizenship, Camille J. Karpowitz

Criterion: A Journal of Literary Criticism

Minority groups protesting and petitioning for civil rights have been fundamental to United States history. Before the Indian Citizenship Act of 1924, Zitkala-Ša, a Native American rights activist, positions herself as a voice for Native citizenship. Within the native community, however, the issue of citizenship was not as easily advocated for, due to past injustices perpetrated by the United States government. As a result, Zitkala-Ša has been labeled an assimilationist or one who connect to either Natives or Americans.

While her advocacy for citizenship does not go unnoticed by scholars, it is often ignored in her works outside of political …

From Alchemy To Algorithms: The Legacy Of John Dee's Occult Magic In Digital Age, George Goga

Myth and Science, 2023-24

The Renaissance polymath John Dee worked as a spy, occult magician, and advisor to the Queen who blended the scientific with the magical. "From Alchemy to Algorithms: The Legacy of John Dee’s Occult Magic in the Digital Age" explores Dee's lasting influence in today's world.

Exploring The Matriarchal Past To Forge A Modern Identity: Maternal Origins In Woolf And Ihimaera, Kirsten W. Burningham

Criterion: A Journal of Literary Criticism

Though the writings of Virginia Woolf and Witi Ihimaera are “incommensurable” in many ways, I find “commesurablilities”––the kind of commensurabilities the Susan Stanford Friedman seeks out across the planetary landscape of modernism––in the way they negotiate a new creative identity in a modern environment with the bang clash of history and present ringing in their ears. I see this commensurability in at least three key features: 1) Woolf and Ihimaera each gave birth to new literary movements: Woolf was mother to high British Modernism with experimental techniques such as free indirect discourse and the relegation of plot to the background; …