Literature in English, British Isles Commons^™

Preface To Ssl 44.2, Tony Jarrells, Patrick Scott

Studies in Scottish Literature

A brief introduction to this special issue, including reference to earlier contributions on the topic in this journal.

Claimed By The Stage: Popular Dramatization And The Legacy Of The Lady Of The Lake, Mary Nestor

Studies in Scottish Literature

Discusses three stage adaptations of Scott's poem The Lady of the Lake, by Thomas Dibdin for the Surrey Theatre, London, John Edmund Eyre, for the Theatre Royal, Edinburgh, and Thomas Morton for Covent Garden, arguing that these popular melodramas shaped popular perception of how Scott's poem engaged the Highland landscape.

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‘A’ That’S Past Forget – Forgie’: National Drama And The Construction Of Scottish National Identity On The Nineteenth-Century Stage, Paula Sledzinska

Studies in Scottish Literature

Focused on dramatic adaptations of Walter Scott’s Rob Roy and Waverley for the Theatre Royal, Edinburgh, by Isaac Pocock and John W. Calcraft, this essay explores "how the conflicted Lowland and Highland traditions became incorporated into the new image of the nation," offering "a theatrical reflection of the dynamic process of identity building in the nineteenth-century Scotland."

'Poetry That Does Not Die': Andrew Lang And Walter Scott’S 'Immortal' Antiquarianism, Lucy Wood

Studies in Scottish Literature

The late 19th century essayist Andrew Lang, born in the Scottish borders, shared with Walter Scott a passionate devotion for the Borders landscape, mapped and mediated by Scott’s fictions; in his introductions to the Border Edition of Scott's novels, Lang argued that, by “immortalising” national antiquities, Scott ensured that Scotland's geographical and architectural heritage would be preserved.

‘Such Editorial Liberties’: Scott And The Textual Afterlives Of Thomas The Rhymer, David Selfe

Studies in Scottish Literature

This essay discusses from his Minstrelsy of the Scottish Border (1802 etc) Walter Scott's version of the ballad "Thomas the Rhymer" (or "True Thomas") tracing the ballad's history within the social context of its reception, and then comparing Scott’s version with the orally-transmitted version "Thomas Rhymer and the Queen of Elfland",written down by Anna Gordon Brown in 1800, for differences both in wording and in punctuation choices as the “apologetic apostrophe,” to suggest how such textual traces show the changing relationship between textual form and textual function. [essay still in final proof stage]

Twilight Histories: The Waverley Novels And George Eliot’S Fictions Of The Recent Past, Camilla Cassidy

Studies in Scottish Literature

Discusses the influence of Scott's Waverley novels on George Eliot, as novels set in recent history, drawing on Eric Hobsbawm's idea of a "twilight zone between history and memory" to examine Eliot's Adam Bede and The Mill on the Floss, and to argue that Eliot in reworking Scott's reimagining of this recent-historical "time-lapse" articulates a psychological experience of historical transition and modernisation.

Amédée Pichot And Walter Scott’S Parrot: A Fabulous Tale Of Parroting And Pirating, Céline Sabiron

Studies in Scottish Literature

Describes the background and origin of Le perroquet de Walter Scott (Paris, 1834), by the French writer and translator Amédée Pichot, who had visited Scott (and Scott's home at Abbotsford) in 1822, discussing the complex interrelationship in Pichot's work between parody, translation, and piracy, and also considering more briefly Pichot's work as anticipating the better-known parrots in Flaubert and Julian Barnes.

Allegories Of The Heart, Fiona Robertson

Studies in Scottish Literature

"Allegories of the Heart" uses allegory (or "telling otherwise") as a means of investigating Scott’s presence in literary works which do not specifically adapt or rework his texts, arguing that this is an underexplored area of imaginative and figurative engagement with Scott’s work. Key texts are The Heart of Mid-Lothian, The Monastery, and Hawthorne’s fictions "Earth’s Holocaust" and The Scarlet Letter.

Croftangry’S Castle And The House Of Usher: Scott, Poe, And ‘Decayed And Lingering Exotics’, George S. Williams

Studies in Scottish Literature

Discusses Poe's reading of Walter Scott, specifically through parallels of plot, setting, phrasing and imagery, between Scott's Chronicles of the Canongate, 1st series (1827) and Poe's short story "The Fall of the House of Usher" (1839), arguing that the two works share psychological preoccupations, also present more widely in the prose works of the writers.

Walter Scott And Comics, Christopher Murray

Studies in Scottish Literature

A wide-ranging survey of the reworking of Scot's novels (and narrative poems) in comic form, in the US and UK.

Afterword: New Reworkings Of Walter Scott From Dundee Comics Creative Space, Christopher Murray

Studies in Scottish Literature

Discusses and illustrates a variety of approaches to the reworking of Scott novels by artists working in the Dundee Comics Creative Space, as developed for a sampler publication published by UniVerse Comics (2017), in connection with the Reworking Walter Scott project

Contributors To Ssl 44.2

Studies in Scottish Literature

No abstract provided.

The Desire To Escape And The Inability To Follow Through In James Joyce’S Dubliners, Alyssa M. Wheatley

LSU New Orleans Theses and Dissertations

In my research, I will examine James Joyce’s Dubliners as a collection of stories that is unified by an ongoing theme; escape or the desire to escape. In the collection, the want or need to escape serves a major purpose throughout the characters and their lives. This thesis explores five stories that share this theme in particular: “The Sisters,” “Eveline,” “Araby,” “An Encounter,” and “The Dead.” Each story will be discussed in the context of how each story progresses from a want to an actual escape. In addition, the thesis also considers how these stories exhibit a progression towards isolation …

The Plot Thickens : Illustrated Victorian Serial Fiction From Dickens To Du Maurier, Mary Elizabeth Leighton, Lisa Surridge

Ohio University Press Open Access Books

In the early 1800s, books were largely unillustrated. By the 1830s and 1840s, however, innovations in wood- and steel-engraving techniques changed how Victorian readers consumed and conceptualized fiction. A new type of novel was born, often published in serial form, one that melded text and image as partners in meaning-making.

These illustrated serial novels offered Victorians a reading experience that was both verbal and visual, based on complex effects of flash-forward and flashback as the placement of illustrations revealed or recalled significant story elements. Victorians’ experience of what are now canonical novels thus differed markedly from that of modern readers, …

Introduction: Reworking Walter Scott, Daniel Cook, Lucy Wood

Studies in Scottish Literature

An overview of Walter Scott's contemporary celebrity and evolving reputation, of scholarship on his afterlives, of the way his work has been reshaped in a variety of settings and media, and of the essays collected in this special issue.

Romantic Theology As Revelation Through Tom Bombadil And Goldberry In Tolkien’S The Lord Of The Rings, Brandon Best

Augsburg Honors Review

In J. R. R. Tolkien’s The Lord of the Rings, Tom Bombadil initially appears to be merely an eccentric, episodic character. Yet, upon close reading his enchanting spirit embodies moral significance throughout the trilogy when members in the war against Sauron recall his spirit in moments of hope and despair. Though he only appears to the Hobbits within the Old Forest, Bombadil represents ideals present throughout the entire story. As Tolkien wrote, “[Bombadil] represents something that I feel important, though I would not be prepared to analyze the feeling precisely. I would not, however, have left him in, if he …

Frankenstein: A Feminist Interpretation Of Gender Construction, Jackie Docka

Augsburg Honors Review

There is a long history of exploring Frankenstein through a feminist lens. A historical examination that explores Mary Shelley’s life and the literature that influenced her writing is key to understanding the feminist elements of Frankenstein. Additionally, this paper will call upon Judith Butler’s concept of gender performativity to examine the ways in which Victor’s monster constructs his own gender identity based upon his creator’s own flawed masculinity. Victor’s gender expression is defined by the time period in which he was created and also by the masculine literature of the time. While masculine literature helped to define both the monster’s …

A Poetics Of Temperance: Gender, Genre, And Meaning-Making In Early Modern England, Cristina Maria Rosell

LSU Doctoral Dissertations

For several hundred years, the scholarly discussion of temperance was dominated by the legacy of classical models. This dissertation, titled A Poetics of Temperance: Gender, Genre, and Meaning-Making in Early Modern England, develops said discussion in a new way by forging a language about ethics and aesthetics into a poetics of temperance. The term poiesis derives from Greek and signifies “to make, create, produce” (OED). Accordingly, Aristotle uses the Greek poietes, “from which our word ‘poet’ derives,” to denote a “maker” (Murray xxxii). In brief, this project understands the role of women in emergent genres as …

How The ‘Abortion Miracle’ Motif In Medieval Irish Hagiographies Structured Gender Roles In Relation To Female Reproductivity And Sexual Sin, Lora Lynn Horner

Essential Studies UNDergraduate Showcase

Four Irish Saints are accredited to performing abortions, otherwise known as the ‘Abortion Miracle’ motif. These four Saints are St. Brigid of Kildare, Ciarán of Saigir, Áed mac Bricc, and Cainnech of Aghoboe. In each of these four Saints lives they share a similar motif in which they bless a mother’s womb resulting in the mother no longer being pregnant. These ‘abortion miracles’ created structured gender roles in which a masculine figure would partake in the intervention of a female and a female’s reproductivity. The intervention of the Saints would come when the women would start to become visually pregnant …

Immortal Melancholia: A Psychoanalytical Study Of Byronic Heroes, Kathryn Frazell

Dissertations, Masters Theses, Capstones, and Culminating Projects

This culminating project examines Byronic heroes using psychoanalytic theory across four case studies in media, including classic literature, theater, film, and television. The Byronic hero is a literary archetype inspired by the poet George Gordon, Lord Byron (1788-1824). Typical characteristics include angst, arrogance, cunning intelligence, criminality, desire, passion, dominance, and otherness. The characters I have chosen to study include Mr. Rochester from Jane Eyre (1847), the Phantom from the 2004 film The Phantom of the Opera, James Bond from the 2012 film Skyfall, and Damon Salvatore from the hit television series The Vampire Diaries (2009-2017). Through examining the …