Comparative Literature Commons^™

“More Human Than Human”: Lacan’S Mirror Stage Theory And Posthumanism In Philip K. Dick’S Do Androids Dream Of Electric Sheep?, Richelle V. Finn

LSU New Orleans Theses and Dissertations

In my thesis, Philip K. Dick's Do Androids Dream of Electric Sheep? is examined using French psychoanalyst Jacques Lacan's mirror stage theory. In the novel, humans have built androids that are almost indistinguishable from humans except that they lack a sense of empathy, or so the humans believe. The Voigt-Kampff Machine is a polygraph-like device used to determine if a subject shows signs of empathy in order to confirm if one is an android or a human. Yet, should empathy be the defining quality of determining humanity?

In his article "The mirror stage as formative of the function of the …

“Home Sweet Home”: Displacement And Belonging In Post-1960s Diasporic Chinese Literature, Melody Yunzi Li

Arts & Sciences Graduate Student Theses and Dissertations

Situated at the intersection of Sinophone and Diaspora Studies and focusing on the rhetoric of “home,” my dissertation explores the ways in which Chinese immigrant Sinophone writers and Anglophone writers in the U.S. construct “imaginative homes” in response to the absence of their physical homes. Through detailed analysis of works by Yu Lihua (Again the Palm Trees, 1967), Yan Geling (The Criminal Lu Yanshi, 2011; A Woman’s Epic, 2006), Pai Hsien-yung (Taipei People, 1971), Shi Yu (New York Lover, 2004), Chen Qian (Listen to the Caged Bird Sing, 2010), Rong Rong (Notes of a Couple, 2004) and Ha Jin (A …

Cathartic Concentration: Meditation And Altered States In Apuleius' Metamorphoses, Benjamin L. John

Foreign Languages & Literatures ETDs

In this thesis, I offer my reading of Apuleius’ novel, the Metamorphoses, or the Golden Ass. Modern scholars are divided on whether we should read the novel as a genuine expression of religio-philosophical sentiment or a satire of religious devotion. My goal is to show that these are not mutually exclusive readings, but two positions from which to consider the idea of spiritual transcendence.

The first chapter explores the way that Apuleius uses light imagery to characterize the religious experience of the novel’s protagonist, Lucius, by analyzing similar phenomena in contemporary and modern descriptions of altered states of …

Open Ears, Open Mind, Open Heart: Active Listening, Mia Nguyen

Service-Learning | Student Scholarship

Active listening is the act of listening with all senses– the body, the mind, and the soul. It means empathizing with another person and finding that place within ourselves where we can listen beyond our initial judgements and personal feelings. It is listening beyond words and allowing our souls to understand, connect, and accept one another. Active listening sparks internal purity eliminating all types of judgement and allowing us to truly take in what another person has to offer. It is “an experience of language as a bodily felt process” in which we have a felt understanding rather than a …

A Psychoanalytic Reading Of Haruki Murakami’S “The Little Green Monster,” “All God’S Children Can Dance,” And “Tv People”, Sara Ferreira

Honors Program Theses and Projects

No abstract provided.

Forgotten Fairies: Traditional English Folklore In "A Midsummer Night's Dream", Alexandra Larkin

The Criterion

While the fairies shown in the play would have been known by Shakespeare’s audience, there was a clear difference between the fairies of traditional folklore and the fairies that Shakespeare describes in A Midsummer Night’s Dream. In traditional English folklore, fairies were “made” for, and by, the middle and lower classes; their stories were most believed and the most encounters were experienced by these people. Fairies in folklore were alternatingly deadly and wildly helpful, giving humans who stumbled upon them presents or death. In the play, Shakespeare departs from more traditional depictions of fairies and instead characterizes these magical creatures …

Something In Nothing: A Discussion Of Madness And Wisdom In King Lear, Leela Mennillo

The Criterion

This essay argues against Shakespeare critic David Kastan’s nihilistic reading of King Lear. While I agree that nothingness lies at the heart of the tragedy, I maintain that the recurring theme of nothing does not depict a world devoid of meaning. Rather, Shakespeare suggests that the recognition of the abyss is necessary in the quest for higher meaning. I approach this debate through various philosophical lenses, presenting a reading that equates wisdom and nothingness. Cordelia’s recognition of the limitations of human knowledge first introduces this idea. I detect elements of the divine nature of nothingness in the seemingly nonsensical speeches …

Good Rhetoric From The Classical To The Jesuits; Or On Αγαθός Λόγος, Andrew J. Wells

The Criterion

Labeling rhetoric as ἀγαθός (good) or κακός (bad) might appear subjective. The Jesuit rhetorical tradition suggests otherwise. Once I place the pursuit of eloquentia perfecta within the context of ancient rhetoricians: Socrates, Gorgias, the author of Dissoi Logoi, and Quintillian, I attempt to find a definition for ἀγαθός λόγος (good speech/rhetoric).

Of Ivory And Eros: How Kurtz Was Corrupted By The Congo, Alexander T. Grey

The Criterion

While much ink has been spilled about the savagery and rawness of Conrad's magnum opus, Heart of Darkness, few scholars have sought to look at the softer side of Kurtz, Marlow, and the cast of characters. This essay attempts to view the work through the lens of love and the Grecian concepts of eros, philia and agape as they apply to Kurtz's tryst and what can be learned about this tormented man in the jungle when love enters the equation.

Reading Female Identity Creation: Self-Realization In Colonial And Postcolonial African Literature, Katie Johnson Jorgensen

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

The thesis, Re-defining Madness: Reading Female Identity Creation and Self-realization in Colonial and Postcolonial African Literature, compares female identity creation in three novels by African female authors. It reveals how the colonial texts represent extreme female identity formation (stagnation vs. transcendent life) juxtaposed with the dynamic and interconnected identity formation represented in postcolonial writing. The analysis begins with The Joys of Motherhood by Buchi Emecheta (Nigeria), to detail how identity stagnation results when the protagonist faces oppression in her culturally defined role as mother, yet returns to this role without further opposition. The second section focuses on Efuru by Flora …

Humanity's Unlikely Heroine: Examining Eve In John Milton's 'Paradise Lost' And "Paradise Regained", Alyssa V. White

The Criterion

This essay explores the biblical world of John Milton’s poetry through the eyes of the only woman given dialogue in his most famous works, Paradise Lost and Paradise Regained. Eve has often been read with scrutiny and judgment, with many readers and scholars dismissing her character as weak and uninteresting. The paper draws on sources from several scholars, but it works primarily with the actual text of Milton’s epics themselves. The argument of this paper seeks to counter those beliefs and provide a thorough analysis of Eve’s character and development throughout Paradise Lost, as well as her impact on the …

A Comparative Examination Of The Hyperbole In Men Without Women By Haruki Murakami And Fudotoku Kyoiku Koza By Yukio Mishima, Jitsuya Nishiyama

Student Research Symposium

This presentation is on a comparative analysis of two prominent Japanese authors' works of literature. The presentation is about a comparative study of hyperbole in Men without women by Haruki Murakami and Fudotoku Kyoiku Koza by Yukio Mishima. Both authors have significant positions in the history of Japanese literature with readership overseas. The rhetoric of hyperbole seems to be significant for both Murakami and Mishima since there are many examples of hyperbole in their works. Murakami’s Men without women is a lamenting short narrative for the loved one while Mishima’s Fudotoku Kyoiku Koza is an entertaining social satire. Regardless of …

Title., Douglas Miller

Electronic Theses and Dissertations

Title is a series of drawings that explores the aspects of failed projects and the complications of representation within literary and visual practices. This series is informed by preliminary drawings, marginalia, and written notations that are inherent in the formulation processes of both visual and literary compositions. Through an investigation of the 19th Century Russian author Nikolai Gogol’s unfinished novel Dead Souls, I situate this series of drawings as a means to conflate literary theories with visual representation. In this way, the Title series presents fragmentary images, texts, and digressive narratives that demonstrate intermediaries between propositional states and reconciled …

Lucian's Imagines: A Student Reader, And Pro Imaginibus: A Translation, Jesse Amar

Honors Scholar Theses

This student reader provides a complete Greek text of Lucian's Imagines (Eikones, or Portraits), with linguistic and literary commentary for the intermediate student of Ancient Greek. There follows a new translation of Lucian's Pro Imaginibus, the author's own take on his work.

Historicizing Muslim American Literature: Studies On Literature By African American And South Asian American Muslim Writers, Wawan Eko Yulianto

Graduate Theses and Dissertations

In response to the challenge of understanding Muslim Americans in a way that highlights their integral role in the United States through literature, this research starts with two questions: 1) how should we read Muslim American literature in relation to the lived experiences of Islam in America? and 2) how does Muslim American literature contribute to the more mainstream American literature.

To answer those questions, this research takes as its foundations the theories by Stuart Hall and Satya Mohanty on, firstly, the evolving nature of diaspora identity and on the epistemic status of identity. Following Hall’s argument that every expression …

Strong Female Characters: Jane Austen's Vs. The Mashups', Rachel Mccoy

Mahurin Honors College Capstone Experience/Thesis Projects

The comparison of Strong Female Characters in Jane Austen’s novels Pride & Prejudice and Sense & Sensibility, with the altered characters in the monster mashups by Seth Grahame-Smith and Ben Winters, Pride and Prejudice and Zombies and Sense and Sensibility and Sea Monsters, respectively, reveals differences between the two society’s understanding and portrayal of strength and femininity. Because these texts are so closely connected – Austen is listed as a co-author of both mashups – the differences evident in the representations of women more clearly reveal the differing cultural values. Close textual analysis of the development of three primary female …

Coverings Of White In Plath's 'The Bell Jar" And "Ariel" Poems, Emma M. Kuper

The Criterion

No abstract provided.

Ecofeminism In The Speculative Fiction Of Ursula K. Le Guin, Octavia Butler, And Margaret Atwood, Cara Williams

Honors Scholar Theses

The aim of this article is to explore the speculative fiction works of three prominent, female speculative fiction writers: Ursula K. Le Guin, Margaret Atwood,and Octavia Butler through an ecofeminist lens. Ecofeminism, as first coined by Francois D'Eaubonne in 1974, is a philosophy that compares the oppression and abuse of women to that of the environment. This article notes how Le Guin, Atwood, and Butler portray women and the environment in post-apocalyptic science fiction. Specifically, this article looks at how these authors explore food acquisition and consumption in their various worlds. This article asks the question, how does our relationship …

Coming Of Age In The Disciplinary Structures Of The Catholic Church: Power And Discipline In A Portrait Of The Artist As A Young Man And The Land Of Spices, Rebecca Beaulieu

The Criterion

Coming of age in Ireland carries with it cultural and religious expectations drawn out from the history of Nationalism and the Catholic Church in Ireland. Using Michel Foucault’s theories on punishment and discipline, this essay looks at the way the Irish Catholic Church forms identity and conflict in characters from two different stories. A Portrait of the Artist as a Young Man by James Joyce and The Land of Spices by Kate O’Brien depict the coming-of-age of two main characters struggling to create their own identity in a strict Irish Catholic Culture. Though each of the characters grow and change …

Engaging The Traumatic Past In An Apocalyptic Present, Timothy J. Jerome

The Criterion

This essay explores the necessity of confronting the underlying issues of one's history in order to heal historic wounds, despite the difficulty and immediacy of one's current struggles. I examine how Pentecostalism functions as a touchstone to the past for John Grimes and his family in James Baldwin's Go Tell It on the Mountain, and eventually allows protagonist John to transcend the traditional forms of self-identification in order to create a new informed model of identity within the religion.