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"To Conceive With Child Is The Earnest Desire If Not Of All, Yet Of Most Women": The Advancement Of Prenatal Care And Childbirth In Early Modern England: 1500-1770, Victoria E.C. Glover 2018 Virginia Commonwealth University

"To Conceive With Child Is The Earnest Desire If Not Of All, Yet Of Most Women": The Advancement Of Prenatal Care And Childbirth In Early Modern England: 1500-1770, Victoria E.C. Glover

Theses and Dissertations

This thesis analyzes medical manuals published in England between 1500 and 1770 to trace developing medical understandings and prescriptive approaches to conception, pregnancy, and childbirth. While there have been plenty of books written regarding social and religious changes in the reproductive process during the early modern era, there is a dearth of scholarly work focusing on the medical changes which took place in obstetrics over this period. Early modern England was a time of great change in the field of obstetrics as physicians incorporated newly-discovered knowledge about the male and female body, new fields and tools, and new or revived …


Quoting Shakespeare In The British Novel From Dickens To Wodehouse, Daniel Pollack-Pelzner 2018 Linfield College

Quoting Shakespeare In The British Novel From Dickens To Wodehouse, Daniel Pollack-Pelzner

Faculty Publications

Novelists heralded as Victorian Shakespeares frequently navigated the varied nineteenth-century practices of Shakespeare quotation (in the classroom in compilation books, in stage spoofs) to construct the relationship between narrator and character, and to negotiate the dialogue between Shakespeare's voice and the voice of the novel. This chapter looks at three novelists whose practices intersect and contrast: George Eliot, who resists the Bardolatrous imputation of a Shakespearean character's wisdom to its author by distinguishing her own characters' inept Shakespeare quotations from her narrative voice; Thomas Hardy, who claims the authority of Shakespearean pastoral, regional language against the glib quotations of his …


Sacred And Profane Loves: The Renaissance Influence In C.S. Lewis' Till We Have Faces, Kevin Corr 2018 Georgia Southern University

Sacred And Profane Loves: The Renaissance Influence In C.S. Lewis' Till We Have Faces, Kevin Corr

College of Graduate Studies: Theses & Dissertations

C.S. Lewis’ last novel, Till We Have Faces: A Myth Retold, has often been regarded as his greatest work, but just as often as his most enigmatic work. The purpose of this thesis is to unveil much of the novel’s mystery by considering the impact Renaissance literature had in shaping the novel, most notably Edmund Spenser’s Faerie Queene. Although it is well-known that Lewis was Professor of Medieval and Renaissance Literature at Cambridge, current scholarship on Lewis has overlooked the Renaissance influence in the author’s work, which particularly plays a vital role in Till We Have Faces. …


Daniel Defoe's Protestant Roman Catholics. Global Religion, Colonialism, And The Limits Of Toleration In The Farther Adventures Of Robinson Crusoe, David Alvarez 2018 DePauw University

Daniel Defoe's Protestant Roman Catholics. Global Religion, Colonialism, And The Limits Of Toleration In The Farther Adventures Of Robinson Crusoe, David Alvarez

English Faculty publications

In Daniel Defoe's The Farther Adventures of Robinson Crusoe (1719), the Protestant protagonist treats Roman Catholics with a friendly tolerance, which seems at odds with his violence towards idolaters. Placing the novel within the history of secularity reveals that Crusoe can tolerate Roman Catholics because their religion is represented in Protestant terms. In his global travels, an implicit Protestantism shapes his understanding of "religion," which cannot accommodate idolaters. To promote a proper form of religion that he can tolerate, Crusoe turns to violence.


Medical Celebrity In Eighteenth-Century Britain, Katherine Richards 2018 West Virginia University

Medical Celebrity In Eighteenth-Century Britain, Katherine Richards

Graduate Theses, Dissertations, and Problem Reports (ETD)

Medical Celebrity in Eighteenth-Century Britain argues that the cultural mechanisms responsible for creating and sustaining celebrity culture helped create and sustain commercialized medicine in eighteenth-century Britain. I identify the process by which celebrity and medical culture impact one another as a sociocultural phenomenon that I term medical celebrity. The following chapters present four case studies of how medical celebrity impacted the development of the medical profession, the medical market, cultural representations and perceptions of health and illness, and the patient experience. I engage with the work done by scholars in contemporary and early celebrity studies to shed light on the …


Chaucer's Divided "I": Narrative Voice And Performance Dynamics In Late Fourteenth-Century English Literature, Isaac McDuffie 2017 Louisiana State University and Agricultural and Mechanical College

Chaucer's Divided "I": Narrative Voice And Performance Dynamics In Late Fourteenth-Century English Literature, Isaac Mcduffie

LSU Doctoral Dissertations

Throughout the twentieth century, various Chaucer scholars have worked to achieve the now-consensus opinion that Chaucer wrote his works expecting them to be both listened to within a group setting and read privately in an individual setting. These scholars have either assumed or expressly stated that the experience of listening to and reading Chaucer’s works would have been the same. This dissertation argues otherwise. I show that in the late fourteenth century, English vernacular was only starting to be understood as a written language, and this peculiar circumstance created tensions between both listening and reading modes of reception. Such tensions …


Preface To Ssl 43:2, Patrick G. Scott, Anthony Jarrells 2017 University of South Carolina - Columbia

Preface To Ssl 43:2, Patrick G. Scott, Anthony Jarrells

Studies in Scottish Literature

Introduces the two special sections in this issue, on Scottish fiction and Burns bibliography, and briefly describes the range of other contributions, noting the wide international range of contributors.


The Crème De La Crème: Old Favourites, New-Fangled Works, And Other Fictions, Willy Maley 2017 University of Glasgow

The Crème De La Crème: Old Favourites, New-Fangled Works, And Other Fictions, Willy Maley

Studies in Scottish Literature

Introduces the SSL Debate, in which 18 contributors react to and add to the BBC Scotland poll on Scotland's Favourite Novel, discussing the purposes and limitations of various lists that have ranked recent Scottish fiction, and commenting briefly on the differences between this debate and the deliberations of a selection panel.


Thomas Carlyle, Sartor Resartus (1834), Kathryn Chittick 2017 Trent University

Thomas Carlyle, Sartor Resartus (1834), Kathryn Chittick

Studies in Scottish Literature

Argues that Thomas Carlyle's fictional autobiography from the 1830s deserves recognition as one of the most experimental of Scottish novels and suggests some ways in which it anticipates a fictive self-consciousness often thought of as post-modern.


Venturing A Little Further: Margaret Elphinstone, The Sea Road (2000), Matthew Wickman 2017 University of South Carolina

Venturing A Little Further: Margaret Elphinstone, The Sea Road (2000), Matthew Wickman

Studies in Scottish Literature

Proposes that Margaret Elphinstone’s historical novel about Gudrid of Iceland, an eleventh-century female explorer of Greenland and North America, is "a novel for many seasons: the eleventh century, the early and late twentieth, and far into the twenty-first," judging it "one of the great Scottish novels about the unknown," and "perhaps the nation’s greatest contribution to the modern zeitgeist."


Fresh Air: Michel Faber, Under The Skin (2000) With A Comment On Trainspotting, Tony Jarrells 2017 University of South Carolina

Fresh Air: Michel Faber, Under The Skin (2000) With A Comment On Trainspotting, Tony Jarrells

Studies in Scottish Literature

Comparing Faber's treatment of the Scottish Highlands (his only novel set in Scotland) with a Highland incident in Welsh's Trainspotting, arguing that in Faber the Highlands are "not merely some representation of a romanticized past," but also "represent this present moment,... marked by the class conflicts and near political hopelessness" seen in Welsh, but also "a strong sense of beauty and an appreciation for the environment."


Matthew Fitt, But N Ben A-Go-Go (2000), Caroline McCracken-Flesher 2017 University of Wyoming

Matthew Fitt, But N Ben A-Go-Go (2000), Caroline Mccracken-Flesher

Studies in Scottish Literature

Puts forward Fitt's "challenging, haunting novel," "a dystopian, coming of age, scientific-detective-police procedural-medical romance," written in "lyrical/acerbic Scots," as "thrawn, readable, un-put-down-able," and a "darkly plotted challenge to family dynamics."


Scotland’S Top Ten & The Inadequacy Of A National Canon: Alasdair Gray’S Lanark (1981), Scott Lyall 2017 Edinburgh Napier University

Scotland’S Top Ten & The Inadequacy Of A National Canon: Alasdair Gray’S Lanark (1981), Scott Lyall

Studies in Scottish Literature

Discusses the healthy overlap in the recent BBC Scotland poll on Scotland's Favourite Novel between popular appeal and critical recognition; judges Gray's Lanark as "Scotland's greatest modern novel," which "deserves to be much better known internationally," as "the outstanding postmodern challenge to the global conformism of capitalist hyper-individualism," laments that, despite their usefulness, such curated polls and lists are self-perpetuating, to the neglect of many distinctive Scottish novels, and concludes by asking "what would a truly uncurated top 30 look like?"


Robin Jenkins, The Thistle And The Grail (1954) With A Comment On Sunset Song, David E. Latane 2017 Virginia Commonwealth University

Robin Jenkins, The Thistle And The Grail (1954) With A Comment On Sunset Song, David E. Latane

Studies in Scottish Literature

Recommends Robin Jenkins's story of a Scottish football (soccer) team, Drumsagart Thistle, and its quest to win the Scottish Junior Cup, as "a marvelous compendium of Roy of the Rovers improbabilities, Our Town ethnography, critiques of gender relations, subtle and broad satire, and laugh outloud comedy."


Eric Linklater, Private Angelo (1946), Gill Plain 2017 University of St Andrews

Eric Linklater, Private Angelo (1946), Gill Plain

Studies in Scottish Literature

Recommends Linklater's novel about World War II in Italy as "a book that cherishes national difference while utterly condemning nationalism," "as much a book for 2017 as it was for 1946," and "a sharply observant satire dissecting the male vanity, national hubris and hypocrisy behind the 'logic' of war."


Willa Muir, Imagined Corners (1931), Timothy C. Baker 2017 University of Aberdeen

Willa Muir, Imagined Corners (1931), Timothy C. Baker

Studies in Scottish Literature

Recommends Muir's novel (which came in 30th in the BBC poll), set in a small Scottish town and concerned with "'the ideology of Scotland,' and questions of class, religion, sexuality, politics, and education," as "indisputably a great novel, perhaps equalled in British fiction only by To the Lighthouse, and utterly unique in the Scottish canon,"


James Robertson, The Fanatic (2000), Silvia Mergenthal 2017 University of Konstanz

James Robertson, The Fanatic (2000), Silvia Mergenthal

Studies in Scottish Literature

Suggests that Robertson's first novel, chiefly concerned with 17th century Scotland, already shows the complex intertextual relationships with earlier Scottish works by Scott, Hogg, and Stevenson that marks his subsequent writing, and comments particularly on its question "What happens later?," in relation to the Scottish vote for political devolution in May 1997.


James Robertson, Joseph Knight (2003), Ilka Schwittlinsky 2017 Johannes Gutenberg-Universität Mainz

James Robertson, Joseph Knight (2003), Ilka Schwittlinsky

Studies in Scottish Literature

Recommends Robertson's novel, based on the true story of the Jamaican slave who in 1778 successfully asserted his freedom in the Scottish Court of Session, and the intertwined story of John Wedderburn, the Scottish plantation owner whose slave he had been, as "an eminently enjoyable historical novel which tackles a difficult subject matter [Scotland’s complicity in slavery and the slave trade] with astonishing humanity."


Nan Shepherd, The Quarry Wood (1928), Carole Jones 2017 University of Edinburgh

Nan Shepherd, The Quarry Wood (1928), Carole Jones

Studies in Scottish Literature

Recommends Shepherd's novel about an independent woman in north-east Scotland as "vivid in delineating its female central character, its local language, and what is undoubtedly a radical engagement with sexual politics," that "examines closely issues of sexual identity and gender relations, and ... comes to its own thoughtful conclusions on women's place in the world."


Muriel Spark, The Prime Of Miss Jean Brodie (1961), Katrin Berndt 2017 Martin-Luther-University Halle-Wittenberg

Muriel Spark, The Prime Of Miss Jean Brodie (1961), Katrin Berndt

Studies in Scottish Literature

Discusses Spark's well-known novel, recognizing its "curious amalgamation of acerbic humour, elegance of style, Calvinist spirit, and careful poignancy of plot development," but pointing also to "the pleasurable challenge" offered by its "charismatic" protagonist, Jean Brodie, "glamorous and romantic," "with a proud self-assurance rarely bestowed on female characters," which nonetheless "eludes everyone’s emotional grasp."


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