American Popular Culture Commons^™

The Algorithmic Self, Frank A. Pasquale

Faculty Scholarship

No abstract provided.

Colonels, Hillbillies And Fightin’: Twentieth-Century Kentucky In The National Imagination, Anthony Harkins

History Faculty Publications

No abstract provided.

“Ab-Soul’S Outro,” “Hiiipower,” And The Vernacular: Kendrick Lamar’S Rap As Literature, Tyler S. Bunzey

Senior Honors Theses

Kendrick Lamar’s “Ab-Soul’s Outro” and “HiiiPower” employ complex patterns of Signifyin(g), testifyin’, and other classical African-American literary tropes in order to construct a nuanced style. Lamar creates a double-voiced text not only within his narrative, but also within the form itself. Lamar plays on rap's unique status in African-American literature as an oral text; it is an extension of the vernacular. Through this oral text, Lamar decentralizes the Eurocentric focus of classical interpretation and qualification of literature to a new Afrocentric perspective that privileges the oral text. These raps are complex, wrapped up in their current context along with a …

Live/Archive: Occupy Mla, Kathi Inman Berens

English Faculty Publications and Presentations

Stories set in Twitter and other social media platforms are live, improvisational and subject to decay as the hashtag organizing the conversation loses currency once the happening or "netprov" is over. This case study of Occupy MLA examines the real-world consequences of a netprov that invited participation from real-world participants using their personal Twitter handles by "catfishing": in this case, posing as adjuncts who gave voice to very real working conditions.

Ecotones, Chas Schroeder

CGU MFA Theses

My work explores the intersection of pastoral, urban and idiosyncratic visions. It may reveal the aesthetic and emotional possibilities inherent in the broad-ranging subjects I employ: game animals, advertising, colonialism, love, numerals, textiles, drugs, abstraction, competitive sports, displacement, architecture, gender-bending, civil-rights movements, transgressive literature, social media, indigenous peoples, graphic design, glamour, fashion, hip-hop, rock-n-roll, graffiti, cowboy, exhibitionism and other niche cultures in America. Pieces emerge intuitively via personal narrative and lodged memories as guides. The disjunctive compositions are a breed of contemporary formalism mated with abstraction.

Kentucky Folklife Festivals - Files (Fa 746), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Collection 746. This collection contains documentation of various folklife related festivals held within the state of Kentucky that were documented by folklorist Bob Gates. the ones documented in this collection include the Discovery Festival in Mt. Vernon, the International Festival in Bowling Green, the River Folk Arts Festival in Louisville, “A Day in the Country” Festival, the Horse Cave Heritage Festival in Horse Cave, the Ganesha Festival in Louisville, and the Watermelon Festival in Tompkinsville. There are also slides in Folder 6 that document the Michigan Folklife Festival.

Kentucky Folklife Program - Subject Research Files (Fa 747), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Collection FA 747. This collection contains materials relating to a wide array of folklife subjects collected by folklorist Bob Gates for the Kentucky Folklife Program. The majority of the subjects include ethnic or cultural groups, but there is also various information relating to specific arts or traditions. The materials within the folders are mostly articles or copies of articles. Most folders contain information that relates directly to Kentucky, but some are about the topic more in general terms. Files are arranged by subject.

Politics Of Bob Dylan, Jeff Taylor

Faculty Work Comprehensive List

Bob Dylan’s political worldview has remained essentially the same over six different decades and numerous private and public transformations. Whether he appeared as a New Left protest icon, rock music and Counterculture innovator, rural family man, Christian associated with the Jesus People, or cantankerous social critic distrustful of worldly leaders, Dylan’s notions of freedom and justice, power and sin, have tied all of these roles together.

More Than Just An Image: Pop Culture Representations Of Latinxs And The Immigration Debate, Vanessa Reyes

Eddie Mabry Diversity Award

No abstract provided.

Emerging Feminist Voices On Media And Representation, Diana Depasquale, Cassie Tenorio, Alyssa Wells, Savannah Fulmer

Ray Browne Conference on Cultural and Critical Studies (2015-2021)

The work featured in this panel is from students in WS2000, Introduction to Women's Studies. I created an assignment called "Choose Your Own Adventure." These projects include: an examination gender in film, and a revised version of the Bechdel Test, sexism and misogyny in gaming culture expressed through a series of comics, a painting on canvas using a variety of materials and techniques representing the control of women's reproductive rights and the damage done to female bodies by patriarchal language and rhetoric, and an analysis of womanism, scripture and Alice Walker's The Color Purple.

Each student engaged with issues related …

Neglecting The Subjects Of The Drag Performance In White Chicks, Hannah Sylvester

The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University

As a temporary transvestite film, White Chicks tackles racial issues as well as gender issues and performance. While the statements made on behalf of racial issues are strong, the statements concerning gender are much weaker. The paper will give a summary of the film followed by a description of it as a temporary transvestite film alongside other films within the genre. Issues concerning gender roles--specifically the concept of femininity--are addressed within the film, but are never challenged or changed. Indeed, society's heterosexual hegemony are upheld within this film as they are in similar films in the genre. Homosexual instances in …

Rodcon, Program, 2015, University Of Northern Iowa

RodCon Documents

Saturday, March 28, 2015 - 11:00am to 4:00pm

Program distributed at the event.

Welcome to the 2nd Annual Rod Library Mini Comic Con. The event is free and open to the public. Our goal is to provide an open forum for discussion about the theme of a networked society focused on popular culture, comics, and gaming. Our panel presentations are also focused on providing a forum for discussion about the complex issues of race, gender, class and social justice in popular entertainment. To see your entry, use the hashtag #RodCon15

John Lennon: A Day In The Rye, Derek S. Ellis

Goldenrod Poetry Festival

No abstract provided.

Ua12/2/2 2015 Talisman: Resurgence, Wku Student Affairs

WKU Administration Documents

2015 Talisman yearbook.

• Osborne Sam. Into the Woods – Big To-Do Music & Arts Festival
• Spalding, Shelley. The Outliers – Greeks
• Badjie, Haddy. The Right to Live – Racism
• Gibson, Helen. Net Worth – Soccer
• Greer, John. Sustaining Seasons – Sustainability
• Wegert, Sally. Bloom – Eva Ross
• Cislo, Everett. Harvest – Hemp
• Kolb, William. Preserve – John All
• Voorhees, Jessica. Making Strides – Track & Field
• Greer, John. The Science Guy – Bill Nye
• Cole, Tanner. Lip Service – Rocky Horror Picture Show
• Belknap, Abby. Race to the Senate
• Gibson, Helen. Game of Loans – Student Financial Aid
• Belknap, Abby. …

Previously Undocumented Art Criticism By Walt Whitman, Wendy J. Katz

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Whitman’s “Letters from a Travelllling Bachelor,” written for the New York Sunday Dispatch (October 14, 1849, through January 6, 1850) are well known, as is his practice of contributing news about Brooklyn and Brooklyn artists to the Dispatch as well as to other newspapers like the Evening Post.1 But his extended description of a painting by Jesse Talbot, Encampment of the Caravan, in the Evening Post (“Encampment of the Caravan,” April 29, 1851; p. 1), and his critique of the National Academy of Design annual exhibition in the Dispatch of the following year (“An Hour at the Academy of Design,” …

Showtime: Pop Culture's Impact On Society's View Of The Lgbtq Population, Hope Comer, Jaime D. Bower, Narketta Sparkman

Counseling & Human Services Faculty Publications

Popular culture is an influential aspect that shapes society. Popular culture’s impact on society’s view of the LGBTQ population was examined in the context of video media representations. Students at a Mid-Atlantic university (n = 7) were presented with representations of LGBTQ individuals in television media during two focus groups. Participants completed pre-and-post-test qualitative surveys regarding their impact and perceptions. Responses were coded to identify themes of the target populations. Misrepresentations, perpetuated stereotypes, changing perspectives, advocacy, personal connection, differing types of media representation, and lack of representation were themes identified throughout participant responses about the varying popular culture mediums.

Bessie [Film Review], Judith E. Smith

American Studies Faculty Publication Series

Bessie opens with an arresting shot of Queen Latifah as singer Bessie Smith, dressed in the white costume familiarized by a widely reproduced photograph, with blue tones emphasizing both interiority (her eyes are closed, and the music viewers hear is playing in her head), and the blues genre associated with her. When the shift to every day colors returns viewers to the movie’s present (1927), an unsmiling Bessie walks through an adoring backstage crowd, press cameras flashing, into a waiting car. Rachel Portman’s score suggests foreboding; the next long shot shows Bessie framed in a doorway as she calls out …

#Flawless: The Intersection Of Celebrity Culture And New Media In The Modern Feminist Movement, Laurel Schwartz

Scripps Senior Theses

People have organized around gender equality in modern America for the last century. However, with the advent of new technology, people largely organize in around social movements in online spaces. This thesis explores the ways in which new media expands a popular understanding of the Feminist movement.

Perversions Of The American Dream In The 20th Century Novel: Requiem For A Dream And The Great Gatsby, Mary C. Menzemer

Williams Honors College, Honors Research Projects

The American Dream’s outlines are pretty clear: find a good job, make enough money, raise a good family, love your neighbors and friends, and uphold American laws. In this essay, I am going to explore what happens when the dream’s goals are darkened, corrupted, and attempted to be found by unconventional means and shortcut through the lens of two novels written in the 20^th century, at the height of the American Dream’s popularity: Requiem for a Dream and The Great Gatsby. The Great Gatsby was published in 1925, at a time when a slew of immigrants were seeking better …

Moving Foward?: Problematic Ideologies In Twenty-First Century Fairy Tale Films, Alyson Kilmer

All Master's Theses

Fairy tales, as a reflection of our values and belief systems, are crucial in shaping and maintaining cultural ideologies. In the twenty-first century, cinematic fairy tales have the unique position of representing such values in an expansive and expeditious manner. Audiences must therefore be critically conscious of the messages promoted by these tales. An analysis of the five most popular contemporary fairy tale films, Disney’s Princess and the Frog (2009), Tangled (2010), Universal’s Snow White and the Huntsman (2012), and Disney’s Frozen (2013) and Maleficent (2014), revealed minimal attempts to propitiate critical audiences in regard to changing cultural values, but …