Literature in English, North America Commons^™

The Literary Significance Of Herman Melville’S Benito Cereno: An Analytical Reflection On Benito Cereno As A Fictional Narrative, Dani Kaiser

4997 English: Capstone

In Herman Melville’s Benito Cereno (1855), Captain Amasa Delano discovers a distressed slave ship in need of aid, only to later find out that his perception of the dire situation was completely incorrect. Melville’s novella is derived from Delano’s nonfiction account of the experience, titled Narrative of Voyages and Travels in the Northern and Southern Hemispheres (1817). This paper focuses on three questions that demonstrate why Melville wrote a novella almost completely derived from a nonfiction account of the events aboard the ship. In order to understand why Melville’s novella is powerful, one must ask, as an overarching question why …

Biography And Broken Barriers: Melville’S Use Of Personal Experience And Social Groups To Achieve Commentary In Typee And Redburn, Katelyn Quigley

4997 English: Capstone

Melville’s texts continue to be relevant to a contemporary readership well over a century since original publication, as his words not only illuminate and examine nineteenth century experiences, but also present concepts and ideas that continue to be worthy of consideration by modern audiences. One such issue that is regularly addressed in Melville’s works is that of identity: of the individual, of society, and of the individual as he navigates between the fabrics of various social worlds. This paper examines Social Identity Theory and its components that both achieve identification of the individual and the aggregate in society and define …

Interpretations Of Herman Melville’S Moby-Dick In The Field Of Visual Arts, Madeline Kudlata

4997 English: Capstone

Artistic adaptations of literary classics allow readers to visualize and contextualize some of the most important themes, motifs, scenes, and images in a story that may be difficult to grasp through verbal text alone. From these adaptations, one can analyze the stylistic and thematic similarities or differences in the way an artist portrays elements of Melville’s Moby-Dick. Through their varying artistic styles and media, abstract impressionist Frank Stella, self-taught artist Matt Kish, and award-winning children’s book illustrator Allan Drummond express how Melville’s novel can manifest itself in a multitude of contexts: emotional, literal, and theoretical. By analyzing the way …

Who Can Afford To Improvise? James Baldwin And Black Music, The Lyric And The Listeners [Table Of Contents], Ed Pavlic

Literature

More than a quarter-century after his death, James Baldwin remains an unparalleled figure in American literature and African American cultural politics. In Who Can Afford to Improvise? Ed Pavlić offers an unconventional, lyrical, and accessible meditation on the life, writings, and legacy of James Baldwin and their relationship to the lyric tradition in black music, from gospel and blues to jazz and R&B. Based on unprecedented access to private correspondence, unpublished manuscripts and attuned to a musically inclined poet’s skill in close listening, Who Can Afford to Improvise? frames a new narrative of James Baldwin’s work and life.

The route …

The Pulpit's Muse: Conversive Poetics In The American Renaissance, Michael William Keller

Dissertations (1934 -)

This dissertation focuses on the interaction between poetic form and popular religious practice in the nineteenth century United States. Specifically, I aim to see how American poets appropriated religious tropes—and especially religious conversion—in their poetry with specific designs on their audience. My introduction analyzes the phenomenon of religious conversion up through the nineteenth century with help from psychologists and historians of religion, including William James and Sydney Ahlstrom. In the introduction, I also explore how revivalist conversion helped inform the poetics of Walt Whitman and Ralph Waldo Emerson. Chapter one focuses on Emerson’s poetry, particularly as it enacts Emerson’s poetic …

On The Threshold: Breadwinning, Capitalism And The Absent/Present Father In The Works Of Three Late 20th-Century U.S. Novelists, Nancy J. Hoch

Dissertations, Theses, and Capstone Projects

As society industrialized in the nineteenth century and jobs moved outside the home, a figure which I call the absent/present father began to make his appearance in American literature. This figure, hovering physically or emotionally on the threshold of family life, never completely present but never completely absent either, has filled the pages of fiction from that time until recently when, as the U.S. becomes postindustrial, depictions of the absent/present father decline.

Bringing a socio-economic as opposed to the usual psychological perspective to my close readings of the fictional family, I explore the cultural work the absent/present father does in …

Theater Matters: Female Theatricality In Hawthorne, Alcott, Brontë, And James, Keiko Miyajima

Dissertations, Theses, and Capstone Projects

This dissertation examines the ways the novelists on both sides of the Atlantic use the figure of the theatrical woman to advance claims about the nature and role of women. Theater is a deeply paradoxical art form: Seen at once as socially constitutive and promoting mass conformity, it is also criticized as denaturalizing, decentering, etiolating, queering, feminizing. These anxieties coalesce around the image of the actress. In nineteenth century fiction, the image of a woman performing on stage is a powerful one, suggestive of ideal femininity, but also of negative traits including deception, artificiality and an unfeminine appetite for public …

The Heterotopia Of Flight: Resisting The Domestic, Sarah Elizabeth Davis

Dissertations, Theses, and Capstone Projects

The familiar image of a woman fleeing danger is a well-worn convention of heroine-centered fiction, a plot device inevitably resolved when the heroine returns safely to her home and family. This dissertation proposes a new reading of that narrative by asserting that rather than serving as a space of protection, the home poses the greatest threat to an individual's autonomy. If we understand the domestic as a space in which bodies are ordered and, more specifically, gendered, classed, and raced, the trope of flight from the domestic can be read as an act of resistance to subjugation. This act is …

Poetry Editorial: Audioecopoetics, Camilla Nelson

The Goose

Poetry Editorial by Camilla Nelson

From Away With The Birds, Hanna Tuulikki

The Goose

Poetry by Hanna Tuulikki

Dŵr, Rhys G. Trimble Mr

The Goose

Poetry by Rhys Trimble

Lip Poem, Alistair Noon

The Goose

Poetry by Alistair Noon; Notes on the Text by Camilla Nelson.

Countersong: Rising Or Falling, Jonathan Skinner

The Goose

A recording, analysis and poetic translation of countersong between two Hermit thrushes (Catharus guttatis) recorded in the mountains of Northern New Mexico (United States) on 19 July 2015.

Editor's Notebook, Lisa Szabo-Jones, Paul Huebener

The Goose

Editorial introduction to The Goose Volume 14, Issue 1 (2015).

The White City, Steven Hitchins

The Goose

Audio guide to The White City, a participatory sensing expedition through the streets of Rhydyfelin, Pontypridd.

Andscape: Marta Á Góðafoss, A Rawlings, Marta Guðrún Jóhannesdóttir

The Goose

Poetry by a rawlings and Marta Guðrún Jóhannesdóttir

Heirloom: A Piper's Orchard Abecadarian, Shin Yu Pai

The Goose

Poetry by Shin Yu Pai

Canine Haiku: Yellow Ball, Julie Andreyev, Tom (Canine)

The Goose

Poetry by Julie Andreyev and Tom.

Petrocan, Madelaine C. Longman Ms,

The Goose

Poetry by Madelaine Longman

The Storyteller's Trance In The Turn Of The Screw, Leslie C. Slape

Anthós

An examination of the presence and effect of the "storyteller's trance" on the narrators and their audience in The Turn of the Screw by Henry James (1898).

Thank you to Professor Sarah Ensor for advice and encouragement.