Forgotten Fairies: Traditional English Folklore In "A Midsummer Night's Dream",
2018
College of the Holy Cross
Forgotten Fairies: Traditional English Folklore In "A Midsummer Night's Dream", Alexandra Larkin
The Criterion
While the fairies shown in the play would have been known by Shakespeare’s audience, there was a clear difference between the fairies of traditional folklore and the fairies that Shakespeare describes in A Midsummer Night’s Dream. In traditional English folklore, fairies were “made” for, and by, the middle and lower classes; their stories were most believed and the most encounters were experienced by these people. Fairies in folklore were alternatingly deadly and wildly helpful, giving humans who stumbled upon them presents or death. In the play, Shakespeare departs from more traditional depictions of fairies and instead characterizes these magical creatures …
Something In Nothing: A Discussion Of Madness And Wisdom In King Lear,
2018
College of the Holy Cross
Something In Nothing: A Discussion Of Madness And Wisdom In King Lear, Leela Mennillo
The Criterion
This essay argues against Shakespeare critic David Kastan’s nihilistic reading of King Lear. While I agree that nothingness lies at the heart of the tragedy, I maintain that the recurring theme of nothing does not depict a world devoid of meaning. Rather, Shakespeare suggests that the recognition of the abyss is necessary in the quest for higher meaning. I approach this debate through various philosophical lenses, presenting a reading that equates wisdom and nothingness. Cordelia’s recognition of the limitations of human knowledge first introduces this idea. I detect elements of the divine nature of nothingness in the seemingly nonsensical speeches …
"'Violent Love': Jane Austen And Eighteenth-Century Marriage Laws",
2018
Seton Hall University
"'Violent Love': Jane Austen And Eighteenth-Century Marriage Laws", Brianna Bicho
Seton Hall University Dissertations and Theses (ETDs)
In several of Jane Austen’s novels, her heroines are confronted more than once with the proposition of marriage. Many of the primary proposal scenes in these tales contain violent language seemingly at odds with the romantic context, and the romance convention, of a proposal scene. Austen’s rhetoric of violence functions as a critique of contemporary laws defining and regulating marriage, particularly Blackstone’s Commentaries on the Laws of England, published in 1765. These laws negated a woman’s ownership – both personal and financial – upon her marriage: they outlined both the illegality of a wedded female to own property and the …
Time, Memory, And Consciousness In Virginia Woolf’S Mrs. Dalloway, To The Lighthouse, And Between The Acts,
2018
Seton Hall University
Time, Memory, And Consciousness In Virginia Woolf’S Mrs. Dalloway, To The Lighthouse, And Between The Acts, Nicole Olivotti
Seton Hall University Dissertations and Theses (ETDs)
In Virginia Woolf’s Mrs. Dalloway, Clarissa Dalloway emerges as a character gripped by the notion and passage of time. Woolf represents the chronological aspect of time through images such as Big Ben and its relentless chimes as well as the various references to clocks or bells throughout the novel. To the Lighthouse also thematically and narratively explores constructions of time, particularly by focusing on elements such as inaction and delay. The journey to the Lighthouse, for example, does not occur until the end of the novel. Both texts underscore the tension between the linear timeframe of the novel and …
Review Of The Making Of Jane Austen,
2018
Saint Xavier University
Review Of The Making Of Jane Austen, Mary Beth Tegan
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
Review Of Minds In Motion,
2018
Heartland Community College
Review Of Minds In Motion, Anna K. Sagal
ABO: Interactive Journal for Women in the Arts, 1640–1830
A review of Anne Thell's Minds in Motion.
Review Of The Shelley-Godwin Archive,
2018
Park University
Review Of The Shelley-Godwin Archive, Stacey L. Kikendall
ABO: Interactive Journal for Women in the Arts, 1640–1830
Review of The Shelley-Godwin Archive
Review Of The Ladies Of Llangollen: Desire, Indeterminacy, And The Legacies Of Criticism,
2018
James Madison University
Review Of The Ladies Of Llangollen: Desire, Indeterminacy, And The Legacies Of Criticism, Dawn M. Goode
ABO: Interactive Journal for Women in the Arts, 1640–1830
Review of The Ladies of Llangollen: Desire, Indeterminacy, and the Legacies of Criticism. Bucknell UP, 2017. xxxvi + 331pp. Index. ISBN: 978-1-6114-8761-9.
Review Of Edinburgh Lyceum Theatre Production Of Hannah Cowley's The Belle's Stratagem,
2018
Georgia State University
Review Of Edinburgh Lyceum Theatre Production Of Hannah Cowley's The Belle's Stratagem, Tanya M. Caldwell
ABO: Interactive Journal for Women in the Arts, 1640–1830
This article reviews the production of Hannah Cowley's The Belle's Stratagem directed by Tony Cownie and produced for the Lyceum Theatre in Edinburgh in February and March 2018. In setting the play in Edinburgh and placing emphasis on its women characters, Cownie underscores the universal and timeless relevance of Cowley's play as well as its performance versatility.
Anna Larpent And Shakespeare,
2018
McGill University
Anna Larpent And Shakespeare, Fiona Ritchie
ABO: Interactive Journal for Women in the Arts, 1640–1830
Anna Larpent (1758-1832) is a crucial figure in theater history and the reception of Shakespeare since drama was a central part of her life. Larpent was a meticulous diarist: the Huntington Library holds seventeen volumes of her journal covering the period 1773-1830. These diaries shed significant light on the part Shakespeare played in her life and contain her detailed opinions of his works as she experienced them both on the page and on the stage in late eighteenth- and early nineteenth-century London. Larpent experienced Shakespeare’s works in a variety of forms: she sees Shakespeare’s plays performed, both professionally and by …
Wishing For The Watch Face In Jonathan Swift’S “The Progress Of Beauty”,
2018
McMaster University
Wishing For The Watch Face In Jonathan Swift’S “The Progress Of Beauty”, Jantina Ellens
ABO: Interactive Journal for Women in the Arts, 1640–1830
This article illuminates the technological underpinnings of Jonathan Swift’s satire, “The Progress of Beauty” (1719), by exploring how eighteenth-century poetics of beauty and scientific progress pit human against automaton. This article ranges from the ego of masculine technological display to women’s self-identification with the automaton to suggest that Swift’s speaker blazons the aging prostitute’s body with the hope that it might resurrect a lost ideal, the beautiful watch face. Instead, readers are confronted with the vision of Celia who, with her chipped paint, greasy joints, and faulty mechanisms, reminds them that humanity continues to break through its enamel. When readers …
Of The Silmarils And The Ring: J. R. R. Tolkien's Fiction And The Importance Of Creation And Art,
2018
James Madison University
Of The Silmarils And The Ring: J. R. R. Tolkien's Fiction And The Importance Of Creation And Art, Michael Hartinger
Senior Honors Projects, 2010-2019
J. R. R. Tolkien embodies the opposing ideals of Enchantment and the Machine in the Silmarils and the One Ring respectively. These created objects oppose each other just as Tolkien’s ideals of art do. Enchantment is art’s ideal, it's purpose is to glorify and enrich the beauty of reality through subcreation. The Silmarils exhibit the delight of making and perceiving beauty. Whereas the Machine is art’s shadowy reflection that utilizes apparatuses or devices rather than personal talent in order to coerce others and reality itself. Overall Tolkien's aesthetic theories reflect many fears surrounding modern attitudes toward weaponizing art. Tolkien supplies …
Of Ivory And Eros: How Kurtz Was Corrupted By The Congo,
2018
College of the Holy Cross
Of Ivory And Eros: How Kurtz Was Corrupted By The Congo, Alexander T. Grey
The Criterion
While much ink has been spilled about the savagery and rawness of Conrad's magnum opus, Heart of Darkness, few scholars have sought to look at the softer side of Kurtz, Marlow, and the cast of characters. This essay attempts to view the work through the lens of love and the Grecian concepts of eros, philia and agape as they apply to Kurtz's tryst and what can be learned about this tormented man in the jungle when love enters the equation.
Humanity's Unlikely Heroine: Examining Eve In John Milton's 'Paradise Lost' And "Paradise Regained",
2018
College of the Holy Cross
Humanity's Unlikely Heroine: Examining Eve In John Milton's 'Paradise Lost' And "Paradise Regained", Alyssa V. White
The Criterion
This essay explores the biblical world of John Milton’s poetry through the eyes of the only woman given dialogue in his most famous works, Paradise Lost and Paradise Regained. Eve has often been read with scrutiny and judgment, with many readers and scholars dismissing her character as weak and uninteresting. The paper draws on sources from several scholars, but it works primarily with the actual text of Milton’s epics themselves. The argument of this paper seeks to counter those beliefs and provide a thorough analysis of Eve’s character and development throughout Paradise Lost, as well as her impact on the …
Review Of Stephen Mitchell, Beowulf,
2018
University of South Dakota
Review Of Stephen Mitchell, Beowulf, Carol A. Leibiger
Faculty Publications
No abstract provided.
Echoes Of Legend: Magic As The Bridge Between A Pagan Past And A Christian Future In Sir Thomas Malory's Le Morte Darthur,
2018
Winthrop University
Echoes Of Legend: Magic As The Bridge Between A Pagan Past And A Christian Future In Sir Thomas Malory's Le Morte Darthur, Josh Mangle
Graduate Theses
Sir Thomas Malory’s Le Morte Darthur is a text that tells the story of King Arthur and his Knights of the Round Table. Malory wrote this tale by synthesizing various Arthurian sources, the most important of which being the Post-Vulgate cycle. Malory’s work features a division between the Christian realm of Camelot and the pagan forces trying to destroy it. Throughout the thesis, I use a variety of scholarship to examine magic and argue that magic is as essential to the plot of Le Morte Darthur as Christianity is. In chapter one, I review the existing literature that is available …
Who Died: Redefining The Elegy Through Affect And Trauma,
2018
Dominican University of California
Who Died: Redefining The Elegy Through Affect And Trauma, Brittney La Noire
Dissertations, Masters Theses, Capstones, and Culminating Projects
This project introduces the claim that death literature, specifically elegies and epitaphs, do not rely on set structure or content, but rather are poetic effects of trauma and affect. Both have been defined and redefined by critical scholars, but there is still a division about their use. The beginning of the project will pull together Paul De Man, Cathy Caruth, Theresa Brennan, and Diana Fuss to apply the theoretical principle of trauma and affect transhistorically through Theocritus, John Milton, and Percy Shelley. The final portion will be an original creative collection of elegies combined with epitaphs as ending couplets about …
The Separate Spheres Of Women And Science,
2018
San Jose State University
The Separate Spheres Of Women And Science, Annie Hays, Barbara Huizar, Crista Johnson, Steven Le, Samantha Tate
Frankenstein @ 200: Student Posters
Through the 19th century ideology of separate spheres, Frankenstein shows how the exclusion of women from science is detrimental to science and destructive to society.
Frankenstem? Technology Ethics In Silicon Valley: Student Poster Session Program,
2018
San Jose State University
Frankenstem? Technology Ethics In Silicon Valley: Student Poster Session Program, San Jose State University, Department Of English And Comparative Literature
Frankenstein @ 200: Student Posters
Program of student posters presented as part of “Deep Humanities,” One-Day Symposium: FrankenSTEM? Technology Ethics in Silicon Valley, organized by Dr. Revathi Krishnaswamy & Dr. Katherine D. Harris, Department of English and Comparative Literature, San Jose State University on May 1, 2018, 10-4pm, Room 225, King Library, San Jose State University.
Dehumanizing The Human Body,
2018
San Jose State University
Dehumanizing The Human Body, Shelby Escott
Frankenstein @ 200: Student Posters
How does death affect the way in which the human body ceases to represent humanity?
