Literature in English, British Isles Commons^™

Barbara Hardy On Dickens, Michael Slater

The George Eliot Review Online, ISSN: 2831-5375

1970, the centenary year of Dickens's death, saw a flood of books published on the novelist including several by distinguished writers and critics ranging from F .R. Leavis to J. B. Priestley. One of the best, and most ground-breaking, of these latter was Barbara Hardy's The Moral Art of Dickens, published by the Athlone Press of the University of London. A collection of essays no more than 155 pages long, this book, elegantly and lucidly written like all of Barbara's work, was followed over the years by other critical studies from her pen that were to have a profound and …

Between 'Silly Novels' And Vegetation Myths: George Eliot's Subversive Use Of The Two Suitors Convention In Middlemarch, Anna Gutowska

The George Eliot Review Online, ISSN: 2831-5375

Take a woman's head, stuff it with a smattering of philosophy and literature chopped small, and with false notions of society baked hard, let it hang over a desk a few hours every day, and serve up hot in feeble English, when not required . (Eliot 1992:305)

'Silly Novels by Lady Novelists', George Eliot's vitriolic overview of popular novels of the 1850s, which is the source of the mock-recipe above, was published in 1856, shortly before Eliot started writing her first work of fiction, 'The Sad Fortunes of the Reverend Amos Barton' . More than ten years then passed before …

Two Sequels To Daniel Deronda, John Rignall

The George Eliot Review Online, ISSN: 2831-5375

The two sequels of my title are a seven-page satirical squib in Mr. Punch's Pocket-Book for 1877 entitled 'Daniel Deronda, Book IX',' and a short novel or long story of around 50,000 words - much the same length as 'Mr. Gilfil's Love-Story' - Gwendolen: or, Reclaimed: A Sequel to Daniel Deronda published in Boston, Mass., in 1878. The novel was published anonymously but there is one edition published by William F. Gill with a variant title page giving the author as one Anna Clay Beecher/ whose identity remains a mystery.' Both these texts have been contextualized, …

An American Tribute, George Levine

The George Eliot Review Online, ISSN: 2831-5375

Isobel Armstrong begins her wonderful obituary for Barbara in the Guardian by noting how Barbara loved a good argument. No consideration of what Barbara Hardy has left us can get anywhere without recognition that she was a feisty woman. She was also an extraordinarily warm and inspiring one.

I owe her a lot. I first met her when, as an assistant professor still very wet behind the ears, I was lucky enough to spend a research year in London. Barbara took me in as though I were a serious scholar. She helped me find my way around London, was generous …

Chairman's Annual Report For 2015, John Burton

The George Eliot Review Online, ISSN: 2831-5375

Another successful year' is always good to report, and is expected of a chairman. But it really was a terrific year for the Fellowship. The only damper was the slow, painfully slow progress on the Visitor Centre. I start with thanks to the Fellowship Council, strengthened in March by the election of Joy Hunter, Joy Redfem and Linda Mayne as full members. The George Eliot Essay Prize was won in 2015 by Jen Davis, and her essay appeared in last year's Review. On a more positive side, we think Whitbread is still committed to helping create a Visitor Centre; and …

Editors' Note

The George Eliot Review Online, ISSN: 2831-5375

This year's issue of the George Eliot Review is the first for more than two decades that has not been shaped by the editorial hand of Beryl Gray. Beryl joined Graham Handley as co-editor in 1992 and continued until 2015, playing the leading role in making the Review more polished and professional. Working with Beryl was always a pleasure and an instruction, and the editors would like to mark her retirement by expressing their gratitude for, and warm appreciation of, her long service. 97

Two Sequels To Daniel Deronda, John Rignaill

The George Eliot Review Online, ISSN: 2831-5375

The two sequels of my title are a seven page satirical squib in Mr Punch's Pocket-Book for 1877 entitled 'Daniel Deronda, Book IX',' and a short novel or long story of around 50,000 words - much the same length as 'Mr Gilfil's Love-Story' - Gwendolen: or, Reclaimed: A Sequel to Daniel Deronda published in Boston, Mass., in 1878. The novel was published anonymously but there is one edition published by William F. Gill with a variant title page giving the author as one Anna Clay Beecher/ whose identity remains a mystery.' Both these texts have been contextualized , discussed and …

The Egyptian Sorcerer's Drop Of Ink In Adam Bede, Tapan Kumar Mukherjee

The George Eliot Review Online, ISSN: 2831-5375

With a single drop of ink for a mirror, the Egyptian sorcerer undertakes to reveal to any chance corner far-reaching visions of the past. This is what I undertake to do for you, reader. With this drop of ink at the end of my pen, I will show you the roomy workshop of Mr Jonathan Burge, carpenter and builder, in the village of Hayslope, as it appeared on the eighteenth of June, in the year of our Lord 1799.

Many scholars and critics have discussed the symbolic significance of the famous opening sentence of Adam Bede and related it to …

On Writing Neo-Victorian Fiction: James Miranda Barry (1999) And Sophie And The Sibyl: A Victorian Romance (2015), Patricia Duncker

The George Eliot Review Online, ISSN: 2831-5375

My first historical novel - James Miranda Barry (1999) was not born a Neo-Victorian novel, but became one. And it had a very personal link to my own life. Barry was a nineteenth-century colonial doctor and medical reformer, who had a very successful and colourful career in remote parts of the Empire. He spent an important period of his life in Jamaica, then a British colony, during the 1830s, taking care of the army garrison stationed on the island to protect the interests of the Crown and put down the numerous slave revolts. The British maintained a regiment there until …

The Radical Candidature: Harold Transome's Political Motivation In Felix Holt, David Paterson

The George Eliot Review Online, ISSN: 2831-5375

In late 1832 Great Britain was preparing for a special General Election. A Reform Bill passed in June had extended voting rights to the middle class, and parliamentary constituencies were re-distributed to enfranchise some of the larger industrial towns. Many Tory landed gentry had - unsuccessfully - opposed the change. So, early on in Felix Halt, the Radical, it comes as a surprise to the reader as well as his family when Harold Transome, heir to the Transome estates, declares his political allegiance. Just returned from abroad where he had made his fortune in business, he does not intend to …

“Englishing” Horace: The Influence Of The Horatian Tradition On Old And Middle English Poetry, Justin A. Hastings

Dissertations

This dissertation explores the ways in which Old and Middle English poets made use of the poetic corpus of the Roman Augustan Age poet Horace (Quintus Flaccus Horatius) and the medieval commentary tradition that accrued around it. It considers especially the Late Antique commentaries of Porphyry and PseudoAcro as well as the scholia transmitted in Bern MS Bernensis 363 and Paris, BnF MS Latin 17897. The Old English elegies in the Exeter Book (Exeter Cathedral MS 3501) are the subject of the second chapter. Subsequent chapters focus on William Langland’s Piers Plowman, John Gower’s Confessio Amantis, and Geoofrey Chaucer’s Canterbury …

Queering The Spheres: Non-Normative Gender, Sexuality, And Family In Three Victorian Texts, Randi Mihajlovic

Electronic Theses and Dissertations

In my thesis, I use a queer theoretical lens to consider three Victorian texts, Hesba Stretton’s “The Ghost in the Clock Room,” Christina Rossetti’s “Goblin Market,” and J. Sheridan Le Fanu’s Carmilla. I apply queer theory to locate these authors’ attempts to destabilize heteronormativity by depicting non-normative gender roles, sexualities, and families in texts that emphasize the Victorian ideology of separate spheres. Many scholars imagine the separation of spheres as simply relegating women to a domestic sphere that reinforced traditional values and restricted their power. However, these works demonstrate that opportunities for power and queer possibility exist within the home …

Freakish, Feathery, And Foreign: Language Of Otherness In The Squire’S Tale, Laurel Meister

The Expositor: A Journal of Undergraduate Research in the Humanities

No abstract provided.

Science Fiction, Lisa Yaszek, Jason W. Ellis

Publications and Research

Literary and cultural critics call science fiction the premiere story form of modernity because it relates the adventures of educated men and women who use science and technology to reshape the material world and build new, hopefully better societies. As such, it is no surprise that many authors working in this popular genre explore how educated men and women might use science and technology to reshape the physical body and build new, hopefully better versions of humanity itself. Yet, lingering even in the most optimistic imaginings of a posthuman future is the doubt that these transformations will be evenly distributed …

Hanging The Servant Girl To Hunting The Ripper: The Victorian Birth Of The True Crime Genre, Jonathan G. Brown

Masters Theses

More definitive answers about the creation and form of the modern True Crime genre narrative can be found by exploring, not the creators of True Crime narratives, but by following reader expectations and examining the social situation from which True Crime narratives were able to arise. Theorists in the genre field such as Lloyd Bitzer Carolyn Miller and Amy Devitt have introduced and refined the view of genre as a social action. In this view, genre does not come about as a set of rules imposed upon types of literature to bring order, but as a societally accepted creation constructed …

Partnering Is Such Sweet Sorrow: Establishing Campus And Community Collaboration To Host William Shakespeare’S First Folio At Kansas State University., Casey 'D Hoeve

Collaborative Librarianship

Between October 2014 and February 2016, Kansas State University partnered with academic, Manhattan city community, and local business organizations to host an exhibit displaying William Shakespeare’s First Folio. University and community organization came together to collaborate and host over 14 programs showcasing the works of William Shakespeare, along with providing educational lectures to the community regarding Shakespeare and his contemporaries. The Libraries were able to secure funding to obtain modern Shakespeare materials, filling in critical humanities collection gaps, along with illustrating modern adaptions of Shakespeare’s works to students. The exhibit was a resounding success, attracting more than 4,000 attendees and …

An Awakened Woman With A Room Of Her Own, Erica Garcia

Nebraska College Preparatory Academy: Senior Capstone Projects

In the early 1900’s, women were obviously being oppressed considering they lacked the right to vote, to an education, and to freedom. Through bold women who spoke out against the said oppression, women were able to work together to fight for equality. By digging deeper into the literature of the time period, the point of view of an oppressed woman is more easily seen and can therefore be better understood. Women among Woolf and Chopin, for example, Carrie Chapman Catt helped move along the passing of the 19th Amendment with assistance from the NAWSA. Once women got the ball rolling …

There And Back Again… And Again, Dylan Spilinek

Nebraska College Preparatory Academy: Senior Capstone Projects

The goal of this research project was to analyze literature to understand the time period the piece was written in. J. R. R. Tolkien claimed that his children’s story, The Hobbit, held no historical allegories that related to his time period. However, analyzing The Hobbit shows how Tolkien’s personal life held many areas that influenced his writing, and those who read his tales.

Tolkien was inspired by Beowulf’s epic hero plot and Christian beliefs as seen by his character, ideologies and symbolic objects, and by his naturalistic mindset reflected by the story’s species relations and underlying themes. This childhood …

“The Finest Production Of The Finest Country Upon Earth”: Gender And Nationality In The Writings Of Nineteenth-Century British Women Travelers To Portugal, Manuela MourãO

English Faculty Publications

First paragraph:

Critical attention to the writings of nineteenth-century British women travelers has repeatedly stressed their value as evidence of the writers’ attempts at overcoming the constraints of nineteenth-century ideologies of femininity that constructed women as inferior or ancillary (Frawley; Robinson; Foster; Dolan; Middleton); it has also often emphasized the importance of reading them within contemporary discourses such as imperialism, colonialism, or nationalism (Blunt; Frawley; Foster; Mills; Siegel). This essay focuses on three accounts by nineteenth- century British women travelers to Portugal— Marianne Baillie’s Lisbon in the Years 1821, 1822, and 1823 (1824); Julia Pardoe’s Traits and Traditions of Portugal …

"Don't Read This!": Lemony Snicket And The Control Of Youth Reading Autonomy In Late-Nineteenth-Century Britain, Brittany A. Previte

Senior Independent Study Theses

This independent study investigates adult authority in youth literature in late-nineteenth-century Britain. Examining both sensational literature known as “penny dreadfuls” and the didactic magazines The Boy’s Own Paper and The Girl’s Own Paper, this project analyzes how rhetoric enforced middle class ideology outside of the classroom and shaped the youth reading experience. In an urbanizing, industrializing Britain, anxiety about social mobility ran high, and youth consumption of penny dreadfuls received suspicion due to their supposedly subversive content. This study argues that penny dreadfuls actually reinforced the social order, mirroring didactic literature in their construction of conservative adult authority. In …