Literature in English, North America Commons^™

The Specter Of Body Horror Haunting Joyce Carol Oates’S “The Chair Of Tranquility” And Charlotte Perkins Gilman’S “The Yellow Wall-Paper”, Tanya L. Tromble

Bearing Witness: Joyce Carol Oates Studies

Joyce Carol Oates is the editor of a 2023 collection entitled A Darker Shade of Noir: New Stories of Body Horror by Women Writers. Her own story in the collection, “The Chair of Tranquility (from the Diary of Mrs. Thomas Peele, Trenton, New Jersey, 1853),” takes on a fuller meaning when considered in a dialogic relationship to Charlotte Perkins Gilman’s 1892 story “The Yellow Wall-Paper.” By first outlining how Gilman’s and Oates’s stories can be seen as sister stories, then analyzing some essential differences operated in Oates’s story, the author is finally able to discuss the dialogic effect of …

Beyond “Do Not Disturb”: Alternatives And Possibilities Of Feminism In Joyce Carol Oates's Babysitter, Emilie Heude

Bearing Witness: Joyce Carol Oates Studies

“Sympathize/don’t rage” was Joyce Carol Oates’s call as she concluded a tweet on the rights of people who are transitioning (20 February 2023). This statement could well be considered a prism through which we might see her work. Indeed, the author depicts a variety of characters handling situations very differently – and readers are left dealing with their own sympathy with them. Babysitter (2022) is a case in point in this regard: Hannah, the main female character, appears as a submissive figure replete with gender and class prejudice and lacking agency. As Oyinkan Braithwaite wrote in a review for The …

The Blinding Lights Of (Post)Feminist Empowerment In Joyce Carol Oates’S "Night, Neon”, Stéphanie Maerten

Bearing Witness: Joyce Carol Oates Studies

Juliana, the protagonist of Joyce Carol Oates’s 2018 novella “Night, Neon,” is portrayed as a confident, empowered young woman who appears to embody the postfeminist ideal of “having it all”—autonomy, agency, and adherence to traditional feminine norms like marriage and motherhood. However, as the story unfolds, it becomes evident that Juliana’s sense of empowerment is largely performative, concealing deep-seated vulnerabilities and unresolved traumas. Through a series of flashbacks revealing Juliana’s troubled past, Oates critiques the postfeminist tendency to reinterpret traumatic experiences as tools for self-empowerment and resilience, suggesting that such a framework may obscure the systemic and pervasive nature of …

The Mudwoman In The Academia: The Spectral Presence Of Jane Eyre And Antoinette Cosway In Joyce Carol Oates's Mudwoman, Stéphanie Durrans

Bearing Witness: Joyce Carol Oates Studies

While Jane Eyre has been lauded as a feminist novel, its modernist prequel Wide Sargasso Sea clearly aims at recovering the lost voice of the much-maligned Bertha Rochester from an altogether different feminist perspective. In her 1985 essay on these two novels, Joyce Carol Oates highlights their dual relationship in terms of romance and anti-romance, regarding Rhys’s novel as “a reverse mirror image of Jane Eyre’s and Rochester’s England.” Commenting upon the brief encounter between Jane and Rochester’s first wife as depicted by Jean Rhys, Oates also points out that, “[i]nhabiting contrary worlds, one woman is a savage to the …

The 11-Year Itch: Exploitation As Sublimation In Blonde (Joyce Carol Oates, 2000; Andrew Dominik, 2022), Jocelyn R. Dupont

Bearing Witness: Joyce Carol Oates Studies

The goal of this article is to discuss Andrew Dominik’s much-criticized adaptation of Oates’ novel Blonde (2000), released on the Netflix streaming platform in September 2022. It aims at re-assessing the movie in the light of its literary hypotext, which appears to have been rather unfairly left out of much of the debate surrounding the release and critical reception of the film. In a first part, this article briefly addresses the stakes of Dominik’s adaptation, which are more complex than they might seem, notably on account of the extreme iconicity of its subject, even more so than its subject matter. …

Is Love A “Pathological Condition Of The Soul”? Joyce Carol Oates's Beasts And Rape: A Love Story, Nicolas P. Boileau

Bearing Witness: Joyce Carol Oates Studies

This paper seeks to address the question of Oates’s relation to feminist and gender theories by looking at two novellas published consecutively, Beasts and Rape: A Love Story in the beginning of the 2000s. The short texts share a common storyline based on rape, which is far from uncommon in Oates’s fiction. However, I argue that there is something very specific in these two novellas in the way Oates chooses to handle the testimony of the rape, both overtly and covertly, both in graphic details and in repressed forms of expression, giving way to a reflection on women’s vulnerable position …

Joyce Carol Oates And Feminism: Facts Found And Foundered, Gavin J. Cologne-Brookes

Bearing Witness: Joyce Carol Oates Studies

This essay explores the nuanced relationship between Joyce Carol Oates and feminism, distinguishing between Oates as an individual and “JCO” as the authorial process. Through analysis of novels like Babysitter, the essay argues that Oates’s fiction resists fixed labels, instead foregrounding ambiguity, interpretation, and the limitations of categorization. Drawing on philosophical and literary contexts, it contends that while Oates’s work invites feminist readings, her narrative style deliberately undermines definitive conclusions. Ultimately, the essay suggests that JCO’s writing stimulates inquiry and self-reflection, positioning art as a process of response rather than a vehicle for asserting categorical truths—including those of feminism.

Exploring Specters Of Feminism In The Work Of Joyce Carol Oates, Nicolas P. Boileau, Tanya L. Tromble

Bearing Witness: Joyce Carol Oates Studies

This collection originates from the international conference “Specters of Feminism in the Work of Joyce Carol Oates,” held at Aix-Marseille Université in March 2024 as part of the broader project “Women and the F-Word: Thinking about Women’s Resistance to Feminism.” The introduction situates Oates’s vast and varied oeuvre within evolving feminist discourses, highlighting her ambivalent personal stance toward feminism and the critical consensus that her work engages deeply with feminist themes, especially sexual violence, trauma, and the complexities of gendered power. The essays gathered here explore how Oates’s stylistic experimentation, intertextuality, and representations of female agency and victimhood simultaneously reflect, …

Human Dignity And Prostitution, Clara Kernodle

Harding Undergraduate Research Conference

In the twenty-first century, it is common to see feminists and pro-sex work voices lauding prostitution and other forms of the sex industry as viable expressions of women’s sexual and financial agency. As long as every participating party consents, they argue, sex work is not only tolerable, but admirable and positive – a form of transaction or service deserving license, protection, and respect in the name of individual freedom and female agency. Such voices argue that prostitution can even be dignified, as the sex industry supposedly allows participants full freedom to express their sexuality. In this paper, I offer an …

Book Culture And Narrative In Martin’S A Song Of Fire And Ice, Maria Damkjær

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

What do books represent in G.R.R. Martin's A Song of Ice and Fire? This article examines their role as objects and their limitations within a narrative obsessed with loss of knowledge. Books, which are handled, lost, found, read, or destroyed, are both a shorthand for a fantasy world’s material culture, but also a metafictional nod to the reality of the reader. Contemporary fantasy authors, I posit, are both fascinated by texts, and also troubled by their limited chance of survival over the very long periods that the genre tends to sketch. Deep time is hostile to book knowledge, and …

Tolkien, Tabletop, And Orcs: The Impact Of Participatory Neomedievalisms On Authority, Tyler Bell

ATU Theses and Dissertations 2021 - Present

Different medieval and fantasy works have utilized race in different ways. Medieval Europe used race as a structural relationship to morally and religiously other certain people groups. J.R.R. Tolkien used race in a similar way, othering the fantasy races like orcs as a way to give the audiences clear antagonists. Direct film and video game adaptations of Tolkien uphold him as the authority on fantasy race, using orcs as antagonists and glorifying violence against them. The table-top role-playing game Dungeons and Dragons initially held up the antagonistic portrayal of orcs, but through different editions, the restrictions placed on orcs have …

Sharp Knives, Dark Hearts: Class, Colonialism, And Rebellion On Anthony Bourdain's Bookshelf, Carl Cactus Warmuth

American Studies ETDs

Though often characterized as a celebrity chef, Anthony Bourdain achieved stardom from his lively writing rather than skills in the kitchen. As such, the sociopolitical importance of his life and work is greatly illuminated by his compulsive literary references. Through George Orwell’s Down and Out in Paris and London, Émile Zola’s The Belly of Paris, Graham Greene’s The Quiet American, Joseph Conrad’s Heart of Darkness, and the personas of William S. Burroughs and Hunter S. Thompson, the tensions central to Bourdain’s legacy are unveiled. This thesis offers a portrait of Bourdain as a complicated figure of …

Un-Silencing Dickinson: Emily Dickinson's Aversion To The Male Body And Heterosexuality In "My Life Had Stood–– A Loaded Gun", Cassandra Barron

Global Tides

This paper examines Emily Dickinson's aversion to heterosexual marriage and sexual initiation in her poem "My Life had stood-- a Loaded Gun". The ethics of deciphering through identifying and categorizing potentially Queer authors and texts impacts our understandings of frequently canonized authors such as Emily Dickinson. Emily Dickinson's nineteenth-century American context informed her ability to write deliberately about her experience of subversive sexual desire. Instead, Dickinson utilizes images of death, apathy, and immortality to illustrate her revulsion toward the male body and heterosexual marriage. This paper illustrates how utilizing Queer and feminist theories illuminates new and potential understandings of Emily …

Controlling The Narrative: How The United Daughters Of The Confederacy Shaped Collective Memory Through Romance Novels, Karie L. Cobb

Department of English: Dissertations, Theses, and Student Research

While existing scholarship on the United Daughters of the Confederacy (UDC) reveals the immense influence the organization wielded in the nineteenth and twentieth centuries, I assert that their legacy has had a broader and more insidious reach than previously believed. Through close analysis of two foundational romance novelists’ works published during the rapid escalation of the genre’s popularity, I contend that the rhetoric of the UDC shaped generations of Southerners as demonstrated through repetitions and parallels of the Lost Cause ideology found in UDC publications and sponsored materials within romance novels written by white Southern women who came of age …

Death Becomes Us: The Consumptive Body In Nineteenth-Century Gothic Literature, Jennifer Marie Mcmahon

All NMU Master's Theses

This thesis examines the impacts of nineteenth-century tuberculosis epidemics on gothic literature published between 1842 and 1872. In this period of time, tuberculosis was the leading cause of death in the United States and in Europe, killing an estimated one in seven people. Using theoretical lenses of psychoanalysis and material ecocriticism, this project considers borders between material bodies—specifically those between bacterial agents and humans—to be illusory and socially constructed. The first chapter focuses on the ways in which representations of tuberculosis, and its associated entanglement with the environment, appear in the work of two authors from the United States: Edgar …

Pecan Grove Review Volume 22, St. Mary's University

Pecan Grove Review

Creative writings by students, faculty, and staff of the St. Mary's University community.

Negotiating Home In The Long Poem: Amatoritsero Ede’S Transpatiality, Mathias Iroro Orhero

Faculty Publications

In this paper, I argue that Amatoritsero Ede uses the long poem to negotiate the idea of home in an African diasporic context. As a form that carries the implications of length, time, and space, the long poem has been used by poets to interrogate the way we structure the world and to deconstruct grand narratives. The figure of the Black immigrant is one that destabilizes grand narratives of nationalism. This makes the form important in its capacity to ask important questions about nation and tradition even as it transgresses them. As a writer from the Niger Delta, a marginal …

Returning To The Beginning Place: Le Guin’S Forgotten Anti-Fantasy Four Decades On, Timothy S. Miller

UKL: The Journal of Ursula K. Le Guin Studies

Ursula K. Le Guin's 1980 portal fantasy The Beginning Place has received a fraction of the critical attention that most of her other novels have attracted over the years. This short book's many enigmas, often structured by self-consciously Jungian symbolism, are best understood as operating in service not to a strict Jungian framework, but rather to a broader metafictional evaluation of fantasy and an articulation of Le Guin's own preferred approach to the reading and interpretation of fantasy. At times, The Beginning Place moves beyond meta-fantasy to become an anti-fantasy that does not shy from critiquing some dimensions of both …

Queen's Pride: A Queer Reading Of Star Wars Character Padmé Amidala, Madeleine Loewen

Mythopoeic Society Seminar Proceedings

Ever since Luke Skywalker and Han Solo first appeared onscreen together in 1977, LGBTQ+ Star Wars fans have harnessed the power of queer reading to write themselves back into a galaxy far, far away, despite Lucasfilm’s long-term disapproval of such practices. Nonetheless, there exists little scholarly literature on queerness in the franchise, and even less on the potentially sapphic characters. Queen Padmé Amidala, first introduced onscreen in Episode I: The Phantom Menace, proves a surprising—but no less salient—queer figure in Star Wars. From her intimate relationships with her handmaidens, to her experimentation with gender performativity, to her quiet yet …

Cather, Silko, Hunt: Rethinking Prosperity Twentieth-Century Explorations Of Interiority, Materiality, And Transcendence, Aileen Montoya

Dissertations and Theses

• Interiority
• Materiality
• Transcendence
• Prosperity
• Modernism
• Subjectivity
• Narrative Identity
• Spiritual Landscapes