Literature in English, British Isles Commons^™

Children As The Power Of Shakespeare, Samantha Rowley

Student Works

An dive into how children are used in Shakespeare’s plays and sonnets. While there has been some extensive research on numerous of Shakespeare’s minor characters, some of his other characters, the minors, have been focused on less. Because they fly under the radar, Shakespeare uses these “minor” characters in order to subtly manipulate his audience, using them as a source of pathos in much the same way adults use children to manipulate audiences while silencing the actual opinions of the children they claim to represent. However, though he may often use children for this effect due to their fragility, Shakespeare …

Marital Law In He Knew He Was Right, Suzanne Raitt

Suzanne Raitt

Bringing together leading and newly emerging scholars, The Routledge Research Companion to Anthony Trollope offers a comprehensive overview of Trollope scholarship and suggests new directions in Trollope studies. The first volume designed especially for advanced graduate students and scholars, the collection features essays on virtually every topic relevant to Trollope research, including the law, gender, politics, evolution, race, anti-Semitism, biography, philosophy, illustration, aging, sport, emigration, and the global and regional worlds.

"Contagious Ectasy": May Sinclair's War Journals, Suzanne Raitt

Suzanne Raitt

The Great War stimulated a sudden growth in the novel industry, and the trauma of the war continued to reverberate through much of the fiction published in the years that followed its inglorious end. The essays in this volume, by a number of leading critics in the field, considers some of the best-known, and some of the least-known, women writers on whose work the war left its shadow. Ranging from Virginia Woolf, Katherine Mansfield, and H.D. to Vernon Lee, Frances Bellerby, and Mary Butts, the contributors challenge current thinking about women's responses to the First World War and explore the …

Politicized Identity In Peter Ho Davies's The Welsh Girl And The Fortunes, Savanna S. Batson

English Department Theses

This thesis explores the effects of politicized identities on the basis of particular aspects of an individual’s being, such as gender, ethnicity, or nationality in Peter Ho Davies’s novels The Welsh Girl (2007) and The Fortunes (2016). By carefully studying each of his protagonists within the context of the particular time and place in which they have come of age, and are now living, this thesis demonstrates how Davies engages with themes of identity, community, and alienation relative to the specific socio-cultural matrix that informs the politicization of identities at their time. It explores how Davies’s characters undergo the process …

Beyond Marital Bliss: A Redemption Of Motherhood In Jane Austen, Destiny Cornelison

English MA Theses

Though the mother figures in Jane Austen’s novels are often written off as ridiculous or unlikeable, this thesis posits that the mothers of Pride and Prejudice, Sense and Sensibility, and Mansfield Park are written as they are in an intentional effort on Austen’s part to condemn the society that forced them into roles of ridiculousness or stinginess. Their inconsistencies highlight the unattainable standards placed on mothers by society as a whole and their eccentricities are the result of a lack of outlet for feminine energy. Character studies of the women of these novels illustrate that they are not …

The Divinity That Shapes Our Ends: Theological Conundrums And Religious Scepticism In Hamlet, Kyler Merrill

Student Works

This paper proposes that Shakespeare deliberately incorporated speculative theology into Hamlet to stimulate religious scepticism. It explores the troubling implications of the ghost’s behaviour, cinematic adaptations of the murder testimony, and the characters’ moral failings in the purportedly Catholic cosmos of Elsinore.

Gunslinger Roland From Yeats’S Towers Came(?): A Little-Studied Influence On Stephen King’S Dark Tower Series, Abigail L. Montgomery

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This essay has two major goals. Its general aim is to join the growing body of scholarship that takes Stephen King’s work seriously as literature in its own right and in conversation with other, traditionally canonical, works. This essay specifically does so by examining the apparent, though unreferenced, influence of William Butler Yeats’s poems “The Tower” and “The Black Tower” on King’s longest, strangest, most challenging and most self-referential work—the Dark Tower series. King references Yeats elsewhere in his fiction, and a rich, non-linear intertextuality connects the Dark Tower series to much of the rest of King’s work. Taking this …

On The Shoulders Of Humphrey Carpenter: Reconsidering Biographical Representation And Scholarly Perception Of Edith Tolkien, Nicole M. Duplessis

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

In his obituary for Carpenter, Douglas A. Anderson reviews Carpenter’s “long and complex” involvement with the subject of his 1977 authorized biography, indicating that “with [Carpenter’s] passing it is time to begin to assess his changing perspectives on Tolkien and on his own Tolkien-related work.” Since its publication, Carpenter’s biography of Tolkien, which Anderson calls “an excellent book. . . unusually accurate more than a quarter of a century after it was written, despite many advances in Tolkien scholarship” remains a largely unquestioned authority, its influence so entrenched as to be virtually invisible. As a result, scholarship on Tolkien, from …

Antichrist In The Shadows: Biblical Allusion In Richard Iii And Macbeth, Curtis J. Simpson

Electronic Thesis and Dissertation Repository

The tyrant kings in Shakespeare’s Richard III and Macbeth have been associated by scholars with pre-existing dramatic types such as the devil, the Vice, the Machiavel, as well as with biblical prototypes such as Saul, King Herod, and Judas. This thesis argues that Richard and Macbeth reflect all of these characteristics, but are best typified as figuras of the biblical Antichrist. The evidence, I argue, is situated in concrete biblical allusions diffused throughout the texts by Shakespeare, allusions that have been identified by scholars. I begin by identifying three primary signposts by which the figure of Antichrist was identified in …

Science, Poetry, And Defining Life In The Romantic Era: “Life! What Is Life?”, Michelle Trantham

Michelle Trantham

Binding Them All (2017), Ed. By Monika Kirner-Ludwig, Stephan Köser, And Sebastian Streitberger, Anna Smol

Journal of Tolkien Research

Book review by Anna Smol of Binding Them All (2017), ed. by Monika Kirner-Ludwig, Stephan Köser and Sebastian Streitberger

Raising Cain: Interrogating Monstrosity In Beowulf, Victoria Pan

Belmont University Research Symposium (BURS)

In this paper, I explore the implications of the narrator in Beowulfdescribing Grendel as the "son of Cain." I use this reference as it applies to Beowulf, Grendel, and Grendel's mother, to interrogate what exactly it means to be a monster, and who gets to place this designation on others. What I find is ultimately, there is no true system behind who is the monster and who is the hero: one is simply favored by society, accepted as part of their "normal," and one is not. By walking through a series of parallels between Beowulf and Grendel, who both inherit …

“Glossing” The Text: Gendered Biblical Interpretation In Chaucer’S Canterbury Tales, Karen Knudson

Scholar Week 2016 - present

Not available.

Subverting The Patriarchy And Its Ties To Feminism: Du Maurier And Her Adaptations, Samantha Koller

KUCC -- Kutztown University Composition Conference

This paper describes the common (mis)reading of Daphne Du Maurier's Rebecca as upholding Victorian patriarchal values and attempts to demonstrate that the novel is indeed feminist and acts as a critique and subversion of those patriarchal standards; it then examines the film and stage adaptations of Rebecca, demonstrating via comparison to the original medium that feminism has begun to affect other cultural interpretations and depictions of the narrator, Mrs. Danvers, and Rebecca herself.

“Boadicea Onstage Before 1800, A Theatrical And Colonial History.” Studies In English Literature 1500-1900 49.3 (Summer 2009): 595-614., Wendy Nielsen

Wendy Nielsen

This essay examines the theatrical legacy of Boadicea, the British warrior queen defeated by the Romans around 61 AD, in three plays: John Fletcher's "The Tragedy of Bonduca, or the British Heroine" and two unrelated dramas titled "Boadicea" by Charles Hopkins and Richard Glover. Performance histories attempt to explain why audiences respond to Boadicea with ambivalence. Each production underplays the defeated queen and gives starring roles to one or more of her daughters and a male lead, who contrast with Boadicea's supposed brutality and provide British audiences with lessons about ways to rule in an ostensibly civilized fashion.

“‘Hel-Heime!’: The Daring Love Between Men In Dome Karukoski’S Tolkien”, Christopher Vaccaro

Journal of Tolkien Research

This article briefly summarizes the homo-amorous connections between members of the T.C.B.S. in the Karukoski's film, Tolkien.

Interview Of Kevin J. Harty, Ph.D., Kevin J. Harty Ph.D., Meghan Skiles

All Oral Histories

Dr. Kevin J. Harty was born in Brooklyn, New York in 1948. He grew up in Brooklyn until his family moved to Chicago when he was about twelve years old. His father worked for the telephone company, which spurred the family’s move to Chicago, and his mother stayed home and cared for the family. Dr. Harty attended high school in the suburbs of Chicago, graduating when he was fifteen and a half years old. Between high school and college, he worked for a year in a department store, and briefly considered going into the fashion industry. He attended Marquette University …

The Shapes Of Early English Poetry: Style, Form, History, Eric Weiskott, Irina Dumitrescu

Studies in Medieval and Early Modern Culture

This volume contributes to the study of early English poetics. In these essays, several related approaches and fields of study radiate outward from poetics, including stylistics, literary history, word studies, gender studies, metrics, and textual criticism. By combining and redirecting these traditional scholarly methods, as well as exploring newer ones such as object-oriented ontology and sound studies, these essays demonstrate how poetry responds to its intellectual, literary, and material contexts. The contributors propose to connect the small (syllables, words, and phrases) to the large (histories, emotions, faiths, secrets). In doing so, they attempt to work magic on the texts they …

Milton, Jerome, And Apocalyptic Virginity, Brooke Conti

English Faculty Publications

Milton’s youthful interest in virginity is usually regarded as a private eccentricity abandoned on his maturation. His “Mask” is often read, analogously, as charting the Lady’s movement from temporary virginity to wedded chastity. This essay challenges those claims, arguing that Milton’s understanding of virginity’s poetic and apocalyptic powers comes from Saint Jerome, whose ideas he struggles with throughout his career. Reading “A Mask” alongside Jerome suggests that Milton endorses the apocalyptic potential of virginity without necessarily assigning those powers to the Lady herself. In later works, Milton modifies and adapts Jerome before finally producing the perfect eremitic hero of “Paradise …

Englands Happie Queene: Female Rulers In Early English History, Emily Benes

Honors Theses

This paper examines the historical records and later literature surrounding three early mythic and historical British queens: Albina, mythic founder of Albion; Cordelia, pre-Roman queen regnant in British legend; and Boudica, the British leader of a first-century CE rebellion against the Romans. My work focuses on who these queens were, what powers they were given, and the mythos around them. I examine when they appear in the historical record and when their stories are expanded upon, and how those stories were influenced by the political culture of England through the early seventeenth century. In particular, I examine English attitudes toward …