American Literature Commons^™

Introduction To Willa Cather And Modern Cultures [Cather Studies 9], Melissa J. Homestead

Department of English: Faculty Publications

To some, linking Willa Cather to "the modern" or more narrowly to literary modernism still seems an eccentric proposition. As Richard Millington has pointed out, "one will look in vain for Cather's name in the index of most accounts, whether new or old, of the nature and history of Anglo-American modernism" (52). Perhaps she fails to feature in these accounts because in her public pronouncements and certain recurring motifs in her fiction, she appeared to turn her back on modernity. Cather was skeptical about many aspects of the culture that took shape around her in the early decades of the …

Reassessing Whitman's Hegelian Affinities, Brian Glaser

English Faculty Articles and Research

This article explores Walt Whitman's Hegelian beliefs.

“Born Again Hard”: Sexualized Violence In The Creation Of American Warriors, Katherine Highfill

The Journal of Undergraduate Research

Cultures are built upon myths that reinforce and glorify the way citizens wish to view themselves as part of a larger, stronger whole. These myths are central to the strength of a culture due to the shared sense of greatness, responsibility, and cohesion mutual belief instills. Globally, examples of cultural myth include French elegance, Arabic divine religious sanction, and British diplomatic proficiency. Specifically American mythology includes the pioneer mentality, equality for all citizens, and global caretaker. These myths, as with those of other countries, were born of historic actuality or ideology. The basis for each of these American myths, however, …

Caribbean Hauntings And Transnational Regionalism In Nineteenth- And Twentieth-Century American Literature, Bethany Aery Clerico

Legacy Theses & Dissertations (2009 - 2024)

Caribbean Hauntings and Transnational Regionalism in Nineteenth- and Twentieth-Century American Literature offers a new literary map of U.S. history that is routed through the Caribbean and that intervenes in certain historiographic problems that exceptionalism creates for national literary studies. In the literature of Harriet Beecher Stowe, Martin R. Delany, Charles Chesnutt, William Faulkner, and Toni Morrison, I tease out references to the Caribbean that other critics have overlooked as a result of strictly national frames of analysis. These references evidence that each text is haunted by a Caribbean presence, a phrase that signifies both a "real" Caribbean, a political and …

Delta Woman With Faulkner And Hitchcock, Mi-Jeong Kim

Legacy Theses & Dissertations (2009 - 2024)

Lacan, as a post-structuralist, combined Saussure's linguistics with Freud's psychology and linked Derrida's notion of "the other" to his notion of "objet petit a" as the impossible object of the subject's phallic desire, in order to re-think the modern consciousness of "the self." In the Lacanian account, "the other" does not exist as the 'absolute' transcendental without involvement, but ex-sists as the traumatic and 'extimate' exteriority with-in "the self." The ex-centric other is epitomized by the iconic (inverted) triangular center of Lacan's Borromean Knot. As the immanent exteriority of both the subject and the Symbolic, the feminine (w)hole, resembling vaginal …

Poison In The System : Symbols On The Body And The Body As A Symbol In Select Works Of Nathaniel Hawthorne, Kathleen Mary Crouse

Legacy Theses & Dissertations (2009 - 2024)

In three texts by Nathaniel Hawthorne, "The Birth-Mark," "Rappaccini's Daughter," and The Scarlet Letter, the main female characters share one central trait: a problematic femininity that causes the men in their lives to regard them as something other, and thus suspect. Hawthorne develops this idea of femininity as a defect, and endows these women with actual bodily anomalies in order to explore the ways in which the symbols on the body, or the body itself, invite a variety of interpretation. In doing so, he shows that these interpretations reveal as much or more about the interpreter as they do the …

Speaking Through Self-Effacement : The Sermonic Influence In Melville, Dickinson, And Thoreau, Katsuya Izumi

Legacy Theses & Dissertations (2009 - 2024)

This dissertation focuses on how some of the major literary authors of nineteenth-century America attempt to speak through self-effacement by adopting the preaching styles and effects of early Protestant sermons, as well as their purposes for doing so. There is the evanescence of characters in Herman Melville's novels such as Moby-Dick (1851) and Pierre (1852), of the speaker in Emily Dickinson's poems, and of the narrator in Henry David Thoreau's A Week on the Concord and Merrimack Rivers (1849) and Walden (1854). In their works there is a certain type of abhorrence toward the self, and they constantly try to …

The Simms Initiatives - University Of South Carolina, Todd Hagstette

Digital Projects

In the mid-nineteenth century, William Gilmore Simms did more than any other writer and editor to frame white southern self-identity, nationalism, and historical consciousness. He also did more to foster the South’s literary life and place in America’s imagination.

The Simms Initiatives, generously funded by the Watson-Brown Foundation and the University of South Carolina Libraries, offers full access to this prolific author’s work. That comes through both digital and Print-on-Demand editions. Our digital holdings represent three categories of works: Printed Materials, Scrapbooks, and Scholarship.

We strive to enhance the value of these materials and grow the study of Simms and …

The Gay Of The Land: Queer Ecology And The Literature Of The 1960s, Jill Elizabeth Anderson

Electronic Theses and Dissertations

In this dissertation I argue not only that queer ecology is a legitimate and important next step for ecocritics and queer theorists but also that its literary application does a great amount of good in exploring and dismantling the natural/unnatural binary and exposing the ecological impact of the choices humans make everyday. I take as my method a combination of queer and environmental theory and literary criticism, as well as the foundational queer ecocritical works and include important historical and political perspectives influencing the emergence of the environmental and gay and lesbian movements. Through this dissertation, I legitimize more recent …

Ourself Behind Ourself, Concealed: The Thematic Importance Of Doubling In Nineteenth And Early Twentieth-Century American Gothic Literature, Katharine Mclaren Todd

Electronic Theses and Dissertations

Without question, Gothic literature provides an impressively suitable venue for the expression of societal anxieties and frustrations, especially those concerning power, patriarchy, and the socially sanctioned roles of women (i.e. to be obediently passive wives and nurturing mothers) and men (i.e. to be representatives of strength, rationality, morality, and order). While it might seem as though supernatural entities or outside forces are often to be feared in Gothic literature, the most sinister force is usually that of the protagonist's unsettled mind. The shadowy haunted houses and often isolated, gloomy, and claustrophobic spaces in which terrorized protagonists are trapped frequently mirror …

Playing The Game: Violence And The Revolt Against Normative Masculinity In John Updike's Rabbit Run, Norman Mailer's An American Dream, And Phil Andros's $Tud, Ann Marie Schott

Electronic Theses and Dissertations

This thesis will examine two high-brow examples of Cold War literature by white male authors, Norman Mailer's An American Dream (1965) and John Updike's Rabbit, Run (1960), and examine them through the lens of the lesser-known gay pulp $tud (1966) by Phil Andros. Although $tud's gay hustler protagonist Phil seems to be a progressive, even transgressive example of an alternate masculinity, he is actually heavily invested in the binary strictures of normative masculinity and therefore works to uphold or reinforce normativity. $tud, therefore, is not about deviance from a masculine norm but rather a meditation on the ways that American …

Reforming Tastes: Taste As A Print Aesthetic In American Cookery Writing, Sarah Wurgler Walden

Electronic Theses and Dissertations

Many eighteenth-century philosophers such as Kant and Hume worked to develop discourses of taste as a means of standardizing cultural behaviors. Using physical taste as a metaphor for aesthetic perception and judgment, these writers could both define and abstract group boundaries. As American writers worked to distinguish their nation from their British forebears, many recognized the utility of taste-based discourse and worked to develop cultural tastes around shared principles of egalitarianism and democracy. Cookbooks and domestic writing soon engaged these discourses, as it was the task of women to cultivate a virtuous citizenry, and—through domestic print culture—to demonstrate the deleterious …

Southern Noir: Appropriations And Alterations Of A Twentieth-Century Form, Bob Hodges

Electronic Theses and Dissertations

Southern noir conjoins the two seemingly antithetical words in a telling fashion. The word noir conjures images of cheap films about detectives, criminals, and luckless men scurrying across a city at night with expressionistic shadows and light play, a foreboding sense of doom, and deadly seductive femmes fatales nipping at their heels. The understanding of noir as a symptom of urban modernity inextricably linked to cities and cinema stands in stark contrast to the traditional understanding of the south as rural, retrograde, and a repository for all the antiquated, “coercive forms of human society” in labor and social practices (Greeson …

Inside And Outside Southern Whiteness: Film Viewing, The Frame, And The Racing Of Space In Yoknapatawpha, Peter Lurie

English Faculty Publications

Though neither film nor film viewing is ever named in As I Lay Dying, both the apparatus of cinema and what we might term its sociohistorical effects are evoked powerfully by and in the novel. These include the passing before the reader’s “gaze” of the discrete, separate “frames” of the various characters’ monologues, as well as, in particular section, a fascination with watching machinery that resembled the interest of early film biewers in the cinematic apparatus (see Doane 108).

If Vardaman and his family are not explicitly depicted as film viewers, they nevertheless show signs of what has been …

Review: Sisters Red

Georgia Library Quarterly

Book review of "Sisters Red," by Jackson Pearce.

"Theah's Life Anywheres Theah's Booz And Jazz": Home To Harlem And Gingertown In The Context Of National Prohibition, Kathleen Morgan Drowne

English and Technical Communication Faculty Research & Creative Works

No abstract provided.

Writing The Northland: Jack London's And Robert W. Service's Imaginary Geography, Cara Erdheim

English Faculty Publications

Book review by Cara Erdheim.

Giehmann, Barbara Stefanie. Writing the Northland: Jack London's and Robert W. Service's Imaginary Geography. Würzburg, Germany: Könighausen & Neumann, 2011.

Sentimental Ideology, Women's Pedagogy, And American Indian Women's Writing: 1815-1921, Christine Cavalier

All Theses and Dissertations (ETDs)

ABSTRACT OF THE DISSERTATION Sentimental Ideology, Women's Pedagogy, and American Indian Women's Writing: 1815-1921 by Christine Renée Cavalier Washington University in St. Louis, 2011 Professor Vivian Pollak, Chairperson This dissertation examines how sentimental notions of respectable womanhood and refined education shaped the polished poetry and prose of four seminal female figures in the history of American Indian literature: Jane Johnston Schoolcraft: 1800-1842), the earliest American Indian female author recovered thus far; E. Pauline Johnson: 1861-1913), the most successful nineteenth-century Native writer who became Canada's iconic poetess and Native national symbol; S. Alice Callahan: 1868-1894), the first American Indian female novelist; …

Repugnant Aboriginality: Leanne Howe’S Shell Shaker And Indigenous Representation In The Age Of Multiculturalism, Monika Siebert

English Faculty Publications

Surprisingly for a novel evidently invested in representations of contemporary Choctaw traditionalism as a viable alternative to settler society, LeAnne Howe’s 2001 Shell Shaker gives unrelenting play to the gruesomeness, horror even, of the traditional rituals it depicts, at the risk of reinforcing stereotypes of Indian savagery. And yet, these depictions of the repugnant, that is, of ancient practices now prohibited by law or found reprehensible by a public sense of ethics, allow Howe to escape the integrative thrust of contemporary multiculturalism by pre-emptying identification through difference, an interpretive logic according to which we are all the same because we …

Principles Of Thomas Pynchon's Literary Realities, Ira Anthony Walker

Open Access Theses & Dissertations

Thomas Pynchon's literature is unique in subject and style. Postmodern by definition, Pynchon illustrates physics as a societal metaphor; Guy Debord's text The Society of the Spectacle suggests that these societal, literary, metaphors constitute and/or lead to a Spectacle. Through the analysis of an unpublished text: Minstrel Island, an early written short story: "Entropy," and a short novel: The Crying of Lot 49 the reader is capable of seeing a developing theme of physics as metaphor constituting multiple Spectacles. The narrative devices offered by Thomas Pynchon become Spectacular in nature and reflect the characteristics and environment of the tumultuous 1960s …