Comparative Literature Commons^™

Multiple Identities: Touchstones In Terrorism, Democratic Institutions, And The Rule Of Law, Mary Frances Lebamoff

Comparative Civilizations Review

This paper explores the underlying, foundational politico-social theories and themes that relate closely to radicalization, terrorism, democracy and the rule of law. It examines factors (touchstones) critical to these areas (political violence, terrorism, rule of law and democracy, along with democratic institutions). Some of these touchstones include the ‘lenses’ of identities, tribalism, and contrasts between identities, including cultural, linguistic, socialization and civilizational aspects.

Contemporary Contexts Of Confucianism, Yuanhui Shi

Comparative Civilizations Review

This paper discusses the possibility that Confucianism will be put into political practice in present-day China. Although New Confucians in mainland China often call for the revival of Confucianism for the cure of many current social problems, there are some unconquerable obstacles, among which political construction is the most crucial. What is more noteworthy is that Confucianism itself has some doctrinal defects provoking those practical obstacles. Therefore, this paper argues that Confucianism, advocating a moral government of benevolence, is a doctrine of idealized political order, but it lacks the practical elements needed for realistic political operation.

Since 2014 some New …

Five Selected Writings Authored By Prof. Palmer Talbutt, Palmer Talbutt

Comparative Civilizations Review

No abstract provided.

End Matter, Comparative Civilizations Review

Comparative Civilizations Review

No abstract provided.

Comparative Civilizations Review No. 80 Full Issue, Comparative Civilizations Review

Comparative Civilizations Review

No abstract provided.

Mythological Models In Civilization Analysis, Vytautas Kavolis

Comparative Civilizations Review

No abstract provided.

Surrealism And Postmodernism In Gregory Abbott's Remlack Too, Elizabeth Helen Donakey

Theses and Dissertations

This thesis explores Gregory Abbott's Remlack Too, particularly in its fusion of surrealism and postmodernism. It addresses the ways in which Remlack Too highlights the artist's experience with sleep apnea, but acknowledges that this is only one level of understanding the painting. Other layers are realized through a study of surrealism and postmodernism. This research analyzes the ways in which surrealism and postmodernism work together, including through their lack of style, fluidity in definition, incorporation of semiotics, distrust in science, reliance on psychoanalysis, and especially through postmodernism's appropriating of earlier artistic movements. This thesis reviews the previously overlooked elements of …

"I Have Plenty Of Things To Say:" The Language Choice Of Senegalese Women Writers, Alexander Cullison

Independent Study Project (ISP) Collection

The purpose of this research is to better understand the forces and motivations that influence Senegalese women writers’ choice to write in the languages they choose. Senegalese women writers began publishing written works in 1976, but the majority of works published by women from Senegal have been in French. While France’s colonization of Senegal has a major role in this, other factors, like the language policy of Senegal, play an important role in decision. Other external forces, like the narratives around what languages one should write in and politics of getting published, also influence this decision. Through the content analysis …

Didier Maleuvre. The Art Of Civilization, A Bourgeois History. New York: Palgrave Macmillan, 2016, Pedro Geiger

Comparative Civilizations Review

No abstract provided.

Editor's Note, Joseph Drew

Comparative Civilizations Review

No abstract provided.

Convertirse En Inmortal, 成仙 Chéngxiān, Becoming Xian: Memory And Subjectivity In Cristina Rivera Garza’S Verde Shanghai, Katherine Paulette Elizabeth Crouch

Theses and Dissertations

Verde Shanghai, published in 2011 by Cristina Rivera Garza, is often used in discussions of Orientalism in Latina America and Mexico. The text employs tropes and stereotypes common in Orientalist thinking, but to label the work Orientalist and analyze it through that lens seems too simplistic. I argue that Verde Shanghai ultimately proves a refutation of Orientalism’s existence within Mexico, and, more broadly, an overall deconstruction of the East-West dichotomy. Rivera Garza appears more interested in using racial and cultural identities to dismantle the polar dichotomies in which her characters live, ultimately critiquing these frameworks in the outside world.

Studying The Voice Of Mo Yan And Howard Goldblatt: Zhang Kou In The Garlic Ballads, Yiran Yang

Theses and Dissertations

In 2012, a Chinese, Mo Yan 莫言, became the laureate of the Nobel Prize in Literature. It was the first time in China’s history; this is not because Mo Yan is better than other Chinese writers, or that he follows some Western writers like Gabriel García Márquez, but because he works with better translators, who make his stories captivating for Western readers, than whom his precursors work with. Even though Mo Yan sticks closely to dialect and culture in rural areas in northern China, his translators adjust his writings to an accessible form in another language. In order to understand …

En Quête D’Image(S) : L’Emploi Des Archives Pour La Construction D’Une Mémoire (Visuelle) Palestinienne, Charlotte Schwarzinger

Regards

By relying on the works of two Palestinian directors – one being a found-footage documentary and the other an experimental piece – this article examines the importance of archives in the elaboration of Palestinian visual memory. Through its complex cinematographic history and the “missing image / ‘invisibled’ image,” Palestinian creators today use the medium of film to bear witness to their presence. The author aims to think through the use of archives in this struggle against invisibility and toward the recognition of a history, a culture, and a memory that are constantly threatened by erasure. At the border between historical …

Iconoclasme, Blasphème Et Liberté De L’Art, Hassouna Mansouri

Regards

Based on two films – La Ricotta by Pier Paolo Pasolini and The Message by Mustapha Akkad – this paper examines the relationship between art and religion. At the core of this debate lies an opposition between two semiotic approaches, defined by Umberto Eco as in verbis and in factis. In dealing with works of art, I will highlight the connection between these two concepts and the idea of “The Open Work.” I will then argue that the conflict arises from a shift in the debate from aesthetics to politics, and thus revolves around a certain margin of tolerance …

الهامش باعتباره خياراً والتحلّي بالهشاشة مقابل العنف, Abdullah Al-Kafri

Regards

.قراءة في بعض ما يُقدَّم ضمن مشهد فنون الأداء في بيروت خلال عامي 2017 و2018

« Regards », Nouvelle Formule, Joseph Korkmaz

Regards

Après vingt ans d’existence, la revue Regards se métamorphose entièrement. D’une revue annuelle limitée à une diffusion interne et rédigée en grande partie par des enseignants et des étudiants de l’Institut d’Études Scéniques, Audiovisuelles et Cinématographiques (IESAV) de l’Université Saint-Joseph de Beyrouth (USJ), elle passe à une publication semestrielle et comprend désormais un comité scientifique et un comité de lecture internationaux. Elle s’ouvre également aux contributions de chercheurs et d’universitaires, aussi bien locaux qu’étrangers...

Mémoire Et Conflit Dans « Le Dernier Jour Du Printemps » (آخر يوم في الربيع" 2018") De Fidaa Zidan, Najla Nakhlé-Cerruti

Regards

Last Day of Spring (آخر يوم في الربيع" 2018") is a monodrama written and performed by Fidaa Zidan (فداء زيدان, b. 1989), premiered in July 2018 at the National Palestinian Theatre/El-Hakawati in Jerusalem. The play tells, in the first person, the story of a young girl from a Druze village in the Galilee who finds herself alone with her parents after the death of her brother during his military service in the Israeli army, compulsory for men of the Druze community in Israel since 1956, and who had been buried in a military cemetery. The sister wants to fulfil her …

La Mémoire Comme Ressource Et Enjeu De Lutte Dans Les Documentaires Syriens De L’Après 2011, Nicolas Appelt

Regards

In Syrian cinematographic creation – essentially documentary – which escapes the control of the regime, memory occupies an important place in the representation of the conflict that tears the country apart. Drawing from three Syrian documentary films shot after 2011 – Houses without Doors, 194, Us Children of the Camp and The Taste of Cement – we will put into perspective how the memory of one side is mobilized as a resource for representing the conflict, including after leaving Syria, and, on the other hand, how it is an issue in reclaiming the story of this conflict, in a …

De L’Historien Au Citoyen : Une Nouvelle Génération D’Artistes Libanais À La Conquête De La Réconciliation D’Après-Guerre, Joséphine Parenthou

Regards

Twenty-eight years after the ceasefire, the Lebanese civil war remains a constant theme for Beirut artworks and speeches, whereas society and institutions have made it a taboo. Art constitutes a fortunate entrance for apprehending the social world and its evolutions in a context of a long post-war period. The effectiveness of the reconciliation process, even its takeover by artworld actors, can be measured through unofficial paths. Moreover, the transformation of war social representations within the artworld, between a war generation and a post-war generation, reflects a redefinition of both the artist’s figure and function in its relationship to politics: formerly …

Decay As Political Metaphor In Ely Dagher's "Waves '98" And Mounia Akl's "Submarine", Joey Ayoub

Regards

Lebanese cinema serves as a useful tool with which to assess postwar dynamics given the dominance of the civil war in artistic production since 1990. As the first postwar generation reached adulthood, we have been witnessing the inevitable rise of a “second wave” of postwar Lebanese cinema – defined as the generation of filmmakers born towards the end of or after the civil war. This essay analyses two postwar Lebanese films, Ely Dagher’s 2015 Waves ’98 and Mounia Akl’s 2016 Submarine, as unique responses to a feeling of despair brought about by the city/nation, explored through the theme of …