Comparative Literature Commons^™

Sea Squad, Liam Geary Baulch

The Goose

The Sea Squad is a band of cheerleaders against climate change. Taking action as a team in formation, they gather momentum, inviting all people to cheer with them, mimicking the infinitely expandable nature of the seas' molecular structure. The work was developed and performed as a bilingual project at Est-Nord-Est in Saint-Jean-Port-Joli, Quebec, Canada, and has since been performed and exhibited internationally. The following poems are some of the chants that Sea Squad use to get a crowd cheering together against climate change.

The Herculaneum Papyri: A Paleographic Approach To The Latin Library, Jordan Rawlings, Roger Macfarlane

Journal of Undergraduate Research

In the 1750’s AD, military engineers commissioned by the Bourbon rulers found many black, chalky chunks while excavating an underground Roman villa. Initially these lumps were thought to be coal or other detritus and were thus handled with little care. Later, some workers noticed that these black lumps were manmade and actually preserved traces of writing. Early attempts at deciphering and unrolling these papyri scrolls proved unfruitful and resulted in the destruction of many papyri. Eventually a meticulous approach applied by Antonio Piaggio, an experienced ancient manuscript and document worker, proved successful. Although it preserved the papyri, Piaggio’s method worked …

Diagnosing The Will To Suffer: Lovesickness In The Medical And Literary Traditions, Jane Shmidt

Dissertations, Theses, and Capstone Projects

Throughout Western medical history, unconsummated, unreturned, or otherwise failed love was believed to generate a disorder of the mind and body that manifested in physiological and psychological symptoms. This study traces the medical and literary history of lovesickness from antiquity through the 19^th century, emphasizing significant moments in the development of the medical discourse on love. The project is part of the recent academic focus on the intersection between the humanities and the medical sciences, and it situates literary texts in concurrent medical and philosophical debates on afflictions of the psyche. By contextualizing the fictional works within the scientific …

Ansiedades Épico-Criollas Y El Mecenazgo De Indias En El Arauco Domado De Pedro De Oña, Andrea L. Fernandez

Dissertations, Theses, and Capstone Projects

Among the characteristics of epic poetry are the topic of war, love encounters, heroism of exemplary individuals, and the narration of events contemporary to the audience to reinforce a collective historical identity. Arauco domado by Pedro de Oña, born in Angol (modern Chile), reiterates these traditional expectations with its protagonist, characters, setting, and latter theatrical representations within the viceregal context. The poem was made possible by the sponsorship of García Hurtado de Mendoza y Manrique, IV Marquis of Cañete and Viceroy of Peru. If the title of “espíritu cesarino novelo” [Caesar’s new spirit] (V.76.3) corresponds to the patron, Pedro de …

The Redemption Of Goethe’S Eternal Feminine: Discovering The Reality And Significance Of An Archetypal Phenomenon, Mariana Weisler

Dissertations, Theses, and Capstone Projects

This thesis traces the phenomenological history and significance of the archetype of the Eternal Feminine, as well as her role in Goethe’s Faust. Although the Eternal Feminine (Goethe’s “das Ewig-Weibliche”) first appears in literary form in 1832 with the publication of Faust: Part II, she has an ancient archetypal history that reaches from the age of pre-patriarchal domination into the modern era. This thesis contends that the Eternal Feminine is a Jungian archetype—a “primordial image” or motif that exists unconsciously and evokes a universal experience within both the individual and the society. Five historical figures exemplify the archetype of the …

Manifest Density: Decentering The Global Western Film, Michael D. Phillips

Dissertations, Theses, and Capstone Projects

The Western is often seen as a uniquely American narrative form, one so deeply ingrained as to constitute a national myth. This perception persists despite its inherent shortcomings, among them its inapplicability to the many instances of filmmakers outside the United States appropriating the genre and thus undercutting this view of generic exceptionalism. As the Western has migrated across geographical boundaries, it has accrued potential significations that bring into question its direct alignment with national ideology and history. Rather than attempting to define the Western in terms of nation or myth, we should attend to how each new text reconfigures …

Mao's "On Contradiction," Mao-Hegel/Mao-Deleuze, Kenneth Surin

CLCWeb: Comparative Literature and Culture

Mao Tse-Tung's famous 1937 essay "On Contradiction" is regarded as a significant attempt to redefine and reapply Marx's notion of a "dialectical contradiction" to the Chinese revolutionary conjuncture of Mao's time. I set out the principles outlined in Mao's essay, before arguing that the revolutionary conjuncture of his time no longer exists in the era of globalization and neoliberalism. I conclude that a new conception of "antagonism" is needed, and revise Mao's position with the aid of the philosophy of Deleuze and Guattari.

Maoist Aesthetics In Western Left-Wing Thought, Jun Zeng, Siying Duan

CLCWeb: Comparative Literature and Culture

In their article “Maoist Aesthetics in Western Left-wing Thought,” Jun Zeng and Siying Duan discuss a terrain of knowledge called “Maoist aesthetics,” which is the creative misreading of Mao’s “On Contradiction,” the theory and practice of “Cultural Revolution” and other revolutionary literature and arts of Mao’s time by Western Left intellectuals. Scholars and academic communities inspired by Maoism include Bertolt Brecht, Herbert Marcuse, Jean-Paul Sartre, Simone de Beauvoir, Louis Pierre Althusser, the Chinese period of Tel Quel, Fredric Jameson, Arif Dirlik, and Contemporary Radical Left intellectuals such as Alain Badiou and Slavoj Zizek. Comparative study of the mutual influence of …

Mapping Out Chinese Modernity And Alternative Modernity, Song Li

CLCWeb: Comparative Literature and Culture

In his article, “Mapping Out Chinese Modernity and Alternative Modernity,” Song Li reviews the writings of Kang Liu, particularly his Aesthetics and Marxism. Kang Liu studies the intellectual trajectory of Chinese Marxism from its inception to its post-Mao phases of transformation by comparing it with the cultural and aesthetic thinking of Western Marxism. It provides not only a new perspective for the study of Marxism in general and Chinese Marxism in particular, but also opens up a new space for mapping out Chinese modernity and alternative modernity. Its 2012 Chinese translation makes it more accessible in China, and it will …

Traveling Theory: Fredric Jameson’S Interpretations Of The Cultural Revolution And Maoism, Xian Wang

CLCWeb: Comparative Literature and Culture

In her article, "Traveling Theory: Fredric Jameson’s Interpretations of the Cultural Revolution and Maoism," Xian Wang discusses how Fredric Jameson transformed or “transcoded” the Chinese Cultural Revolution into his notion of cultural revolution, regarding it as a radical means to achieve decolonization and national liberation. The Chinese Cultural Revolution therefore became a model for cultural revolution in different parts of the world, and an alternative vision of modernity. Jameson also associates Maoism and the Cultural Revolution with Antonio Gramsci’s concept of subalternity, and considers cultural revolution as an ideological revolution for the oppressed classes. Taking Maoism as a traveling theory, …

Introduction: Rethinking Critical Theory And Maoism, Kang Liu

CLCWeb: Comparative Literature and Culture

In his article, "Rethinking Critical Theory and Maoism," Kang Liu reviews the existing literature in English on the relationship of Critical Theory and Maoism and discusses the need to explore and reconstruct a genealogy of Critical Theory and Maoism within the global context of political, ideological, and intellectual currents and trends. The special issue will focus on three clusters of issues: first, the western invention of Maoism as a universal theory of revolution; second, the reception of Critical Theory in China and its relationship to Maoism; and third, the relevance of Maoism and Critical Theory today. Liu raises the question …

Maoism In Culture: A “Glocalized” Or “Sinicized” Marxist Literary Theory, Ning Wang

CLCWeb: Comparative Literature and Culture

In his essay "Maoism in Culture," Ning Wang discusses the importance to literature and art of Mao's famous "Yan'an Talks" as one of his most representative works. Maoism, or Mao Zedong Thought as is generally called in China, is a "glocalized" or "Sinicized" Marxism initiated and developed by Mao and his comrades in arms and successors in China. Wang argues that although Maoism is not a dogmatically "imported" Marxism from the West, it has indeed grasped some fundamental Marxist principles in combination with the concrete Chinese literary and critical practice. Thus a "glocalized" or "Sinicized" Marxist literary theory has contributed …

The Political (Un)Conscious: Rethinking Aesthetics From A Cross-Cultural Perspective, Xiaohong Zhang

CLCWeb: Comparative Literature and Culture

In her article, "The Political (Un)conscious: Rethinking Aesthetics from a Cross-Cultural Perspective," Xiaohong Zhang adopts a cross-cultural perspective, examining the cultural-specific nuances of critical terms like race, class and gender, all of which have bearings on our perception and conception of aesthetics. Drawing on Emory Elliot's groundbreaking book, Aesthetics in a Multicultural Age (2002), the paper probes into the aesthetic experience whose primary effect is to depragmatize. Along this line of thinking, the author draws attention to the aesthetic impetus of two Nobel laureates, Mo Yan and Gao Xingjian, whose rewriting of Western classics demonstrates Chinese authors' shared predilection for …

The Body And The Sacred In Contemporary Italian Women Writers, Laura R Feola

Dissertations, Theses, and Capstone Projects

My dissertation explores the presence of what has been called the “persistence of the sacred” in modern and contemporary Western culture. More specifically, I focus on the intertwining dimensions of the human body and the experience of the sacred in selected works by Dacia Maraini, Elena Ferrante, Cristina Campo, and Alda Merini. Despite their different voices, and the “secular” or “religious” labels with which each of these Italian authors could be defined or confined, I identify and analyze patterns, similarities, and differences in the interwoven realities of the body and the sacred present in their works.[1]

[1] See Snyder, …

Conflicting Neo-Colonialist Narratives In The Representation Of Africa In Ngugi And Naipaul's Novels, Weiping Li, Xiuli Zhang

CLCWeb: Comparative Literature and Culture

In their article "Conflicting Neo-colonialist Narratives in the Representation of Africa in Ngugi and Naipaul's Novels" Weiping Li and Xiuli Zhang analyze the conflicting neo-colonialist narratives by comparing the different representations of the post-independent Africa between Ngugi's Petals of Blood and Naipaul's A Bend in the River. The multiple narrators in Petals of Blood expose imperialists' continuing domination of Africa, while the limited third person narrator in A Bend in the River blames the African people for the deterioration and chaos of the African society. One from an insider's perspective, the other from the outsider's, Ngugi and Naipaul thus form …

Self As Religion In Noviolet Bulawayo's We Need New Names, Lauren Randall

Best Integrated Writing

In this essay, Lauren shows how a breakdown in the belief in the Christian God in NoViolet Bulawayo’s novel We Need New Names leads to the protagonist’s renewal of faith in herself. As the world around her implodes and modern-day Zimbabwe collapses under the political regime of Robert Mugabe (who is never named in the novel but whose baleful influence is nevertheless assumed), “Bulawayo juxtaposes human endurance and the absence of a helpful god to achieve commentary on Darling’s fortitude and resilience.” The essay presents several original insights and offers a sensitive and highly nuanced picture of the divided colonial …

Self-Destructive Educationin Tsitsi Dangarembga’S Nervous Conditions, Sarah Miller

Best Integrated Writing

In this essay, Sarah examines Tsitsi Dangarembga’s 1988 novel Nervous Conditions, set during the colonial period in Rhodesia (now Zimbabwe). She argues that the novel portrays education in an ambivalent light: while it serves as a vehicle of liberation and progress for the black Rhodesian characters, it also reveals to them the injustices of colonial occupation. The essay uses excellent textual examples and good support from secondary sources to convincingly advance this thesis. I believe that Sarah makes us rethink the function of education in a critical light; when viewed in the African colonial context, education becomes a tool for …

Best Integrated Writing 2018 - Complete Edition

Best Integrated Writing

Best Integrated Writing includes excellent student writing from Integrated Writing courses taught at Wright State University. The journal is published annually by the Wright State University Department of English Language and Literatures.

Sôhkêyihta: The Poetry Of Sky Dancer By Louise Bernice Halfe And Why Indigenous Literatures Matter By Daniel Heath Justice, Chad Weidner

The Goose

Review of Louise Bernice Halfe's Sôhkêyihta: The Poetry of Sky Dancer and Daniel Heath Justice's Why Indigenous Literatures Matter.

Mumbai Macbeth: Gender And Identity In Bollywood Adaptations, Rashmila Maiti

Graduate Theses and Dissertations

This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre-independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. Ultimately, this project hopes to fulfil the gap in scholarship on adaptations in Bollywood.