Comparative Literature Commons^™

Handling George Eliot’S Fiction, Peter J. Capuano

Department of English: Faculty Publications

An argument that George Eliot was a novelist intellectually, philosophically, and aesthetically ahead of the majority of her peers thankfully needs no defense two hundred years after her birth. This lofty status, however, does not mean that Eliot was impervious to the cultural preoccupations of her time. Quite the contrary. A central contention of this essay is that Eliot, despite her imposing intellectual reputation, engaged with her culture’s popular interest in human hands in ways that profoundly affected her fiction. As I have argued elsewhere,¹ the Victorians became highly cognizant of the physicality of their hands in large part …

Allen D. Breck Award

Quidditas

The Breck Award recognizes the most distinguished paper given by a junior scholar at the annual conference.

Recipient of the Allen D. Breck Award for 2019

BRETTON RODRIGUEZ

Eroticism As A Metaphor For The Human-Divine Relationhip In Attar’S Conference Of The Birds, Or Mantiqu’T-Tair, Marisa Sikes

Quidditas

Farídu’d-Dín Ἁṭṭār’s The Speech of the Birds employs transgressive erotic imagery in multiple sub-tales in ways that both enhance the frame tale’s significance and suggest that persistent, discrete categories of love poetry and religious poetry are untenable as far as Ἁṭṭār’s works are concerned. Eroticism in Ἁṭṭār’s work paradoxically elicits shock and supports orthodoxy, sometimes simultaneously. In the narrative of Shaikh-i Sam’ān religious taboos are broken by a Muslim shaikh devoted to a Christian beloved who spurns him continuously. In “The Princess and the Beautiful Slave-Boy” eroticism is overtly presented as a metaphor for temporary, ecstatic union with the divine. …

Modern Theoretical Approaches To Medieval Translation, Michelle R. Warren

Dartmouth Scholarship

This chapter explores some of the ways in which modern literary theory opens insights into medieval European translations. Rather than drawing a distinction between theoretical approaches that apply to medieval studies and those that do not, I will explore a few examples that might in turn inspire readers to their own insights. It is my hope that over time readers of this Companion to Medieval Translation will posit many more modern theoretical approaches to medieval translation than can be suggested here. We might even imagine that some of the particularities of medieval European theories of translation could themselves be codified …

Dissidence And Displacement : Translation Theory Through The Work Of Natalya Gorbanevskaya, Darren Smith

Legacy Theses & Dissertations (2009 - 2024)

The purported thesis is intended to aptly discuss the ways in which the particular work of Natalya Gorbanevskaya is able to be translated through the lens of a Daniel Weissbort and how through a full understanding of certain theories allow for certain notions of displacement and loss to traverse cultural boundaries through the act of translation. After a brief introduction, it is important to discuss the necessary background information and its relation to the task of translation before moving into an in-depth analysis of the poet’s work to argue how this displacement is visible through her translated work, before concluding …

Eleven: The Bitchin' Subject Of Desire In Stranger Things, Heather Domenicis

The Criterion

Throughout the Stranger Things series, Eleven’s telekinetic monster-fighting abilities incessantly establish her as the girl who

everyone wants on their side. The way she is closely shot on camera and the fact that nearly every other character seeks her help or companionship establishes her as the continual subject of desire— a figure that is present in many Gothic texts. In this essay, I wish to present a brief genealogy of that figure: Lucy in Bram Stoker’s Dracula and Miles in Henry James’s The Turn of the Screw are two examples of early figures whose depictions suggest that Gothic genre relies …

Heroism, Terrorism, And The In-Between: The Validation Of Violence In V For Vendetta, Noah Mailloux

The Criterion

In Alan Moore and David Lloyd’s V for Vendetta, a graphic novel made up of three installments, the titular character V dons a Guy Fawkes mask in celebration of a man who is historically known as a terrorist. V, though representative of a supposed extremist and violent in his behaviors, exemplifies the traits of a traditional hero rather than a terrorist. The word vendetta defines a person or group seeking vengeance or revenge on another person or group, and though this fits V’s role in the story, a personal vendetta is not the catalyst for his actions. The text examines …

"You Knew Him Well": The Galsworthy Letters And Trauma In Heart Of Darkness, Alexander T. Grey

The Criterion

Edward Said’s dissertation-turned-monograph Joseph Conrad and the Fiction of Autobiography (1966) was the first attempt in the realm of literary critique to apply Conrad’s personally letters to his fictions. Yet, since then, the multi-volume Collected Letters published in Cambridge University in 2008 has been but a resource for biographers and for a stray citation by an academic looking to ground a theory in a physical document. Considering the dearth of work looking into the Conrad letters, this essay traces the author’s understanding and processing of personal trauma through letters to Nobel Laureate John Galsworthy and use this theory to contextualize …

Chicken Paprika And Tug Of War: The Romantic "Dream Song 4" By John Berryman, Patrick Connell

The Criterion

Helen Vendler argues that John Berryman’s The Dream Songs synthesizes the Freudian Id and the Christian Conscience as personified by Henry and Mr. Bones respectively. Through a close reading, this essay seeks to analyze Vendler’s claim specifically within “Dream Song 4”, in which, the poet utilizes a trope from American minstrelsy to depict the lustful thoughts of a man, presumably Berryman himself, dining at an upscale restaurant. The two speakers of the poem personify and divide his mind and in keeping with the vaudeville performances Berryman draws from, Henry behaves with erratic irrationality, curbed only by the reason of his …

Drowning In Desire, Meghan Gavis

The Criterion

Despite being called a “love song,” T.S. Eliot’s “The Love Song of J. Alfred Prufrock” is characterized by seemingly chaotic form that contrasts with a typical romance. Intentional irregularities in form express Prufrock’s overwhelming desire for companionship and his troubled self-consciousness. Through close readings of Eliot’s odd use of pronouns, rhyme scheme, and ellipses, Prufrock’s unsatiated desire and resulting inner instability are manifested. The undefined “you” and “I” demonstrate the tension between Prufrock’s public and private masks, which he creates to entice women. This romantic endeavor results in unharmonized versions of himself that wrestle with playfulness and agitation at his …

Father Figures In The Tenant Of Wildfell Hall: Bronte's Perspective On Victorian Era Masculinity, Mary Grace King

The Criterion

Anne Bronte presents two different depictions of fatherhood in The Tenant of Wildfell Hall that correspond to different expressions of masculinity. Anne Bronte comments on masculinity in the Victorian Era by presenting these different examples in the characters of Mr. Markham and Mr. Huntingdon as they interact with Arthur, Helen’s son. Both men display masculine traits as viewed by Victorian Era thought, but these traits vary between manly virtue (dignity and honesty) and manly vice (drinking and swearing). Furthermore, Bronte depicts patterns of abusive masculinity in the character Mr. Huntingdon in his interactions with Arthur as his biological father while …

Music As An Expression Of Traumatic Pasts And Conflicting Futures, Nina Masin-Moyer

The Criterion

Chad Abushanab’s “On the Dred Ranch Road Just off 283” and Emily Dickinson’s “Better—Than Music!” use their poetic forms to express the idea of music as being representative of each of their speakers’ spectrum of experiences and troubles. Despite the two poems being separated by hundreds of years and completely different life experiences, both speakers use the premise of music to establish their troubled pasts. The two poems begin to diverge when they also use music as a means of conveying their expectations for the future. Abushanab’s speaker laments his father’s alcoholism and the speaker has convinced himself the he …

Power Of The Weaker: Feminism In Uncle Tom's Cabin, Cidre Z. Zhou

The Criterion

Due to its contribution towards the abolition of slavery, Harriet Beecher Stowe’s Uncle Tom’s Cabin was undoubtedly a huge hit in the nineteenth century and continues to influence our society today. This essay, however, focuses on the essentialist feminism of the book and examines whether it becomes male-chauvinist sexist in doing so. When men of the era failed to step out to defend the damned race, a group of women, though seemingly timid and frail, act boldly out of their kind, soft hearts and take chances to preserve the humanity left in this society. To illustrate this point, this essay …

Course Syllabus (W19 Online) Coli 331t--Television Culture: "Lens, Mirror, Screen: Orwell's Nineteen Eighty-Four", Christopher Southward

Comparative Literature Faculty and Student Scholarship

Course Description:

Or a conjuncture of three moments in the dialectic of television as technical apparatus and cultural practice. In this course, we will read George Orwell’s 1984, view Michael Radford’s filmic adaptation of the novel, and consider a number of critical texts in order to think the psychological and social implications of television as an instrument of control, manipulation, and knowledge production. What, we ask, are the implications, in both 1984 and concrete experience, of light-speed communication capabilities for sense perception, consciousness, language, and awareness? In its dissemination of images and information, how does television impede and/or facilitate politics …

“A Dark Archway Of Rusticated Stone”: Depictions Of Moral Obligation In Greene’S The Human Factor And Waugh’S Brideshead Revisited, Thomas J. Carter

EWU Masters Thesis Collection

No abstract provided.

But What Has Helga Crane To Do With The West Indies? Plantation Afterlives In The Black Atlantic, Rachel Mckenzie Carr

Theses and Dissertations--English

“But What Has Helga Crane to Do with the West Indies? Plantation Afterlives in the Black Atlantic” situates the emergence of the southern gothic in modernist American and Caribbean works as a response to the shifting cultural narrative of the plantation in the twentieth century. In this project, I argue that the plantation seeps out of its place and time to haunt landscapes it may never have touched and times in which slavery is long over. While the plantation system is broadly recognized as a literary, political, and cultural force in nineteenth-century literary studies, I conceive it is also a …

The New Horizons Of Ideal Womanhood In Antebellum America: Christine Elliot And Linda Brent, Elizabeth (Katy) Lewis

Scripps Senior Theses

With Christine Elliot and Linda Brent, we have two types of the supposed ungendering of women: in Christine, public lecturing and the self-propulsion of one young woman into the public, male sphere, and the ungendering through objectification and dehumanization of Linda Brent in Incidents in the Life of a Slave Girl, published in 1861. We’ll see both young women reject the accusations that they are being de-femininized by engaging in the work or survival modes that they are utilizing. We’ll see both characters assert that femininity can encompass their transgressions, that femininity is more resilient, and that women’s rightful …

The Sound & The Surplus: Speculation As A Radical Mode, Emma B.B. Doyle

Honors Papers

Speculation is a futurist practice of looking outwards in which the subject turns to other realities in the face of a crushing here-and-now. It is from this premise, which draws from Jose Esteban Muñoz’s Cruising Utopia (2009) and Fred Moten’s In the Break (2003), that I set out to understand how experiential, literary, and artistic speculation acts as a rejection of the capitalist and colonial structures of this world. Through a conversation with the aforementioned theorists, as well as other queer, posthumanist, and radical black thinkers, this project will analyze three different instances of speculation. First, a queer nightclub in …

A Semiotic Reading Of The East Asian-Canadian Restaging Of The Immigrant Experience And Redress In Marty Chan’S The Forbidden Phoenix And David Yees’S Lady In The Red Dress, Rania M Rafik Khalil

English Language and Literature

The astounding increase in immigration and the rise in intercultural relationships within Canadian society resulted in the last decade in the acceptability of a number of dramatic works by ethnic, immigrant and second generation Canadian playwrights. This paper examines through Ferdinand de Saussure and Charles Sanders Peirce’s theory of semiotics the East-Asian Canadian immigrant experience and the journey of redress in two dramatic works: Marty Chan’s The Forbidden Phoenix (2010) and David Yee’s lady in the red dress (2010). The Forbidden Phoenix and lady in the red dress, address issues related to exclusionary policies against early Chinese immigrants to Canada …

Movement Rhythms, Motley Knowledges, D. Bret Leraul

Faculty Journal Articles

This article introduces a special issue of LÁPIZ, The Pedagogies of Social Justice Movements in the Americas which contains articles by Bruno Baronnet on the politico-pedagogical practices of the Zapatistas; Vanessa Andreotti on radical education as a practice of collective ontogenesis that subverts the abstract domination of colonial, capitalist modernity; and Lia Barabosa Pinheiro on the sentipensante (feeling-thinking) pedagogies of the Landless Rural Workers Movement (MST), Vía Campesina Internacional, and other struggles. I frame the intervention of the issue as an inquiry into the possibility of an equal encounter between colonial, university knowledges and the knowledges authored by social …