Comparative Literature Commons^™

Nothing New, Mark Harris

Faculty Publications and Presentations

No abstract provided.

A Critical And Cultural Poetics Of The End: Self, Space, And Volatility In Los Angeles, Pamela Albanese

Dissertations, Theses, and Capstone Projects

A Critical and Cultural Poetics of the End: Self, Space, and Volatility in Los Angeles delineates the correspondences between Los Angeles spaces--exterior, topographical, architectural, and imaginary--and aspects of the self--interiority, identity, experience, and desire--in fictional and non-fictional depictions of Los Angeles. Through close readings of key Los Angeles novels, essays, and films, this project emphasizes how the narrative "I" traverses urban space, focusing on the dissolution of boundaries between self and place. Los Angeles' sprawling, decentralized layout and rapidly-shifting landscape have a profound influence on narrative identity, generating a volatile and disquieting sense of self; this project also explores how …

The Right Stuff: Habitus And Embodied Virtue In Sir Gawain And The Green Knight, Alice F. Blackwell

Quidditas

One of the themes weaving in and out of Sir Gawain and the Green Knight is that of virtue: Gawain’s shield proclaims his virtue, yet at the end of the Green Chapel scene, he exclaims vice has destroyed his virtue, leaving him “faulty and false.” This scene has troubled critics and students, however, for many consider his reaction excessive for his default on the rules of a courtly game. The present paper contends that the notion of virtue written for Gawain naturalizes embodied virtue. While both religious and lay writers tended to argue that one possessed predisposition to moral or …

Review Article: Quidditas And Medieval Studies Today, Erin Felicia Labbie

Quidditas

Medieval studies today may be precisely characterized by quidditas. The Aristotelian term quidditas became central to the development of medieval scholastic inquiry in the West when, in 1066 Anselm of Canterbury wrote the Monologion. This eleventh-century foray into the revival of Aristotelian thought is also seen in Porphyry’s third-century translations of Aristotle and in Boethius’ sixth-century concern with universals elaborated in his commentaries on universals and categories. For Anselm and the developing model of medieval scholastic thought, the Monologion and its immediate successor, the Proslogian, assert a double discourse of the difference between quidditas and haeccitas, …

Saints And The Social Order: Alexander Barclay’S The Life Of St. George, Maggie Gallup Kopp

Quidditas

This paper examines The Life of St. George, Alexander Barclay’s 1515 translation of a humanist Latin prose poem. Barclay, who styled himself a laureate in the tradition of Lydgate, adapts laureate poetic practice in order to address a noble audience in a bid to gain court patronage. Barclay’s emendations and additions transform the hagiography of England’s patron saint into a commentary on traditional English ideals of citizenship and good governance, aimed at an audience comprised of both common citizens and noble elites, including, as this paper argues, the young king Henry VIII.

Allen D. Breck Award Winner (2010)

Quidditas

Kristin M.S. Bezio

The Allen D. Breck Award recognizes the most distinguished paper given by a junior scholar at the annual conference of the Rocky Mountain Medieval and Renaissance Association

“Hand Hand Shooke”: Compassionate Touch In George Chapman’S Hero And Leander, Patricia Davis Patrick

Quidditas

Chapman begins his continuation of Marlowe’s Hero and Leander by announcing that he intends to “censure the delights” which the lovers have enjoyed without the sanction of ceremony. However, the narrator does not maintain this attitude of stern judgment. As readers of Chapman’s Hero and Leander have often noticed, the narrator continuously shifts his tone, sometimes censuring the lovers and sometimes sympathizing with them. Chapman’s poem is thus as deeply concerned with the problem of appropriate compassion as it is with the containment of Eros. The narrator’s vacillation between censure and compassion can be fruitfully considered by examining early modern …

Banishing Ganymede At Whitehall: Jove’S “Loathsome Staines” And Fictions Of Britain In Thomas Carew’S Coelum Britannicum, Jessica Tvordi

Quidditas

Thomas Carew’s masque Coelum Britannicum, performed at Whitehall on Shrove Tuesday of 1634, deploys an image of conjugal perfection in order to codify a fiction of national union. Not only are Charles I and Henrietta Maria models of moral and political comportment powerful enough to reform the profligate court of Jove, their harmonious marriage also provides the inspiration for reconciliation between England, Scotland, and Ireland. In order to assert this fiction of unification, the masque invokes images of sexual transgression, symbolically enacts their removal, and equates the strength of Britain with the absence of the deviant monarch, James I. …

“Talk Of Marriage” In Northwest England: Continuity And Change In Matrimonial Litigation, 1560-1640, Jennifer Mcnabb

Quidditas

This article suggests that the matrimonial culture of northwest England from 1560 to 1640 was marked by a complex range of strategies, values, and processes that emphasized matrimony as a performative process. While present-tense language of consent created, in the words of sixteenth-century lawyer Henry Swinburne, the “Substance and indissoluble knot of Matrimony,” people in the northwest consistently identified other words, actions, and attitudes that also communicated matrimonial intent. Litigation from the diocese of Chester’s two consistory courts features considerable “talk of marriage” by litigants and deponents and reveals an enduring emphasis in the northwest on public performance of matrimonial …

Full Issue

Quidditas

No abstract provided.

More Than Words, More Than Wounds: (Re)Writing 'Wounded' Women And Healing Pedagogies, Rachel Nicole Spear

LSU Doctoral Dissertations

This project reconceptualizes how women and their personal stories of trauma have been read and represented in literary, feminist, and pedagogical studies, asserting that these authors and their texts should be recognized respectively as wounded healers and healing narratives. By situating my study within links among trauma, women, and writing, I argue that women and their personal stories of trauma exist in marginal, or rather, wounded positions. I problematize scholarship where links among these three commonly emerge (namely psychoanalytic, autobiographical, and feminist fields) to challenge monolithic readings and re-write these women and texts as more than wounded. More than Words, …

Reading Out Of Doors: How Nature Becomes Text And Vice-Versa, Richmond Minor Eustis

LSU Doctoral Dissertations

The tensions between city and country, the artificial and the natural, the real and the fake are at the heart of attempts to render nature in writing. In many such texts, nature—especially wilderness—is the realm of the real, authentic, and pure, while the city is the realm of the artificial and corrupt. This placement of value in nature, members of the critical theory camp tend to counter, is misguided. Any effort to render nature in text is by its “nature” artificial—far more about human values embedded in language itself than about some extra-textual world. With an approach derived from theorists …

Gothic Representations: History, Literature, And Film, Daniel Gould

All Student Theses and Dissertations

Gothic storytelling has come a long way since the publication of Horace Walpole's The Castle of Otranto in 1764. This short novel created the standard motifs and tropes that will forever be associated with the genre-the destitute castle, the foreboding atmosphere, supernatural or inexplicable events, omens, prophecies, heroes, villains, and of course, a deteriorating world facilitated by the unconscious evils within hwnanity causing the complete destabilization of society.

This paper will examine the evolution of Gothic fiction and how it has been represented from its romantic heritage and Victorian upbringing to the American Gothic traditions of the nineteenth century and …

Review: Electric Salome, Loie Fuller's Performance Of Modernism, Tim Scholl

Faculty & Staff Scholarship

No abstract provided.