Comparative Literature Commons^™

Comic Vision, Gale Acuff

SANE journal: Sequential Art Narrative in Education

A narrative, rhetorical poem

The Mother Tongues Of Modernity: Modernism, Transnationalism, Translation, Roland K. Végső

Department of English: Faculty Publications

The relation of modernism to immigrant literatures should not be conceived in terms of an opposition between universalistic and particularistic discourses. Rather, we should explore what can be called a modernist transnationalism based on a general universalist argument. Two examples of this transnationalism are explored side by side: Ezra Pound’s and Anzia Yezierska’s definitions of the aesthetic act in terms of translation. The readings show that the critical discourses of these two authors are structured by a belief in universalism while showing opposite possibilities, both generated by modernist transnationalism. The essay concludes that we now need to interpret the cultures …

Achebe's Igbo Poems: Oral Traditional Resources And The Process Of ‘Deschooling’ In Modern African Poetics, Chukwuma Azuonye

Africana Studies Faculty Publication Series

The present paper examines the diction, imagery and other features of language and style in Chinua Achebe's two Igbo poems ("Uno Onwu Okigbo" and "Akuko Kpulu Uwa Iru"). Disposing of charges of plagiarism levied on Achebe on account of his modeling of the poems on well-known Igbo folk songs, the paper argues that what is rather involved in the compositional process is a process of "deschooling" from the strictures of European or Eurocentric conventions of versification. It concludes that a process of "deschooling" of this kind is one way in which African writers can begin their journey back with undivided …

Ogbuu-Kay! The "After Laugh" Lingers On, Chukwuma Azuonye

Africana Studies Faculty Publication Series

Memorial Tribute to Ogbu Uke Kalu, 1942-2009.

The African Roots Of Michael Echeruo’S Poetry: A Close-Reading Of ‘Sophia’, Chukwuma Azuonye

Africana Studies Faculty Publication Series

This paper argues that, contrary to widespread opinion, the poetry of first generation, postcolonial, modernist Nigerian poet, Michael J. C. Echeruo, draws some of its core and defining tropes from indigenous African system of thought and symbolism. The much maligned early poem "Sophia" is subjected to line-by-line close-reading to illustrate this argument. The analysis suggests that, as a matter of fact, "Sophia" can be read as a portal to Echeruo's poetic corpus as a whole.

Melodrama In Performance: Nilo Cruz's Two Sisters And A Piano, Pauline Gonzales

Comparative Literature M.A. Essays

No abstract provided.

Ancient Country, New Mandate': Reading Mao 235 As A Ritual Song, Jian Wang

Comparative Literature M.A. Essays

No abstract provided.

Trauma And The Representation Of The Unsayable In Late Twentieth-Century Fiction, Katina Rogers

Publications and Research

This dissertation explores the ways in which several fiction writers from France, the U.S., and Latin America experiment with the form of their works in writing about traumatic experience, as they navigate the tension between a propulsion toward expression and toward silence. Some of these traumas are vast, as in Edmond Jabès’ Le livre des questions (1963-1973), which addresses not only the Holocaust, but also questions of exile and identity. Others are on a smaller scale, such as Jacques Roubaud’s Quelque chose noir (1986), Julio Cortázar's Los autonautas de la cosmopista (1983), and Macedonio Fernández’s Museo de la Novela de …

“I Could Still See Her In My Mind’S Eye”: Water And Maternal Imagery In Uwe Johnson’S Anniversaries: From The Life Of Gesine Cresspahl, Caroline Rupprecht

Publications and Research

This article analyzes the writings of East German author Uwe Johnson (1934-84) in terms of his experimental style—specifically transitions between descriptive passages—in conjunction with maternal imagery, as discussed through reference to Susan Suleiman’s concept of a “1.5 generation” of Holocaust survivors. A non- Jewish German author, Johnson addresses German history from the position of the perpetrators, yet born in 1934, he experienced National Socialism from the point of view of a child. In his tetralogy, Anniversaries: From the Life of Gesine Cresspahl (1970-83), feelings of guilt and attempts to understand the German past are negotiated through the maternal figure. This …

Assia Djebar And The Algerian Woman: From Silence To Song, Mary Maher

Honors Theses

This thesis examines the work of Assia Djebar in terms of its context, content, and objectives. Djebar's writing is lyrical and captivating, yet its grounding in experience gives her words a quality of truth and wisdom. To fully understand the function of her work and the significance of its content, the context in which Djebar writes is momentous. Outlining a brief history of the Algerian woman's experience gives a practical understanding of the individual and collective struggles of Algerian women. The violent and unique participation of women in the Algerian War of Independence and their subsequent insignificance under the patriarchal …

Dueling, Honor And Sensibility In Eighteenth-Century Spanish Sentimental Comedies, Kristie Bulleit Niemeier

University of Kentucky Doctoral Dissertations

This dissertation explores the representation of dueling and honor in five theatrical works in order to answer one central question: How does the Golden Age concept of honor transform in the age of Enlightenment? This question may be broken down into specific inquiries, such as: 1) How is honor filtered through sentiment? 2) How did eighteenth-century ilustrados use theater to attempt to resolve the conflict between using violence to defend one’s honor and the Enlightenment ideal of avoiding excess? and 3) How did honor affect the private citizen and his relationship to the state in plays?

During the eighteenth century, …

Venezuelan Avant-Garde: María Calcaño's Erotic Poetry, Giovanna Montenegro

Comparative Literature Faculty and Student Scholarship

Abstract: This essay treats the Venezuelan avant-garde and its historical development through the poet María Calcaño (1906-1956). An analysis of Calcaño’s work reveals how her erotic avant-gardism was excluded from male-dominated avant-garde literary circles in Venezuela in the 1920s and the 1930s. Rather than analyzing the Latin- American avant-garde as a product of European vanguardisms, I show how Calcaño’s poetry draws upon women’s physical and erotic experience to generate a new female- authored avant-garde poetic corpus. Calcaño therefore produces work that illustrates the poetic expression of women’s identity in Venezuela. She is the first poet who breaks with poetic forms …

Paradoxism’S Manifestos And International Folklore, Florentin Smarandache

Branch Mathematics and Statistics Faculty and Staff Publications

The book is structured in two parts as follows:

- in the first part, the theory of paradoxism through its first six published worldwide

manifestos (1983-2010);

- in the second part, the paradoxism collected from the international (English, French,

Spanish/Arabic, and Romanian) folklore in images and paradoxist situations.

PARADOXISM is an avant-garde movement in literature, art, philosophy, science, based on

excessive use of antitheses, antinomies, contradictions, parables, odds, anti-clichés, deviations of senses,

against-the-grain speech, nonsense, paraphrases, oxymorons, inversions, digressions, paradoxes,

semiparadoxes, etc. in creations.

It was set up and led by the writer Florentin Smarandache since 1980's, who said: "The …

A Revolution In Rhetoric: Recycling The Language Of Control Through Rhetorical Activism, Jerien Elizabeth Rausch

Open Access Theses & Dissertations

The English language, with its infinite space and possibility, is and can be recycled to recreate authority of voice and representations of the past. Where once language was used for creating and maintaining colonial control, now, with its careful study and critical (re)applications through fictions written as alternative versions of colonial events, it can be a source of power for the reclamations of identity, culture, religion, history, story, context, and imagination. This study (re)examines an iconic exploration and colonial narrative to highlight the rhetoric used to capture and create Indigenous Peoples and places. Additionally, this study explores how works of …

The Return Of Logos: Language And Meaning In Hamlet, James Funk

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Revisions To Realist Representation In Far From The Madding Crowd And Heart Of Darkness., Paul Robertson Stephens

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Contents, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 12 Fall 2010

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Front Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Back Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.