Samuel Butler's Life And Habit And The Way Of All Flesh: Traumatic Evolution,
2011
Murray State University
Samuel Butler's Life And Habit And The Way Of All Flesh: Traumatic Evolution, Danielle Nielsen
Faculty & Staff Research and Creative Activity
Samuel Butler’s seminal evolutionary text Life and Habit (1878) and semiautobiographical novel The Way of All Flesh (1903) instill in modern readers a sense of the social discord of the late-Victorian period. The more well-known novel advocates a break with Victorian morality as professed through the Anglican Church and explores the inability to exercise the free will Butler believed people experienced because of the repressive religious culture and, more interestingly, genetically inherited habits and dispositions. The novel also illustrates Butler’s belief in the need to break away from one’s past and family to obtain personal happiness. A joint reading of …
Schwartz's "C.S. Lewis On The Final Frontier: Science And The Supernatural In The Space Trilogy" - Book Review,
2011
George Fox University
Schwartz's "C.S. Lewis On The Final Frontier: Science And The Supernatural In The Space Trilogy" - Book Review, Gary L. Tandy
Faculty Publications - Department of English
No abstract provided.
"Sit Back Down Where You Belong, In The Corner Of My Bar With Your High Heels On": The Use Of Cross-Dressing In Order To Achieve Female Agency In Shakespeare's Transvestite Comedies,
2011
Gardner-Webb University
"Sit Back Down Where You Belong, In The Corner Of My Bar With Your High Heels On": The Use Of Cross-Dressing In Order To Achieve Female Agency In Shakespeare's Transvestite Comedies, Heather Lynn Wright
MA in English Theses
In taking on their male disguises, Viola (Twelfth Night ), Rosalind (As You Like It ), and Portia (The Merchant of Venice ) are able to transcend the confines of their social roles and achieve agency and voice as both females and males. With their male disguises, they gain power and agency as lower-class males and as aristocratic females. This power correlates to the fact that they are not fully male. Their female attributes, ideas, and nature (the essence of their femininity) still come through. They are limited and marginalized as women not because of their intelligence …
Science Fiction And Lyric Poetry,
2011
CUNY Queens College
Science Fiction And Lyric Poetry, Seo-Young J. Chu
Publications and Research
This piece explores connections between science fiction and lyric poetry.
Film Review: Gulliver's Travels,
2011
Seton Hall University
Film Review: Gulliver's Travels, Karen Gevirtz
Department of English Publications
No abstract provided.
To Speak Or Not To Speak: The Implications Of Silence In Shakespeare's Hamlet,
2011
California State University, San Bernardino
To Speak Or Not To Speak: The Implications Of Silence In Shakespeare's Hamlet, Margaret Rose Jones
Theses Digitization Project
This thesis explores the function and importance of silence throughout William Shakespeare's play Hamlet. Along with analysis of Shakespeare's text, this thesis also reviews and analyzes three film versions of the play: Laurence Olivier's 1948 production, Kenneth Branagh's 1996 production, and Michael Almereyda's 2000 production. All of these showcase various depictions of silence while working with the same Shakespearian text and plotline. Throughout the text and film analyses this thesis explores three areas in which silence plays an important role: refusal to join a conversation, emotional distress rendering someone silent, and societal limitations placed on the individual. This thesis attempts …
Acting Virtuous: Chastity, Theatricality, And The Tragedie Of Mariam,
2011
Chapman University
Acting Virtuous: Chastity, Theatricality, And The Tragedie Of Mariam, Kent Lehnhof
English Faculty Books and Book Chapters
Given the interrelation of female chastity and female theatricality in early modem discourses, it comes as no surprise that both figure importantly in what is believed to be the first original English drama to be written by a woman. As Elizabeth Cary explores a Jewish queen 's sexual purity in The Tragedie of Mariam, she does so by concentrating on questions of performance. Cary's title character explicitly abjures theatricality even as she embraces chastity, creating a fissure in Renaissance discourses on women that threatens to swallow up the antifeminist idea that female chastity is always an act.
Dickens And Shakespeare’S Household Words,
2011
Linfield College
Dickens And Shakespeare’S Household Words, Daniel Pollack-Pelzner
Faculty Publications
Though Dickens' Shakespearean qualities have often been noted, less attention has been paid to the way that Dickens constructed the terms of his comparison to Shakespeare, scripting the response he received from critics from the nineteenth century to the present and shaping Shakespeare's reception as well. Focusing on The Pickwick Papers and David Copperfield in the context of their Victorian reception, this essay shows how Dickens used Shakespearean quotation to market his characters' quotability, turning them into household words and popularizing Shakespeare's sayings in turn, even as he challenged the universality of quotable phrases.
Review Of Victorian Biography,
2011
University of Nebraska - Lincoln
Review Of Victorian Biography
The George Eliot Review Online, ISSN: 2831-5375
No abstract provided.
John Clare And The Art Of Politics,
2011
Butler University
John Clare And The Art Of Politics, Jason N. Goldsmith
Scholarship and Professional Work - LAS
Jason Goldsmith's contribution to Volume 30 of the John Clare Society Journal. Article focuses on Clares poem, 'Don Juan' and its place in the University classroom.
The Dissonant Bible Quotation: Political And Narrative Dissension In Gaskell's Mary Barton,
2011
Harding University
The Dissonant Bible Quotation: Political And Narrative Dissension In Gaskell's Mary Barton, Jon Singleton Ph.D.
Faculty Research and Publications
Religious language exerted multivalent force in Victorian society, as this case study of Gaskell’s novel Mary Barton, Chartist political protest, and the weaponization of the Bible in contemporary social struggle makes clear. Scholars have established that different classes read the Bible differently; but I demonstrate how Gaskell makes the Bible read in several different ways for the same reader. Gaskell makes Bible quotations dissonant through her use of character and narration, in order to challenge the boundaries of readers’ political sympathies. This study shows how any religious utterance escapes the control and political interests of any class—and how its conflicting …
Review Of Early Modern Nationalism And Milton's England By David Loewenstein And Paul Stevens,
2011
Cleveland State University
Review Of Early Modern Nationalism And Milton's England By David Loewenstein And Paul Stevens, Brooke Conti
English Faculty Publications
The article reviews the book Early Modern Nationalism and Milton's England, edited by Paul Stevens and David Loewenstein.
Review Of Daniel Deronda,
2011
University of Nebraska - Lincoln
Review Of Daniel Deronda, Alain Jumeau
The George Eliot Review Online, ISSN: 2831-5375
Alain Jumeau's new French translation! of Daniel Deronda is the first since Ernest David's in 1881,1882 and 1886, no longer easily accessible. Jumeau is an excellent George Eliot scholar as well as an experienced translator - his translations include The Mill on the Floss and The Way We Live Now - and he has produced a graceful and fluent translation with preface and notes, introducing the great Victorian novel, so radically experimental in psychology and narrative form, to a new Francophone readership."
Whether Jumeau is aware of translation theory or not, his version exemplifies the chief processes of translation technically …
Review Of George Eliot's Grammar Of Being,
2011
University of Nebraska - Lincoln
Review Of George Eliot's Grammar Of Being, Melissa Anne Raines
The George Eliot Review Online, ISSN: 2831-5375
Readers of The George Eliot Review will be familiar with the work of Melissa Anne Raines, which began with the publication of her prize-winning essay for the George Eliot Fellowship, and was followed by several articles, two in this journal, now part of this important book. It had its origin in words from Felix Bolt: 'vibrations that make human agonies are often a mere whisper in the roar of human existence', said to be 'a precursor to the famous lines ... from Middlemarch ... "the roar that lies on the other side of silence'“, and the first statement of what …
Narration In Middlemarch Revisited,
2011
University of Nebraska - Lincoln
Narration In Middlemarch Revisited, K.M. Newton
The George Eliot Review Online, ISSN: 2831-5375
In a previously published article entitled 'The Role of the Narrator in George Eliot's Novels',1 I attempted to defend her narrator (particularly in regard to Middlemarch) from a variety of critical attacks. The main points of my argument were: (I) that the narrator should not be identified with Eliot herself as it often is but is a persona with a tone of voice separate from the author and thus both integrated into the fiction and central to its structure; (2) form and realism were reconciled by the fact that the narrator was represented as a historical novelist writing a novel …
The George Eliot Review- Journal Of The George Eliot Fellowship 2011: No. 42,
2011
University of Nebraska - Lincoln
The George Eliot Review- Journal Of The George Eliot Fellowship 2011: No. 42, Beryl Gray, John Rignall
The George Eliot Review Online, ISSN: 2831-5375
CONTENTS
Notes on Contributors ........................................................ .5
ARTICLES Sarah Bunney: Mr and Mrs Cross with the Artist John Wharlton Bunney in Venice, June 1880 (Prize Essay)................................................................ 7
K. M. Newton: Narration in Middlemarch Revisited...................................................... .19
Rosemary Ashton: The Mill on the Floss and the Difficulties of Relationships (Thirty-Ninth George Eliot Memorial Lecture, 2 October 2010)....................................................26
Marilyn Orr: 'Even our failures are a prophecy': The Mill on the Floss and the 1860s.................................... 38
Kathryn Hughes: Enter the Aunts.............................................................49
Alain Jumeau: Translating The Mill on the Floss into French.................................................. 63
Catherine Brown: The Mill on the Floss on the BBC in 1978........................................... 70 …
Review Of Imagining Italy: Victorian Writers And Travellers,
2011
University of Nebraska - Lincoln
Review Of Imagining Italy: Victorian Writers And Travellers, Catherine Waters, Michael Hollington, John Jordan
The George Eliot Review Online, ISSN: 2831-5375
Two of the essays in this volume take George Eliot's Romola as their subject. Both reward attention, and they may be in danger of escaping deserved notice given the major concentration here on the life and writing of Dickens. This is the second of three publications projected by the organizers of a conference on 'Dickens, Victorian Culture, Italy', held in Genoa in 2007. The advance poster for the conference, still on the web, inadvertently does the book a slight disservice: 'At present', the organizers write, 'we are considering any or all of 1) A volume of the very best papers …
Japanese Branch Report- 2010,
2011
University of Nebraska - Lincoln
Japanese Branch Report- 2010, Naomi Ohno
The George Eliot Review Online, ISSN: 2831-5375
On Saturday 4 December 2010, the Fourteenth Annual Convention of the George Eliot Fellowship of Japan was held at Okayama University.
The morning session began with an opening remark by Hiroshi Oshima (Hyogo University of Teacher Education), followed by a Welcome Address by Shintetsu Fukunaga (Okayama University). In the morning, we had three papers presented. The first two papers were introduced and commented upon by Shota Nakajima (Tokushima Bunri University), and the third by Mizue Aida (Nihon University).
The first paper was 'The Seductive Power of Eyes - Re-examining Maggie Tulliver in The Mill on the Floss' by Eri Yoshimura …
Translating The Mill On The Floss Into French,
2011
University of Nebraska - Lincoln
Translating The Mill On The Floss Into French, Alain Jumeau
The George Eliot Review Online, ISSN: 2831-5375
Before dealing with my personal experience of translating The Mill on the Floss into French, I shall start with a few remarks on George Eliot's literary status in France compared with that in English-speaking countries. In Britain, in the States and other English-speaking countries, George Eliot is usually regarded as a great novelist, of the same magnitude as Dickens perhaps, although her novels are definitely more 'high-brow'. It might even be argued that she is the greatest female English novelist. In France, her reputation is quite different and it is possible to find educated people who have never read her …
Review Of The Cambridge Companion To English Literature,
2011
University of Nebraska - Lincoln
Review Of The Cambridge Companion To English Literature, Joanne Shattock
The George Eliot Review Online, ISSN: 2831-5375
This anthology, edited by Joanne Shattock, with an introduction and contribution by her, contains a rich variety of essays by scholars from British, American and Canadian universities. It begins its survey of Victorian culture in the seven years before Queen Victoria came to the throne, because that allows for discussions on the influence of Romanticism, and ends with 1914, because, in the two decades or so before the outbreak of the Great War, it is argued, Victorianism overlapped Modernism, at least in some parts of the English speaking world. Along the way, the Companion considers the enormous range of texts …
