American Popular Culture Commons^™

Picturing The Cajun Revival: Swallow Records, Album Art, And Marketing An Identity Of South Louisiana, 1960s-1970s, Jessica A. Dauterive

LSU New Orleans Theses and Dissertations

In South Louisiana in the late 1950s, Ville Platte native Floyd Soileau joined a network of independent recording companies across the United States that provided an opportunity for local entrepreneurs and artists to profit from the global music industry. This paper analyzes the album covers of Floyd Soileau’s Cajun recording label, Swallow Records, during the 1960s-1970s. This period overlaps with a movement to subvert a negative regional identity among Louisiana Cajuns that is often referred to as the Cajun revival. Through a consideration of album covers as objects of business strategy and creative expression, as well as oral histories with …

A Family Of One's Own: Reconstructing Queer Families Of Color In Film, David F. Stephens

LSU New Orleans Theses and Dissertations

I will focus on the resistance to white heteronormative depictions of the American family occurring within two contemporary films directed by gay black men—The Skinny, directed by Patrik-Ian Polk, and The Happy Sad, directed by Rodney Evans. These movies complicate understandings of black gay male relationships by humanizing the characters and providing clarity about the motivations behind the decisions these characters make. As opposed to simply associating their queerness and immorality, the directors of these films explore what brings people to the various social positions they occupy. In this way, these directors resist the tendency to pathologize …

Found In Translation: An Analysis Of Popular American Film In Spain, Emily Dushek

Honors Projects

This research examines American popular film in Spain with the aim of understanding if and how removing a popular text (such as a film) from its original language and socio-cultural context and translating it for consumption in a different language and culture affects the interpretation of the film. The study delves into the very successful 2012 films The Avengers (Joss Whedon) and Django Unchained (Quentin Tarantino) and uses textual analyses and comparisons of the original English and the translated Castellano Spanish versions of the films, specifically focusing on the translations, as well as analyses of film reviews and critiques written …

The Inuit Vs. The Steamboat: Human Exhibitionism And Popular Concerns About The Effects Of The Market Revolution In The Early Republic, Ryan Bachman

Masters Theses, 2010-2019

In the early nineteenth century, a new form of human exhibitionism spread through eastern American cities. While public displays featuring live human beings had existed since the colonial era, these new shows specifically focused on Native Americans. This paper examines one such show, the Inuit Exhibition of 1820-1821, as a case study of this phenomena. Primarily through the use of contemporary newspaper accounts, this project argues that shows like the Inuit Exhibition occurred within a cultural context that legitimized the practice of human exhibitionism as a genuine, post-Enlightenment method of educating citizens about the natural world. Furthermore, so-called “Indian Exhibitions” …

The Amazing Adventures Of Bob Brown: A Real-Life Zelig Who Wrote His Way Through The 20th Century [Table Of Contents], Craig Saper

Biography

“A cross between an intellectual biography of this literary dynamo and a picaresque novel. Bob Brown has found a sensitive, insightful, and appreciative biographer who knows not only how to narrate (and condense) his amazing adventures but also how to draw the connections that make this overflowing life of letters seem all the more meaningful and significant in our era of digital multimedia.” —Louis Kaplan, Professor of History and Theory of Photography and New Media, University of Toronto

When Ink Turned Into Bullets: The Effect Of The Press In Buffalo, New York And The Nation Along With Its Role In Igniting A Civil War, Nicole C. Kondziela

History Theses

The American Civil War was a multi-faceted conflict: North versus South, states’ rights versus federal law, slavery versus abolition. Due to increasing and constant advancements in technology, this was the first war in American history that developed in full view of the public through newspapers. The Industrial Revolution and capitalism allowed the press to evolve into rich and powerful soap boxes for political bosses and editors alike to voice their opinions far beyond the village square. Unbeknownst to much of the public at the time, the Union had been at the mercy of newspaper editors and politicians in a grand …

Movements, Music, And Meaning: A Comparative Analysis Of Cultural Narratives In Vietnam Era And Post-9/11 Anti-War Music, Jonathan Nathaniel Redman

Graduate Theses and Dissertations

This thesis examines the presence of widely circulating cultural narratives in the lyrics of approximately eighty anti-war songs from the Vietnam and post-9/11 eras. Unlike prior movements and music research, this thesis privileges culture over movements and views movements as cultural antennae both picking up on trends and cultural narratives, and broadcasting their own altered cultural meanings back into the “cultural airways.” It sees music as a cultural medium which acquires cultural meanings from its surroundings, alters those meanings, synthesizes new ones, and perpetuates old ones. Drawing on comparative and narrative analysis approaches informed by grounded theory techniques, this thesis …

Small Houses, Big Ideas, Caroline Jean Winn

Student Scholarship

Architecture is the unavoidable art form.It permeates everyday life and wholly shapes lifestyle; it reflects culture and location as well as the economic power of a region. At its core, architecture is a testament to its surroundings, its design naturally requiring a series of decisions regarding space, form, and use – decisions born within a crucial and telling social context, decisions that quickly reveal the social climate of an era. Indisputably, architecture serves as a lens through which scholars can peer into a time past.

In the course of this thesis, I will examine how the designs of half …

Do-It-Yourself Girl Power: An Examination Of The Riot Grrrl Subculture, Lindsay Wright

James Madison Undergraduate Research Journal (JMURJ)

No abstract provided.

"In The Land Of Tomorrow": Representations Of The New Woman In The Pre-Suffrage Era, Natalie B. O'Neal

Department of English: Dissertations, Theses, and Student Research

This digital anthology explores feminism in selected short fiction by women writers from the 1911 run of the popular women’s magazines Woman’s Home Companion, Ladies’ Home Journal, and The Farmer’s Wife. This fiction furthered the women’s rights movement by allowing women to imagine a world similar to their own with a heroine who voiced their desires and enacted change. Rather than the more experimental, inaccessible literature of avant garde high modernist writers consumed by the upper class, popular fiction reached a wider, middle class audience and was more effective at producing a progressive zeitgeist following the stilted Victorian …

Ms. Marvel: Changing Muslim Representation In The Comic World, Casey L. Trattner

What All Americans Should Know About Women in the Muslim World

Examines the representation of Muslim women in the comic book world, and how Kamala Khan (the titular Ms. Marvel) along with some other characters usher in a new wave of how Muslim women are depicted in comics.

The Birth Of The Mpdg 2.0: The Potential For The Manic Pixie Dream Girl Trope In Independent Film, Brenna Elizabeth Sherrill

Masters Theses & Specialist Projects

This project chronicles an in-depth character study on the Manic Pixie Dream Girl trope in film. The term was coined in 2007 by a film critic about a very specific kind of female character—one who exists “solely in the fevered imaginations of sensitive writer-directors to teach broodingly soulful young men to embrace life and its infinite mysteries and adventures.” The MPDG has often been written off as nothing more than a stereotype or sexist characterization of a woman, but I argue that the MPDG can be much more than a flat character, as evidenced by the increasingly complex characterization of …

Art Aids America: Expressions From An Epidemic, Rebecca Holbrook, Lu Freitas, April Lammers, Rebecca Acree, Jamie Hollis, Holly Martin

P-12 Lesson Plans

This series of lessons for K-12 Art classrooms emerged from the spring 2016 ZMA exhibition, Art AIDS America. This groundbreaking exhibition underscored the deep and unforgettable presence of HIV in American art. It introduced and explored a wide spectrum of artistic responses to AIDS, from the politically outspoken to the quietly mournful, surveying works from the early 1980s to the present. Art AIDS America was organized by Tacoma Art Museum in partnership with The Bronx Museum of the Arts, and co-curated by Dr. Jonathan D. Katz, Director, Visual Studies Doctoral Program at the University at Buffalo (The State University of …

"A Date Which Will Live In Infamy": College Newspaper Reporting Of U.S. Entry Into Wwii, Jill Crane, Marcella Lesher

Faculty Publications

No abstract provided.

Whitefield's Music: Moorfields Tabernacle, The Divine Musical Miscellany (1754), And The Fashioning Of Early Evangelical Sacred Song, Stephen A. Marini

Yale Journal of Music & Religion

Evangelical hymnody was the most significant form of popular sacred song in eighteenth-century Anglo-America. John and Charles Wesley built their Methodist movement on it, but little is known about the music of their great collaborator and eventual rival, George Whitefield (1714-1770). The essential sources of Whitefield's music are the development of ritual song at his Moorfields Tabernacle in London, his Collection of Hymns for Social Worship (1753) prepared for that congregation, and a little-known tunebook called The Divine Musical Miscellany (1754) that contains the first and definitive repertory of music known to be sung at Moorfields. This essay recovers Whitefield's …

The New Reflexivity: Puzzle Films, Found Footage, And Cinematic Narration In The Digital Age, Jordan Lavender-Smith

Dissertations, Theses, and Capstone Projects

“The New Reflexivity” tracks two narrative styles of contemporary Hollywood production that have yet to be studied in tandem: the puzzle film and the found footage horror film. In early August 1999, near the end of what D.N. Rodowick refers to as “the summer of digital paranoia,” two films entered the wide-release U.S. theatrical marketplace and enjoyed surprisingly massive financial success, just as news of the “death of film” circulated widely. Though each might typically be classified as belonging to the horror genre, both the unreliable “puzzle film” The Sixth Sense and the fake-documentary “found footage film” The Blair Witch …

Animal Performance In Big-Time Vaudeville, Catherine M. Young

Dissertations, Theses, and Capstone Projects

Animal vaudevillians have been neglected by academic accounts of vaudeville. Drawing on the rapidly proliferating and highly interdisciplinary field of animal studies, this dissertation combines archival research and cultural theory to fill an important gap in our understanding of how animal bodies and images circulated during the vaudeville era. Taking up Nicole Shukin’s notion of animal capital as both animal “signs and substances” circulating in cultures of capital, I argue that vaudeville animal acts theatricalized animal capital for US citizen-consumers and often circulated animalized capital via racist ideologies and performance modes.

Theatre bookers balanced their reliance on animal acts …

Ideal Objects: The Dehumanization And Consumption Of Racial Minorities In Joyce Carol Oates's Zombie, April D. Pitts

Bearing Witness: Joyce Carol Oates Studies

This essay explores the relationship between race and ideal democratic citizenship in Joyce Carol Oates's novel, Zombie (1995). It argues that in Zombie, white social status is depicted as dependent upon the dehumanization and consumption of racial minorities.

A Rural Nebraska Boy’S Comic Strip Narrative Of World War Ii, Mike Kugler

Northwestern Review

The comics drawn by James “Jimmy” Kugler (the author’s father) when he was 13 in 1945 and living in Lexington, Nebraska provide a microhistorical perspective on at least four things. First, they offer a glimpse of an adolescent boy’s life in small town America during the mid-twentieth century. The strips took local buildings and situations and turned them into something strange, reflecting some of Jimmy’s loneliness and alienation. Further, they “back talked” the adults in charge of school and town. Second, they manifest the power of a dynamic American popular culture at the time. Jimmy’s war comic strips depict fairly …

Graverobber, Individualized Chorus: The Greek Chorus Reinterpreted In Repo! The Genetic Opera, Grace Markulin

The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University

The rock opera film Repo! The Genetic Opera (2008) provides its audience with details regarding the film’s setting and perspectives on the morality of the film’s plot through the character Graverobber, whose sung dialogue expresses this information. Graverobber’s penchant for scene-setting and moralizing within the film classifies the character as a Greek chorus according to the parameters of the Greek chorus in antiquity and modern interpretations of the chorus in twentieth-century musical theater, but the character’s visual distinctiveness, preexisting relationship with an established character, and prominent use of solo vocal lines throughout his sung dialogue demonstrates a degree of individuation …