Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons^™

The Everyday Monument: Architectural And Spatial Transformations Of Rome's Nasoni, 1874–Present, Sandra L. Santos

McNair Summer Research Program

Rome's nasoni are small public drinking fountains that have provided free water throughout the city since 1874. There are approximately 2,500–2,800 nasoni in Rome, actively supplying people with free drinking water. Although they are usually understood as ordinary and mundane hydraulic infrastructure, their persistence across different political periods makes them useful objects for examining the relationship between architecture, public service, and political meaning. This research asks how the forms, materials, and spatial contexts of late-nineteenth-century nasoni differed from fountains constructed or modified during the Fascist era.

Over my three weeks of fieldwork in Rome, I documented seventy-five public drinking fountains …

Egyptian Suite: Compositional Reflections, Jeremy Fisher Jacobus

Master's Theses

Egyptian Suite is an original composition for concert wind ensemble that takes example and inspiration from what others believe was Ancient Egyptian music, with some of today’s examples of Egyptian music. This work is divided into four movements: The Nile, The Pharaoh’s Festival, The Pyramids, The Grand Coronation, with each movement representing personal interpretation of each idea with the instrumentation, and the changes in texture, color and rhythm. With each movement of the Egyptian suite, I evaluated instruments being used as additional colors and textures, used more non-conventional key signatures modulations and time signature changes, and utilized a diverse and …

Visual Structure, Cultural Memory, And Viewership In Early Medieval Irish High Crosses, Trinity Smith

Theses

This thesis examines how Irish high crosses functioned as structured visual forms through which religious authority and cultural memory were communicated within early medieval Ireland. Previous scholarship has emphasized the theological coherence of these monuments, often assuming a single idealized viewer. This study reconsiders Irish high crosses through the concept of multiple viewership by examining how different audiences may have encountered and understood these monuments. Using comparative visual and contextual analysis, this study examines four case studies: the Cross of the Scriptures at Clonmacnoise, Muiredach’s Cross at Monasterboice, the High Cross of Durrow, and the Market Cross at Kells. This …

Seeing Power: Authority, Gender, And Spectatorship In Charles I And Henrietta Marie With Their Two Eldest Children, Prince Charles And Princess Mary (1632), Danielle Scaramuzzi

Theses

The visual construction, enactment, and legitimization of political authority is the subject of this thesis concerning Charles I and Henrietta Maria with their two eldest children, Prince Charles and Princess Mary (1632), painted by Anthony Van Dyck. Through examination of sovereign representation, gendered body, dynastic continuity, and spectators, this research argues that authority within Northern Baroque portraiture is not established as a single or unchanging entity. However, instead of a monolithic representation of authority, it arises from relational elements, including body language, gesture, space, family relations, and viewer engagement. Although Van Dyck's portrait is generally considered a dynastic image in …

The Image Falls Apart, Alexa N. Curran

Masters Theses

The Image Falls Apart is a phenomenological account of my collision with Rogier van der Weyden’s The Descent from the Cross (ca. 1435). In an ever-expanding landscape of visual stimuli, how do we make sense of images that are an encounter with the sacred? Of what use to a modern viewer is an altarpiece of the late medieval period that, in its miraculous rendering of each of its human figures, reflects the impending iconophobia of the Protestant Reformation? And what does falling have to do with it? With careful attention to the assembly of bodies in space, this multidisciplinary project, …

Hammurabi’S Laws: Ancient Traditions Of Violence, Aaron Secrist

The Confluence

The tradition of enforcing private property through violence is truly ancient, and goes back thousands of years to the first civilizations. There exists a prevailing attitude that contemporary culture is more “civilized” than the first organized societies – and while it’s true in some ways, our laws are still remarkably similar to those practiced in antiquity. In the following essay, I analyze the Law Code of Hammurabi and examine its parallels to the way laws function today. First, I will provide context for the technological advances that made the first city-states possible, then give a cultural and economic overview of …

Architecture As Political Symbolism: Power, Authority, & The Built Form, Naomi Minwalla

Senior Honors Projects, 2020-current

This study examines how architecture functions as a medium of political symbolism, exploring the ways in which built environments communicate authority, ideology, and collective identity. Drawing on theoretical perspectives from Émile Durkheim, Max Weber, and Murray Edelman, the research first establishes how political symbols shape social cohesion, legitimize authority, and construct political meaning. The study then applies architectural interpretation frameworks developed by Martin Warnke, Erwin Panofsky, and Alois Riegl to analyze how symbolic meaning is embedded within architectural form, spatial organization, and ornamentation.

Using a qualitative comparative case study design, the research analyzes two major religious structures: the Seville Cathedral …

Clue In The Roman Style House: A Twist On The Classic Board Game Featuring A Fusion Of Ancient And Modern Roman Influences, Madelyn Junk

Honors Projects

Throughout time, games have been used to convey how society functions. They hint at societal structure, behavioral patterns, and roles of community members. Specifically, board games are excellent ways to teach players about attention to detail and how to synthesize information.

This unique and functional honors project finds its strength as a detail-oriented game that stresses the importance of critical thinking and deduction as it further rewards those skills through play and friendly competition. It combines art history, education, and graphic design disciplines to result in a creative output alongside a research paper. Its final product is a playable game …

A Methodological Dismantling: Manet's Olympia And The Rupture Of The Western Reclining Nude, Abigail Charlotte Van Hoak

Student Scholar Symposium Abstracts and Posters

The question is whether Édouard Manet was shaped by his era or doing the shaping, and Olympia answers it. It was not an accident but a methodical dismantling of a centuries-old tradition, and by refusing to look away from modern life he forced everyone else to reckon with it too. The reclining nude has never recovered. For centuries, artists from Titian to Ingres constructed a genre around idealized bodies, mythological distance, and an uncontested male gaze that rendered real women into timeless passive objects. Manet inherited that tradition and refused to perpetuate it. Through the theoretical frameworks of Berger and …

Catacombs In Context: Exploring Roman Architectural Influence In The Catacombs Of Rabat, Malta, Emily S.R Hodson

Classical Mediterranean and Middle East Honors Projects

Previously, scholarship on the Mediterranean catacombs has focused on isolated sites or on the religious significance and iconography of regional groups. By contextualizing the archaeological data through comparison and recentering the discussion on architecture, this research offers a contextualized, non-apologetic picture of ancient Mediterranean catacombs. This architectural comparison between the Roman catacombs and those of St. Paul and Abbatija Tad-Dejr in Malta reveals both significant architectural change and the persistence of archaic features, suggesting a high degree of cultural continuity under Roman provincial governance on Malta (218 BCE - c. 5th - 6th centuries CE). This, paired with the emergence …

Tarot - Reimagined: Monotype Tarot Landscapes, Eleanor B. Nelson

Theses/Capstones/Creative Projects

Printmaking is a form of artmaking that utilizes transferring marks from the matrix to the final piece of paper, often through a press. These processes are able to create an edition of multiple identical prints. This is typically considered the highlight of using print processes; however, the process of making monotypes allows for one original piece. Through the process of researching and creating watercolor monotypes, I made a collection of ten original pieces, all depicting different landscapes throughout the Tarot deck. Each piece is 9” x 12” printed on a 13” x 17” piece of paper and created with watercolor, …

Beauty Over Perfection: The Idealization Of Drapery In Classical Greek Sculpture And The Stylistic Reinvention Of Roman “Copies”, Lauren M. Grover

Theses and Dissertations

This thesis explores Margarete Bieber’s claim that the drapery of Greek sculpture accurately reflects ancient garments. I introduce a method of tracing drapery to capture the garment pattern of sculpted drapery and argue that the drapery of Greek originals and Roman “copies” is an idealized representation of ancient dress.

A Special Place In Hell: The Iconography Of Judgment In Twelfth-Century Sculpture And Manuscript Illumination, Nina Piper

Theses and Dissertations

While art historians have focused on the meaning of individual scenes of the Last Judgment and collections of “monstrous” images, this thesis considers images of Hell and its inhabitants as a single subject. It investigates the space of Hell itself and the beings most closely associated with it—whether or not they are depicted within the space of Hell—to identify iconographical consistencies across those images. In addition, this thesis draws upon material evidence from the medieval world to interpret images of Hell, the Devil, demons, and the damned in new ways, identifying connections between the imagery and what artists and other …

Carved In Grief, Crafted In Power: The Alabaster Mourner Of Fernando De Antequera And Late-Medieval Royal Propaganda, Teresa D. Kinley

Theses and Dissertations

This thesis examines the alabaster mourning sculptures from the tomb of King Fernando I de Aragón at the Monastery of Santa María de Poblet.  Through formal analysis, material culture, and political theology, I argue that the ensemble functioned as a coordinated instrument of dynastic legitimacy, translating ritual grief into a durable technology of royal memory.

Landscaping The Exotic And The Ancient Through Picturesque: Reconsidering The Impact Of David Roberts’S Egypt And Nubia, Sophie Cooke

Theses and Dissertations

This thesis considers David Roberts’s use of picturesque art for imperial Britain and analyzes the ways Egypt and Nubia played an influential role in the cultural transmission of ancient Egypt. By confronting both antiquity and modernity, his Egyptian landscapes are evidence of how Western picturesque artworks influence historical narratives.

Isabel I Of Castile And Her Portapaz: A Queenly Expression Of Sovereignty, Legacy, And Piety, Alina Cui

Theses and Dissertations

What is a pax, and why does it matter to a queen? I argue that in the Portapaz Gótico at the Royal Chapel of Granada, Queen Isabel I of Castile drew from Rogier van der Weyden’s Miraflores Altarpiece to craft a new iconography, reflecting her unique political and devotional interests.

Regional And Temporal Variation In The Function Of The Castles Of The Norman Conquest, Leah A. Perdue

Departmental Honors & Graduate Capstone Projects

Following the Norman Conquest in 1066, a castle-building project of unprecedented scale transformed the landscape of England. This paper investigates how these structures supported the establishment of Norman rule over England, and how their role changed over time. Through examining case studies, the paper concludes that in the early years following the Conquest castles were primarily used in military operations, but in the following decades became essential administrative sites and seats of local government, as well as symbols of Norman power. The paper also concludes that castles on the border with Wales have a more complicated history, fluctuating in function …

The Digital Museum: Classical Reception In Animal Crossing New Horizons, Anna G. Kendall

Create@State

My project examines how Animal Crossing: New Horizons brings the ancient body into a modern, digital world through its recreations of classical Greek sculptures. In the game, players can collect, study, and display famous works such as the Venus de Milo, Discobolus, and Nike of Samothrace in a virtual museum. These sculptures reveal how the Greeks represented beauty, strength, and divine movement through the human form. By interacting with them in-game, players connect with these ancient ideas of the body in a new way. The game’s system of real and fake artworks also teaches players to look closely and …

From The Pit, Joshua C. Goering

School of Art, Art History, and Design: Theses and Student Creative Work

Clay retains histories; the memory of each action it experiences is depicted on its surface and in its form.  I am a potter focused on making objects that capture these moments. Pinching, scraping, trimming, throwing, and carving expose tooth and excavate form, revealing the qualities of the material and showing the marks of handwork. As a potter, I am interested in participating in a history of vessel making and understanding making through an interpretation of the historic object. The work acts as an archive, accumulating information about process, materials, and a greater context of elder objects. Integrating these vocabularies creates …

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