Literature in English, British Isles Commons^™

The Rhetoric Of Exile In The Preaching And Teaching Of The Anglo-Saxon Church: Glimpses Of The Cultural Ideology In Old English Homilies, Yi-Chin Huang

The Hilltop Review

Abstract.

This article explores how the early medieval vernacular homiletic discourse produced in Anglo-Saxon England strategically employs the rhetoric exile, a theme whose significance is also articulated widely in Old English poetry. As words denoting such similar ideas as exile, banishment, exclusion, casting/driving out, etc., recur significantly in the homilies of the Anglo-Saxon Church, including the homilies of Ælfric, Wulfstan, and the Blickling and Vercelli Codices, I propose an analysis of the instances in which the rhetoric about exile is used in preaching and theology in order to reveal not only the Church authors/teachers’ ability and effort to translate Latin …

Finding Aid For The Eileen M. Curran Papers, Eileen M. Curran, Colby College Special Collections

Finding Aids

The collection comprises working files, dissertation materials, photographs, personal documents and artifacts, published reference materials, and accruals by and about Eileen Curran, a librarian, professor of English, and authority on Victorian-Era British literature and periodicals.

Eileen M. Curran was born in Ann Arbor, Michigan, in 1927, the only child of Edward O. and Laura (Meyer) Curran. She received a B.A. degree with highest distinction from Cornell University in 1948; an Honours B.A. from Cambridge University (England) in 1950; an M.A. from Cambridge University in 1953; and a Ph.D. from Cornell in 1958. She was instructor of English at the University …

Orts 75, 2015, The George Macdonald Society

Orts: The George MacDonald Society Newsletter

Over the past year, I and a couple of other postgraduate/early career researchers who share my interest in fantasy studies have launched an initiative called Reading the Fantastic (www.readingthe- fantastic.tumblr.com) at the University of Leeds (UK); our focus is the exploration of fantasy, fairy tale and folk tale texts as spaces of multi-cultural and intercultural connection. Initially involving a guest speaker talk and regular reading group sessions collecting fantasy and fairy tale texts from a wide range of cultures, our activities have expanded (thanks to various funding grants). In addition to adding a regular seminar series to our reading group …

Sarah Wilkinson: Female Gothic Entrepreneur, Diane L. Hoeveler

Gothic Archive: Related Scholarship

No abstract provided.

Slipping From Secret History To Novel, Rachel K. Carnell

English Faculty Publications

The secret history, a genre of writing made popular as opposition political propaganda during the reign of Charles ii, has been the subject of renewed critical interest in recent years. By the mid-1740s, novelists were using markers of secret histories on the title pages of their works, thus blurring the genres. This forgotten history of the secret history can help us understand why Ian Watt and other twentieth-century critics tended to end their narratives of the rise of the “realist” Whig novel with the works of the Tory novelist Jane Austen. In particular, the blended narrative perspective that Watt praises …

Living By The Code: Authority In Gerard Stembridge's The Gay Detective, Kathleen A. Heininge

Faculty Publications - Department of English

Irish drama has few representations of police officers as anything but a trope for authority, tending to avoid any substantive character development. Likewise, it has few representations of homosexual characters, and when such representations do exist they are often caricatures. Reductive portrayals of police often arise from the complex relationship the Irish have with authority and with the legal system. But one of the few exceptions to this trend, and the only play to tackle the representation of a police officer and a homosexual at once, is Gerard Stembridge’s play The Gay Detective (1996). The play offers up the character …

Introduction To Innovative Approaches To Teaching Chaucer, Alison (Ganze) Langdon, David Sprunger

English Faculty Publications

Many a medievalist has been seduced by Chaucer. Perhaps it’s the totality of Chaucer’s enduring characters, memorable tales, elusive narrator, and fragmented whole that keeps us coming back. We are fascinated and delighted, too, by his linguistic play and the lyrical cadence of Middle English. Chaucer may have led us to graduate study in the first place and remains a treat that organizes our pedagogical lives. For some who teach in smaller programs or two-year colleges, Chaucer’s canonical status may provide the only guaranteed place for medieval texts in the curriculum and thus represents one small chance to share our …

Pastoral Unity: Constructions Of Nostalgic Retreat Space In Charlotte Brontë'S Shirley, Joel Tyre Lewis

Electronic Theses and Dissertations

This thesis seeks to address questions of unity within Charlotte Brontë's Shirley. From the time of its publication, Shirley has been criticized for major characters and themes that do little to contribute to the work as a unified whole. Critics focused on the caricatured portrayal of religious figures, the ongoing industrial conflict, and the reconciliation of one of the novel's heroines to her mother as justification for the novel's lack of unity. In this thesis I hope to reconcile these criticisms and propose a unifying framework in which the characters and themes in question act as necessary components. Through …

Middlemarch: Eliot's Spencerian Sociological Study Of Provincial Life, Kellie Marie Mckinney

Electronic Theses and Dissertations

Through the novel Middlemarch, George Eliot fulfills the intention of her subtitle and uses sociological theories to conduct A Study of Provincial Life. Eliot's letters, journals, and various essays provide evidence of sociologist Herbert Spencer's influence on her own writings. Spencer's specific opinions and contributions not only strengthen the sociological message of Eliot's novel, but a handful of his ideals shape the narrative voice of her novel. Variations of Spencer's theories are seen in Eliot's "authorial narrator's" comments and observations of the Middlemarch couples. With her narrator, Eliot applies Spencer's theories on "belief" and on the correlation of …

Bones Of The Soup An Exploration Of J.R.R. Tolkien's Methodology, Devan Bierbrauer

Honors Capstones

Capstone submitted as a graduation requirement for the BSU Honors Program.

Hamlet And Amleth, Princes Of Denmark: Shakespeare And Saxo Grammaticus As Historians And Kingly Actions In The Hamlet/Amleth Narrative, Megan Arnott

The Hilltop Review

Shakespeare played a decisive role in creating a Middle Ages for the generations that came after him. The two tetralogies, which include Richard II, Henry IV Part 1 and Part 2, Henry V, Henry VI Part 1-3 and Richard III, comprise the body of work that is commonly studied for medievalisms, and in these plays Shakespeare’s interpretation of the past demonstrates nation building, ‘Englishness,’ and a concern about the nature of power. A different kind of engagement with the medieval past is occurring in Hamlet, Prince of Denmark, though Hamlet is no less concerned with …

An Analysis Of The Aristocratic Material Culture Described In The Old English Epic Beowulf, Rachel Munson

Honors Capstones

Capstone submitted as a graduation requirement for the BSU Honors Program.

Coelum Britannicum: Inigo Jones And Symbolic Geometry, Rumiko Handa

Architecture Program: Faculty Scholarly and Creative Activity

Inigo Jones’s interpretation that Stonehenge was a Roman temple of Coelum, the god of the heavens, was published in 1655, 3 years after his death, in The most notable Antiquity of Great Britain, vulgarly called Stone-Heng, on Salisbury Plain, Restored.¹ King James I demanded an interpretation in 1620. The task most reasonably fell in the realm of Surveyor of the King’s Works, which Jones had been for the preceding 5 years. According to John Webb, Jones’s assistant since 1628 and executor of Jones’s will, it was Webb who wrote the book based on Jones’s “few indigested” notes, on …

Mortal Reason And Divine Infinity: Justifying The Ways Of God To Men In Book Vi Of Paradise Lost, Sarah Plavcan

Inquiry: The University of Arkansas Undergraduate Research Journal

In his epic poem, Paradise Lost, Milton’s goal was to “justify the ways of God to men” (PLI.25-26). For his seventeenth-century Protestant audience, this meant reconciling both the paradox of human free will and divine foreknowledge and the paradox of human suffering and God’s goodness. Although God’s speech in Book III makes an explicit argument declaring God’s justice, this paper will show that Book VI, the War in Heaven, completes this argument by attempting to move the poem’s readers beyond the limits of human reason into a divine understanding of the universe. Through temporal compression and confusion, created by the …

Dress Rehearsal: Word Play And Narrative Construction In The Assembly Of Ladies, Nicola Blake

Publications and Research

In the erotics of theater, words are (theoretically) corporeal. They are up there for public scrutiny. The mind's eye echoes the mind's ear. Words act. They are elements of the: scenic investiture affecting, synesthetically, light space rhythm pattern sound, but they also resound at the deepest level of the: mise-en-scene, through self time memory consciousness as well. Mere words, true. Problematic to the last breath of being. The: material elements of theater - like the: body itself - situate us.

Wordsworth's Lyrical Ballads, 1800, Jason N. Goldsmith

Scholarship and Professional Work - LAS

Prelude:

IN the dense tracts of woodland that stretch south from Esthwaite Water, a young boy pauses amidst a copse of hazel. His chest heaves; his heart races. Brake, bramble, and thorn. Exhaustion and expectation gather in each breath, course through his body and deeper still into his soul. He eyes the trees, fingers the milk-white flowers that hang in clusters, and knows joy. His breathing slows. Leaves murmur in the breeze. His heart fills with kindness. Taking up the crook that lies in the long grass, he swings it wide. Petals fill the air, swirl around him like …

Hamlet Reinvents Himself, William Walsh

Scholarship and Professional Work - LAS

We see the early modern as an open carry society. Hamlet’s success in the swordplay at the end is usually seen as his triumph, fulfilling his father’s injunction at last. The 2013 RSC production of Hamlet projected ambiguity, which I share. The most intriguing angle was Hamlet’s costume. Jonathon Slinger very quickly donned half of a fencing jacket; but the straps of the jacket dangled, strongly suggesting a straight jacket. Half mad, half resolute, Hamlet is driven through much of the play until, I will argue, he reinvents himself as a mad version of divine providence. The providential idea is …

Wreath-Laying In Poet's Corner, Westminster Abbey 17 July 2014, Beryl Gray

The George Eliot Review Online, ISSN: 2831-5375

Every one of us attending this ceremony in Poets' Corner today is surely conscious of a great debt of gratitude to George Eliot for the legacy of her works. This year, partly due to the appearance of Rebecca Mead's memoir, one particular work - Middlemarch - has been the focus of much attention; and of all George Eliot's books it's the existence of Middlemarch for which I am myself most grateful. It's therefore on that work that I shall be focusing today.

For many decades it has been generally accepted that Middlemarch is George Eliot's greatest novel.' The writer Julian …

The George Eliot Review: Journal Of The George Eliot Fellowship- 2015 No. 46, Beryl Gray, John Rignall, Michael Davis

The George Eliot Review Online, ISSN: 2831-5375

CONTENTS

Notes on Contributors ............................................................. .5

ARTICLES Jen Davis: Silas Marner: George Eliot's most Coleridgean Work? (Prize Essay)........................... 8

Barbara Hardy: Elizabeth Gaskell in Middlemarch: Timothy Cooper, the Judgement of Solomon, and the Woman at the Window................................. .16

Marianne Burton: How Much did Dorothea and Celia Know? Sexual Ignorance and Knowledge among Unmarried Girls in Middlemarch ........................................ 21

Kate Osborne: Mr Brooke's Thinking Organ...................................................... 29

John Rignall: Middlemarch and the Franco-Prussian War ............................... 38

Rodney Edgecombe: Felix Holt and the Gusset of Futurity ...............................46

Rosemary J. Burges Woods: A Life Reclaimed: George Evans (1766-1857) of Norbury, Winster, Derby and Belper …

Chairman's Annual Report For 2014, John Burton

The George Eliot Review Online, ISSN: 2831-5375

No wonder we all felt exhausted by December! In preparing this report I have realized what an extraordinary number of things the Fellowship did last year; certainly the biggest workload since I became chairman but, one hopes, a year which brought new insights and pleasures to members and non-members we attract to our events.

Our normal pattern of meetings took place but was supplemented by several other large-scale events. Thus the AGM in March, which included the routine election of officers and council members, was enclosed by two much more exciting events. In February we had a full house at …