Comparative Literature Commons^™

Peking Opera And Grotowski's Concept Of "Poor Theatre", Yao-Kun Liu

CLCWeb: Comparative Literature and Culture

In his article "Peking Opera and Grotowski's Concept of 'Poor Theater'" Yao-kun Liu presents a comparative study of Peking opera and Western theater with special attention to Grotowski's concept. Explaining Peking opera's dramatic elements (such as gesture and body-movement) and theatrical devices (such as stage-setting, costume, and conventions) Liu elaborates on the universality and distinctions between Eastern and Western aesthetics of drama. As an attempt to reveal the speciality and uniqueness of Peking opera, Liu employs Jerzy Grotowski's notion of "poor theatre" in a context of Constantin Stanislavski's concept of empathy, Antonin Artaud's dramatic prophecy, and Peter Brook's notion of …

Bibliography Of Siegfried J. Schmidt's Publications, Agata Anna Lisiak, Steven Tötösy De Zepetnek

CLCWeb: Comparative Literature and Culture

No abstract provided.

Review: A Week In The Woods, Rachel Schwedt, Janice A. Delong

All Children's Book Reviews

No abstract provided.

Review: The Pocket Daring Book For Girl’S: Wisdom And Wonder, Rachel Schwedt, Janice A. Delong

All Children's Book Reviews

No abstract provided.

La Opresión Del Género Sexual Y La Expresión Sexual En Bodas De Sangre, Yerma, Y La Casa De Bernarda Alba Por Federico García Lorca, Janell Swick

World Languages and Cultures

This paper includes a detailed analysis of the theater of Federico García Lorca. Special attention is paid to the gender implications and sexual oppression noted in his trilogy plays Bodas de sangre, Yerma, and La casa de Bernarda Alba.

Kelong Dalam Perspektif Hermeneutika, Muhammad Ali

Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya

This qualitataive study aims to describe and explain a) the structure of ke- long, b) the function of kelong, and c) the value of kelong. The research was carried out using the following procedure: transcribing kelong texts, interpreting the kelong texts, and referencing the results of text analysis to articles related to the culture and literature of Makassar. Some in-depth interviews with key people about the culture were also conducted. It was found that kelong consists of micro, macro, and super structures. In the case of functions, it was found that the functions consist of infor- mational, emotive, directive, poetic, …

The Postcolonial "Knight‘S Tale": A Social Commentary On Post-Norman Invasion England, Ruth M.E. Oldman

Theses, Dissertations and Capstones

Every author injects a purpose into his or her works; in Chaucer‘s case, he scribed The Canterbury Tales, which tackles and successfully demonstrates various aspects to fourteenth century English society and culture. "The Knight‘s Tale" is no different; the tale is almost identical, plot-wise, to Giovanni Boccaccio‘s Teseida, and yet Chaucer weaves a tale that is distinctive. The tale reflects Chaucer‘s views on his society, in particular post-Norman attitudes. By examining the text with a post-colonial theoretical approach, Chaucer‘s "The Knight‘s Tale" is a subaltern commentary on the colonization of England after the Norman Conquest.

Women With Short Hair, Amanda Layne Stephens

Theses, Dissertations and Capstones

Women with Short Hair is a short-fiction collection that centers on the lives of four women who live in West Virginia. Each story depicts a female character during a different developmental stage: childhood in ―In Casino Daycare,‖ young adulthood in ―Felis domestica,‖ adulthood in ―Date Night at the Beach,‖ and middle-age in ―Women with Short Hair.‖ Short-fiction collections that influenced Women with Short Hair include Flannery O‘Connor‘s A Good Man Is Hard to Find, James Joyce‘s Dubliners, and Ernest Hemingway‘s In Our Time. Symbolism, repetition, the objective correlative, and free indirect discourse constitute reoccurring literary devices while reappearing themes include …

William Shakespeare And Chinua Achebe: A Study Of Character And The Supernatural, Kenneth N. Usongo

Electronic Theses and Dissertations

This study examines how Shakespeare and Achebe use supernatural devices such as prophecies, dreams, beliefs, divinations and others to create complex characters. Even though these features are indicative of the preponderance of the belief in the supernatural by some people of the Elizabethan, Jacobean and traditional Igbo societies, Shakespeare and Achebe primarily use the supernatural to represent the states of mind of their protagonists.

Through an essentially New Historicist approach to the study of character and the supernatural in the tragedies and novels of Shakespeare and Achebe respectively, I argue that both writers, besides using supernatural features to explore the …

Front Matter

Quidditas

No abstract provided.

Politics And Play: The National Stage And The Player King In Shakespeare’S Henry V And Macbeth, Kristin M.S. Bezio

Quidditas

This article examines the intersection between theatrical and political discourse in early modern England. It argues that that the dialog surrounding early modern discourses of monarchy intersects specifically with theatrical notions of performance by means of the social contract implicit in English Common Law. The link between the political stage and the theater is perhaps most transparent in the metaphor of the theatrum mundi. Because the theatrum mundi requires the active participation of the audience, they must always be included in the theatrum mundi as participatory citizens in its illusory world. They are drawn into the conversation between stage …

Putting On The Garment Of Widowhood: Medieval Widows, Monastic Memory, And Historical Writing, Katherine Clark

Quidditas

The idea of the widow in communal memory and historical writing was a resonant and multi-faceted concept for monastic writers of the Middle Ages. This essay focuses on the function and meaning of widowhood in two examples of early medieval historical writing, by one male and one female author, to illustrate how monastic authors engaged significant and enduring aspects of widowhood during the Western European Middle Ages to construct institutional histories. Images of female memory and widowed piety (especially because the widow represented the Church who awaited her spouse, Christ) were useful in describing the experiences of women who held …

Cognition And Recognition In King Lear, Act Iv. Scene Vii, Jenny Rebecca Rytting

Quidditas

Although King Lear’s half-line “You are a spirit I know” (IV.vii.49) has no internal punctuation in the Folio or Quarto versions of Shakespeare’s play, most modern editors add a comma between the words “spirit” and “I.” This spurious comma forces the line to be interpreted to mean “I know that you are a spirit” rather than “You are a spirit that I know,” whereas, without punctuation, both interpretations are viable. I argue that the latter reading is not only possible, based on Shakespeare’s syntactical practices, but also preferable, based on both the immediate context of the line and the theme …

Heavier Than It Looks And Other Stories, Matthew Tobias Ray

Theses, Dissertations and Capstones

Heavier Than It Looks and Other Stories is a collection of fiction containing one novella-length story, in six parts, centering on the life of a young man coming to terms with a close friend’s suicide. The remaining stories depict different characters amidst situations unique to each character’s stage in life: childhood in 1930s Appalachia in "The Other Kid In a Candy Store," mourning and violent crime in "Picking A Lock," transcendence in "Pathétique," mid-life changes in "Lester’s Last Melancholy," managing addiction in "Staying Clean," youthful folly in "Just For Fun," and storytelling in "The Taste of a Story." Works that …

Satire In Boaistuau’S Théâtre Du Monde, Alison Baird Lovell

Quidditas

Le Théâtre du monde [Theater of the World] (1558) of Pierre Boaistuau was an encyclopedic compilation in three books presenting a litany of vices and miseries in human life; the book proved to be an early modern “bestseller” and was reproduced in many editions and translations across Europe. Boaistuau, the first editor of the tales of Marguerite de Navarre, also edited other story collections, besides investigating religious matters, early modern science and medicine including prodigies and monsters, and other developing forms of knowledge. The Théâtre du monde manifested topoi including the theatrum mundi with its vast spectacle displayed …

Ecocriticism, Paul Siewers

Faculty Contributions to Books

An overview for a dictionary of critical theory on ecocriticism or environmental literary criticism.

“Globalized Philomels: State Patriarchy, Transnational Capital, And The Femicides On The Us-Mexican Border In Roberto Bolaño’S 2666”, M Laura Barberan Reinares

Publications and Research

No abstract provided.

Mrs. Meyrick's Cat, Derek Miller

The George Eliot Review Online, ISSN: 2831-5375

'''Great God!" the words escaped Deronda' as he watched the just-prevented-from-drowning Mirah. 'The old thought had come now with a new impetus of mingled feeling, and urged that exclamation in which both East and West have for ages concentrated their awe in the presence of inexorable calamity.'!

Among those who welcome Mirah to Mrs. Meyrick's household is the cat Hafiz, seen by Deronda as it 'came forward with tail erect and rubbed himself against her ankles', an Eastern moment accompanying Mirah's entrance into the Meyrick family. Hafiz is later to purr as Mirah starts to tell her story to Mrs. …

Review Of Charles Dickens, Michael Slater

The George Eliot Review Online, ISSN: 2831-5375

On the first page of this splendid new biography, Dickens is cited referring to his own earliest writings as 'certain tragedies achieved at the mature age of eight or ten and represented with great applause to overflowing nurseries'. The genially tongue-in-cheek celebration of his own precociousness is entirely characteristic, with the final flourish of 'overflowing nurseries' an example of the kind of 'unnecessary detail' that Orwell identified as a typical device of Dickensian comedy. 'Overflowing' both transforms the brief recollection into a comic scene and indicates the essential quality of the creative imagination at work here. A very different writer …

Review Of Women Reviewing Women In Nineteenth-Century Britain: The Critical Reception Of Lane Austen, Charlotte Bronte And George Eliot, Joanne Wilkes

The George Eliot Review Online, ISSN: 2831-5375

The subtitle of Joanne Wilkes' elegant and meticulous monograph is somewhat misleading. Although Austen, Bronte and Eliot make regular appearances, as one would expect the three major female literary figures of the nineteenth century to do, the work does not seek to investigate their critical histories - something which Wilkes has already done in a compelling essay published in Joanne Shattock's collection Women and Literature in Britain, 1800-1900 (2001). Instead, Wilkes' attention here is firmly directed at the careers of the critics who, for the most part, remain on the margins of Victorian studies: Maria Jane Jewsbury, Sara Coleridge, Hannah …