Literature in English, North America Commons^™

Review Of The Medici Curse, Michael F. Russo

Faculty Publications

No abstract provided.

An Interactive Walkthrough Of Richard Kostelanetz’S Library, Martin Glick

Dissertations, Theses, and Capstone Projects

My project utilizes the visual novel game engine Ren’Py to create an embodied virtual walkthrough of Richard Kostelanetz’s personal library. Kostelanetz is a pioneering avante-garde artist, critic, and anthologist whose work spans multiple decades and artistic practices. This interactive experience introduces users to the astounding collection of 25,000 books that Kostelanetz has amassed in Ridgewood, Queens over his decades of publishing avant-garde literature. While scholars might be familiar with his anthologies such as Scenarios: Scripts to Perform (1980) and Texts-Sound Texts (1980), my project allows users to browse through sample pages of his original “Book Art”.

This New Media Object …

How To Walk On Water: Living Through The Absurd, Esther Du

Masters Theses

Set in a speculative world submerged by water, this thesis constructs a fragmented, nonlinear narrative that reflects on survival, memory, and displacement in the aftermath of catastrophe. Through three interwoven chapters—The Outcast, The Researcher, and The World—the project explores the emotional and psychological landscapes of individuals navigating a post-apocalyptic existence where the past is irretrievable and the future uncertain. Using an interdisciplinary form of visual storytelling, writing, and sound, the work draws from personal experience and collective trauma to examine how people reconstruct identity and meaning after loss. Rather than offering a definitive answer to existential …

“Somehow Form A Family”: Tony Earley’S Assertion Of Commonality To Highlight Difference, Emily M. Lewan

2024 Symposium

Tony Earley’s essay “Somehow Form a Family” presents a unique exploration of family life in America via the lens of satire. This paper delves into Earley’s adept use of exaggerated satire to illustrate the individual American family experience under the guise of complete commonality. Through employing formal analysis, television references, and biographical anecdotes, Earley develops a narrative that suggests universal experiences to be shared by all, only to reveal the diversity and complexity of every household. Insight from scholars Valentina Varinelli and Ayelet Kohn provides a deeper analysis of the implications of Tony Earley’s satirical approach. Their assessment highlights Earley’s …

Thomas Sutpen, Stephen Dedalus, And The Intersection Of Creation And Mortality, Layla A. Mcgovern

Departmental Honors & Graduate Capstone Projects

This paper examines William Faulkner’s Thomas Sutpen and James Joyce’s Stephen Dedalus as parallel creator figures who attempt to transcend their origins and combat mortality by establishing enduring legacies. After suffering humiliation regarding social hierarchy, Sutpen endeavors to create a material dynasty through land acquisition, property development, and the enslavement of non-white people, obsessively seeking to produce a white male heir in the process. Despite his efforts, Sutpen’s physical creation deteriorates, with his most enduring legacy being a distorted oral history beyond his control. Conversely, Dedalus rejects his Irish Catholic upbringing to escape the “nets” of “nationality, language, [and] religion” …

Healing Through Collective Memory: Exploring Psychological Trauma And Community In Toni Morrison’S Beloved And Audre Lorde’S “The Uses Of The Erotic”, Cassia Mcphilliamy '25

Student Research

My project “Healing Through Collective Memory: Exploring Psychological Trauma and Community in Toni Morrison’s Beloved and Audre Lorde’s “The Uses of the Erotic”” is motivated by the traumatic images of the experience in enslavement. The symbolism that Morrison uses in Beloved through the dual role Beloved plays as both a spectator and experiencing trauma firsthand. Morrison surpasses the generic gothic tropes of the ghost through Beloved’s ghostly presence at 124 Bluestone, and later her ability to physically haunt Sethe, forcing her to confront her trauma. Beloved’s appearance collapses the past and the present, forcing Sethe to face her past in …

Wulver In Appalachia, Wylan Blair

Persimmon Creek

A poem about a mysterious figure who comes to the aid of a mountain community.

Tsenacommacah, Wylan Blair

Persimmon Creek

This poem is about the area that was once called Tsenacommacah, the Powhatan people, and the horrors of the centuries that followed 1607.

"Kindred Shadows: The Family Resemblance Between Charles Williams’S Metaphysical Thrillers And Clive Barker’S Horror Visions", Phillip Fitzsimmons

Faculty Articles & Research

Last year, during 2024, I underwent an extended phase of reading practically everything published by the horror writer Clive Barker. While reading the books, I kept noticing scenes and characteristics of his novels that made me think of Charles Williams’ supernatural thrillers.

Queerness In The Ability To Choose, Haley Kamola

Student Scholar Symposium Abstracts and Posters

This presentation delves into examples of LGBTQ+ authors and characters within the choose your own adventure genre. With a primary focus on Anna Anthropy’s story game “queers in love at the end of the world” and Carmen Maria Machado’s memoir In The Dream House, instances of queerness found within the choose your own adventure genre are analyzed. Anthropy’s story game depicts two women with ten seconds to live until the world ends. The story game itself only exists for ten total seconds before players are given the chance to restart and try again. Machado’s memoir retells her experience in an …

"You Know The Rules": A Dramatic Experiment In Aromantic Literary Theory, April Chronowski

English

This paper proposes a new literary theory framework based on the zine "an aromantic manifesto" by yingchen and yingtong, as well as the work of Erving Goffman, using theater as a device to examine romantic relationships. Blending English and sociology, I focus each chapter on a different literary period and examine two plays each: early modern (Christopher Marlowe's Doctor Faustus and William Shakespeare's Much Ado About Nothing), modern (Edward Albee's Who's Afraid of Virginia Woolf? and Djuna Barnes' "To The Dogs"), and contemporary (Caryl Churchill's Cloud 9 and Margaret Edson's W;t). In tandem with analysis of formal elements---like …

“Already My Heart Misgave Me”: Doomed Fantasy And Children In James Joyce’S “Araby” And William Faulkner’S “Barn Burning”, Kathleen E. Conner

Departmental Honors & Graduate Capstone Projects

While rarely put into conversation, William Faulkner’s “Barn Burning” and James Joyce’s “Araby” have a remarkable amount to say to one another. These parallel portraits of childhood each follow a young boy, Sarty Snopes and a nameless narrator respectively, struggling to find emotional clarity within a repressive society. While far from either authors’ most blatant critique of Southern or Irish culture, both stories subtly weave in the confining forces of Catholicism, imperialism, patriarchy, and poverty. To cope with the drudgery and cruelty of their surroundings, the boys retreat into fantasies of love and heroism. These idealizations allow the boys to …

“Bottom Nature”: Embodying History In Gertrude Stein’S The Making Of Americans, Yasmin Tehrani

Theses and Dissertations

This paper attempts to connect Gertrude Stein’s conception of being in The Making of Americans with her vision of the production of history. This paper then concludes that for Stein, historical subjects themselves, both individually and collectively, and the imbued qualities in their being, shape history.

Deflecting Voyeurism: Elizabeth Keckley’S Indictment Of Capitalism And Rejection Of The Exploitative White Gaze, Laura Steel

Theses and Dissertations

This paper analyzes the ex-slave narrative Behind the Scenes, or Thirty Years a Slave and Four Years in the White House by Elizabeth Keckley through a Marxist and Romantic lens as a means to explore the impact of capitalism on Keckley while enslaved, as well as post-slavery. Through the paper, the author argues that Keckley successfully deflects the white voyeuristic gaze by replacing her physical form with clothing that she creates, as a means to both indict capitalism and reclaim ownership over her body. Further, the paper argues that Keckley employs Romanticism to highlight the unnatural capitalist roots and subsequent …

A Constellation Of Vital Phenomena: Exploring Post-War Ethics, Claire Marshall Watkins

Departmental Honors & Graduate Capstone Projects

In my paper, A Constellation of Vital Phenomena: Exploring Post-War Ethics, I explore the embodiment of care ethics and informed altruism through the novel’s protagonists, Akhmed and Sonja, respectively, who each care for a local girl Havaa whose home has been destroyed and whose father has been disappeared by the Russian Feds from their small Chechen village. Akhmed immediately takes her on as his own while Sonja is hesitant. As the novel progresses, Sonja and Akhmed each provide an even amount of time and effort into her care, though they approach it differently. Akhmed—Havaa’s neighbor and family friend—works together with …

Transgressive Fiction And The Problem Of Negative Affect: A Case Study Of Samuel Delany’S Hogg, Brian Thornton

Master's Theses

Samuel Delany began drafting Hogg in March of 1969 and worked on it intermittently before completing the novel in October of 1973.1 Yet Hogg remained unpublished until 1995 before finally seeing the light of day “during the ‘transgressive turn’ in American literature” (Mitchell 1). As such, the novel is historically situated along what Jonathan Mitchell calls a “dual temporality,” which “allows the novel to be located as an intervention in two key moments in America’s LGBT+ history: first, the developments in identity politics coming out of the socio-political cultural shifts of the 1960s; and, second, the post-AIDS awareness 1990s”.

"Death Is The Fifth [Season], And Master Of All": Necropolitical Violence And/As Environmental Violence In The Fifth Season, Mason T. Goodrich

All Graduate Reports and Creative Projects, Fall 2023 to Present

While many scholars have already described N.K. Jemisin’s Hugo Award-winning speculative novel The Fifth Season as one that highlights intersections between race, settler-colonialism, neoliberalism, and, most frequently, climate change, I apply a necropolitical lens to The Fifth Season in order evaluate a relationship that exists between systemic violence and environmental degradation. The Fifth Season depicts a socially inscribed relationship between an othered race of humans, called orogenes, and the land, anthropomorphized as “Father” Earth. Orogenes have a paradoxical social status: they are simultaneously feared and revered for their ability to control the Earth. This paradox is the impetus for many …

Everything And Nothing Found In The House Of Leaves: A Multiliterate Analysis Of Multimodal Writing., Jennings Collins

Electronic Theses and Dissertations

The postmodern horror novel House of Leaves engages in a bevy of discourses across the humanities, a complex work that invites readers to engage with several multimodal forms of reading and writing to experience it fully. This thesis hopes to explore the novel’s place in various sites of discourse including film theory, philosophy, and horror genre theory; applying a multiliterate perspective to the work to study how the novel encourages multimodal and multiliterate thinking by applying studies of typography, experimental literature, and literary ontology. This thesis will emphasize a filmic analysis of text-within-text The Navidson Record, to address a …

“More Than What [They] Made Us To Be”: From Passing To Perception In Victorian And Modern Vampire Media, Lauren Sieberg

English (MA) Theses

Throughout Victorian Gothic horror fiction, vampires function as deviant figures, maneuvering within social confines of passing until their status quo-threatening identity is exposed. Of the popular vampires from this period, most gradually fail to maintain status as social insiders—as demonstrated with Bram Stoker’s Count Dracula or Sheridan Le Fanu’s Carmilla, who possess the temporary capacity to pass until their hidden monstrosity is revealed over time. Even if Gothic monsters are confined to a limited space and time far from society, this is still not enough; in accordance with the Victorian culture of morality policing by dominant groups, the vampiric Other …

Transcendental Blooms: Margaret Fuller And The Radical Language Of Flowers, Jenna Mcclain

Honors Theses

Situated between the literary periods of American Romanticism and Transcendentalism, Margaret Fuller’s writings vary in their topic and medium, offering a unique fusion of literary style as well as a refined yet radical social perspective. Fuller’s work frequently employs flowers as tools for communication rather than as mere symbols, with flowers acting as transmitters of Fuller’s philosophical message in her many sketches and poems. In “The Magnolia of Lake Pontchartrain,” one of her most famous prose sketches, Fuller explores flowers in a nuanced way that exemplifies how floral representations function more like characters than objects in her work. While scholars …