Literature in English, North America Commons^™

Who By Fire By Fred Stenson, Mary H. Scriver Rev. Or Bs, Mdiv, Ma

The Goose

Mary Scriver reviews Who by Fire by Fred Stenson.

Becoming Wild: Living The Primitive Life On A West Coast Island By Nikki Van Schyndel, Maureen Scott Harris

The Goose

Maureen Scott Harris reviews Becoming Wild: Living the Primitive Life on a West Coast Island, by Nikki Van Schyndel.

Ordinary Hours By Karen Enns And Lake Of Two Mountains By Arleen Paré, Lisa M. Giles

The Goose

A 'double' review of two new poetry publications from Brick Books: Ordinary Hours by Karen Enns and Lake of Two Mountains by Arleen Pare.

Subduction Zone By Emily Mcgiffin, Kelly Shepherd

The Goose

Kelly Shepherd's review of Subduction Zone by Emily McGiffin.

Facing The Change: Personal Encounters With Global Warming Edited By Steven Pavlos Holmes, Geoff R. Martin

The Goose

Geoff R. Martin reviews Facing the Change: Personal Encounters with Global Warming.

Mary Hallock Foote: Reconfiguring The Scarlet Letter, Redrawing Hester Prynne, Adam Sonstegard

English Faculty Publications

It took 28 years after Nathaniel Hawthorne published The Scarlet Letter in 1850 for Mary Hallock Foote to render drawings for one of the novel’s first illustrated editions, which was probably the first ever to be illustrated by a woman.(1) It took 130 years after the publication of Foote’s illustrated edition in 1878 for Project Gutenberg to digitize and disseminate Hawthorne’s novel with Foote’s illustrations.(2) It has taken seven years for Hawthorne scholarship to commence addressing and examining Foote’s edition, and theorize what her drawings suggest about the act of seeing, for the heroine’s audiences in the book, and for …

Touching Brains, Jason Tougaw

Publications and Research

No abstract provided.

Dialogical Interspecies Ethics: Ataraxia, Desire And Hope In The Post-Human World Of Anne Carson's Pastoral, Thomas Bristow Dr

The Goose

This review essay implicitly revisits human and non-human power relations within a critical animal studies context that understands the affective conjunction between the manipulation of our worlds (action, partly through knowledge) and degrees of involvement with these others that live in our worlds (comportment via emotions). I take Louise Westling’s new study as the platform for an analysis of two book-length poems, The Autobiography of Red (1998) and red doc> (2013), which centre on the life of a shepherd, Geryon. Rather than revisit classical pastoral, these texts extract power-relations that classical myth and pastoral spatialise. In so doing, I argue, …

Where Do They Go: Christian Faith And Belonging In Gay Literature, Samuel D. J. Ernest

Honors Projects

This exploration of Christianity, family, homosexuality, and running away in twentieth-century literature is divided into two essays. In the first essay, G. K. Chesterton’s “twitch upon a thread” provides a way of understanding the flight of Sebastian in Brideshead Revisited by Evelyn Waugh and Jeanette in Oranges Are Not the Only Fruit by Jeanette Winterson. After they escape their mothers and home communities, Sebastian’s and Jeanette’s searches for a vocation eventually bring them back to where they started, in one sense or another. Sebastian finds his place within the Church, at a monastery; Jeanette travels back to her parents’ house …

There Will Be Violence: A Critical Analysis Of Violence In The Works Of Cormac Mccarthy, Matthew L. Robinson

Honors Projects

This discussion of McCarthy’s use of violence in his western novels will focus primarily on the books Blood Meridian or the Evening Redness in the West and No Country for Old Men.

Both novels feature antagonists who use war and violence to impose a new societal order. They fail in the end – they cannot succeed so long as there are individuals who refuse to conform to a widespread acceptance of violence that follows Judge Holden’s doctrine of war. In McCarthy’s novels, violence is used to impose a new order of existence. The opposition of individuals cause these imposed …

Isolation Of The Individual In The Novels Of Carson Mccullers, Adam Hutchinson

Honors Projects

A southern novelist of the mid twentieth century, Carson McCullers is often labeled as a Southern Gothic author, and her novels reflect the violence, grotesque characters, and dilapidated settings of the genre. However, while early interpretations of her work focused on the depravity of doomed characters, more recent analysis has opened up her work to a productive understanding of social change. Her characters are isolated from the rest of society, whether by race, religion, or sexuality, but rather than highlighting their own shortcomings, these isolating factors underscore a limitation within the social structures and the need for change. This essay …

Flannery O'Connor's Redemptive Violence In Chuck Palahniuk's Fight Club And Invisible Monsters, Caitlin Elliot

Masters Theses

Underground fight clubs, transsexuals, shotguns: these are the images that come to mind when one thinks of Chuck Palahniuk’s fiction—for many critics and readers, merely the stuff of pulp fiction. However, many of Palahniuk’s novels use violence to critique American culture while offering hope for the redemption of his characters and society as a whole. Thus, the violence in his works serves a purpose beyond mere shock value. The function of Palahniuk’s violence, I argue, reflects the poetics of Flannery O’Connor. Her works contain culturally-driven narratives with strange and grotesque circumstances that lead her characters to moments of redemption, and …

The Romantic Egoist: Fitzgerald's View On Identity And Culture, Tara Bender

Masters Theses

"Who am I?” is a question that not only each individual asks himself or herself at various points in the process of maturation from childhood to adulthood, but also society itself as it changes and grows. During the 1920s, Americans were asking themselves these defining questions. F. Scott Fitzgerald as one of the pre-eminent writers of that time period provides examples in his novels This Side of Paradise, Beautiful and The Damned, and The Great Gatsby of the immaturity of masculine figures. Amory Blaine, Anthony Patch, and Jay Gatsby exemplify the struggle of men in the 1920s to develop their …

Mad To Be Sincere: Authenticity, Irony, And Kerouac’S Response To Modern Reality, Jonathan Michael Devin

Masters Theses

This project explores the qualities of sincerity, authenticity, and irony in Jack Kerouac's novel On the Road. The thesis asserts that that On the Road is neither ironic nor authentic, but, rather, that it both possesses aspects of traditional sincerity and anticipates the New Sincerity movement in contemporary literature. Through observing the characteristics of traditional sincerity and New Sincerity in the novel, the thesis amends the novel's critical position by showing a level of complexity, foresight, and nuance in the text. Ultimately, the thesis shows Kerouac's response to modern reality, presenting the limitations of authenticity and irony while esteeming the …

American Dreams And Dystopias: Examining Dystopian Parallels In The Great Gatsby And To Kill A Mockingbird, Samuel Nathan Harris

Masters Theses

In this study I consider the recent trend of dystopian fiction in literature—both the broader genre of dystopias of the past century or so, and the contemporarily popular subgenre of young adult dystopian fiction—and examine whether certain American novels, while not typically considered dystopias, can fit into this genre or at least be established as having some parallels with works of this genre. Based on certain shared archetypes of the genre, such as “speculative myth,” a governing “ritual habit,” and a dissatisfied narrator or protagonist, I here propose that other American classics, specifically F. Scott Fitzgerald’s The Great Gatsby and …

The Peace Of The Waste Land And Understanding Eliot’S Two Readings, Luke J. Chambers

The Hilltop Review

There are two recordings of T.S. Eliot reading The Waste Land in existence today, one made in 1946 for the Library of Congress, and another from 1935, recorded at Columbia University. The later 1946 recording, being the only one published, is by far the more well known. The 1935 recording is of much inferior sound quality and is difficult to find. The younger Eliot recites at times with greater energy, a quicker tempo, and with markedly different phrasing and intonation. However, quite often Eliot’s recitation is nearly indistinguishable between the two recordings. The specific moments of difference reveal a great …

Errant Memory In African American Literature Of The Long Nineteenth Century, Tristan Alexander Striker

Dissertations, Theses, and Capstone Projects

In this dissertation, I trace the complex black literary trope of errant memory through American and African American literature. Authors of African descent are constantly subjected to what I call Africanity, or the paratextual historicizing elements provided by white interlocutors that seek to impose specific caricatures and stereotypes on them and their works to force them into the American historical narrative that depends on their dehumanized and commodified status. These caricatures and stereotypes are rooted in an Africa imagined by these white interlocutors, one that does not match any reality. Authors of African descent transcend this paratextual Africanity through what …

New York City Street Theater: Gender, Performance, And The Urban From Plessy To Brown, Erin Nicholson Gale

Dissertations, Theses, and Capstone Projects

This dissertation investigates the ordinary, public performances of fictional female characters in novels set on the streets of Manhattan during the years of legal segregation in the United States. I examine a range of actions from bragging to racial passing, and I argue these ordinary performances are central to our ability to interpret race, gender, and class relations. I detect race, class, and gender-based impulses to segregate and exclude others that overlap with the motives guiding the national, legal edict to segregate people by race. These guiding inclinations, legible through the history of Manhattan's grid, zoning laws, and the city …

Making The Vision A Reality: Staging The Unreal In Realist Theatre, Sarah Zentner

Undergraduate Honors Theses

This paper seeks to understand why visionary elements are sometimes implemented in otherwise realist works of theatre. Beginning with the father of realism, Henrik Ibsen, and discussing some of the social and domestic conventions present in his work, the paper then moves through an analysis of visionary elements, as they have been implemented in the following works: August Wilson's The Piano Lesson (1987) and Two Trains Running (1990), Tennessee Williams's A Streetcar Named Desire (1947), Arthur Miller's Death of a Salesman (1949), and Elizabeth Egloff's The Swan (1993). In doing so, the paper investigates how visionary elements can be effective …

"I Know You!": The Implications Of Knowing In Joyce Carol Oates's Marya: A Life, Josephene T.M. Kealey

Bearing Witness: Joyce Carol Oates Studies

Joyce Carol Oates’s Preface to the Franklin Library 1^st Edition of her 1986 novel Marya: A Life is a theoretical reading guide. In her explanations for the possible autobiographical components discernible in her book, Oates challenges readers to question their ability to know a character, to know an author’s intentions, even to know the self. Oates’s ideas about the fluidity of identity and the dangers of claiming “to know” an other or the self are explored in this story.