The Return Of Logos: Language And Meaning In Hamlet,
2010
Winthrop University Rock Hill, South Car olina
The Return Of Logos: Language And Meaning In Hamlet, James Funk
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Back Matter,
2010
University of South Carolina Aiken
Back Matter, Tom Mack, Ph.D.
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 12 Fall 2010,
2010
University of South Carolina
The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 12 Fall 2010
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Parallel Lives And Literary Legacies: Crusoe's Elder Brother And Defoe's Cavalier,
2010
Queens College
Parallel Lives And Literary Legacies: Crusoe's Elder Brother And Defoe's Cavalier, Andrea Walkden
Publications and Research
No abstract provided.
Dreadful Sorry: Spots Of Passion And The Memory Of Being Human In Kaufman’S “Eternal Sunshine Of The Spotless Mind” And Pope’S ‘Eloisa To Abelard’,
2010
Sacred Heart University
Dreadful Sorry: Spots Of Passion And The Memory Of Being Human In Kaufman’S “Eternal Sunshine Of The Spotless Mind” And Pope’S ‘Eloisa To Abelard’, June-Ann Greeley
Philosophy, Theology and Religious Studies Faculty Publications
Memory is a journey of infinite possibility, a continuous passage through time and sense that offers each person an opportunity not merely to recall and to reflect on former occasions and previous experiences, but to reconsider and to reexamine the past as a guide, as instruction, for healthy individuation. Memory, then, can be understood to be the aggregate of experiential and emotional recollection that frames the essential ground in forming and realizing individual identity. Both Alexander Pope in his poem “Eloisa to Abelard” and Michel Gondry/Charlie Kaufman in the film “Eternal Sunshine of the Spotless Mind” offer portraits of individuals …
Your Change Is Still Behind: Futurity In Early Modern Literature,
2010
Loyola University Chicago
Your Change Is Still Behind: Futurity In Early Modern Literature, Tripthi Pillai
Dissertations
A study of Renaissance literature's engagement with temporality, my project is a critical evaluation of the concept of early modern futurity, of which I propose three categories: "Material futurity"; "Biological futurity"; and "Political futurity." In the moments that I identify in texts composed during the Tudor and early Stuart reigns in England, I demonstrate that the future--as an idea--structures individuals' actions and ruptures social formations. Futurity, which I define as a play of multiple desires that exist simultaneously within our present beings, is a volatile agent of imagination in early modern literature. Futurity collides with the cultural sites of memory …
The Power Of Pain Gender, Sadism, And Masochism In The Works Of Wilkie Collins,
2010
Bridgewater State University
The Power Of Pain Gender, Sadism, And Masochism In The Works Of Wilkie Collins, Helen Doyle
Undergraduate Review
In his novels No Name (1862) and Armadale (1866), Wilkie Collins explores the social role of women in Victorian England, a patriarchal society that forced women either to submit to the control of a man or rebel at the expense of their own health and sanity. Even though some of his characters eventually marry, thus conforming to social expectations for women, I argue that his portrayal of female characters was subversive. In quests for control over their own lives, Magdalen Vanstone and Lydia Gwilt turn to masochism and sadism, practices which eventually lead to identity loss and self-destruction. Collins suggests …
A Screen Of One's Own The Tpec And Feminist Technological Textuality In The 21st Century,
2010
University of Central Florida
A Screen Of One's Own The Tpec And Feminist Technological Textuality In The 21st Century, Amy J. Barnickel
Electronic Theses and Dissertations
In this dissertation, I analyze the 20th century text, A Room of One's Own, by Virginia Woolf (2005), and I engage with Woolf's concept of a woman's need for a room of her own in which she can be free to think for herself, study, write, or pursue other interests away from the oppression of patriarchal societal expectations and demands. Through library-based research, I identify four screens in Woolf's work through which she viewed and critiqued culture, and I use these screens to reconceptualize "a room of one's own" in 21st Century terms. I determine that the new "room" is …
Mirren's Autobiography: The Life And Poetry Of Marion Bernstein (1846-1906),
2010
Rollins College
Mirren's Autobiography: The Life And Poetry Of Marion Bernstein (1846-1906), Edward Cohen, Linda Fleming
Faculty Publications
No abstract provided.
That Glorious Fire It Kindled: Extremes Of (Un)Righteous Sexuality In Books I And Iii Of Spenser's Faerie Queene,
2010
Andrews University
That Glorious Fire It Kindled: Extremes Of (Un)Righteous Sexuality In Books I And Iii Of Spenser's Faerie Queene, S. Erin Mclean
Honors Theses
Edmund Spenser's epic romance, The Faerie Queene (1590, 1596), claims to glorify Queen Elizabeth I, but the author hides an underlying critique of the queen throughout the poem. At the same time that Spenser openly praises the English monarch, he also reveals the faults and contradictions present in her image through how he presents the main characters in the story. In Faerie Queene, Spenser establishes a sexuality spectrum that features the lechery of Redcrosse Knight and the hypersensitive purity of Britomart; this demonstrates the various extremes of immoral sexuality. Studying both these characters reveals that the success of each knight's …
Tragic Pleasure In Shakespeare's King Lear And Othello,
2010
Claremont McKenna College
Tragic Pleasure In Shakespeare's King Lear And Othello, Luella Fu
CMC Senior Theses
This thesis is an examination of reader or audience response to Shakespeare’s tragedies. Primarily, it identifies key pleasures that Shakespeare’s King Lear and Othello offer. The complementary nature of these two plays is such that the analysis of their various pleasures allows for an in-depth treatment of the topic and also reflects the diversity of emotional response elicited by Shakespeare’s tragedies. The kinds of pleasure addressed in this study are catharsis as explained by Aristotle, the delight of violent passion as advocated by DuBos, pleasure from details in the work, satisfaction from the coherence of the tragedy, and pleasure in …
Interpretations Of Medievalism In The 19th Century: Keats, Tennyson And The Pre-Raphaelites,
2010
Claremont McKenna College
Interpretations Of Medievalism In The 19th Century: Keats, Tennyson And The Pre-Raphaelites, Shannon K. Wilsey
CMC Senior Theses
This thesis describes how different 19th century poets and artists depicted elements of the medieval in their artwork as a means to contradict the rapid progress and metropolitan build-up of the Industrial Revolution. The poets discussed are John Keats and Alfred, Lord Tennyson; the painters include William Holman Hunt and John William Waterhouse. Examples of the poems and corresponding Pre-Raphaelite depictions include The Eve of Saint Agnes, La Belle Dame Sans Merci and The Lady of Shalott.
Beckett's "Happy Days": Rewinding And Revolving Histories,
2010
East Tennessee State University
Beckett's "Happy Days": Rewinding And Revolving Histories, Katherine Weiss
ETSU Faculty Works
Excerpt: Beckett is keenly interested in ways individuals unsuccesfully atempt to disown their past. His explorations into this reflect his awareness of being a survivor of the Second World War.
Review In Studies In Medieval And Renaissance Teaching Of "Ents, Elves And Eriador: The Environmental Vision Of J.R.R. Tolkien",
2010
Bucknell University
Review In Studies In Medieval And Renaissance Teaching Of "Ents, Elves And Eriador: The Environmental Vision Of J.R.R. Tolkien", Paul Siewers
Other Faculty Research and Publications
A review of a book-length ecocritical study of J.R.R. Tolkien's fantasy writing.
Contrast And Didacticism In The Novels Of Jane Austen,
2010
Edith Cowan University
Contrast And Didacticism In The Novels Of Jane Austen, Brittany Morgan Woodhams
Theses : Honours
The first aim of this thesis is to explore Jane Austen's use of contrast in terms of characterisation. The second is to look at how contrast becomes a tool of didacticism, both for the characters within the novels and for readers of the novels. This study encompasses Austen's six completed novels and traces the development of the techniques she used to evoke contrast. Austen used contrast in a variety of ways. Primarily it was used to construct and illuminate characters, but Austen also used it to introduce characters into the narrative, to compare two or more characters, and to structure …
Repressive Bodies, Transgressive Bodies : Dracula And The Feminine,
2010
Edith Cowan University
Repressive Bodies, Transgressive Bodies : Dracula And The Feminine, Sharon Kostopoulos
Theses : Honours
Dracula has long been associated with the repressive qualities of Victorian society and the oppression of the emerging New Woman. However, taking into account that the novel is part of the gothic genre, a genre which endeavours to infringe the social boundaries in any given era, this thesis will demonstrate an equally visible and potent transgressive feminine element playing out in Dracula. Using Michel Foucault's idea of discourse to show how subjects are generated, the novel can be seen as facilitating both productive and repressive ideas of femininity. Power, as it operates through discourse, tends to produce its own resistance, …
The Ethic Of High Expectations,
2010
University of Pennsylvania Carey Law School
The Ethic Of High Expectations, Jean Galbraith
All Faculty Scholarship
No abstract provided.
Seminar Leader, "Marlowe And Shakespeare," Shakespeare Association Of America,
2009
Indiana University - Purdue University Fort Wayne
Seminar Leader, "Marlowe And Shakespeare," Shakespeare Association Of America, M. Stapleton
M. L. Stapleton
No abstract provided.
The Historiography Of The Dragon: Heraldic Violence In The Alliterative Morte Arthure,
2009
University of Massachusetts Boston
The Historiography Of The Dragon: Heraldic Violence In The Alliterative Morte Arthure, Alex Mueller
Alex Mueller
No abstract provided.
The Death Of Elizabeth I: Remembering And Reconstructing The Virgin,
2009
University of New Orleans
The Death Of Elizabeth I: Remembering And Reconstructing The Virgin, Catherine Loomis
Catherine A. Loomis
The death of Queen Elizabeth I in 1603 was greeted by an outpouring of official proclamations, gossip-filled letters, tense diary entries, diplomatic dispatches, and somber sermons. English poets wrote hundreds of elegies to Elizabeth, and playwrights began bringing her onto the stage. This book uses these historical and literary sources, including a maid of honor’s eyewitness account of the explosion of the Queen’s corpse, to provide a detailed history of Elizabeth’s final illness and death, and to show Elizabeth’s subjects—peers and poets, bishops and beggars, women and men—responding to their loss by remembering and reconstructing their Queen.
