Theatre History Commons^™

Crimes Of The Heart

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 2010 performance of Crimes of the Heart by Beth Henley.

Crimes of the Heart tells the story of the three Magrath sisters, Meg, Babe, and Lenny, who reunite at their grand father’s home in Mississippi after Babe shoots her abusive husband.

The Cutting Edge, March/April 2010, Vol. 21 Issue 2, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

Inook And The Sun Program, University Of Southern Maine Department Of Theatre

Programs 2009-2010 Season

By Henry Beissel

Directed by Assunta Kent

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

Sobre Lo Visible Y Lo Invisible: Barcelona Y El Teatro, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

Durante el invierno del año 2000, el director catalán Lluís Pasqual llevó a la escena del Teatre Lliure, la casa histórica de una de las compañías de repertorio más estable, consolidada y distinguida de Barcelona, una versión catalana de El jardín de los cerezos de Antón Chekov. En la obra de Chekov, Madame Ranyévskaya, emblema de la elegancia marchita y de la ya desvanecida supremacía de la aristocracia rusa, se ve obligada, por su situación de desesperanza económica, a vender su finca y su jardín de cerezos al nuevo-rico Lopatkhin y, después, a volver a París, cuando Rusia se encuentra …

How Greek Tragedy Inspired Friedrich Nietzsche's Philosophy From "The Birth Of Tragedy" To "Ecce Homo", Marc Le Voir

Honors Capstones

Capstone submitted as a graduation requirement for the BSU Honors Program.

Pajama Game Program, University Of Southern Maine Department Of Theatre

Programs 2009-2010 Season

Book by George Abbott and Richard Bissell

Score by Richard Adler and Jerry Ross

Directed by Wil Kilroy

Musical Direction by Edward Reichert

Choreography by Vanessa Beyland

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

You Can't Take It With You, Otterbein University Theatre And Dance Department

2009-2010 Season

Grandpa Vanderhof and his wacky family, the Sycamores, have been happily living their zany lives in his house by Columbia University in New York for many years. This family (and their friends) are a madcap group of eccentrics, marching to the beat of their own drum, with pride and joy. Their hobbies include collecting snakes, building fireworks in the basement, writing a myriad of plays that never get published, and taking ballet lessons. Things like stress, jobs, and paying taxes to the government are for other people, not for them! But when practical young Alice Sycamore becomes engaged to her …

Hippolytus

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 2010 performance of Hippolytus by Euripides.

Hippolytus is the illegitimate son of Theseus, the king of Athens. The play tells how the goddess of love, Aphrodite, maliciously enacts vengeance on Hippolytus for his oath to chastity and service to the goddess of the hunt, Artemis.

The Cutting Edge, January/February 2010, Vol. 21 Issue 1, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

El Perfil Postdramático Del Teatro Catalán Contemporáneo, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

Han transcurrido diez años desde la publicación en 1999 del Postdramatisches Theater de Hans-Thies Lehmann, estudio influyente en el cual el teórico alemán señalaba una serie de actitudes y condiciones propias de las prácticas estéticas teatrales (occidentales) surgidas a partir de los años setenta que parecían sugerir un cambio de paradigma en cuanto a nuestra comprensión y nuestra experiencia del drama contemporáneo [Barnett, 2006: 484-487]. La noción de lo postdramático no necesariamente excluye la presencia de lo que entendemos por drama (o por lo dramático), sino que lo postdramático y lo dramático se encuentran, como ha señalado Lehmann, entrelazados en …

The Fight Master, Fall/Winter 2010, Vol. 32 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

0776: Elaine Novak Papers, 1956-1995, Marshall University Special Collections

Guides to Manuscript Collections

This collection is composed of the papers of Elaine Novak, theatre professor at Marshall University. Included are class notes, shows notes, and personal ephemera.

De La Parole Poétique À La Parole Politique Dans Les Oeuvres Théâtrales D’Aimé Césaire Et De Sony Labou Tansi, Virginie Darriet-Féréol

Présence Francophone: Revue internationale de langue et de littérature

Aimé Césaire and Sony Labou Tansi wished for acting and voicing for their people both on the political and literary level. By choosing the drama, they presented the language. By creating a new language, a new literature, a new artistic aesthetics, consequently a new trend of thinking, their writing served policy.

Le Théâtre Amateur Marocain. Trajectoire D’Un Théâtre Alternatif, Omar Fertat

Présence Francophone: Revue internationale de langue et de littérature

Modern Moroccan theatre was born with non-professional artists and has remained intimately linked to this milieu. Unlike professional playwrights, non-professional artists have never bowed to the demands of political authorities, whether it be the French administration or the local Makhzen. They used this artistic medium as a forum for debate and resistance against the oppressor. This freedom of expression operated not just at the political level but also at the aesthetic level. Since non-professionals were not constrained by the need to please an audience fond of social comedies and melodramas, they could explore more risky avant-garde paths. In spite of …

The Cutting Edge, November/December 2009, Vol. 20 Issue 6, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

December 2009 - Volume Ix, Number 1, Theatre Arts Department

Sides (Newsletter)

This issue includes items about Theatre Alumni Reunions, Dedication of the Green Room at the Doudna Fine Art Center (named after Lucille and E. Glendon Gabbard), and December Graduates.

Mutations Politiques Et Processus De Légitimation Culturelle : Considérations Sur Le Théâtre Populaire Camerounais, Pierre Fandio

Présence Francophone: Revue internationale de langue et de littérature

All forms of theatre have never been perceived the same way in contemporary Cameroon. Whereas the written theatre relatively received an acceptable treatment from the official instances of recognition, the non-written one has always been excluded. This communication sets out to show how, from this marginalized position and palpably inspired at the same time from the Italian commedia dell’arte, the French vaudeville and the African traditional dramaturgic shape, a new and popular form of theatre came to existence. Thanks to the exceptional capacity of adaptation and innovation of its discourse and thematic, the offer of this “street dramaturgy” rather matches …

Dance Usm! Program [2009], University Of Southern Maine Department Of Theatre

Programs 2009-2010 Season

Directed by Maria Tzianabos

Radical Theatricality: Jongleuresque Performance On The Early Spanish Stage, Christopher B. Swift

Publications and Research

Radical Theatricality describes medieval and early modern oral traditions through the culture of “jongleuresque” performers: juglares, trovadores, and other itinerant players, who have been relegated to the fringes of theatre history.

Tea And Sympathy Program, University Of Southern Maine Department Of Theatre

Programs 2009-2010 Season

By Robert Anderson

Directed by William Steele

The Secret Garden

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2009 performance of The Secret Garden based on the book by Frances Hodgson Burnett with script and lyrics by Marsha Norman and music by Lucy Simon.

The Secret Garden tells the story of Mary Lennox, a young English girl from British Raj who is sent to live in Yorkshire, England with her relatives after her parents die in a cholera outbreak. As she works in a neglected hidden garden with a young gardener she begins to grow and begins to influence her sickly cousin and uncle.

Footprints Of A Pilgrim

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2009 performance of Footsteps of a Pilgrim based on the book by Ruth Bell Graham and adapted by Kerry Meads and Robert Smyth.

Footprints of a Pilgrim is the story of Ruth Bell Graham recounting the story of her childhood as the daughter of missionaries in China, her marriage to Reverend Billy Graham, and beyond.

Babes In Arms, Otterbein University Theatre And Dance Department

2009-2010 Season

One of the quintessential “Hey, let’s put on a show” musicals, which boasts one of the most beautiful scores ever written, by Richard Rodgers and Lorenz Hart, including such timeless standards as “The Lady is a Tramp”, “Where Or When”, “My Funny Valentine”, and “I Wish I were In Love Again”.

A group of teenagers are left to their own devices as their parents leave for the summer to hit the vaudeville circuit. However, problems arise when the local sheriff vows to send them to a work farm unless they prove their mettle. Within two weeks, the group pushes forward …

Outside The Black Box: “Found-Transformed” Czech Theatres, Michele O'Brien

Independent Study Project (ISP) Collection

This study was designed to investigate the recent trends of non-traditional theatre spaces in the Czech Republic. By profiling four theatres, called “found-transformed” spaces for the purposes of this paper, the study‟s original aim was to draw a conclusion about the impulses for the creation and use of these spaces within the Czech context. The four spaces were: Divadlo Tramtarie in Olomouc, Moving Station in Plzen, Divadlo Těchonice in Těchonice, and Kulturní Dům Rozkrok in Varnsdorf. Methodologies employed include personal interview, observation of both the spaces and some of the work performed in the space, and research of theoretical texts …

The Cutting Edge, September/October 2009, Vol. 20 Issue 5, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

The Bear & The Proposal Program, University Of Southern Maine Department Of Theatre

Programs 2009-2010 Season

By Anton Chekhov

Directed by Thomas Power

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

2009 - 2010 Season Brochure, Otterbein University Theatre And Dance Department

Theatre and Dance Annual Brochures

Annual promotional piece of the upcoming season's shows.

The Last Night Of Ballyhoo, Otterbein University Theatre And Dance Department

2009 Summer Theatre

The Last Night of Ballyhoo takes place in Atlanta, Georgia, in December of 1939. Gone with the Wind is having its world premiere, and Hitler is invading Poland, but Atlanta's elitist German Jews are much more concerned with who is going to Ballyhoo, the social event of the season. Events take several unexpected turns as the characters face where they come from and are forced to deal with who they really are.

https://www.dramatists.com/cgi-bin/db/single.asp?key=2480

The Cutting Edge, July/August 2009, Vol. 20 Issue 4, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

Altar Boyz, Otterbein University Theatre And Dance Department

2009 Summer Theatre

Altar Boyz is the hilarious story of a struggling Christian boy-band trying to make it big in New York City. Five talented heartthrobs from Ohio do their best to spread the word of God through pop music. However, can they resist the temptations of the Big Apple? The show is presented in real time as a concert, the last concert of their national "Raise the Praise" tour.

https://stageagent.com/shows/musical/2422/altar-boyz