Japanese Branch Report - 2011,
2012
University of Nebraska - Lincoln
Japanese Branch Report - 2011, Mizue Aida
The George Eliot Review Online, ISSN: 2831-5375
On Saturday 3 December 2011, the Fifteenth Annual Convention of the George Eliot Fellowship of Japan was held at Ferris University.
The morning session began with an opening address by Hidetada Mukai (Ferris University). Three papers were presented in the morning: the first two were introduced and commented upon by Hiroshi Ikezono (Yamaguchi University) and the third by Mie Abe (Shoin University).
The first paper 'Sensitivity and Materiality in "The Lifted Veil'" was presented by Mari Takumi (Tokyo University). She focused on Latimer and his supernatural ability to look into the minds of others and see the reality through his …
Review Of George Eliot, European Novelist,
2012
University of Nebraska - Lincoln
Review Of George Eliot, European Novelist, John Rignall
The George Eliot Review Online, ISSN: 2831-5375
On the opening page of this series of connected essays, John Rignall points out that 'George Eliot's readers and reviewers took it for granted that her novels belonged to a European tradition of fiction'. When Leavis conscripted her into his new canon after the Second World War, this dimension of her work was largely erased and has only recently begun to re-emerge thanks to the work of Rosemary Ashton, Elinor Shaffer and others - not least John Rignall himself. One reason for this neglect was no doubt intrinsic to the work: Rignall concedes that George Eliot's fictions are set overwhelmingly …
The Things That Remain: People, Objects, And Anxiety In Thirties British Fiction,
2012
Loyola University Chicago
The Things That Remain: People, Objects, And Anxiety In Thirties British Fiction, Emily O'Keefe
Dissertations
This dissertation analyzes the appeal of things in thirties British literature. I argue that in a time in which a catastrophic and world-changing war seemed to be on the way, many writers saw seemingly unshakable material things as a source of comfort. Drawing on thing theory, I explore thirties writers' recognition of the duality of things, their alienness to human society even as people invest great significance in them. Therefore, I show that despite this frequent appeal to the material world as a place of stability and comfort, many of these writers also recognized conflicting aspects of things, knowing (and …
The Sacrament Of Violence: Myth And War In C.S. Lewis's Ransom Trilogy,
2012
University of Central Florida
The Sacrament Of Violence: Myth And War In C.S. Lewis's Ransom Trilogy, Tanya Engelhardt
Electronic Theses and Dissertations
My primary aim for this study is to illuminate the Ransom trilogy's inherent psychological and spiritual themes, as well as demonstrate how these themes clarify Lewis's philosophical and political goals for the text. Specifically, by investigating Lewis's mythic imagery and suffering motifs in light of psychoanalytic and theological literary criticisms, I elucidate the reasoning behind Lewis's unique—and at times, horrific—portrayal of fear, violence, and death. I also investigate how Lewis integrates his theology with the horrors of personal and intrapersonal suffering, as well as how he utilizes imagination and myth to explicate the practical (or political) implications of his theodicy. …
Mediums Change, Fears Stay The Same,
2012
Colby College
Mediums Change, Fears Stay The Same, Lucy Wilhelms
Honors Theses
Although generally dismissed by scholars as being overly sentimental or superstitious, the gothic genre has survived for over four centuries and maintained significant cultural appeal, outlasting the sentimental novel and the travelogue as popular literature. What, then, makes this genre different? What is so special about the gothic?
In my thesis, I examine the evolving cultural appeal of the gothic genre that keeps it attractive and relevant for readers by tracing the gothic text, The Woman in Black by Susan Hill, through its initial inception and its subsequent adaptations. As a novel, The Woman in Black both repeats and revises …
Framing Jane: Film Adaptation And Jane Eyre, 1934-2006,
2012
Eastern Illinois University
Framing Jane: Film Adaptation And Jane Eyre, 1934-2006, Joy Wohlman Boyce
Masters Theses
No abstract provided.
Bound To Revenge: Multiple Revenge Tragedies In Shakespeare's Hamlet,
2012
Hollins University
Bound To Revenge: Multiple Revenge Tragedies In Shakespeare's Hamlet, Deirdra M. Shupe
Undergraduate Honors Theses
This paper will examine the notion of revenge, beginning with a history of the revenge tragedy genre (including its roots in the works of Seneca) as well as how the term was used to depict retribution during the Renaissance. A brief explanation of the differences between the different versions of Hamlet and why they are relevant to revenge accompanies the historical background. Using Shakespeare s Hamlet as one of the most famous examples of the genre, this thesis also explains multiple revenge tragedies occurring in the play and the common threads that unify them into a single piece of drama …
Aemilia Lanyer's Use Of The Garden In Salve Deus Rex Judæorum,
2012
Minnesota State University - Mankato
Aemilia Lanyer's Use Of The Garden In Salve Deus Rex Judæorum, Anna Brovold
All Graduate Theses, Dissertations, and Other Capstone Projects
Aemilia Lanyer used her collection of poetry, Salve Deus Rex Judæorum to redefine the way that women should look at themselves in the eyes of God. She began her collection with poems dedicated to women that she had deemed virtuous and worthy of individual attention. Her dedicatees were then presented to her readers as the true Disciples of Christ; an honor due to women because of their empathy for Christ's situation. Lanyer rewrote the biblical Passion story in order to include a feminized version of Christ, the rightful female Disciples of Christ and an additional trial presented to Pontius Pilate …
Clamor: Malefica, Protest, And The Occult Economy In Early Modern England,
2012
University of Mississippi
Clamor: Malefica, Protest, And The Occult Economy In Early Modern England, Charles Mock
Electronic Theses and Dissertations
This thesis attempts to figure witchcraft practices within a larger economic context whereby cursing and maleficent acts in general might be read as a means of political protest against the political and economic destabilization of comrights. By reading cursing and prophecy as epistemological weaponry, the thesis establishes a theory of early modern terror that corresponds to the effects of these tactics on local and national levels. Readings of traditional witchcraft literature and Shakespeare's Macbeth will hopefully allow for an understanding of witchcraft that is heavily concerned over the nature of agency within the period, particularly with regard to the ways …
Fearless Children And Fabulous Monsters: Angela Carter, Lewis Carroll, And Beastly Girls,
2012
CUNY Queens College
Fearless Children And Fabulous Monsters: Angela Carter, Lewis Carroll, And Beastly Girls, Veronica L. Schanoes
Publications and Research
No abstract provided.
Wilde And Wonderful: The Ultimate Aesthete's Redefinition Of Individualism, As An Idealist, And Then As An Outcast,
2012
Claremont McKenna College
Wilde And Wonderful: The Ultimate Aesthete's Redefinition Of Individualism, As An Idealist, And Then As An Outcast, Anna Brill
CMC Senior Theses
Oscar Wilde redefined the relationship between Life and Art, and attempted to live in the style of the characters in his works: pursuing Beauty. His view of Life as imitating Art played a crucial role in his definition of Individualism. In his works, he explored how one develops one's personality and Individuality, and society's role in suppressing the Individual. He firmly believed that Life and ugliness were inextricably intertwined, and that society's moral structure was to blame. Popular in his time as an artist, he made it a point in his writing and in his work to stand apart from …
Sway Of The Ottoman Empire On English Identity In The Long Eighteenth Century,
2012
Howard University
Sway Of The Ottoman Empire On English Identity In The Long Eighteenth Century, Emily Kugler
Department of Literature and Writing Faculty Publications
Within popular culture of the seventeenth and eighteenth century, the intermingling of Islamic and English Protestant identity was a recurring topic of debate and anxiety in the English cultural imagination. Examining the shifting representations from Early Modern Era to nineteenth-century concepts of race, nation and empire, Sway presents the eighteenth century as a turning point in public perceptions, the moments when English subjects began to believe British imperial power was a reality rather than an aspiration.
Spirits, Vitality, And Creation In The Poetics Of Tommaso Campanella And John Donne,
2012
University of Richmond
Spirits, Vitality, And Creation In The Poetics Of Tommaso Campanella And John Donne, Anthony P. Russell
English Faculty Publications
In discussions over the meaning of "genius" in the Renaissance, there is at the very least agreement that the term was associated with heightened powers of perception and creativity. Whether defined in terms of Neoplatonic notions of inspiration, Aristotelian/Galenic theories of the humors (and of melancholy in particular), or rhetorical theories of invention, ingegno is acknowledged as having denoted an unusual mental energy and flexibility which facilitated the creative process. It is the psychic mobility with which ingegno was consistently linked that I intend to emphasize here, and in particular its frequent identification with those volatile spirits that were centrally …
"The Poets Welcome": An Unrecorded Manuscript By Robert Burns,
2012
University of South Carolina
"The Poets Welcome": An Unrecorded Manuscript By Robert Burns, G. Ross Roy, Patrick G. Scott
Studies in Scottish Literature
Introduces, reproduces, and gives provenance for a previously-unrecorded autograph manuscript of Robert Burns's poem about the birth of his first-born child, and his mixed emotions of pride and some shame at her illegitimacy.
Rex Quondam, Rexque Futurus: Arthurian Legends As Indicators Of British National Identity Throughout History,
2012
The College of Wooster
Rex Quondam, Rexque Futurus: Arthurian Legends As Indicators Of British National Identity Throughout History, Audrey Ellen Wimbiscus
Senior Independent Study Theses
By looking at the texts of Arthurian legends such as Sir Thomas Malory's Le Morte d'Arthur, T.H. White's The Once & Future King, and Marion Zimmer Bradley's The Mists of Avalon, one can gain a historical perspective of the time in which each work was written. Through this historical perspective and by looking at each author's personal life, a picture of Great Britain's national identity at the time of writing can be seen. As such, the Arthurian Cycle can be used to exemplify British national identity throughout history.
Contents,
2012
University of South Carolina Aiken
Contents, Tom Mack, Ph.D.
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Front Matter,
2012
University of South Carolina Aiken
Front Matter, Tom Mack, Ph.D.
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Christian Influences On The Mabinogi,
2012
Campbell University
Christian Influences On The Mabinogi, Josh Pittman
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Back Matter,
2012
University of South Carolina Aiken
Back Matter, Tom Mack, Ph.D.
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 14 Fall 2012,
2012
University of South Carolina
The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 14 Fall 2012
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
