Law Commons^™

Lights, Camera, Actionable Negligence: Transmission Of The Aids Virus During Adult Motion Picture Production, Francisco G. Torres

UC Law SF Communications and Entertainment Journal

Adult motion picture production is an activity in which the risk of HIV transmission is extremely high. Film producers' failure to employ safe sex practices and California legislation prohibiting AIDS testing by employers have combined to create an unsafe working environment for performers. This Note examines the potential liability of producers for transmission of HIV during the production of an adult motion picture. This Note then proposes that California Health and Safety Code section 199.21 be amended to allow adult motion picture producers to use AIDS test results to determine employability of performers.

The Law Of Ideas: New York And California Are More Than 3,000 Miles Apart, Peter Swarth

UC Law SF Communications and Entertainment Journal

The 1989 Los Angeles County Bar Association Entertainment Law Writing Competition First Prize Winner.

Over the years, New York and California courts have moved in opposite directions on the question of protection for the purveyor of ideas. While California courts have expanded the rights of idea sellers to almost equal those found under copyright law, New York courts virtually deny any rights to the "idea man." Recent decisions by the Second and the Ninth Circuit Courts of Appeals demonstrate just how far apart our two great centers of creativity have become.

Preface To Jens B. Koepke's The University Of California Hate Speech Policy: A Good Heart In Ill-Fitting Garb, Edward M. Chen

UC Law SF Communications and Entertainment Journal

No abstract provided.

Testimony: Joint Hearing On H.R. 4263 & S. 2370, Roger J. Miner '56

Intellectual Property

No abstract provided.

Are States Free To Pirate Copyrighted Materials And Infringe Patents--Pennsylvania V. Union Gas May Mean They Are Not, Susan C. Hill

West Virginia Law Review

No abstract provided.

Elimination Of Process: Will The Biotechnology Patent Protection Act Revive Process Patents, 24 J. Marshall L. Rev. 263 (1990), Kerin Kelly

UIC Law Review

No abstract provided.

Copyright Law And The Myth Of Objectivity: The Idea-Expression Dichotomy And The Inevitability Of Artistic Value Judgments, Amy B. Cohen

Indiana Law Journal

No abstract provided.

Easing Transfer And Security Interest Transactions In Intellectual Property: An Agenda For Reform, Harold R. Weinberg, William J. Woodward Jr.

Law Faculty Scholarly Articles

Uncertainty and confusion probably always have existed bout the employment of intellectual property as collateral for a loan. Since the drafting of Article 9 of the Uniform Commercial Code, an uneasy coexistence of state and federal law has developed. Both state and federal law now arguably apply when a debtor attempts to use a patent or trademark to secure a loan. The extent to which each body of law is applicable and the interaction between the two systems was left unclear by the drafters of Article 9 and has not been clarified by Congress. The radical differences between the state …

Patenting The Human Genome, Rebecca S. Eisenberg

Articles

The increasing promise of federal funding for mapping and sequencing the human genome has brought with it renewed attention in the research science community to issues of intellectual property protection for products of biotechnology research. Echoing concerns raised a decade ago in the debate over commercialization of academic biomedical research, scientists have called for the free availability of all information generated through the Human Genome Project and have argued against allowing private intellectual property rights in such knowledge. Meanwhile, private parties have quietly been obtaining patents on bits and pieces of the human genome from the Patent and Trademark Office …

The Public Domain, Jessica D. Litman

Articles

This article examines the public domain by looking at the gulf between what authors really do and the way the law perceives them. Part I outlines the basics of copyright as a species of property and introduces the public domain's place within the copyright scheme. Copyright grants authors" ' rights modeled on real property in order to encourage authorship by providing authors with markets in which they can seek compensation for their creations. Because parcels of authorship are intangible, however, the law faces *problems in determining the ownership and boundaries of its property grants. In particular, the concept of "originality," …

Intellectual Property Today: Of Myths And Paradoxes, David Vaver

Articles & Book Chapters

It is often claimed or assumed that intellectual property laws are necessary to encourage individual creativity and inventiveness and that society would be worse off without such laws. This article suggests that, in the field of copyrights and patents at least, such claims rest on myth and paradox rather than proof, and should be viewed sceptically. With its minimal standards for eligibility, copyright today seems less concerned with authors, art and literature than with protecting the distributors of standardized industrial products, and sometimes is even used to prevent the dissemination of knowledge by becoming a tool of censorship. Patent law …

Maryland Uniform Trade Secrets Act, Peter B. Swann

Maryland Law Review

No abstract provided.

The Role Of Technologically Trained Corporate Lawyers In Managing Risk, Homer O. Blair

RISK: Health, Safety & Environment (1990-2002)

An explanation of what technologically-trained lawyers ordinarily do as corporate employees. Lawyers with such training, while not members of the "public," have traditionally played a very small role in dealing with safety issues. It is strongly urged that they may be of great help in preventing harm which would be expensive, at best, to redress.

Copyright Law And The Myth Of Objectivity: The Idea-Expression Dichotomy And The Inevitability Of Artistic Value Judgments, Amy B. Cohen

Faculty Scholarship

ThIs Article focuses on the problem of how artistic values affect determinatlons of copyright management. It discusses how the copyright statutes embody a congressional desire to have determinations of eligibility for copyright made without regard for the artistic value of the work at issue. This Article also explores the dangers that Justice Holmes and those who have followed hIs lead saw in using assessments of artIstic value to make copyright decIsIons. It also discusses how assessments of artistic value influence copyright infrIngement determInations, specifically through the application of the idea-expression dichotomy, a principle used to determine whether the copyright in …

Author, User, Scholar, Thief: Fair Use And Unpublished Works, Diane Conley

Cardozo Arts & Entertainment Law Journal

No abstract provided.

Berne-Ing The Soviet Copyright Codes: Will The U.S.S.R. Alter Its Copyright Laws To Comply With The Berne Convention?, William Scott Goldman

Penn State International Law Review (1982 - 2011)

What changes need to be made in the Soviet copyright codes in order to bring them into compliance with the provisions of Berne? And is it likely that these changes will be accomplished in the near future? This comment will attempt to answer these questions. While these issues have already been addressed in regard to the United States, nothing similar has yet been attempted for the Soviet Union. In light of the U.S.S.R.'s announcement of its intent to accede to the Berne Convention, this analysis is now more timely than ever.

Intellectual And Informational Property Rights: Panel Iv - Introduction: Property In Mass Media Law, Lee C. Bollinger

Faculty Scholarship

This is the panel on intellectual and informational property rights. As you can see, there are three panelists other than myself: Ed Kitch, Stephen Carter, and Frank Easterbrook.

I want to begin with just a few thoughts on an area that I know something about: press and media law. I would like to say two things about the notion of property and how it arises in the context of a few problems in the area of mass media law.

Copyright In The 101st Congress: Commentary On The Visual Artists Rights Act And The Architectural Works Copyright Protection Act Of 1990, Jane C. Ginsburg

Faculty Scholarship

In the Visual Artists Rights Act, Congress has for the first time included moral rights within the U.S. copyright statute. Well-known in continental European copyright doctrine, and secured by the Berne Convention, moral rights afford protection for the author's personal, non-economic interests in receiving attribution for her work, and in preserving the work in the form in which it was created, even after its sale or licensing. These rights of attribution (sometimes infelicitously labeled the "right of paternity") and of integrity are conceptually distinct from the economic rights of exploitation set forth in section 106 of the 1976 Copyright Act. …

A Tale Of Two Copyrights: Literary Property In Revolutionary France And America, Jane C. Ginsburg

Faculty Scholarship

The French and U.S. copyright systems are well known as opposites. The product of the French Revolution, French copyright law is said to enshrine the author: exclusive rights flow from one's (preferred) status as a creator. For example, a leading French copyright scholar states that one of the "fundamental ideas" of the revolutionary copyright laws is the principle that "an exclusive right is conferred on authors because their property is the most justified since it flows from their intellectual creation." By contrast, the U.S. Constitution's copyright clause, echoing the English Statute of Anne, makes the public's interest equal, if not …

Book Review. Inventing The Industrial Revolution: The English Patent System, 1660-1800, Marshall A. Leaffer

Articles by Maurer Faculty

No abstract provided.

Cable Television And The Compulsory Copyright License, Fred H. Cate

Articles by Maurer Faculty

No abstract provided.

The Copyrightability Of Useful Articles: The Second Circuit's Resistance To Conceptual Separability, Sally M. Donahue

Touro Law Review

No abstract provided.

The Gray Market After K Mart: Shopping For Solutions, Danielle G. Mazur

Cardozo Arts & Entertainment Law Journal

No abstract provided.

Art Forgery And Copyright Law: Modifying The Originality Requirement To Prevent The Forging Of Artworks, Judith M. Nelson

Cardozo Arts & Entertainment Law Journal

No abstract provided.

"Works Made For Hire" After Community For Creative Non-Violence V. Reid: The Need For Statutory Reform And The Importance Of Contract, Michael B. Landau

Cardozo Arts & Entertainment Law Journal

No abstract provided.

The Fate Of Joint Authorship After Community For Creative Non-Violence V. Reid, Shari Ilene Fine

Cardozo Arts & Entertainment Law Journal

No abstract provided.

Easing Transfer And Security Interest Transactions In Intellectual Property: An Agenda For Reform, Harold R. Weinberg, William J. Woodward Jr.

Kentucky Law Journal

No abstract provided.

Creation And Commercial Value: Copyright Protection Of Works Of Information, Jane C. Ginsburg

Faculty Scholarship

In 1899, Augustine Birrell, a Victorian barrister, lamented: "The question of copyright has, in these latter days, with so many other things, descended into the market-place, and joined the wrangle of contending interests and rival greedinesses." Birrell's remark conveys distaste for those authors who would "realise the commercial value of their wares." But the question of copyright has always been joined with that of commercial value. Indeed, by affording authors limited monopoly protection for their writings, our Constitution relies on wrangling greed to promote the advancement of both creativity and profit. Nonetheless, the distinction Birrell implies between copyrightworthy works of …

The Distribution Right In The United States Of America: Review And Reflections, John M. Kernochan

Vanderbilt Law Review

This Essay on the distribution right considers the possibility and the merits of three options now widely discussed. These are: (a) ex-tending the reach of an old right, the right of reproduction, to include the currently debated "droit de destination," or (b) broadening the right of distribution in nations that have such a right by cutting back on the"first sale doctrine"' and other limitations on that right, and (c) giving authors broad control over use of their work. All of these approaches aim to make authors' rights more substantial and effective to achieve their purpose amid the erosions resulting from …

Note On Serendipitous Legal Protections: Preemption Continued - 1989, Wendy J. Gordon

Scholarship Chronologically

The First Circuit in Decosta II recognized something r-ar-ely focused on, but of great importance-- namely, the following question: assuming there are applicable federal ·al policies of non-protection, do those policies for-bid only direct state attempts to restrain copying, or- do they also for-bid any state law which has as one of its effects a restraint on copying?