American Literature Commons^™

Economic Enchantment In Eudora Welty's A Curtain Of Green, Elizabeth Moore

Honors Theses

This thesis analyzes Eudora Welty's short story collection, A Curtain of Green, and the interactions between its characters and the Mississippi economy. The paper takes into account Eudora Welty's work with the WPA during the Great Depression and her experiences photographing Mississippians throughout the state. Additionally, this thesis uses Welty's terminology when describing her experience of shopping as a child, specifically the enchantment of goods. This material is used to argue that Eudora Welty does address economic elements in her early short stories. Furthermore, this collection demonstrates a difference between gender participation in the economy, particularly among salesmen and female …

The Mockingjay Phenomena: A Study On The Position Of Young Adult Women In Dystopia, Hannah Hultman

Honors Theses

The purpose of this research is to explore the messages and impact of three young adult dystopian trilogies, The Hunger Games, Divergent and The Uglies. In particular, the role of the American female teenager in political, economic and social spheres is discussed through examining the three female teenaged protagonists of these novels. For comparative purposes, George Orwell's 1984 and Aldous Huxley's Brave New World function as counterpoints to the young adult novels; the analysis of these different novels will prove that young adult dystopian novels show young adult women that their choices and actions can be integral to their societies …

Read Me: The Emergence Of Female Voice In American Epistolary Fiction, Allison Melissa Ramsey

Honors Theses

The objective of the thesis was to study how the letter, as a narrative device provided by the epistolary genre, supplies unheard female characters with an avenue to speak when their worlds do not allow it. In the novels, the letters not only permit a female character to practice building a voice, but also provide a self-reflection and identification experience, which enables the woman to see where she is, rewrite her role, and control where she wants to go. Through reading Hannah Webster Foster's The Coquette, Alice Walker's The Color Purple, Lee Smith's Fair and Tender Ladies, and Maria Semple's …

Arts: Fiction And Fiction Writers: The Americas, Rachel Norman

Faculty Publications

This essay by Rachel Norman, which originally appeared in the Encyclopedia of Women & Islamic Cultures, discusses contemporary Muslim fiction published in the United States with a particular focus on three novels: Mojha Kahf's The Girl in the Tangerine Scarf, Laila Halaby's Once in a Promised Land, and Randa Jarrar's A Map of Home.

Father Of All Destruction: The Role Of The White Father In Contemporary Post-Apocalyptic Cinema, Felicia Cosey

Theses and Dissertations--English

Since September 11, 2001 a substantial number of English-language, post-apocalyptic films have been released. This renewed interest in the genre has prompted scholars to examine the circumstances within western society that make post-apocalyptic films appealing to audiences. The popularity of these films derives from a narrative structure that reinforces conservative notions of good and bad and moral absolutism. The post-9/11, post-apocalyptic film typically features a white male hero who, in one way or another, reestablishes the pre-apocalyptic social order through proclamations of mandatory and prohibitive laws that must be adhered to by the survivors. The hero of post-apocalyptic film does …

Southern Transfiguration: Competing Cultural Narratives Of (Ec)Centric Religion In The Works Of Faulkner, O’Connor, And Hurston, Craig D. Slaven

Theses and Dissertations--English

This project explores the ways in which key literary texts reproduce, undermine, or otherwise engage with cultural narratives of the so-called Bible Belt. Noting that the evangelicalism that dominated the South by the turn of the twentieth century was, for much of the antebellum period, a relatively marginal and sometimes subversive movement in a comparatively irreligious region, I argue that widely disseminated images and narratives instilled a false sense of nostalgia for an incomplete version of the South’s religious heritage. My introductory chapter demonstrates how the South’s commemorated “Old Time” religion was not especially old, and how this modernist construct …

Time In American High Modernism: Reading Fitzgerald, Hemingway, And Faulkner, Masahiko Seki

Wayne State University Dissertations

There were important changes about understanding of time in the early 20th century. Newtonian view of time that supports linearity and irreversibility of time was challenged in various fields. This trend promoted high modernists to seek new representations of time.

On the whole, high modernists denied Newtonian view of time and tried to describe merging of the past, the present, and the future. They often envisioned a romantic moment, in which this merging is perfectly achieved. But unlike European high modernists, American high modernists were more attracted to a traditional understanding of time that emphasizes a decisive difference between the …

The Radical South: Grassroots Activism, Ethnicity, And Literary Form, 1960-1980, Elizabeth Fielder

Electronic Theses and Dissertations

“The Radical South” examines the art and writings of Civil-Rights-era social movements and locates U.S. based political structures in a hemispheric and global network. I reveal that the Civil Rights Movement, ethnic nationalism, and second-wave feminism were not separate entities; rather, the cultural work of activists was an intersectional effort that defied national strategies, such as non-violent protest and race-based separatism, that were often determined by their urban counterparts. Thus, I argue that new political aesthetics emerged from grassroots activism and set in motion ethnic and racial cultural expressions that embraced multiple, even conflicting, identities. As much as this art …

The Cultural And Rhetorical Elements Of American Picaresque, Cory James Dahlstrom

Dissertations and Theses @ UNI

The picaresque is a literary genre with a long and rich history. Although protean in nature, it is essentially the fictional autobiography of a likeable delinquent or rogue, who survives a series of adventures and a life of hardships by his or her wits and affinity for trickery. Stemming from a long line of tropes dating back to Greek mythology, the picaresque comes into its own fruition towards the end of the Spanish Golden Age with the anonymous publication of Lazarillo de Tormes (1554). Since then, the antihero of the picaresque, the picaro, has become a literary figure across a …

The Transition From The Psychical To The Psychological: An Examination Of William James’ Influence On Henry James’ “The Turn Of The Screw”, Harry A. Jones Iv

Theses and Dissertations

This thesis will show that, in its original form, “The Turn of the Screw” acted as a monument to the intellectual unity shared between Henry James and his brother William. Through evaluating James’ biography, memoirs, and letters with William, this thesis will illustrate the subtle collaborative inspirations that initially helped James write the first twelve-part serial edition of “The Turn of the Screw” for Collier’s Weekly, which ran from January 27, 1898 until April 16, 1898. I will also demonstrate the effect of William’s philosophy and his death on the revisions James’ made to his story as published in the …

Novelistic Intimacies: Reading And Writing In The Late Age Of Print, Vincent Michael Haddad

Wayne State University Dissertations

In Novelistic Intimacies, I consider the political and aesthetic structure of intimacy in a diverse set of narrative forms produced in the so-called digital age, or the late age of print—from encyclopedic and metafictional novels to graphic storytelling and Afrofuturist fantasy. As an organizing principle, intimacy forces us to consider, at once, how novelists have attempted to restore language and narrative with personal meaning after postmodernism—often termed New Sincerity or post-irony. At the same time, intimacy allows us to see how novelists have experimented on the materiality of the book and the eroticism of language to invent new, impersonal modes …

“‘It’S A Cu’Ous Thing Ter Me, Suh’: The Distinctive Narrative Innovation Of Literary Dialect In Late-Nineteenth Century American Literature”, Kym M. Goering

Theses and Dissertations

American literature and verse advanced in dialectal writing during the late-nineteenth century. Charles Chesnutt’s “The Goophered Grapevine” (1887), “Po’ Sandy” (1888), and “Hot-Foot Hannibal” (1899); Joel Chandler Harris’ Uncle Remus: His Songs and His Sayings (1881); Thomas Nelson Page’s “Marse Chan” (1884); and Mark Twain’s “Sociable Jimmy” (1874) and “A True Story, Repeated Word for Word as I Heard It” (1874) provided diverse dialect representations. Dialect expanded into poetry with

James Whitcomb Riley’s “She ‘Displains’ It” (1888), “When the Frost is on the Punkin” (1882), and “My Philosofy” (1882) and Paul Laurence Dunbar’s “The Spellin’ Bee” (1895), “An Ante-Bellum Sermon” …

Sherwood Anderson’S "Shadowy Figure": Rural Masculinity In The Modernizing Midwest, Andy Oler

Publications

No abstract provided.

Echoes From Heaven, Flora B. Foster

Heritage Material

No abstract provided.

Toward An Ontology Of Exhaustion: On The Affective Structures Of Masculinity In The American Oilfield, John W. Jepsen

Graduate Student Theses, Dissertations, & Professional Papers

What is the significance of the oil encounter in the lives of men living and working in the modern oilfields of the United States? Engaging with both literary examples of the lives of men in the Interior West and the personal experiences and reflections of the author, this essay seeks to examine the connections between ideology and place as it works to shape the identity and affect of men in America's oilfields, ultimately ending in them identifying with the very resources their activities seek to exploit and exhaust. Utilizing Theodore Adorno's Minima Moralia as its moral touchstone, this essay works …

The Color Of Memory: Reimagining The Antebellum South In Works By James Mcbride Through The Use Of Free Indirect Discourse, Janel L. Holmes

Theses and Dissertations

This thesis examines the use of interior narrative techniques such as free indirect discourse and internal monologue in two of James McBride’s neo-slave narratives, Song Yet Sung (2008) and The Good Lord Bird (2013). Very limited critical attention has been given to these neo-slave narratives that illustrate McBrides attention to characterization and focalized narration. In these narratives McBride builds upon the revelations he explores in his bestselling memoir, The Color of Water (1996, 2006), where he learns to disassociate race and character. What he discovers about not only his mother, but also himself, inspires his re-imagination of the people who …

Mccarthy's The Road And Ethical Choice In A Post-Apocalyptic World, Jingjing Guo

CLCWeb: Comparative Literature and Culture

In her article "McCarthy's The Road and Ethical Choice in a Post-Apocalyptic World" Jingjing Guo analyses ethical choice and its implications in McCarthy's The Road. After examining the deterioration of the ethical context and the prevalence of evil reflected in cannibalism, Guo highlights the father's ethical choice and dilemma. Different from most others, the father chooses to keep alive to protect his son, and to stay man and stay good in a physically devastated and morally bankrupted world. Through discussing the meaning of the metaphor "fire" and "carrying the fire," Guo further explores the significance of the father's choice …

Perspectives Of Ethical Identity In Ng's Steer Toward Rock And Jen's Mona In The Promised Land, Hui Su

CLCWeb: Comparative Literature and Culture

In her article "Perspectives of Ethical Identity in Ng's Steer toward Rock and Jen's Mona in the Promised Land" Hui Su examines Fae Myenne Ng's and Gish Jen's novels. In the novels, the protagonists make different decisions: in Steer Toward Rock Jack after displacement in China adopts US-American identity and in Mona in the Promised Land Mona, a second generation Chinese American, selects Jewish identity. Owing to their different situations, the two protagonists reflect challenges of identity building in the case of the "Other" in US-American culture and society. Su argues that Ng and Jen, although varying in their …

Narrative Ethics And Alterity In Adichie's Novel Americanah, Nora Berning

CLCWeb: Comparative Literature and Culture

In her article "Narrative Ethics and Alterity in Adichie's Novel Americanah" Nora Berning analyses Chimamanda Ngozi Adichie's novel through the lens of a narrative ethics of alterity. Focusing on the notion of alterity, Berning argues that a specific turn-of-the-century ethics emerges in contemporary fictions of migration in general and in intercultural novels in particular. An ethical genre in its own right, such twenty-first century fictions as Americanah generate a particular kind of ethical knowledge that revolves around questions of identity and alterity and around individual and collective perceptions of self and other. By addressing the interplay of "the ethics …

Characters Through Time, Alyssa Venezia

Honors Thesis

T. S. Eliot once wrote that we “often find that not only the best, but the most individual parts of [an author’s] work may be those in which the dead poets, his ancestors, assert their immortality most vigorously” (Eliot 37). By focusing on character adaptations, one comes to understand how authors of children’s books are able to adapt classic literature into age-appropriate texts that retain the merits of the original. Five sets of characters shall be analyzed to demonstrate the success of the adaptations presented in children’s literature. In the first, Sir Bedivere from Sir Thomas Malory’s Le Morte Darthur …