Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons^™

Hieronymus Bosch’S Dismantled Triptych As A Moralizing Guide For Reforming The Catholic Church, Heather Thurston

Institute for the Humanities Theses

This thesis expands on the current interpretation of a dismantled triptych by the Dutch painter Hieronymus Bosch, which includes four extant panels: Ship of Fools, Allegory of Intemperance, Death and the Miser, and The Wayfarer. Current scholarship claims that the paintings warn viewers against various sins. This thesis argues that the triptych was specifically directed toward the Catholic Church and functions as a commentary on the potential consequences of their sins. This new reading will become clear by examining and connecting its unorthodox iconography to the tumultuous religious climate at the turn of the sixteenth century …

Deconstructing Ancient Allegories: Eleanor Antin’S 'Historical Takes' On Subverting Classical Motifs And Typologies, Lainey Tomasoski

Undergraduate Theses in Art History

The New York-born artist Eleanor Antin erupted into the male-dominated American conceptual photography art scene in the 1960s and 70s with feminist works that reimagined the female body in terms of representation and history. In congruence with the feminist and civil rights movements, conceptual photography represented a shift in how art was utilized to criticize the social and political institutions in which it is rooted. Antin and other feminist artists engaging in conceptual photography and video played with the embodiment of characters, performance of the body, and an intrinsic “self-reflexivity” of subject, viewer, and artist. However, Antin pivoted her work …

Uncovering Artemisia: Turning Rage Into Fame, Sophie Longo

Undergraduate Theses in Art History

During the fifteenth through seventeenth centuries in Italy - more commonly known as the Italian Renaissance and early Baroque periods - masters like Titian, Leonardo da Vinci, Michelangelo, and Caravaggio made a name for themselves and secured legacies through the widespread popularity and study of their masterpieces. As time progressed, however, more artworks have been found, and more histories, especially by women Baroque artists, have been explored. With the rise of women’s rights movements and social justice campaigns from the mid-20th century on, stories of female artists and figures have further emerged from the woodwork and hold greater precedence in …

For The Birds, Charlotte L. Middleton

School of Art, Art History, and Design: Theses and Student Creative Work

For the Birds is a homogenous material exhibition of porcelain pottery that explores the relationships between, expectations of, and roles placed upon women and pottery. Using traditional craft processes, still life imagery, and the language and limits of porcelain, I create arrangements that expose the viewers assumptions of both subjects. Pottery- pitchers, cups, and vases—is a product of anthropocentrism and anthropomorphism and can be entirely taken for granted- their role is assumed and unquestionable—to serve. The language and expectations of these objects are the medium I build with.

The title of the show, For the Birds, is both a …

Under The Veil: Women's Head Coverings In Tudor England, Savannah Toth

Honors Program: Senior Projects (Public)

This thesis seeks to discover and analyze the agency and meaning of the role of women’s head coverings and veils within the context of Tudor Christianity, society, and the fashion world of English culture. By observing the usage of the veil through various lenses, this thesis examines the nuance of the veil as an object and actor in Tudor society that enables yet prohibits personal choice for women. This research uses various sources such as Tudor paintings and portraits, surviving pieces of garments, and written accounts to paint a picture of the impact and significance the veil had in every …

Mathematics In The Vichten Roman Mosaic, Marko Peric, Antonella Perucca

Journal of Humanistic Mathematics

We explore the geometry of the renowned Vichten Roman Mosaic. The central section of the mosaic features a tessellation composed of octagons, half-squares, and symmetrical pentagons. We present a Sangaku-style exercise to investigate these polygons. Additionally, we examine the whirl patterns of the mosaic and the optical illusion they create. Our activities offer a mathematical exploration that requires only basic school-level mathematics, highlighting the close connection between mathematics and art.

The Principles Of Islamic Moral Philosophy And The Possibility Of Re-Conceptualizing Classical Islamic Aesthetics Of Architecture, Muhammad Feteha

Theses and Dissertations

This study is primarily concerned with the intersection of the moral and aesthetic theories of Abū Ḥāmid al-Ghazālī (d. 1111). Al-Ghazālī’s theory of aesthetics has been the subject of thorough scholarly investigations and diverse interpretations in the field of Islamic art history since the 1940s. This thesis critiques the premises upon which the use of al-Ghazālī’s writings in studies of Islamic art and architecture were built. It suggests that they lead to what could be described as “the contradiction of unethical beauty.” To overcome this contradiction, it offers a comprehensive interpretation of al-Ghazālī’s aesthetics through analyzing the concept ḥusn in …

Juan Sánchez Cotán’S Still Lifes And Artistic Ingenio In Early Modern Toledo, Carmen Ripollés

Schnitzer School of Art + Art History + Design Faculty Publications and Presentations

This essay brings new light on the creation and early reception of the still lifes of the Toledan painter Juan Sánchez Cotán. It focuses on Cotán’s friendship with and professional relationship to the metalworker Diego de Valdivieso and the manuscript illuminator Juan de Salazar, both of whom are recorded as being among the first owners of his still lifes. An analysis of these artists’ works vis-j-vis Cotán’s still lifes reveals similar technical and conceptual concerns, as well as a shared will to elevate their crafts to demonstrate ingenio. This analysis therefore places Cotán’s still lifes in the context of artistic …

Resurrection In The Regensburg Pendant: Materials And Iconography, Devotional Object As Sacred Jewelry, Margarita Benacerraf

Theses and Dissertations

The Regensburg butterfly (1310-1320), an exquisitely crafted reliquary pendant, was found in the head of a fourteenth-century crucifix in 1991. The locket’s butterfly shape—and the ways in which the butterfly serves as a metaphor for Christ’s redemption—remains a fascinating window into late medieval Christianity and devotional practices in the medieval world.

For Now We See Through A Darkened Mirror, But Then Face To Face: Striving To See Christ ‘Beneath The Veil’ In A Fourteenth-Century French Book Of Hours, Daniel S. Berman

Theses and Dissertations

M.90’s folio 130r evoked spiritual union with God in the Eucharist and in Heaven, and the concomitant need for repentance if divine union in any form could be achieved. It was also an authoritative relic of Christ’s body which helped the worshiper imaginatively reconstruct that body in their own space.

Locating The Archangel Saint Michael In Michelangelo Buonarroti’S The Creation Of Adam, Ana Vega

Art and Art History

This thesis asserts that Michelangelo's The Creation of Adam contains an unrecognized interpretation of the Archangel Saint Michael, thereby enriching Leo Steinberg's foundational analysis of the fresco's theological intricacies. Building on Steinberg's identification of the "glider" figure as a possible visual allusion to Michael, this study contends that Michelangelo intentionally integrated the archangel to symbolize themes of divine protection, judgment, and cosmic justice. Employing a multidisciplinary approach, the thesis draws from a range of biblical and apocryphal texts, including Revelation and The Assumptions of Moses, to illustrate that Saint Michael's traditional roles, as the protector of paradise, defender of the …

Pins, Pendants, Banners, And Badges: The Supply And Demand Of Multifunctional Objects At Pilgrimage Sites, Hanneke Van Asperen

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Introduction To The “Mappings” Issue, Asa Mittman, Dan Terkla

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Cartography Between Ptolemaic Accuracy And Scope For Communication: The ‘Genoese World Map’ Dated 1457, Gerda Brunnlechner

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Pilgrimage And Play: The Intersection Of Pilgrimage Objects And Toys In Later Medieval London, Eliot Benbow

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Book Review: The Trees Of The Cross: Wood As Subject And Medium In The Art Of Late Medieval Germany By Gregory Bryda, Abigail Berry

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Miniature Sword Badges: Towards A Reclassification, Jennifer Lee

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

The Advent Of The Astrolabe In St. Gallen And Notker Teutonicus’ Cosmographic Globe (C. 1015), Jost Schmid-Lanter

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Mapping The Conquest In The Bayeux Embroidery, Rachel Dressler

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

The Dunwich Camel: An Early Tudor Badge From Suffolk, Matthew J. Champion

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.