Theatre History Commons^™

Harvey Program [2011], University Of Southern Maine Department Of Theatre

Programs 2010-2011 Season

By Mary Chase

Directed by William Steele

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

The Fight Master, Spring 2011, Vol. 33 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

Witness For The Prosecution

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 2011 performance of Witness for the Prosecution by Agatha Christie.

Witness for the Prosecution tells the story of a trial of a man named Leonard Vole for the murder of a wealthy older woman who made him her principle heir. During the trial his wife, Romaine, comes to testify not in his defense, but on the side of the prosecution.

Dance 2011: Trip The Light Fantastic, Otterbein University Theatre And Dance Department

2010-2011 Season

No abstract provided.

Triumph Of Love Program [2011], University Of Southern Maine Department Of Theatre

Programs 2010-2011 Season

Book by James Magruder

Music by Jeffrey Stock

Lyrics by Susan Birkenhead

Based on the play by Marivaux

Directed by Assunta Kent

Musical Direction by Edward Reichert

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

A Doll's House, Otterbein University Theatre And Dance Department

2010-2011 Season

Ibsen's A Doll's House is a revolutionary classic. The play was integral in establishing realism as a theatrical form, and continues to be a provocative portrayal of a woman suffering in a man's world.

https://stageagent.com/shows/play/2344/a-dolls-house

Airswimming Program [2011], University Of Southern Maine Department Of Theatre

Programs 2010-2011 Season

Written by Charlotte Jones

Director Meghan Brodie

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

The Count Of Monte Cristo

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 2011 performance of The Count of Monte Cristo, adapted by Charles Morey from the novel by Alexandre Dumas.

The Count of Monte Cristo is the story of Edmond Dantès, who is falsely accused of treason and is sent to prison. He and a fellow prisoner escape and discover a treasure, he returns as the Count of Monte Cristo to take revenge on the men who framed him.

The Angel And The Imp: The Duncan Sisters’ Performances Of Race And Gender, Jocelyn Buckner

Theatre Faculty Articles and Research

From 1923 to 1959 Vivian and Rosetta Duncan performed the show Topsy and Eva in front of thousands of audiences in the United States and abroad. This essay examines how the Duncan Sisters’ appropriation of blackness through a yin and yang performance of black and white womanhood, their sexualized but ultimately infantilizing routine as young girls, and their take on anarchistic comedy resulted in a particular spin on age, gender, race, and sexuality that reinforced their privilege as white women even while it pushed the boundaries of acceptable femininity in the swiftly shifting American culture of the first half of …

Acting Virtuous: Chastity, Theatricality, And The Tragedie Of Mariam, Kent Lehnhof

English Faculty Books and Book Chapters

Given the interrelation of female chastity and female theatricality in early modem discourses, it comes as no surprise that both figure importantly in what is believed to be the first original English drama to be written by a woman. As Elizabeth Cary explores a Jewish queen 's sexual purity in The Tragedie of Mariam, she does so by concentrating on questions of performance. Cary's title character explicitly abjures theatricality even as she embraces chastity, creating a fissure in Renaissance discourses on women that threatens to swallow up the antifeminist idea that female chastity is always an act.

Universal Identities And Local Realities: Young Poland's (Mis)Readings Of Synge, John A. Merchant

Modern Languages and Literatures: Faculty Publications and Other Works

The problems Young Poland experienced in understanding the work of John Millington Synge were informed by precisely the same kind of behaviors that Daniel Corkery described in his argument for a truly native Irish national literature in the 1930s. Overcome by a strong sense of self, Poles were not fully able to appreciate the complexities and nuances of Synge's work and by extension, the Irish-Ireland movement. In the end, then, Young Poland was incapable of really understanding the Irish, and so the best they could do was to associate with them. As a result, Poles may have been able to …

Review Of Sidwell, Aristophanes The Democrat, In New England Classical Journal 38 (2011), 290-92., Kenneth S. Rothwell Jr.

Classics & Religious Studies Faculty Publication Series

No abstract provided.

A Penitent Prepares: Affect, Contrition, And Tears, Christopher B. Swift

Publications and Research

This essay draws upon a poetic and devotional texts from late medieval Spain to show how public displays of emotion (weeping, in particular) during penitential processions could be learned and prepared for in advance.

The Salt Lake Theatre: Brigham's Playhouse, Kenneth L. Alford Ph.D., Robert C. Freeman Ph.D.

Faculty Publications

A history of the Salt Lake Theatre (dedicated in 1862).

The Portia Project: The Heiress Of Belmont On Stage And Screen, Ann Mccauley Basso

USF Tampa Graduate Theses and Dissertations

Until now, there has not been a performance history of The Merchant of Venice that focuses on Portia, the main character of the play. Although she has the most lines, the most stage time, and represents the nexus of the action, Portia has often been hidden in Shylock's shadow, and this dissertation seeks to bring her into the spotlight. The Portia Project is a contribution to literary and theatrical history; its primary goal is to provide a tool for scholars and teachers. Moreover, because of Merchant's notoriously problematic nature, the play invites different perspectives. By presenting the diverse ways that …

Betrayal Program [2010], University Of Southern Maine Department Of Theatre

Programs 2010-2011 Season

Written by Harold Pinter

Directed by Thomas Power

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

A Streetcar Named Desire

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2010 performance of A Streetcar Named Desire by Tennessee Williams.

A Streetcar Named Desire follows the story of southern belle, Blanche DuBois, who has gone through a series of personal losses and moves in with her sister Stella and brother-in-law Stanley in a dilapidated New Orleans tenement.

Born Yesterday, Otterbein University Theatre And Dance Department

2010-2011 Season

In Garson Kanin’s pointed and hilarious Born Yesterday, personal and political oppression is exposed and outwitted in the intellectual rebirth of the iconic “dumb blonde”, Billie Dawn, who ultimately stands up to Harry Brock’s violent intimidation and shuts down his shady bid for governmental cooperation. https://stageagent.com/shows/play/4838/born-yesterday

We Will Not Be Silent

Taylor Theatre Playbills

The playbill for Taylor University’s October 2010 performance of We Will Not Be Silent. by William Gebby.

During the darkest days of WWII, a handful of German college students distributed thousands of anti-Nazi leaflets and worked toward unifying resistance across Germany. They called themselves the White Rose, and their faith drew them to engage in a fight that would cost them their lives. William Gebby’s brand new play celebrates the lives of these brave young people who would not and will not be silent.

Performed by the Taylor Touring Company.

Lend Me A Tenor Program [2010], University Of Southern Maine Department Of Theatre

Programs 2010-2011 Season

By Ken Ludwig

Directed by Wil Kilroy

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

The Bald Soprano

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2010 performance of The Bald Soprano by Eugène Ionesco.

The Bald Soprano: An Anti-Play follows the events of a traditional couple who invite over another couple, and are later joined by their maid and the maid’s lover. The characters engage in meaningless banter that becomes even more nonsensical as time goes on.

In this adaptation the actors play the actresses’ roles and the actresses play the actor’s roles.

Doubt

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2010 performance of Doubt by John Patrick Shanley.

Doubt: A Parable is the story of a fictional Catholic school in Bronx and the clash between the parish priest, Father Flynn, and school’s principal, Sister Aloysius, over the suspicion that Flynn molested an alter boy.

This play is performed by the faculty and staff of Taylor University.

Don't Dress For Dinner, Otterbein University Theatre And Dance Department

2010 Summer Theatre

Don’t Dress For Dinner centers around Bernard and Jacqueline, a not-so-happily married couple, both of whom are having extramarital affairs. As Jacqueline prepares to go out of town to visit her mother, Bernard invites his mistress and Robert, his best friend (and also Jacqueline’s lover, unbeknownst to Bernard), over for the weekend. He’s even hired a Cordon Bleu chef to cater the evening. Jacqueline discovers Robert is coming to town and cancels her trip, causing Bernard to panic. When Robert arrives, Bernard asks him to pretend Suzanne is Robert’s mistress. Robert mistakes the chef (Suzette), for Bernard’s mistress (Suzanne), producing …

2010 - 2011 Season Brochure, Otterbein University Theatre And Dance Department

Theatre and Dance Annual Brochures

Annual promotional piece of the upcoming season's shows.

The 25th Annual Putnam County Spelling Bee, Otterbein University Theatre And Dance Department

2010 Summer Theatre

An eclectic group of sixth-graders arrives at the 25th Annual Putnam County Spelling Bee, each eager to win for very different reasons. Sweet and shy Olive brings only her best friend (the dictionary) with her to the bee; bold and hyperallergic speller William Barfee uses his “magic foot” to propel him to greatness; former champion Chip is struggling with his burgeoning puberty; easily distracted Leaf is unconvinced that he’s smart enough to be a challenger; overachiever Marcy is disappointed by her consistent success; and politically aware Logainne Schwartzandgrubenierre only wants to impress her gay dads. In hilarious, touching, and catchy …

The Fight Master, Spring/Summer 2010, Vol. 32 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

Pippin, Otterbein University Theatre And Dance Department

2009-2010 Season

As told by a traveling troupe of actors led by the cunning and charming Leading Player, Pippin is the story of a young prince, heir to the throne, who is searching for his own “corner of the sky.” Pippin returns from university certain that he will find a fulfilling purpose in life. As encouraged by the Leading Player, Pippin dabbles in bloody battle, licentious and lusty sexual entanglements, and saavy political maneuvers, only to discover that true happiness is more complicated than he thought. With infectious tunes by Stephen Schwartz and classic choreography from Bob Fosse, Pippin is both …

Hole In The Head: A Play, Accompanied By A Conspectus Of Knowledge, Both Repressed And Researched, That Directly Influenced The Playwright In Her Development Of A New Work, Margaret Hunter Cook

Honors Scholar Theses

"Hole in the Head" is a play about a woman who wakes up. Maude wakes up in the first act, and in every subsequent scene she undergoes some form of physical or emotional awakening as characters walk in and out of her front door."Hole in the Head" is accompanied by an introduction that attempts to understand the interplay between creativity and academia through an analysis of theatre, feminist and queer theory, and science.

Two Kings: An Account Of The Preparation And Performance Of The Role Of Edgar In William Shakespeare's King Lear, Ryan Kathman

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

This work is my graduate thesis documenting the creative process behind my performance of the role of Edgar in the University of Nebraska-Lincoln’s 2009 production of King Lear by William Shakespeare. It is comprised of five sections including an introduction, pre-rehearsal research, rehearsal and performance journal, post-production responses and conclusion. The introduction outlines my impressions of Edgar and King Lear prior to researching or rehearsing the role. In my research section, I attempt to better understand Shakespeare, his play and the role of Edgar by studying the playwright’s life and the history of the character and play, while also making …

Dead Man's Cell Phone, Otterbein University Theatre And Dance Department

2009-2010 Season

While at a café, a man dies. But his cell phone will not stop ringing. The woman at the next table, Jean, picks up the cell phone and ends up stuck in the middle of all his troubles, meeting his widow Hermia, his mother Mrs. Gottlieb, and his mistress. In the course of meeting all these people, she ends up falling in love with the dead man’s brother, Dwight. The dead man himself, Gordon Gottlieb, eventually tells his last moments himself.

https://stageagent.com/shows/play/1810/dead-mans-cell-phone