Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons^™

For They Shall Inherit The Earth: Humility And The Constructed Etruscan And Carolingian Origins Of The Medici, William M. Deloach

Tenor of Our Times

The Italian Renaissance and the cultural legacy of the Classical World are inextricably linked. The links between the non-classical sources and the Renaissance, however, have frequently been neglected. This article examines the non-classical origin claims made by the Medici family in Renaissance Florence. Specifically, it evaluates the purpose behind the Medici's attempts to link themselves to the Etruscans and to Charlemagne. Ultimately, it concludes that these efforts represent an attempt to conceal the significant authority the Medici had, both at the time that these sources were written and in Florentine history through the fifteenth century.

Front Matter

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Front Matter

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Spotlight - Mecca Mejor, William Deloach

Tenor of Our Times

Staff Spotlight

One Of These Things Is Not Like The Other: Differences Between The New Deal And Great Society, Brayden T. Gallagher

Tenor of Our Times

This paper examines the differences between the New Deal of Franklin D. Roosevelt and the Great Society of Lyndon B. Johnson, challenging the prevailing interpretation that the latter administration was the logical continuation of the former. Through comparative historical analysis of policy and rhetoric, the research finds that, despite clear similarities such as expanded government involvement and social welfare programs, the two initiatives diverged significantly. The New Deal prioritized economic recovery through short-term job creation while often tolerating or reinforcing racial inequality. In contrast, the Great Society directly confronted systemic racism and struck at the roots of poverty through education, …

Editor's Note, William Deloach

Tenor of Our Times

Editor's Note

Speculative Spies: The Pinkerton National Detective Agency, Business, And Labor Conflict In The Gilded Age, Luke M. Gibbs

Tenor of Our Times

The Pinkerton Agency molded into an “arm of capital” used by the wealthy against labor during the Gilded Age. However, such a transition seems confusing given the life of the company’s founder. Allan Pinkerton, once a champion of workers’ rights in his home country of Scotland, seemingly used his agency to side with the wealthy elite. In explaining these shifts, historian Sean Paul O’Hara agrees with a “profits and negative image” narrative. The poor financial position of the agency, coupled with a battered reputation resulting from failures in the American West, would be remedied through the lucrative business that was …

Phi Alpha Theta Arkansas Regional Conference 2026, Jacob Rooney

Tenor of Our Times

Phi Alpha Theta Regional Conference 2026

History Day At Harding 2026, Julie E Harris

Tenor of Our Times

History Day in Arkansas summary.

Long Live The Good King: A Niebuhrian Analysis Of Arthur’S Ethical Kingship In The Once And Future King, Camille Bewley

Tenor of Our Times

The classic The Once and Future King, written by T.H. White, is a selection of four fantasy novels with one, linear plot: the story of Arthur, the mythological King of England. Reinhold Niebuhr’s book Moral Man and Immoral Society details the Christian realism of a world in need of justice without the ability to achieve perfect application. Through good education, Arthur is well endowed with Niebuhr’s requirements for a functional society: knowledge, honor, wisdom, and compassion. Such king-like qualities make him one of the most influential mythological characters in history, and a grand exemplar for maintaining ethical goals and personal …

Living Letters, Jacob Rooney

Tenor of Our Times

Living Letters

Clothing, Comportment, And Court Femininity In Domenico Ghirlandaio's Portraits Of Elite Florentine Women (C. 1475-1490), Emmerson Stephens

Art History Theses and Dissertations

This thesis examines a focused group of Domenico Ghirlandaio’s portraits of women from the Medici–Tornabuoni–Sassetti circle in Florence (c. 1475–1490), arguing that these works construct, rather than simply represent, an ideal of courtly femininity. Situating portraiture within systems of social regulation, it demonstrates how comportment, dress, and visual conventions disciplined the female body. Clothing functioned as a material technology that structured posture, gesture, and movement, shaping how women appeared both socially and pictorially.

Through analysis of panel portraits and fresco cycles, particularly in the Tornabuoni Chapel, the study shows how controlled formats, gestures, and surfaces produced figures that embody modesty, …

From The Pit, Joshua C. Goering

School of Art, Art History, and Design: Theses and Student Creative Work

Clay retains histories; the memory of each action it experiences is depicted on its surface and in its form.  I am a potter focused on making objects that capture these moments. Pinching, scraping, trimming, throwing, and carving expose tooth and excavate form, revealing the qualities of the material and showing the marks of handwork. As a potter, I am interested in participating in a history of vessel making and understanding making through an interpretation of the historic object. The work acts as an archive, accumulating information about process, materials, and a greater context of elder objects. Integrating these vocabularies creates …

Acquiring Egypt: Napoleon, Joséphine, And The Formation Of France’S Collections Of Egyptian Antiquities, 1792-1822, Anna E. Dow

LSU Doctoral Dissertations

This dissertation examines the seizure and acquisition of Egyptian antiquities by the French government between 1792 and 1822. During this period, the French government seized antiquities for a variety of reasons, not the least of which was to benefit the French people politically and financially and to support the French ideals of art and civilization. Egyptian antiquities were collected almost accidentally, as French armies confiscated the collections of the wealthy in Paris and the aristocratic collections in Italy. But the presence of the art prompted the curiosity of the French, which led to a greater interest in Egyptian antiquities. However, …

Two Wrestlers: An Unrealized Herculean Pendant To Michelangelo’S David, Theodore Mayberry

Knowledge and Creativity Expo

Following the completion of Michelangelo’s David 1504, Gonfalonier Piero Soderini presented the emerging Florentine artist with a proposal for a second statue on behalf of Florence’s government: a statue of Hercules to stand alongside the David at the entrance of the Palazzo Vecchio. Michelangelo readily accepted, however the commission never came to be; what remains of Michelangelo’s vision for the Herculean pendant now resides in the Casa Buonarroti Museum of Florence: a rough terracotta model of Hercules and Cacus. Upon review of the scholarship documenting Michelangelo’s unrealized Hercules as well as his David, an intriguing pattern can be observed …

Artemisia Gentileschi's Judith And Her Maidservant Serves As A Message Of Hope, Holly Kyseth

Theses

This thesis argues that through iconography and specific artistic techniques, Artemisia Gentileschi’s Judith and Her Maidservant utilizes the biblical story of Judith and Holofernes to relay a distinctly female-centered narrative, reflective of the ideals of her seventeenth century Italian community. This piece stands apart from other representations of this narrative in that Judith was commonly shown as either dainty yet violent in the act of decapitating Holofernes, or as a saintly victor proudly displaying his head to her people. With Judith and Her Maidservant, Artemisia displays an obvious sororal alliance between Judith and her servant Abra, while cleverly implementing Caravaggesque …

Representations Of "Black"-Type Coffins In The New Kingdom, Yunyao Chen

Theses and Dissertations

This thesis examines depictions of twenty-three owners’ “black”-type coffins depicted in tomb wall paintings from eleven Theban tombs and on eight Theban papyri dating from the Eighteenth Dynasty to the early Twenty-first Dynasty. Four research methods are employed: descriptive, analytical, comparative, and contextual. First, a stylistic and iconographic analysis identifies four phases in the evolution of the “black”-type coffins depicted in the funerary art and explores the factors that influenced these representations by comparing them with actual “black”-type coffins and relevant artistic representations. The results indicate that the representations of “black”-type coffins feature a distinct evolution pattern, which is based …

Infinite Line, Infinite Knowledge: The 'Spera' And Organized Chaos In Lambert's Encyclopedia, The 'Liber Floridus', Ava Romano

Theses and Dissertations

The Liber Floridus is a medieval encyclopedia renowned for its program of circular diagrams, or sperae. Inside this manuscript of 190 chapters, these diagrams frame and embody written knowledge, revealing a connection between encyclopedism and life in the Benedictine monastery by creating a coherent visual organization of chapters.

Long-Distance Exchanges In The Art Of The First Millenium, Lawrence Nees

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Indo-Gothic Architecture And The Reproduction Of Medieval Political Logic In Colonial Calcutta, Sreeja Chowdhury Frsa

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.