Architectural History and Criticism Commons^™

Innovation And Harmonization In Raphael's Stanza Della Segnatura, Nathan Cornelius

Library Research Prize Student Works

Raphael's paintings for the Stanza della Segnatura, Pope Julius II's personal library in the Vatican, are one of the great masterpieces of Renaissance art. My research project explored the rich meaning behind this innovative series of images, which project an expansive and holistic view of truth. I discovered that Raphael's message is relevant for Christians today who are trying to preserve a coherent view of truth in a complex, pluralistic culture.

In Memoriam: Kazimierz Macciej Piechotka (1919-2010), Samuel D. Gruber Dr.

Samuel D. Gruber Dr.

Remembering the life and work of Polish architect and architectural historian Kazimierz Maciej Piechotka who with his wife Maria reintroduced the world to the marvels of Polish wooden and masonry synagogues in a series of important books and articles beginning Boznice Drewniane (1957) published in English as Wooden Synagogues in 1959. Piechotka, who fought in the Warsaw uprising and spent eight months in a German prisoner of war camp, was also an accomplished architect.

Marcel Breuer And Postwar America, Marcel Breuer, Barry Bergdoll, Jonathan Massey

School of Architecture - All Scholarship

At the center of Slocum Hall, four stories below a large skylight, stands a big shaggy lens - a deep, fur-lined scoop framed by a broad rectangle eight feet high. Between stepped floor and slanted ceiling is a curved wall punctuated by a trapezoidal aperture through which you glimpse a purple-tinted fragment of face. Forehead and cheeks, a nose and two eyes: Marcel Breuer.

The lens, a pavilion encasing deep embrasures, marks an exhibition of material from the archive of this leading 20th century architect. It points you toward the adjacent gallery, where more than 120 drawings and photographs reproduced …

Marcel Breuer And Postwar America, Barry Bergdoll, Jonathan Massey

School of Architecture - All Scholarship

At the center of Slocum Hall, four stories below a large skylight, stands a big shaggy lens - a deep, fur-lined scoop framed by a broad rectangle eight feet high. Between stepped floor and slanted ceiling is a curved wall punctuated by a trapezoidal aperture through which you glimpse a purple-tinted fragment of face. Forehead and cheeks, a nose and two eyes: Marcel Breuer.

The lens, a pavilion encasing deep embrasures, marks an exhibition of material from the archive of this leading 20th century architect. It points you toward the adjacent gallery, where more than 120 drawings and photographs reproduced …

Presentation For Viva In Upm, Mina Kaboudarahangi

Mina Kaboudarahangi

No abstract provided.

Artículo Político Campaña Electoral 2011 B, Pablo Rosser

pablo rosser

No abstract provided.

Artículo Político Campaña Electoral 2011 C, Pablo Rosser

pablo rosser

No abstract provided.

Artículo Político Campaña Electoral 2011 E, Pablo Rosser

pablo rosser

No abstract provided.

Artículo Político Campaña Electoral 2011 D, Pablo Rosser

pablo rosser

No abstract provided.

San Roque Y Laderas Del Benacantil, Como Origen De La Población Urbana De Alicante., Pablo Rosser

pablo rosser

Tres artículos firmados por Pablo Rosser, J.A. Barrios y J. M. Galán sobre distintos aspectos de la historia de Alicante, y más concretamente del barrio de San Roque en el Casco Antiguo de Alicante. Destaca de nuestro artículo el hallazgo arqueológico reciente de un posible Oratorio tardoantiguo de tipo rupestre.

Rethinking The Dionysian Legacy In Medieval Architecture: East And West, Jelena Bogdanović

Jelena Bogdanović

Indeed, everyone who attempted to read the still controversial Corpus Areopagiticum either in the original Greek or in any translation, even if supplemented by abundant annotations, would have to acknowledge numerous interpretative questions these texts raise. Namely, the Corpus blends seemingly irreconcilable pagan and Christian thoughts. On the one hand, the Corpus stems from philosophical Neoplatonic writings attributed to Dionysius the Areopagite—an Athenian convert under Paul, the “first intellectual” Apostle who himself was concerned mostly with debatable questions about what it means to be Christian (Acts 17:16 34). other hand, the corpus includes numerous sixth-century and later theological Christian collations …

From The Port Of Mocha To The Eighteenth-Century Tomb Of Imam Al-Mahdi Muhammad In Al-Mawahib: Locating Architectural Icons And Migratory Craftsmen, Nancy Um

Art History Faculty Scholarship

This article introduces and analyzes the tomb of the Qāsimī Imām al-Mahdī Muhammad (r. 1686-1718) in the village of al-Mawāhib, northeast of Dhamār. Unlike many of the mosques and tombs associated with the other Zaydī imams of Yemen, al-Mahdī’s mausoleum has never been published, but merits close examination. While most historians consider his imamate to have been an era of both religious and political decline, this period was marked by increased cross-cultural interaction and artistic production. In particular, the tomb of al-Mahdī features unique decoration above its mihrāb and a remarkable wooden cenotaph. In order to explain the meaning and …

To See Daydreams: The Glass Utopia Of Paul Scheerbart And Bruno Taut, Ufuk Ersoy

Publications

In 1914, the passionate young architect Bruno Taut (1880-1938) and the bohemian poet Paul Scheerbart (1863-1915) drew a parallel between the two imaginative disciplines of building and narrative and committed themselves to a shared vision of Utopia. Both sought to represent an archetype of “glass architecture”; one by narrating, the other by building. Highly critical of existing architecture and social conditions, they were in search of an inspiring alternative, as were many of their more progressive contemporaries. Yet, what made Taut and Scheerbart’s shared approach more sophisticated than that of their contemporaries also left it open to criticism. In particular, …

"Introduction" To Conjuring The Real: The Role Of Architecture In Eighteenth- And Nineteenth-Century Fiction, Rumiko Handa, James Potter

Architecture Program: Faculty Scholarly and Creative Activity

Buildings give an immediate presence to the historical or fictional world, which otherwise is unknown or unfamiliar to the audience. The portrayal of a building’s concrete and specific substance makes the world come alive, although the building itself is a mere segment of the world that it represents. This book will trace the genealogy of this representational role of architecture, going back through the history of film and then further in literature, art, and theater, and identify its pedigree in the nineteenth century, where authors, artists, and stage managers used thorough depictions of buildings to effectively feed the audience’s historical …

Christian Worship, Kimberly Bowes

Departmental Papers (Classical Studies)

When in 313 the emperor Constantine declared his support for the Christian religion, he was taking a risk. An earlier generation of church scholars had supposed that in the three hundred years since the death of Christ, his followers had manage to expand to the point that Constantine's declaration of support was simply a recognition of the inevitable--Christian triumph by sheer force of numbers. Recent work suggests a more complex reality. Christianity was very slow to get going: by about 200, perhaps as many as 200000 Christians existed on the earth. Even by maximum estimates of expansion, Christian populations in …

Synagogues, Europe: Medieval To Eighteenth Century, Samuel D. Gruber Dr.

Samuel D. Gruber Dr.

No abstract provided.

Synagogues: Twentieth Century, Samuel D. Gruber Dr.

Samuel D. Gruber Dr.

No abstract provided.

Arnold W. Brunner And The New Classical Synagogue In America, Samuel D. Gruber Dr.

Samuel D. Gruber Dr.

Arnold W. Brunner (1857–1925), Albert Kahn (1869–1942), and other Jewish architects played an important role in reviving the classical style for American synagogue design at the turn of the twentieth century, putting their stamp on American Jewish identity and American architecture. The American-born Brunner was the preferred architect of New York’s Jewish establishment from the 1880s until his death. He adopted the classical style with his third New York synagogue, Congregation Shearith Israel, dedicated in 1897, and then championed the style in his extensive public writing about synagogue design. The classical style was subsequently widely accepted nationally by Reform congregations, …

Prints By Gabriel Huquier After Oppenord's Decorated Ripa, Jean-François Bédard

School of Architecture - All Scholarship

This article discusses the ways in which Gabriel Huquier altered the designs of other artists and printmakers to create new prints. In particular, Bédard examines Huquier's reproduction of a copy of Cesare Ripa's Iconologia. Huquier did not appropriate Oppenord's Ripa in its entirety or follow the original sequence of drawings. Instead he produced a series of prints that feature elements randomly chosen from it. Bédard argues that Oppenord and Huquier were both bricoleurs, but who had different objectives for their projects. While Oppenord attempted to interpret the text, Huquier was concerned with profit.

Situated Architecture In The Digital Age: Adaptation Of A Textile Mill In Holyoke, Massachusetts, Dorcas A. Brooks

Masters Theses 1911 - February 2014

The City of Holyoke, Massachusetts is one of many aging, industrial cities striving to revitalize its economy based on the promise of increased digital connectivity and clean energy resources. But how do you renovate 19th century mills to meet the demands of the information age? This architectural study explores the potential impact of sensing technologies and information networks on the definition and function of buildings in the 21st century. It explores the changes that have taken place in industrial architecture since 1850 and argues for an architecture that supports local relationships and environmental awareness. The author explores the industrial history …