English Language and Literature Commons^™

A "Quarrell Sett Out In Metre": Towards A New Edition Of Scottish Reformation Satirical Literature, Tricia A. Mcelroy

Studies in Scottish Literature

Discusses the issues of definition and genre in preparing a new edition for the Scottish Text Society of satirical poems (and prose) from the Scottish Reformation period, and also comments on decisions about editing Scottish Renaissance manuscript poetry.

Editing The Letters Of A Scottish Author, Gillian Hughes

Studies in Scottish Literature

Discusses the issues and techniques in finding, researching, transcribing, editing, formatting and annotating the letters of a nineteenth-century Scottish author, drawing on experience in editing The Collected Letters of James Hogg, 3 vols. (Edinburgh University Press, 2004-2008).

The Ssl Symposium On Editing: A Commentary, Ian Duncan

Studies in Scottish Literature

Reviews and comments on the preceding essays in the SSL Symposium on Editing Scottish Literary Texts, setting them in the wider context of critical discussion, responding to some of the earlier comments comparing the recent collected editions of Walter Scott and James Hogg, and arguing that the "authentically democratic" work of making a fuller range of Scottish literary texts available moves critical discussion forward from the "tedious zero-sum game" of debating a static canon.

The Renaissance Uses Of A Medieval Seneca: Murder, Stoicism, And Gender In The Marginalia Of Glasgow Hunter 297, Theo Van Heijnsbergen

Studies in Scottish Literature

Examines, transcribes, and annotates the extensive marginalia in a medieval manuscript of Seneca's tragedies made by Sir William Sinclair of Mey (1582-1643), exploring some of the links between the original text, the marginal additions, the events of Sinclair's life, and the culture of Renaissance Scotland.

For "The Prosperity Of Scotland": Mediating National Improvement In The Scots Magazine, 1739-49, Alex Benchimol

Studies in Scottish Literature

Discusses the early years the the Scots Magazine, founded in Edinburgh in 1739, examining the aims of its publishers, and the development of its political and economic views before and after the Jacobite Rising of 1745-46, in light of contemporary Scottish ideas of social and economic improvement.

Wraiths, Rhetoric, And "The Sin Of Rhyme"" The Shaping Of The Burns Of The Kilmarnock Edition, Kenneth G. Simpson

Studies in Scottish Literature

Discusses rhetorical self-consciousness in letters and poems of the Scottish poet Robert Burns (1759-1796), in contrast to earlier simplified romantic portrayals, and draws a comparison between Burns and Montaigne.

The Modern Athenians: The Edinburgh Review In The Knowledge Economy Of The Early Nineteenth Century, William Christie

Studies in Scottish Literature

Discusses the role of intellectual periodicals, specifically the edinburgh Review, in creating and representing the interdisciplinary knowledge economy of early 19th century Edinburgh, and proposes the term "the Periodical Enlightenment" to represent this distinctive phase in Scottish culture.

Preventing Revolution: Cato Street, Bonnymuir, And Cathkin, John Gardner

Studies in Scottish Literature

Argues, from a range of evidence including popular poetry and woodcuts, that popular risings in 1820 in Scotland, England, and Ireland were produced as a coordinated strategy by central government in the aftermath of Peterloo to instigate (through agents provocateurs) local popular uprisings and then brutally suppress them, with show trials and public executions, in order to deter or forestall larger social unrest or revolution.

On Vernacular Scottishness And Its Limits: Devolution And The Spectacle Of "Voice", Scott Hames

Studies in Scottish Literature

This essay asks why vernacular cultural expression has been so central to discussion of Scottish national autonomy, traces the literary and political contours of vernacular discourse in the period of Scottish devolution, and concludes with a provisional sketch of three "vernacularities" (democratic, romantic and identitarian) and with reflections on how literary criticism might move beyond the "representative” paradigms of vernacular voice to engage with voice as a principle of agency and action.

The Missing Manuscript Of Robert Burns's "Patriarch" Letter, Gerard Carruthers, Pauline Mackay

Studies in Scottish Literature

Reports the discovery of a previously-lost early transcription of a Burns letter, held by a private owner in Dumfries, records its textual variants, and discusses its relation to the previously-known versions on which editors have had to rely.

Sir Walter Scott And John Clare: An Unpublished Letter, Ian D. Kane

Studies in Scottish Literature

Reports an autograph letter written by Walter Scott, now in the G. Ross Roy Collection at the University of South Carolina, dated May 31, 1820, and sent to Captain Markham Shirwill, responding to Shirwill's request that Scott foster Clare's writing career; along with a transcription and illustration of the letter, the note discusses what was previously known about this incident and its context based on the letters of Clare.

Robert Burns, James Johnson, And The Manuscript Of "The German Lairdie", Patrick Scott

Studies in Scottish Literature

Reports, illustrates, and assesses a fragment of manuscript music now in the G. Ross Roy Collection at the University of South Carolina, for Burns's song "The German Lairdie," headed in Burns's hand, and possibly with the music in his hand also. A note with the fragment, which was exhibited as Burns's autograph in 1896, states that it had been sent by Burns to the Edinburgh editor and publisher James Johnson, for inclusion in his Scots Musical Museum.

Court Poetry In Late Medieval England And Scotland, By Anthony Hasler, Holly A. Crocker

Studies in Scottish Literature

Review of Court Poetry in Late Medieval England and Scotland, by Anthony Hasler.

Books Received, John T. Knox, Patrick G. Scott

Studies in Scottish Literature

Publication details and short descriptions of over thirty recently-published books in Scottish literature and related fields.

"And The Roadside Fire": Portrayals Of Home Through National Song In Stevenson's Scottish Adventures, Christy Danelle Di Frances

Studies in Scottish Literature

This article considers allusions to popular Scottish song in Stevenson’s work, especially in Kidnapped, to interrogate Stevenson’s broader configuration of home, as both personal and engaged with the Scottish national consciousness, exploring how he preserves home within his modern adventure aesthetic through reference to popular Scottish song, ballads and folk songs.

Contributors To Ssl 39

Studies in Scottish Literature

No abstract provided.

August 30, 2013: Wmu Teaching And Learning Bash, September 13, 2013, Department Of English

Gleanings: Department of English Blog Archive

No abstract provided.

The Technology Of Subjectivity: Modernist Machines And Racial Identity, Benjamin Bascom, Dr. Matthew Wickman

Journal of Undergraduate Research

Literary studies continually shape and reshape the study of historical time-periods. With a fascination on how aesthetic objects—specifically literature—becomes a vantage point through which to see a bygone age, I began my ORCA project with the hopes to better understand the relationship between eighteenth-century British poetry and the scientific paradigms of Newton and Leibniz. Wanting to explore how poets during this time distilled and also complicated the contemporary scientific views, I excitedly delved into the poetry of Alexander Pope and James Thomson. However, as I began this project I simultaneously began to narrow down my personal field of interests in …

The Emergence Of The Digital Humanities, Steven E. Jones

English Faculty Publications

The past decade has seen a profound shift in our collective understanding of the digital network. What was once understood to be a transcendent virtual reality is now experienced as a ubiquitous grid of data that we move through and interact with every day, raising new questions about the social, locative, embodied, and object-oriented nature of our experience in the networked world.

In The Emergence of the Digital Humanities, Steven E. Jones examines this shift in our relationship to digital technology and the ways that it has affected humanities scholarship and the academy more broadly. Based on the premise …

August 27, 2013: 2013-2014 Distinguished Alum, James Griffioen, Department Of English

Gleanings: Department of English Blog Archive

No abstract provided.