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Articles 1 - 8 of 8
Full-Text Articles in Theatre History
Las Seis Dimensiones De La Ciencia Ficción Española, Miguel A. Fernández Delgado Mafd
Las Seis Dimensiones De La Ciencia Ficción Española, Miguel A. Fernández Delgado Mafd
Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía
Reseña de Historia de la ciencia ficción en la cultura española, editada por Teresa López-Pellisa. Madrid: Iberoamericana, Vervuert, La Casa de la Riqueza, Estudios de la Cultura de España 44, 2018. 523p; la cual aborda la historia de la literatura, el teatro, el cine, la televisión, la poesía y la narrativa gráfica en España
Teatro, Ciencia Ficción Y Distopía En La España Tardofranquista: Sodomáquina (1970), De Carlo Frabetti, Miguel Carrera Garrido
Teatro, Ciencia Ficción Y Distopía En La España Tardofranquista: Sodomáquina (1970), De Carlo Frabetti, Miguel Carrera Garrido
Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía
La ciencia ficción no es uno de los géneros más practicados en el teatro español del siglo XX. Ello no obsta para que exista algún que otro título merecedor de atención y estudio. El presente artículo se centra en Sodomáquina, del italiano afincado en España Carlo Frabetti (Bolonia, 1945). Publicada en 1970 en las revistas especializadas –en ciencia ficción y en teatro, respectivamente– Nueva Dimensión y Yorick, constituye uno de los más dignos intentos de aclimatar el género en las tablas, con todo su potencial imaginativo y discursivo. En nuestro análisis, valoramos su condición de distopía crítica, …
Anna Larpent And Shakespeare, Fiona Ritchie
Anna Larpent And Shakespeare, Fiona Ritchie
ABO: Interactive Journal for Women in the Arts, 1640–1830
Anna Larpent (1758-1832) is a crucial figure in theater history and the reception of Shakespeare since drama was a central part of her life. Larpent was a meticulous diarist: the Huntington Library holds seventeen volumes of her journal covering the period 1773-1830. These diaries shed significant light on the part Shakespeare played in her life and contain her detailed opinions of his works as she experienced them both on the page and on the stage in late eighteenth- and early nineteenth-century London. Larpent experienced Shakespeare’s works in a variety of forms: she sees Shakespeare’s plays performed, both professionally and by …
Aphra Behn On The Contemporary Stage: Behn's Feminist Legacy And Woman-Directed Revivals Of The Rover, Nicole Elizabeth Stodard
Aphra Behn On The Contemporary Stage: Behn's Feminist Legacy And Woman-Directed Revivals Of The Rover, Nicole Elizabeth Stodard
USF Tampa Graduate Theses and Dissertations
This study theorizes the origins and history of the professional female playwright and director from the Restoration period to the present day through the stage history of Behn's most popular play, The Rover. Part one is comprised of two chapters: the first in this section argues the importance of appreciating Behn's proto-directorial function in the Restoration theatre and her significance to the history of feminism and women in professional theatre; the second chapter in this section examines the implications of casting practices and venue changes to eighteenth-century revivals of Behn's canon with a particular eye towards what a contemporary director …
Estudio Y Edición De La Más Constante Mujer De Juan Pérez De Montalbán, Philip Allen
Estudio Y Edición De La Más Constante Mujer De Juan Pérez De Montalbán, Philip Allen
USF Tampa Graduate Theses and Dissertations
La más constante mujer is a Spanish Golden Age play written by Juan Pérez de Montalbán in 1631 and published for the first time in 1632. Although he was once one of the most famous playwrights in Madrid, known for running in the same literary and social circles as Lope de Vega and Calderón de la Barca, the bulk of the dramatist's work has been greatly ignored by scholars, or is referred to as being of second rate, and the author himself has nearly tragically been forgotten throughout the centuries following his short life. Although research has been conducted to …
Decolonizing Shakespeare: Race, Gender, And Colonialism In Three Adaptations Of Three Plays By William Shakespeare, Angela Eward-Mangione
Decolonizing Shakespeare: Race, Gender, And Colonialism In Three Adaptations Of Three Plays By William Shakespeare, Angela Eward-Mangione
USF Tampa Graduate Theses and Dissertations
What role did identification play in the motives, processes, and products of select post-colonial authors who "wrote back" to William Shakespeare and colonialism? How did post-colonial counter-discursive metatheatre function to make select post-colonial adaptations creative and critical texts? In answer to these questions, this dissertation proposes that counter-discursive metatheatre resituates post-colonial plays as criticism of Shakespeare's plays. As particular post-colonial authors identify with marginalized Shakespearean characters and aim to amplify their conflicts from the perspective of a dominated culture, they interpret themes of race, gender, and colonialism in Othello (1604), Antony and Cleopatra (1608), and The Tempest (1611) as explicit …
American Art Theatre In The Digital Archive, Patrick Michael Finelli
American Art Theatre In The Digital Archive, Patrick Michael Finelli
Theatre and Dance Faculty Publications
Based on a critical examination, evaluation, and selection of primary and secondary sources related to American art theater that have moved from the private into the public digital realm, Finelli reflects and comments on key issues related to the digital archive and theater historiography. His objective was to analyze the notion of digital archives and consider how accessing materials in electronic form affects the practice of writing history. He hypothesizes that the process of digitizing library and archival materials has a significant affect upon archival elements through their transformation into the digital realm, bringing about change in both an ontological …
The Portia Project: The Heiress Of Belmont On Stage And Screen, Ann Mccauley Basso
The Portia Project: The Heiress Of Belmont On Stage And Screen, Ann Mccauley Basso
USF Tampa Graduate Theses and Dissertations
Until now, there has not been a performance history of The Merchant of Venice that focuses on Portia, the main character of the play. Although she has the most lines, the most stage time, and represents the nexus of the action, Portia has often been hidden in Shylock's shadow, and this dissertation seeks to bring her into the spotlight. The Portia Project is a contribution to literary and theatrical history; its primary goal is to provide a tool for scholars and teachers. Moreover, because of Merchant's notoriously problematic nature, the play invites different perspectives. By presenting the diverse ways that …