American Popular Culture Commons^™

Strong, Independent, And In Love: Fighting Female Fantasies In Popular Culture, Allison P. Palumbo

Theses and Dissertations--English

During the late 1970s and 1980s, feminist critics like Janice Radway began to reconsider so-called women’s genres, like romance novels and soap operas and melodramas, in order to address the forms of subversion and expressions of agency they provided female audiences. However, in spite of greater willingness to consider the progressive potential in romance narratives, there has been little such consideration given to stories of romance for the fighting female character—defined as a protagonist who uses violence, via her body or weapons, to save herself and others. The fighting female has received a good deal of attention from critics like …

Come Together: Desire, Literature, And The Law Of The Sexual Revolution, Eir-Anne E. Edgar

Theses and Dissertations--English

While some scholars have viewed the Sexual Revolution as a “war” with winners and losers, this project finds that all Americans were subject to the fantasy of liberation. This fantasy takes different forms during the era, including relaxed sexual strictures against pre-marital sex, the availability of birth control, and an increased focus on sexual pleasure. However, the seemingly liberatory quickly becomes conservative, coming into focus through the analysis of court cases and legal mandates that protected the declining structures of marriage and heteronormativity. Beginning with widespread fears about interracial mixing in the early 1950’s, escalated by the end of segregation …

The Aesthetics Of Propaganda: Modern Design At The 1959 American National Exhibition In Moscow, Charlotte Hecht

American Studies Honors Papers

No abstract provided.

Father Of All Destruction: The Role Of The White Father In Contemporary Post-Apocalyptic Cinema, Felicia Cosey

Theses and Dissertations--English

Since September 11, 2001 a substantial number of English-language, post-apocalyptic films have been released. This renewed interest in the genre has prompted scholars to examine the circumstances within western society that make post-apocalyptic films appealing to audiences. The popularity of these films derives from a narrative structure that reinforces conservative notions of good and bad and moral absolutism. The post-9/11, post-apocalyptic film typically features a white male hero who, in one way or another, reestablishes the pre-apocalyptic social order through proclamations of mandatory and prohibitive laws that must be adhered to by the survivors. The hero of post-apocalyptic film does …

Marilyn Monroe’S Star Canon: Postwar American Culture And The Semiotics Of Stardom, Amanda Konkle

Theses and Dissertations--English

Although Marilyn Monroe was one of the most famous American film stars, and a monumental cultural figure, her film work has been studied far less than her biography. Applying C.S. Peirce’s semiotic categories of icon, index, and symbol, this research explains how Monroe acquired meaning as an actress: Monroe was a powerful, but simplified, public image (an icon); an indicator of a particular historical and social context (an index); and an embodiment of significant cultural debates (a symbol).

Analyzing Monroe as an icon reveals how her personal life, which contradicted her official publicity story, generated public sympathy and led to …

No More Mind Games: Content Analysis Of In-Game Commentary Of The National Football League’S Concussion Problem, Jeffrey Parker

Theses and Dissertations (Comprehensive)

American (gridiron) football played at the professional level in the National Football League (NFL) is an inherently physical spectator sport, in which players frequently engage in significant contact to the head and upper body. Until recently, the long-term health consequences associated with on the field head trauma were not fully disclosed to players or the public, potentially misrepresenting the dangers involved in gameplay. Crucial to the dissemination of this information to the public are in-game televised commentators of NFL games, regarded as the primary conduits for mediating in-game narratives to the viewing audience. Using a social constructionist theoretical lens, this …

One Of Our Own: Pawnee Bill's Life As Viewed By Bloomington Residents, Eric Willey

Faculty and Staff Publications – Milner Library

Article examining how William Gordon Lillie, native of Bloomington, Illinois, was viewed by residents of the town through newspaper reports and other sources. Lillie achieved considerable fame as Wild West showman Pawnee Bill and was often associated with other legends of the American West.

Movements In Dialogue: Kaleidoscope And The Discourse Of Underground News, Jeb Ebben

UReCA: The NCHC Journal of Undergraduate Research and Creative Activity

From 1967 to 1971, Kaleidoscope shared new and revolutionary ideas, challenged its readers, and created an important venue for intramovement dialogue. Beginning as an outlet for Milwaukee’s burgeoning counterculture and evolving into an important part of the mass movement, Kaleidoscope’s willingness to honestly interrogate the issues facing the community it served meant that it was an arena for tensions to be resolved. That Kaleidoscope, unlike many of the underground papers of the era, never transformed into an unofficial party organ for the New Left allowed it to be uniquely critical of the politics of the mass movement while at the …

Toward An Ontology Of Exhaustion: On The Affective Structures Of Masculinity In The American Oilfield, John W. Jepsen

Graduate Student Theses, Dissertations, & Professional Papers

What is the significance of the oil encounter in the lives of men living and working in the modern oilfields of the United States? Engaging with both literary examples of the lives of men in the Interior West and the personal experiences and reflections of the author, this essay seeks to examine the connections between ideology and place as it works to shape the identity and affect of men in America's oilfields, ultimately ending in them identifying with the very resources their activities seek to exploit and exhaust. Utilizing Theodore Adorno's Minima Moralia as its moral touchstone, this essay works …

X-Men, Dragon Age, And Religion: Representations Of Religion And The Religious In Comic Books, Video Games, And Their Related Media, Lyndsey E. Shelton

Honors College Theses

It is a widely accepted notion that a child can only be called stupid for so long before they believe it, can only be treated in a particular way for so long before that is the only way that they know. Why is that notion never applied to how we treat, address, and present religion and the religious to children and young adults? In recent years, questions have been continuously brought up about how we portray violence, sexuality, gender, race, and many other issues in popular media directed towards young people, particularly video games. These issues rarely include religion, despite …

Back To The Future: Student Time Period Analyses, Jordan Barge, Sarah Ebert, Anna Gaskin, Renay Gladish, Quinn Hamilton, Morgan Hanson, Hannah Markham, Mark Mclean, Callie Smith, Bertha Vega, Shelby Watkins, Jamie Weihe, Jillian Whitney

Student Publications

This newsletter began with the Fall 2015 Honors English class. These students were challenged to initiate research over a topic they thought was interesting and show how it related to our campus, Stephen F. Austin State University. It is our hope that this cumulative research will help readers look at SFA a little differently.

The Legends Of Bigfoot: Or How I Regained My Manhood, Blaine Mccarty

Master of Arts in American Studies Capstones

Masculinity is a culturally defined identity that exists with no single way to express it. However, the cultural politics police masculinity to appear natural and non-changing, but masculinity changes over history influenced by events and the culture from which it gets its definition. Because of this twofold influence on the identity, there is a constant struggle of the appropriate ways to express masculinity in its attempt to normalize itself by defining what is and is not masculine. This work examines how Bigfoot, the hairy fabled monster, embodies conversations about masculinity during a shift in the masculine identity in a constantly …

Panic At The Drive-In: Affordance, Moral Panic, And Drive-In Theatres, Maria Chatzifilalithis

Laurier Undergraduate Journal of the Arts

No abstract provided.

Mediating The Sacred: Popular Culture As Liturgical Icon In A Secular Age, Jason Lief

Faculty Work Comprehensive List

This presentation explores how popular culture and the new forms of technology that mediate it function as a "cultural liturgy" within the immanent frame of secularity. Poetic and symbolic expressions that mediate the sacred within the lived experience of young people will be shared. Icons within the secular experience of young people in the West can be seen positively by Christians. This paper draws from research conducted for a forthcoming book on the relationship between Heavy Metal music and Theology.

The White Screen, Casey L. Trattner

SURGE

There was laughter all around me, and I couldn’t help but join in.

I was at the orphanage, playing ball with a bunch of kids in Addis Ababa, Ethiopia. Despite being a little homesick and barely knowing the language, I was having few problems living here. I loved this place, with its ancient roots and friendly people. I loved hearing the morning’s call to prayer when I woke up. [excerpt]

Joseph Mitchell And The City: A Conversation With Thomas Kunkel And Gay Talese, Thomas Kunkel

Joseph Mitchell and the City: A Conversation with Thomas Kunkel and Gay Talese

On Oct. 07, 2015, former President Thomas Kunkel, author of Man in Profile: Joseph Mitchell of the New Yorker (Random House, 2015) and President of St. Norbert College, joined Gay Talese, journalist at Columbia University for an event called “Joseph Mitchell and the City: A Conversation with Thomas Kunkel and Gay Talese.” The two, joined by Steve Coll, staff writer at The New Yorker and Dean of the Graduate School of Journalism at Columbia University, discussed Joseph Mitchell and his status as an “icon of New York history”.

Who Can Afford To Improvise? James Baldwin And Black Music, The Lyric And The Listeners [Table Of Contents], Ed Pavlic

Literature

More than a quarter-century after his death, James Baldwin remains an unparalleled figure in American literature and African American cultural politics. In Who Can Afford to Improvise? Ed Pavlić offers an unconventional, lyrical, and accessible meditation on the life, writings, and legacy of James Baldwin and their relationship to the lyric tradition in black music, from gospel and blues to jazz and R&B. Based on unprecedented access to private correspondence, unpublished manuscripts and attuned to a musically inclined poet’s skill in close listening, Who Can Afford to Improvise? frames a new narrative of James Baldwin’s work and life.

The route …

Sports Fandom: Worthless Idol And Wonderful Thing, Rolf A. Jacobson

Faculty Publications

When thinking about the spectacle of sports fandom in light of the Bible, two assertions immediately come to mind. First, sports have become—for much of North American or Western society—an idol. Second, sports have also co-opted many aspects of the life of faith. These two immediate perspectives are so obvious that one is left to wonder whether there is anything more to say about sports in light of the Bible. Maybe there is.

"Happily Ever After": The Tragic Queer And Delany's Comic Book Fairy Tale, Ann Matsuuchi

Publications and Research

Discusses the formulations of queer futurity and normativity in Samuel R. Delany’s autobiographical graphic novel Bread & Wine: An Erotic Tale of New York, drawn by artist Mia Wolff. This love story that is depicted via an interplay of text and imagery resists clichéd homonormative recasting of existing familial templates and questions how expectations queer happiness are bounded by a persistent set of social norms (race, class, education, and income) and their intersections. Also suggests how happy endings can function as a renegotiation of the utopian impulse into something more complex and realistic.

Three Great Phonographers: Warhol, Nixon & Kaufman, Brian L. Frye

Law Faculty Scholarly Articles

Journalists record in order to produce an article and substantiate factual assertions, but phonographers record in order to produce an audio recording. In other words, for a journalist, phonography is a means to an end, but for a phonographer, it is an end in itself.

Warhol, Nixon, and Kaufman exemplify three modes of phonography: anthropological, historical, and psychological. Warhol documented the language and self-perception of a subculture that was ignored or pathologized by mass culture. Nixon created the most comprehensive record of a presidential administration that will ever exist. And Kaufman captured moments in which ordinary people responded to violations …