Architectural History and Criticism Commons^™

Architecture Of Extraction: Imagining New Modes Of Inhabitation And Reclamation In The Mining Lifecyle, Erica Dewitt

Masters Theses

Mining is the primary method through which modern society obtains the minerals needed to fuel the global economy, provide for modern energy requirements, and support the built environment. Presently, mining accounts for nearly 1% of the global ice-free land surface, with a dramatic increase anticipated in the coming decades. Mining permanently changes and often destroys the pre-existing topography, hydrology, and ecology of the ground, and efforts to reclaim mining landscapes—with the aim of encouraging reforestation and soil replenishment—are often unsuccessful, rendering the land of abandoned mines both unusable and uninhabitable.

This thesis addresses the current state of mining in the …

Adaptive (Re)Purpose Of Industrial Heritage Buildings In Massachusetts A Modular Strategy For Building A Community, Riya D. Premani

Masters Theses

A significant portion of a building’s carbon emission comes from the materials used to construct it, primarily through fabrication and assembly. According to the World Green Building Council, this is called embodied carbon, and it makes up to 49% of the total emissions from global construction. Thus, new energy-efficient buildings can take from 10-80 years of time to offset just the carbon used in construction. Combined with such amounts of construction and demolition waste, new construction can be viewed as a wasteful or even destructive practice. Adaptive reuse presents a promising alternative method for creating new space, without the emissions …

Evaluating Placemaking Strategies In Old Cairo Public Squares, Moaz St. Plazas., Aya Tarek Ibrahem Aya Tarek

Future Engineering Journal

According to UN-Habitat (2015), “Public spaces are all places publicly owned or of public use, accessible and enjoyable by all for free and without profit motive” (p.1). The characteristics of public spaces mentioned in this definition, which are mainly public ownership of the place, enjoyability, and free accessibility by all, are pertinent to the uses of streets in general and pedestrian-friendly streets in specific.

Public space is more than well-designed physical places. It is an arena for social interaction and active citizenship that can spark social and economic development and drive environmental sustainability. The design, provision, and maintenance of well-connected …

Urban Memory Becomes An Idea In The Concept Of Spatial Planning (Study Case: Restoration Area Of Tambora District, West Jakarta), Riska Phillia, Antony Sihombing

Smart City

Urban heritage is a small part of the past of the city that holds the roots of the city's identity and culture, which are the city's identity. The strong identity of the historic area must be maintained, but this has a dilemma because of the need for change today. Therefore efforts are needed to create adaptive urban heritage areas. City spaces have a deep relationship with the people who inhabit them, with the most memorable or most memorable experiences and memories for them. This research contributes to exploring urban memory to develop conceptual spatial plans in restoration areas, using qualitative …

Taming The Brut: Education, Conservation And Advocacy, Ludmilla D. Pavlova-Gillham, Chandler Mccoy, Jean Carroon, Eric Corey Freed

UMassBRUT Community

Is Brutalism part of your architectural biography? Midcentury public concrete buildings are easy to dislike, are demolished at an increasing rate, and comprise hundreds of millions of GSF . Join a panel of experts to discover how the conservation and adaptation of these “Bruts” is a principal strategy for climate action. Explore innovative solutions for Brutalist building reuse and conservation as part of a carbon zero initiative, learn how to develop an effective marketing and advocacy campaign for historic preservation, and learn why such advocacy matters for a circular economy and for the next generation of architects in practice.

LEARNING …

Liberdade Para Quem? - Layered Histories, Vanessa Shimada

Masters Theses

Uncovering the spaces of Indigenous and Black stories, and creating spaces for dialogue in the Japanese neighborhood of Liberdade, São Paulo

The Design Of Consequences, Yuqi Tang

Masters Theses

Young professionals entering the architecture industry face an imminent and abrupt realization of the disparity between their academic training and the reality of what a career in practice entails.

The architectural industry has long been susceptible to criticism for unpaid internships and overtime. The issue stems from an ambiguity of architectural practice as neither a service or an outcome product, isolating the perception of our work from constructors, lawyers, doctors and even artists, and making it difficult for design labor to be commodified, or for the value of design labor to be asserted, consolidated and fiscalized1. This thesis aims to …

Tracing As Process, Lesley Su

Masters Theses

Tracing is a way to observe, document and translate, to be anchored in the physical working, to find personal occupancy in the built environment.

By establishing one-to-one relationships with the physical context, tracing enables us to comprehend objects in multiple dimensions. Through tracing, we can explore how two-dimensional drawings can be transformed into three-dimensional objects, and vice versa, objects can be documented through drawing to capture the essence of reality.

Based on materials and motion, research on tracing techniques guides me into how tracing could act as a process of art and architecture practice.

An Architect's Toolkit For Color Theory, Ella Knight

Masters Theses

There's a trend for American architects to wear all black, build all white models, and design buildings all in shades of gray and beige. One of many factors that contributes to an increasingly achromatic discipline is that in American architectural education, color theory is not a required aspect of the design curriculum. In response, this thesis proposes a toolkit for architects with the intent to shed light on biases against color within the discipline, educate designers on color theory and application, and provide tools and frameworks to encourage more intentional use of color throughout a contemporary design process. The toolkit …

Unpacked: Consumer Culture In Suburban Spaces, Jaime Dunlap

Masters Theses

The thesis critically analyzes the ways in which the sacredness of man-made goods and consumption culture have shaped the American home and the ways in which the single-family American home acts as both an architectural enforcer and container of consumer culture.

Consumption culture is the never-ending yearning to purchase our right of being in this world. The idea that, through the ownership of things, we feel connected to, equal to, and even above others. This can be examined not only through the relationships and constant acquisition of things but also through the relationships and acquisitions to the built environment.

There …

Illusion Of Consumption, Architectural Rebellion: Unraveling The Maze Of Consumption, Xinjie Xiang

Masters Theses

Consumerism was born in the industrial age, and has been criticized since that time, but it still exists and flourishes in new forms with the information age. Consumption affects values and life, spurring economic growth and causing ecological crises. Therefore, a critical discussion of consumerism must continue.

This thesis proposes a space within an existing mall that raises people's awareness to be vigilant against the control of consumerism by exposing how marketing packages goods and manipulates people's psychology to guide consumption. An ideal mall to host this program is the Changsha International Finance Square, a large mixed-use building in the …

Adding Subtraction: Wasting Time In Space, Daeun Kim

Masters Theses

Architecture is designed to increase our productivity – think of features like uniform workspaces, straight pathways, or purely functional rooms arranged to optimize tasks. When forced into constant productivity, we gain efficiency, but we end up exhausted and disconnected from one another. We need to design subtraction spaces in our workspaces and everyday life, spaces that accommodate the feelings and dreams of the occupant: spaces where we can wander, wonder, feel, connect, relax, restore, and reset. By challenging the perception that time just moves on and cannot be controlled, people can shift time: they can start, reverse, break, accumulate, prolong, …

Decolonial Perspective On Fashion And Sustainability, Haisum Basharat

Masters Theses

The fashion industry has long been criticized for its exploitative practices, cultural appropriation, and detrimental impact on the environment. To address these challenges, there is a growing need to adopt a decolonial approach that acknowledges the historical injustices perpetuated by colonial systems and centers the voices, practices, and traditions of marginalized communities. This abstract presents a model that integrates decolonial principles into the fashion industry while incorporating traditional textile practices to promote local autonomy, cultural sustainability, and mitigate climate change.

Landscape De/Re-Construction Through Art, Manuel Gonzalez

Masters Theses

Contemporary landscape architecture practice and education primarily focus on ecological and technical interventions. The climate crisis we find ourselves in demands scientifically informed decisions and well-engineered execution of projects, but, more importantly, creativity and innovation.

The fine arts, which were once integral and foundational to design, are today largely unappreciated and appropriated. The spiritual power of Art, Aesthetics, and Beauty, explored at length through art history and theory, are often viewed as indulgent or secondary to execution. The gap between Art & Design has widened. As a result, designers face challenges in fostering in individuals the kind of care and …

You're Making Me Sentimental, Chris Geng

Masters Theses

My project is a personal search for a different way to see the footprint we have left on the landscape. A way of seeing that finds potential in existing buildings without placing the building in the background, that instead engages sentiments in order to approach reuse as an act of layering that retains the memories of before. I went about uncovering the memories of a site through film photography, a process equally rooted in nostalgia and sentimentality. These images attempt to capture the beauty of melancholy and in turn, ask the architect and audience to slow down and contemplate as …

Water Relations, Understanding Our Relationship To Water: Through Research, Diagrams, And Glass, Tian Li

Masters Theses

As I observe the different ways human civilization interacts with water, I reflect on how I have interacted with it personally, in Califronia and Hawai’i. I also learn about the largest water-controlling infrastructure in China and its effects on the land and people. In Providence, I notice the infrastructure around the canal that keeps the water in. This relationship to water is unique to a post-colonial world where water is a commodity in which we spectate. What relationships did people have with water before we polluted the waters and created all this concrete infrastructure around it?

Through listening to Lorén …

We Have A (Home) - Co-Operative Homes For Sunset Park, Lisa Qiu

Masters Theses

The thesis believes that the speculative nature of land as property is at the root of the rising cost of quality living space. The combination of profit-driven market force and policies has produced inequality in the accessibility of property ownership.This reality is entangled with a culture that perceives exclusive rights and private ownership as superior to sharing for almost everything, especially the home.

This project believes affordable urban density can be achieved in a city like New York by pushing forward a sense of possibility and desirability in collaborative efforts to create and manage homes. These homes will not be …

The De-Centering Of Architecture, Uthman Olowa

Masters Theses

Housing insecurity is arguably the most pressing issue in our society. In the United States, home/land ownership has been the primary source to generate wealth. Yet, so many people are disproportionately affected and denied access due to this system. Historically, it has also been difficult for people of color to own their own property and receive adequate housing in viable neighborhoods. A person’s ability to obtain quality housing affects other areas of their lives; it affects their ability to attend school in a certain district, and their proximity to work, healthcare, and entertainment. Interventions from both the public and private …

Uncovering Emotional Contamination: Five Sites Of Trauma, Abigail Zola

Masters Theses

“Emotional contamination,” describes residual feelings associated with a space where a negative or tragic event occurred to an individual or group either personally, historically, or politically. Emotional contamination affects people’s associations with place and informs their willingness to spend time in them. This project considers a set of design principles rooted in uncovering and acknowledging the lifespan of a site, and considers how this acknowledgment can exist as an urban system rather than an individual architectural artifact. My thesis work analyzes five case studies in Berlin where political and economic factors determined the result of intervention, and how these sites …

Translational Placemaking: The Diasporic Archive, Alia Varawalla

Masters Theses

Globalization and mass migration has propelled a hybrid existence, as individuals that occupy multiple geographies we live in a constant state of translation. Our museums and cultural institutions are in opposition to this; static, preserved and de-contextualized. At the intersection of printmaking and architecture, this thesis proposes a living archive to document the collective migratory journey across sites, materials, and hybrid identities. A network of centers for knowledge sharing and production centered on India and its diaspora. As art practices and people migrate, cultural production evolves with its context, gaining new meaning as it changes hands generationally and globally.