Literature in English, British Isles Commons^™

Your Change Is Still Behind: Futurity In Early Modern Literature, Tripthi Pillai

Dissertations

A study of Renaissance literature's engagement with temporality, my project is a critical evaluation of the concept of early modern futurity, of which I propose three categories: "Material futurity"; "Biological futurity"; and "Political futurity." In the moments that I identify in texts composed during the Tudor and early Stuart reigns in England, I demonstrate that the future--as an idea--structures individuals' actions and ruptures social formations. Futurity, which I define as a play of multiple desires that exist simultaneously within our present beings, is a volatile agent of imagination in early modern literature. Futurity collides with the cultural sites of memory …

Review In Studies In Medieval And Renaissance Teaching Of "Ents, Elves And Eriador: The Environmental Vision Of J.R.R. Tolkien", Paul Siewers

Other Faculty Research and Publications

A review of a book-length ecocritical study of J.R.R. Tolkien's fantasy writing.

The Ethic Of High Expectations, Jean Galbraith

All Faculty Scholarship

No abstract provided.

The Power Of Pain Gender, Sadism, And Masochism In The Works Of Wilkie Collins, Helen Doyle

Undergraduate Review

In his novels No Name (1862) and Armadale (1866), Wilkie Collins explores the social role of women in Victorian England, a patriarchal society that forced women either to submit to the control of a man or rebel at the expense of their own health and sanity. Even though some of his characters eventually marry, thus conforming to social expectations for women, I argue that his portrayal of female characters was subversive. In quests for control over their own lives, Magdalen Vanstone and Lydia Gwilt turn to masochism and sadism, practices which eventually lead to identity loss and self-destruction. Collins suggests …

Contrast And Didacticism In The Novels Of Jane Austen, Brittany Morgan Woodhams

Theses : Honours

The first aim of this thesis is to explore Jane Austen's use of contrast in terms of characterisation. The second is to look at how contrast becomes a tool of didacticism, both for the characters within the novels and for readers of the novels. This study encompasses Austen's six completed novels and traces the development of the techniques she used to evoke contrast. Austen used contrast in a variety of ways. Primarily it was used to construct and illuminate characters, but Austen also used it to introduce characters into the narrative, to compare two or more characters, and to structure …

Beckett's "Happy Days": Rewinding And Revolving Histories, Katherine Weiss

ETSU Faculty Works

Excerpt: Beckett is keenly interested in ways individuals unsuccesfully atempt to disown their past. His explorations into this reflect his awareness of being a survivor of the Second World War.

Seminar Leader, "Marlowe And Shakespeare," Shakespeare Association Of America, M. Stapleton

M. L. Stapleton

No abstract provided.

The Historiography Of The Dragon: Heraldic Violence In The Alliterative Morte Arthure, Alex Mueller

Alex Mueller

No abstract provided.

The Death Of Elizabeth I: Remembering And Reconstructing The Virgin, Catherine Loomis

Catherine A. Loomis

The death of Queen Elizabeth I in 1603 was greeted by an outpouring of official proclamations, gossip-filled letters, tense diary entries, diplomatic dispatches, and somber sermons. English poets wrote hundreds of elegies to Elizabeth, and playwrights began bringing her onto the stage. This book uses these historical and literary sources, including a maid of honor’s eyewitness account of the explosion of the Queen’s corpse, to provide a detailed history of Elizabeth’s final illness and death, and to show Elizabeth’s subjects—peers and poets, bishops and beggars, women and men—responding to their loss by remembering and reconstructing their Queen.

Wikipedia As Imago Mundi, Alex Mueller

Alex Mueller

No abstract provided.

“Reading And Teaching Ovid’S Amores And Ars Amatoria In A Conservative Christian Context.”, M. Stapleton

M. L. Stapleton

No abstract provided.

Christopher Marlowe The Craftsman: Lives, Stage, And Page, M. Stapleton

M. L. Stapleton

Contributions to this volume explore the idea of Marlowe as a working artist, in keeping with John Addington Symonds' characterization of him as a "sculptor-poet." Throughout the body of his work-including not only the poems and plays, but also his forays into translation and imitation-a distinguished company of established and emerging literary scholars traces how Marlowe conceives an idea, shapes and refines it, then remakes and remodels it, only to refashion it further in his writing process.

These essays necessarily overlap with one another in the categories of lives, stage, and page, which signals their interdependent nature regarding questions of …

Review Of Shakespeare's Watch: A Guide To Time And Location In The Plays, Nevin Mayer

Nevin J Mayer

No abstract provided.

“Marlowe’S First Ovid: Certaine Of Ovids Elegies.”, M. L. Stapleton

M. L. Stapleton

No abstract provided.

The Morrígan: A Trinity United, Olivia L. Blessing

Olivia L Blessing

The eeriness of Poe’s words has echoed down throughout the years to enthrall generation after generation with the verses’ sense of dismay, desperation, and fatality. Yet many have forgotten that, centuries earlier, the Celts were telling their own tales of shadowy ravens and tragic futures foretold. Many remain in the form of legends about their goddess of war—Morrígan. This goddess was a complex, triune character; comprehending the entirety of her power and importance in the Celtic myths requires an in-depth examination of her appearances in the old legends and the impact those tales had on the Celts.

(De)Constructing Jane: Converting Austen In Film Responses, Karen Gevirtz

Karen Bloom Gevirtz

No abstract provided.

Counterfeiting And The Economics Of Kingship In Milton's Eikonoklastes, Scott Cohen

Scott Cohen

No abstract provided.