Frankenstein And “The Labours Of Men Of Genius”: Science And Medical Ethics In The Early 19th Century,
2018
Grand Valley State University
Frankenstein And “The Labours Of Men Of Genius”: Science And Medical Ethics In The Early 19th Century, Allison Lemley
Grand Valley Journal of History
Mary Shelley’s Frankenstein, first published in 1818, used a sprawling network of allusions to contemporary literary and scientific works, which strongly reflected Romantic scientific and literary ideology. The robust connections between Romantic artistic and scientific circles included personal and professional relationships, scientists writing literary works, and authors discussing scientific advances. The closely linked scientific and artistic community helped define science and the nature of life in the new era. Medical historians have not fully discussed the debate concerning medical ethics in this period, detailing earlier Enlightenment medical ethics and later Romantic medical developments, which more closely resemble modern scientific …
Intersex And The Pardoner’S Body,
2018
California State University, Sacramento
Intersex And The Pardoner’S Body, Kim Zarins
Accessus
Most scholars today have retreated from reading into the Pardoner's body in favor of more figurative readings that emphasize his lack of masculinity, and such lack is then linked to his dejection and despair. Other, more affirming readings center the Pardoner's performance, which allows him to model any sort of body desired through figuration. While such positions dominate and older theories like Beryl Rowland's proposal of an intersex Pardoner are dismissed, in fact, an intersex reading might be a more life-affirming interpretation, not only in terms of reframing the Pardoner's body as manifesting variation as opposed to lack, but also …
Finding Aid To The Collection Of John Lane Materials,
2018
Colby College
Finding Aid To The Collection Of John Lane Materials, John Lane, Colby College Special Collections
Finding Aids
John Lane (1854-1925) was a British publisher who was co-founder of The Bodley Head, initially specializing in antiquarian books. As a publisher Lane became noted for printing provocative and controversial works. Some of his publications were "The Yellow Book" and the famous "Keynotes" series, with covers by Aubrey Beardsley. Lane was married to the author Annie Philippine King and subsequently published several of her works. Lane's nephew Allen Lane founded Penguin Books in 1935. The Collection contains correspondence to other British literary figures, two publisher statements to Violet Paget, and a published article on Anatole France's visit to England.
Finding Aid To The Collection Of Sir Edmund William Gosse Materials,
2018
Colby College
Finding Aid To The Collection Of Sir Edmund William Gosse Materials, Sir Edmund William Gosse, Colby College Special Collections
Finding Aids
Sir Edmund William Gosse (1849–1928) was an English biographer and critic. He was lecturer in English literature at Trinity College, Cambridge (1884–90) and librarian of the House of Lords (1904–14). Although he wrote with enthusiasm and wit, his scholarship was often inaccurate and thus much of his critical work has been superseded. He did, however, introduce English readers to Ibsen and other Scandinavian writers as well as to some modern French writers and painters. Among the many biographies he wrote were those of Gray (1882), Donne (1899), Sir Thomas Browne (1905), Ibsen (1907), Swinburne (1917), and Congreve (rev. ed. 1924). …
A.S. Byatt And The ‘Perpetual Traveller’: A Reading Practice For New British Fiction,
2018
South Dakota State University
A.S. Byatt And The ‘Perpetual Traveller’: A Reading Practice For New British Fiction, Nicole Flynn
English Faculty Publications
While most readers enjoyed, or at least admired A.S. Byatt’s Booker prize-winning novel Possession, many are puzzled by her work before and since. This essay argues that the problem is not the novels themselves, but rather the way that reader approaches them. Conventional reading practices for experimental or postmodern fiction do not enable the reader to understand and enjoy her dense, dizzying work. By examining the intertexts in her novella “Morpho Eugenia,” in particular two imaginary texts written by the protagonist William Adamson, this essay demonstrates how the novella generates a different kind of reading practice. Using Byatt’s metaphor, the …
A Hateful Cawing Of The Crows: W. E. Aytoun's Satirical Misfire,
2018
Seattle Pacific University
A Hateful Cawing Of The Crows: W. E. Aytoun's Satirical Misfire, Mischa Willett
SPU Works
W. E. AYTOUN’S SATIRICAL VERSE DRAMA, Firmilian (1854), an anti-radical, scattershot missive meant to re-align British poetic tastes1 by reversing the aesthetic gains made by Romanticism in the decades prior to its publication, has been called “one of the most successful pieces of literary criticism ever written” (Morton 849). Despite its broad ambitions, however, it has often been read as a narrow attack on the individual poets popular during the summer of its appearance, creating a school where one had not existed before, turning the poets Philip James Bailey, Alexander Smith, Sydney Dobell and others into “the Spasmodic School.” But, …
Gestural Ekphrasis: Toward A Phenomenology Of The Moving Body In Joyce And Woolf,
2018
University of Denver
Gestural Ekphrasis: Toward A Phenomenology Of The Moving Body In Joyce And Woolf, Lauren Nicole Benke
Electronic Theses and Dissertations
This theoretical project seeks to introduce a new critical methodology for evaluating gesture - both represented in text and paratextual - in the works of Virginia Woolf - specifically The Voyage Out (1915), Orlando (1928), The Waves (1931), and Between the Acts (1941) - and James Joyce - particularly Ulysses (1922) and Finnegans Wake (1939). Though gesture studies has developed significantly as an interdisciplinary field in recent decades and performance studies has elaborated on the moving body's significance to both text and performance, literary scholarship itself has not yet adequately incorporated possibilities for specific critical attention to gesture. Gesture is …
Chatter And Chant: Religion And Community On The Renaissance English Stage,
2018
University of Denver
Chatter And Chant: Religion And Community On The Renaissance English Stage, Rachel Dunleavy Morgan
Electronic Theses and Dissertations
This dissertation examines moments in five English Renaissance plays when characters employ religious language in bids to consolidate or to fracture communities. The plays are John Bale's King Johan (c. 1538, revised c. 1560), Nathaniel Woodes' Conflict of Conscience (c. 1581); Thomas Heywood's A Woman Killed with Kindness (1603); Shakespeare's Cymbeline (1611); and John Webster's The White Devil (1612). The types of communities examined most closely are those of a small scale - relationships of individuals to God, marriages, families, friendships, households, parishes, courts - but these appear against the backdrop of much larger communities such as the nation …
Frankenstein: A Feminist Birth Myth Of Morbid Conception,
2018
Coastal Carolina University
Frankenstein: A Feminist Birth Myth Of Morbid Conception, Madison R. Rahner
Bridges: A Journal of Student Research
In the context of Mary Shelley’s biography and prose style, the theme and structure of Frankenstein indicate that, in addition to being an esteemed work of gothic horror, the novel is a feminist birth myth: a perverse story of maternity and a scathing critique of patriarchal dominance over the feminine. Frankenstein, as a maternal figure, repeatedly seeks to smother female sexuality and usurp heterosexual reproduction through grotesque and unnatural means. The ensuing death and violence are consequences of Frankenstein’s inadequacy as a mother and the insufficiency of masculinity. The monster’s morbid conception and subsequent murders intertwine birth and death in …
In Anthropocene Air: Deleuze's Encounter With Shakespeare,
2018
CUNY Bernard M Baruch College
In Anthropocene Air: Deleuze's Encounter With Shakespeare, Steven Swarbrick
Publications and Research
No abstract provided.
“The Deepest Blush”: Bodily States Of Emotions In Jane Austen’S Novels,
2018
Cleveland State University
“The Deepest Blush”: Bodily States Of Emotions In Jane Austen’S Novels, Nadya Abdelfattah
ETD Archive
During the eighteenth-century, philosophers gave primacy to rationality specifying that reason could and should control emotions; they observed a friction between thought and feeling, rational and irrational, emotion and cognition, mind and body, which competed and united in a way that influenced the eighteenth-century and nineteenth-century thought and experience on many sides. As an early nineteenth-century novelist, Jane Austen explores the relationship between emotion and cognition. I argue that Austen shows the importance of bodily experience of emotion in moral development. Deploying affect theory will illuminate Austen’s depiction of emotions as a mode of understanding of how the body becomes …
Theology, Phenomenology, And The Divine In King Lear,
2018
Chapman University
Theology, Phenomenology, And The Divine In King Lear, Kent R. Lehnhof
English Faculty Books and Book Chapters
"In what follows, then, I would like to think through Levinas's ideas on transcendence and ethics in such a way as to map out a new pathway for approaching Shakespeare's great tragedy. As unorthodox as it may sound, I propose to shed light on the darkling religiosity of King Lear by turning-not to the theological doctrines of early modem Christians-but to the postmodern ethics of a twentieth-century Jew."
Review Of W. B. Patterson, Thomas Fuller: Discovering England’S Religious Past,
2018
Cleveland State University
Review Of W. B. Patterson, Thomas Fuller: Discovering England’S Religious Past, Brooke Conti
English Faculty Publications
No abstract provided.
Renaissance Revenge And The Age Of Interiority,
2018
Connecticut College
Renaissance Revenge And The Age Of Interiority, Riley Meachem
English Honors Papers
No abstract provided.
Balance Of Limits And Experimentation,
2018
Grand Island Senior High
Balance Of Limits And Experimentation, Viangri Sontay L.
Nebraska College Preparatory Academy: Senior Capstone Projects
In science, there is an equilibrium between advancements in knowledge, ethics, and reason. Equilibrium is when two contrary sides are in balance and, typically, once one side becomes disproportionate, there will be a disturbance. In the novel Frankenstein, Mary Shelley portrays how going beyond the limits of science can cause a disturbance to human nature. One of the main characters, Victor Frankenstein, fabricated a living creature out of unliving parts. Victor is displeased with the result, leaving the Creature neglected and destined to feel loathing toward his creator. The consequences of seeking glory brought about torture. Aside from providing entertainment, …
Isolation And Revenge: Where Victor Frankenstein Went Wrong,
2018
Grand Island Senior High
Isolation And Revenge: Where Victor Frankenstein Went Wrong, Gabby Escalante Manzano
Nebraska College Preparatory Academy: Senior Capstone Projects
Frankenstein by Mary Shelley describes the dangers of revenge and isolation caused by abandonment, following the mistakes made by Victor Frankenstein with the creation of a monster. All the events of the novel support one main theme: revenge caused by isolation. Throughout the novel, the reader witnesses the life of isolation that the creature is forced to live. As the story progresses, the question of why revenge becomes an outcome of isolation is asked. Living a life where you are ostracized by everyone, including your own creator, would drive anyone mad, especially a creature that was brought back to life …
Tracking The Evolution Of The Companionate Marriage Ideal In Early Modern Comedies,
2018
University of New Hampshire
Tracking The Evolution Of The Companionate Marriage Ideal In Early Modern Comedies, Madison L. Pierce
Honors Theses and Capstones
This thesis examines the socially constructed ideal of companionate marriage in Elizabethan and Jacobean England through four dramas by Christopher Marlowe, William Shakespeare, John Fletcher, Thomas Dekker and Thomas Middleton. It probes the question of how these theatrical productions of early modern England fit within or defy the emerging social trends regarding companionate marriage. It uses socioeconomic statuses, religious affiliations, and emerging notions of race as lenses through which to analyze the romantic couples depicted in these plays. The results of this study indicate that, while exact authorial intentions remain unknown, these plays served as proponents of the companionate marriage …
Place In Shakespeare’S Coriolanus: The Intersection Of Geography, Culture, And Identity,
2018
Wayne State University
Place In Shakespeare’S Coriolanus: The Intersection Of Geography, Culture, And Identity, Richard Raspa
English Faculty Research Publications
Coriolanus, the last of Shakespeare’s Roman tragedies (1608), continues to draw on the poet’s fascination with Rome and the Mediterranean as places. In this paper, I will explore the impact of Rome on the characters of Coriolanus from three perspectives: place as an incarnation of values, as an internal cognitive and emotional map, and as a nest of belonging.
The Sky Of Our Manufacture: The London Fog In British Fiction From Dickens To Woolf,
2018
Old Dominion University
The Sky Of Our Manufacture: The London Fog In British Fiction From Dickens To Woolf, Margaret Konkol
English Faculty Publications
No abstract provided.
Post-Wartime Vs. Post-War Time: Temporality And Trauma In Jacob's Room, Mrs. Dalloway, To The Lighthouse, And The Years,
2018
Claremont Colleges
Post-Wartime Vs. Post-War Time: Temporality And Trauma In Jacob's Room, Mrs. Dalloway, To The Lighthouse, And The Years, Andrea Conover
Scripps Senior Theses
In these novels, Woolf demonstrates the ways in which wartime trauma affects post-war life, from the societal trauma of losing an entire generation in Jacob’s Room, to the continuation of wartime beyond the end of the war for traumatized soldiers and anyone whose lives they touch in Mrs. Dalloway, to recovery through the creation of art and family ties in To the Lighthouse, to the question of futurity inherent in wartime trauma in The Years.
